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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 180 197 26 it is the complementary color RGB 75 58 229. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 180 197 26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 180 197 26 shade: RGB 185 197 21, RGB 202 215 40, RGB 219 233 59, RGB 236 251 78 and RGB 253 255 97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 180 197 26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 180 197 26 shade: RGB 180 197 26, RGB 163 179 7, RGB 146 161 0, RGB 129 143 0 and RGB 112 125 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 180 197 26 shade: RGB 181 198 25, RGB 198 169 25, RGB 198 122 25, RGB 198 75 25 and RGB 198 29 25

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 180 197 26 shade: RGB 181 198 25, RGB 134 198 25, RGB 88 198 25, RGB 41 198 25 and RGB 25 198 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 180 197 26 shade matches the following richer shades: RGB 181 198 25 and RGB 195 216 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 180 197 26 shade: RGB 181 198 25, RGB 166 180 43, RGB 152 162 62, RGB 137 144 80 and RGB 123 125 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 180 197 26 shade: RGB 198 120 25, RGB 198 166 25, RGB 184 198 25, RGB 138 198 25 and RGB 92 198 25

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 180 197 26 shade: RGB 114 125 16, RGB 148 162 21, RGB 181 198 25, RGB 208 226 38 and RGB 216 231 75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 180 197 26 shade: RGB 180 197 26, RGB 25 198 74 and RGB 143 25 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 180 197 26 shade: RGB 180 197 26, RGB 25 184 198 and RGB 198 25 184

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 180 197 26 shade: RGB 180 197 26, RGB 25 198 74, RGB 40 25 198 and RGB 198 25 149

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 180 197 26 shade: RGB 180 197 26, RGB 25 198 126, RGB 40 25 198 and RGB 198 25 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

Complementary color

CMYK 67 / 75 / 0 / 10

HEX #4B3AE5

RGB 75 58 229

HSL 245.96, 0.77%, 0.56%

LAB 38.16, 56.61, -83.34

 

CMYK 6 / 0 / 89 / 23

HEX #B9C515

RGB 185 197 21

HSL 64.09, 0.81%, 0.43%

LAB 76.25, -22.61, 74.24

 

CMYK 6 / 0 / 81 / 16

HEX #CAD728

RGB 202 215 40

HSL 64.46, 0.69%, 0.5%

LAB 82.55, -23.74, 76.04

 

CMYK 6 / 0 / 75 / 9

HEX #DBE93B

RGB 219 233 59

HSL 64.83, 0.8%, 0.57%

LAB 88.76, -24.68, 76.78

 

CMYK 6 / 0 / 69 / 2

HEX #ECFB4E

RGB 236 251 78

HSL 65.2, 0.96%, 0.65%

LAB 94.9, -25.48, 76.84

 

CMYK 1 / 0 / 62 / 0

HEX #FDFF61

RGB 253 255 97

HSL 60.76, 1%, 0.69%

LAB 97.34, -19.55, 72.65

 

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

CMYK 9 / 0 / 96 / 30

HEX #A3B307

RGB 163 179 7

HSL 65.58, 0.92%, 0.36%

LAB 69.5, -23.39, 70.13

 

CMYK 9 / 0 / 100 / 37

HEX #92A100

RGB 146 161 0

HSL 65.59, 1%, 0.32%

LAB 63.01, -21.93, 65.56

 

CMYK 10 / 0 / 100 / 44

HEX #818F00

RGB 129 143 0

HSL 65.87, 1%, 0.28%

LAB 56.4, -20.35, 60.06

 

CMYK 10 / 0 / 100 / 51

HEX #707D00

RGB 112 125 0

HSL 66.24, 1%, 0.25%

LAB 49.63, -18.74, 54.43

 

CMYK 9 / 0 / 87 / 22

HEX #B5C619

RGB 181 198 25

HSL 65.9, 0.78%, 0.44%

LAB 76.24, -24.7, 73.4

 

CMYK 0 / 15 / 87 / 22

HEX #C6A919

RGB 198 169 25

HSL 49.94, 0.78%, 0.44%

LAB 69.79, -2.57, 68.79

 

CMYK 0 / 38 / 87 / 22

HEX #C67A19

RGB 198 122 25

HSL 33.64, 0.78%, 0.44%

LAB 58.03, 22.92, 59.36

 

CMYK 0 / 62 / 87 / 22

HEX #C64B19

RGB 198 75 25

HSL 17.34, 0.78%, 0.44%

LAB 48.4, 46.92, 51.63

 

CMYK 0 / 85 / 87 / 22

HEX #C61D19

RGB 198 29 25

HSL 1.39, 0.78%, 0.44%

LAB 42.69, 62.61, 47.05

 

CMYK 9 / 0 / 87 / 22

HEX #B5C619

RGB 181 198 25

HSL 65.9, 0.78%, 0.44%

LAB 76.24, -24.7, 73.4

 

CMYK 32 / 0 / 87 / 22

HEX #86C619

RGB 134 198 25

HSL 82.2, 0.78%, 0.44%

LAB 73.24, -43.45, 69.69

 

CMYK 56 / 0 / 87 / 22

HEX #58C619

RGB 88 198 25

HSL 98.15, 0.78%, 0.44%

LAB 71.24, -58.27, 67.19

 

CMYK 79 / 0 / 87 / 22

HEX #29C619

RGB 41 198 25

HSL 114.45, 0.78%, 0.44%

LAB 70.13, -67.61, 65.79

 

CMYK 87 / 0 / 72 / 22

HEX #19C638

RGB 25 198 56

HSL 130.75, 0.78%, 0.44%

LAB 70.09, -67.34, 56.69

 

