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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFE127 it is the complementary color #301ED8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFE127. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFE127 shade: #D4E122, #E5F335, #F6FF48, #FFFF5B and #FFFF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFE127. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFE127 shade: #CFE127, #BECF14, #ADBD01, #9CAB00 and #8B9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFE127 shade: #CFE127, #E1C127, #E18F27, #E15D27 and #E12A27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFE127 shade: #CFE127, #9DE127, #6BE127, #39E127 and #27E148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFE127 shade matches the following richer shades: #CFE127 and #DFF513

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFE127 shade: #CFE127, #BFCD3B, #AFBA4F, #9FA662 and #8F9276

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFE127 shade: #E18D27, #E1BF27, #D2E127, #A0E127 and #6EE127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFE127 shade: #93A015, #B4C51A, #CFE127, #D7E64B and #DFEB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFE127 shade: #CFE127, #27E15C and #A627E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFE127 shade: #CFE127, #27D2E1 and #E127D2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFE127 shade: #CFE127, #27E15C, #3727E1 and #E127AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFE127 shade: #CFE127, #27E194, #3727E1 and #E12775

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

Complementary color

CMYK 78 / 86 / 0 / 15

HEX #301ED8

RGB 48 30 216

HSL 245.81, 0.76%, 0.48%

LAB 30.68, 63.36, -88.34

 

CMYK 6 / 0 / 85 / 12

HEX #D4E122

RGB 212 225 34

HSL 64.08, 0.76%, 0.51%

LAB 85.99, -24.56, 80.58

 

CMYK 6 / 0 / 78 / 5

HEX #E5F335

RGB 229 243 53

HSL 64.42, 0.89%, 0.58%

LAB 92.14, -25.59, 81.84

 

CMYK 4 / 0 / 72 / 0

HEX #F6FF48

RGB 246 255 72

HSL 62.95, 1%, 0.64%

LAB 96.65, -23.65, 80.8

 

CMYK 0 / 0 / 64 / 0

HEX #FFFF5B

RGB 255 255 91

HSL 60, 1%, 0.68%

LAB 97.44, -19.1, 75.13

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6E

RGB 255 255 110

HSL 60, 1%, 0.72%

LAB 97.59, -17.91, 67.66

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 8 / 0 / 90 / 19

HEX #BECF14

RGB 190 207 20

HSL 65.45, 0.82%, 0.45%

LAB 79.4, -25.37, 77.05

 

CMYK 8 / 0 / 99 / 26

HEX #ADBD01

RGB 173 189 1

HSL 65.11, 0.99%, 0.37%

LAB 73.08, -24.09, 73.84

 

CMYK 9 / 0 / 100 / 33

HEX #9CAB00

RGB 156 171 0

HSL 65.26, 1%, 0.34%

LAB 66.67, -22.56, 68.62

 

CMYK 9 / 0 / 100 / 40

HEX #8B9900

RGB 139 153 0

HSL 65.49, 1%, 0.3%

LAB 60.13, -20.99, 63.18

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 0 / 14 / 83 / 12

HEX #E1C127

RGB 225 193 39

HSL 49.68, 0.76%, 0.52%

LAB 78.63, -2.97, 73.72

 

CMYK 0 / 36 / 83 / 12

HEX #E18F27

RGB 225 143 39

HSL 33.55, 0.76%, 0.52%

LAB 66.37, 23.5, 63.23

 

CMYK 0 / 59 / 83 / 12

HEX #E15D27

RGB 225 93 39

HSL 17.42, 0.76%, 0.52%

LAB 56.07, 48.86, 54.17

 

CMYK 0 / 81 / 83 / 12

HEX #E12A27

RGB 225 42 39

HSL 0.97, 0.76%, 0.52%

LAB 49.26, 67.41, 47.99

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 30 / 0 / 83 / 12

HEX #9DE127

RGB 157 225 39

HSL 81.94, 0.76%, 0.52%

LAB 82.47, -46.04, 75.08

 

CMYK 52 / 0 / 83 / 12

HEX #6BE127

RGB 107 225 39

HSL 98.06, 0.76%, 0.52%

LAB 80.25, -62.19, 72.27

 

CMYK 75 / 0 / 83 / 12

HEX #39E127

RGB 57 225 39

HSL 114.19, 0.76%, 0.52%

LAB 78.96, -72.8, 70.63

 

CMYK 83 / 0 / 68 / 12

HEX #27E148

RGB 39 225 72

HSL 130.65, 0.76%, 0.52%

LAB 78.9, -72.7, 59.92

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 9 / 0 / 92 / 4

HEX #DFF513

RGB 223 245 19

HSL 65.84, 0.92%, 0.52%

LAB 92.15, -29.75, 88.17

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 7 / 0 / 71 / 20

HEX #BFCD3B

RGB 191 205 59

HSL 65.75, 0.59%, 0.52%

LAB 79.07, -22.69, 66.87

 