CMYK 9 / 0 / 87 / 22

HEX #B5C619

RGB 181 198 25

HSL 65.9, 0.78%, 0.44%

LAB 76.24, -24.7, 73.4

 

CMYK 10 / 0 / 97 / 15

HEX #C3D807

RGB 195 216 7

HSL 66.03, 0.94%, 0.44%

LAB 82.23, -27.75, 80.85

 

CMYK 9 / 0 / 87 / 22

HEX #B5C619

RGB 181 198 25

HSL 65.9, 0.78%, 0.44%

LAB 76.24, -24.7, 73.4

 

CMYK 8 / 0 / 76 / 29

HEX #A6B42B

RGB 166 180 43

HSL 66.13, 0.61%, 0.44%

LAB 70.12, -21.64, 63.1

 

CMYK 6 / 0 / 62 / 36

HEX #98A23E

RGB 152 162 62

HSL 66, 0.45%, 0.44%

LAB 64.05, -17.43, 49.34

 

CMYK 5 / 0 / 44 / 44

HEX #899050

RGB 137 144 80

HSL 66.56, 0.29%, 0.44%

LAB 57.89, -12.72, 33.04

 

CMYK 2 / 0 / 22 / 51

HEX #7B7D62

RGB 123 125 98

HSL 64.44, 0.12%, 0.44%

LAB 51.56, -5.66, 14.51

 

CMYK 0 / 39 / 87 / 22

HEX #C67819

RGB 198 120 25

HSL 32.95, 0.78%, 0.44%

LAB 57.57, 24.01, 58.98

 

CMYK 0 / 16 / 87 / 22

HEX #C6A619

RGB 198 166 25

HSL 48.9, 0.78%, 0.44%

LAB 69, -0.98, 68.15

 

CMYK 7 / 0 / 87 / 22

HEX #B8C619

RGB 184 198 25

HSL 64.86, 0.78%, 0.44%

LAB 76.47, -23.44, 73.68

 

CMYK 30 / 0 / 87 / 22

HEX #8AC619

RGB 138 198 25

HSL 80.81, 0.78%, 0.44%

LAB 73.46, -41.96, 69.96

 

CMYK 54 / 0 / 87 / 22

HEX #5CC619

RGB 92 198 25

HSL 96.76, 0.78%, 0.44%

LAB 71.37, -57.18, 67.36

 

CMYK 9 / 0 / 87 / 51

HEX #727D10

RGB 114 125 16

HSL 66.06, 0.77%, 0.28%

LAB 49.84, -17.43, 51.4

 

CMYK 9 / 0 / 87 / 36

HEX #94A215

RGB 148 162 21

HSL 65.96, 0.77%, 0.36%

LAB 63.5, -21.17, 62.73

 

CMYK 9 / 0 / 87 / 22

HEX #B5C619

RGB 181 198 25

HSL 65.9, 0.78%, 0.44%

LAB 76.24, -24.7, 73.4

 

CMYK 8 / 0 / 83 / 11

HEX #D0E226

RGB 208 226 38

HSL 65.74, 0.76%, 0.52%

LAB 85.98, -26.57, 79.6

 

CMYK 6 / 0 / 68 / 9

HEX #D8E74B

RGB 216 231 75

HSL 65.77, 0.76%, 0.6%

LAB 88.09, -24.18, 70.65

 

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

CMYK 87 / 0 / 63 / 22

HEX #19C64A

RGB 25 198 74

HSL 136.99, 0.78%, 0.44%

LAB 70.24, -65.51, 49.56

 

CMYK 28 / 87 / 0 / 22

HEX #8F19C6

RGB 143 25 198

HSL 280.92, 0.78%, 0.44%

LAB 38.92, 69.66, -63.94

 

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

CMYK 87 / 7 / 0 / 22

HEX #19B8C6

RGB 25 184 198

HSL 184.86, 0.78%, 0.44%

LAB 68.43, -32.31, -17.85

 

CMYK 0 / 87 / 7 / 22

HEX #C619B8

RGB 198 25 184

HSL 304.86, 0.78%, 0.44%

LAB 47.19, 76.52, -41.96

 

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

CMYK 87 / 0 / 63 / 22

HEX #19C64A

RGB 25 198 74

HSL 136.99, 0.78%, 0.44%

LAB 70.24, -65.51, 49.56

 

CMYK 80 / 87 / 0 / 22

HEX #2819C6

RGB 40 25 198

HSL 245.2, 0.78%, 0.44%

LAB 27.36, 59.79, -83.38

 

CMYK 0 / 87 / 25 / 22

HEX #C61995

RGB 198 25 149

HSL 316.99, 0.78%, 0.44%

LAB 45.46, 71.94, -23.85

 

CMYK 9 / 0 / 87 / 23

HEX #B4C51A

RGB 180 197 26

HSL 65.96, 0.77%, 0.44%

LAB 75.89, -24.62, 72.9

 

CMYK 87 / 0 / 36 / 22

HEX #19C67E

RGB 25 198 126

HSL 155.03, 0.78%, 0.44%

LAB 70.94, -57.14, 24.9

 

CMYK 80 / 87 / 0 / 22

HEX #2819C6

RGB 40 25 198

HSL 245.2, 0.78%, 0.44%

LAB 27.36, 59.79, -83.38

 

CMYK 0 / 87 / 51 / 22

HEX #C61961

RGB 198 25 97

HSL 335.03, 0.78%, 0.44%

LAB 43.6, 66.81, 5.38

 

Description

Color code: RGB 180 197 26 | qconv.com Color code: RGB 180 197 26 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 197 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 197 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 87 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 87% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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