CMYK 6 / 0 / 58 / 27

HEX #AFBA4F

RGB 175 186 79

HSL 66.17, 0.44%, 0.52%

LAB 72.76, -18.65, 51.82

 

CMYK 4 / 0 / 41 / 35

HEX #9FA662

RGB 159 166 98

HSL 66.18, 0.28%, 0.52%

LAB 66.16, -13.16, 34.33

 

CMYK 2 / 0 / 19 / 43

HEX #8F9276

RGB 143 146 118

HSL 66.43, 0.11%, 0.52%

LAB 59.62, -6.12, 14.51

 

CMYK 0 / 37 / 83 / 12

HEX #E18D27

RGB 225 141 39

HSL 32.9, 0.76%, 0.52%

LAB 65.91, 24.57, 62.83

 

CMYK 0 / 15 / 83 / 12

HEX #E1BF27

RGB 225 191 39

HSL 49.03, 0.76%, 0.52%

LAB 78.12, -1.93, 73.28

 

CMYK 7 / 0 / 83 / 12

HEX #D2E127

RGB 210 225 39

HSL 64.84, 0.76%, 0.52%

LAB 85.86, -25.25, 79.33

 

CMYK 29 / 0 / 83 / 12

HEX #A0E127

RGB 160 225 39

HSL 80.97, 0.76%, 0.52%

LAB 82.63, -44.94, 75.29

 

CMYK 51 / 0 / 83 / 12

HEX #6EE127

RGB 110 225 39

HSL 97.1, 0.76%, 0.52%

LAB 80.35, -61.36, 72.41

 

CMYK 8 / 0 / 87 / 37

HEX #93A015

RGB 147 160 21

HSL 65.61, 0.77%, 0.35%

LAB 62.84, -20.6, 62.16

 

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 7 / 0 / 67 / 10

HEX #D7E64B

RGB 215 230 75

HSL 65.81, 0.76%, 0.6%

LAB 87.75, -24.1, 70.28

 

CMYK 5 / 0 / 52 / 8

HEX #DFEB70

RGB 223 235 112

HSL 65.85, 0.75%, 0.68%

LAB 89.99, -20.74, 57.51

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 83 / 0 / 59 / 12

HEX #27E15C

RGB 39 225 92

HSL 137.1, 0.76%, 0.52%

LAB 79.07, -70.53, 51.79

 

CMYK 26 / 83 / 0 / 12

HEX #A627E1

RGB 166 39 225

HSL 280.97, 0.76%, 0.52%

LAB 45.63, 74.96, -68.43

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 83 / 7 / 0 / 12

HEX #27D2E1

RGB 39 210 225

HSL 184.84, 0.76%, 0.52%

LAB 77.26, -35.34, -19.15

 

CMYK 0 / 83 / 7 / 12

HEX #E127D2

RGB 225 39 210

HSL 304.84, 0.76%, 0.52%

LAB 54.15, 82.7, -45.68

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 83 / 0 / 59 / 12

HEX #27E15C

RGB 39 225 92

HSL 137.1, 0.76%, 0.52%

LAB 79.07, -70.53, 51.79

 

CMYK 76 / 83 / 0 / 12

HEX #3727E1

RGB 55 39 225

HSL 245.16, 0.76%, 0.52%

LAB 33.35, 62.74, -89.06

 

CMYK 0 / 83 / 24 / 12

HEX #E127AC

RGB 225 39 172

HSL 317.1, 0.76%, 0.52%

LAB 52.33, 77.74, -26.51

 

CMYK 8 / 0 / 83 / 12

HEX #CFE127

RGB 207 225 39

HSL 65.81, 0.76%, 0.52%

LAB 85.64, -26.48, 79.06

 

CMYK 83 / 0 / 34 / 12

HEX #27E194

RGB 39 225 148

HSL 155.16, 0.76%, 0.52%

LAB 79.85, -61.35, 25.49

 

CMYK 76 / 83 / 0 / 12

HEX #3727E1

RGB 55 39 225

HSL 245.16, 0.76%, 0.52%

LAB 33.35, 62.74, -89.06

 

CMYK 0 / 83 / 48 / 12

HEX #E12775

RGB 225 39 117

HSL 334.84, 0.76%, 0.52%

LAB 50.39, 72.2, 3.48

 

Description

Color code: HEX #CFE127 | qconv.com Color code: HEX #CFE127 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 225 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 225 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 83 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 83% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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