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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CFCA70 it is the complementary color #30358F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CFCA70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CFCA70 shade: #D4CA6B, #E5DC7E, #F6EE91, #FFFFA4 and #FFFFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CFCA70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CFCA70 shade: #CFCA70, #BEB85D, #ADA64A, #9C9437 and #8B8224

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CFCA70 shade: #CFCA71, #CFB171, #CF9771, #CF7E71 and #CF7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CFCA70 shade: #CFCA71, #BBCF71, #A1CF71, #88CF71 and #71CF73

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CFCA70 shade matches the following richer shades: #CFCA71, #DFD862, #EEE652 and #FDF343

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CFCA70 shade: #CFCA71, #C0BD80, #B1AF90, #A2A19F and #9294AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CFCA70 shade: #CF9771, #CFB071, #CFC971, #BCCF71 and #A3CF71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CFCA70 shade: #B3AC3B, #C5BF52, #CFCA71, #DAD690 and #E4E1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CFCA70 shade: #CFCA70, #71CF7E and #A371CF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CFCA70 shade: #CFCA70, #71CFC9 and #C971CF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CFCA70 shade: #CFCA70, #71CF7E, #7177CF and #CF71C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CFCA70 shade: #CFCA70, #71CF9A, #7177CF and #CF71A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 46 / 19

HEX #CFCA70

RGB 207 202 112

HSL 56.84, 0.5%, 0.63%

LAB 80, -10.75, 45.3

 

Complementary color

CMYK 66 / 63 / 0 / 44

HEX #30358F

RGB 48 53 143

HSL 236.84, 0.5%, 0.37%

LAB 27.18, 27.86, -50.56

 

CMYK 0 / 5 / 50 / 17

HEX #D4CA6B

RGB 212 202 107

HSL 54.29, 0.55%, 0.63%

LAB 80.35, -9.19, 48.25

 

CMYK 0 / 4 / 45 / 10

HEX #E5DC7E

RGB 229 220 126

HSL 54.76, 0.66%, 0.7%

LAB 86.68, -9.71, 47.07

 

CMYK 0 / 3 / 41 / 4

HEX #F6EE91

RGB 246 238 145

HSL 55.25, 0.85%, 0.77%

LAB 92.92, -10.15, 45.9

 

CMYK 0 / 0 / 36 / 0

HEX #FFFFA4

RGB 255 255 164

HSL 60, 1%, 0.82%

LAB 98.22, -13.06, 43.52

 

CMYK 0 / 0 / 28 / 0

HEX #FFFFB7

RGB 255 255 183

HSL 60, 1%, 0.86%

LAB 98.51, -10.83, 34.51

 

CMYK 0 / 2 / 46 / 19

HEX #CFCA70

RGB 207 202 112

HSL 56.84, 0.5%, 0.63%

LAB 80, -10.75, 45.3

 

CMYK 0 / 3 / 51 / 25

HEX #BEB85D

RGB 190 184 93

HSL 56.29, 0.43%, 0.55%

LAB 73.56, -10.24, 46.48

 

CMYK 0 / 4 / 57 / 32

HEX #ADA64A

RGB 173 166 74

HSL 55.76, 0.4%, 0.48%

LAB 67.01, -9.6, 47.61

 

CMYK 0 / 5 / 65 / 39

HEX #9C9437

RGB 156 148 55

HSL 55.25, 0.48%, 0.41%

LAB 60.36, -8.82, 48.58

 

CMYK 0 / 6 / 74 / 45

HEX #8B8224

RGB 139 130 36

HSL 54.76, 0.59%, 0.34%

LAB 53.58, -7.83, 49.14

 

CMYK 0 / 2 / 45 / 19

HEX #CFCA71

RGB 207 202 113

HSL 56.81, 0.49%, 0.63%

LAB 80.01, -10.66, 44.82

 

CMYK 0 / 14 / 45 / 19

HEX #CFB171

RGB 207 177 113

HSL 40.85, 0.49%, 0.63%

LAB 73.48, 2.36, 36.67

 

CMYK 0 / 27 / 45 / 19

HEX #CF9771

RGB 207 151 113

HSL 24.26, 0.49%, 0.63%

LAB 66.97, 16.38, 28.26

 

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

CMYK 0 / 45 / 45 / 19

HEX #CF7171

RGB 207 113 113

HSL 0, 0.49%, 0.63%

LAB 58.29, 36.86, 16.58

 

CMYK 0 / 2 / 45 / 19

HEX #CFCA71

RGB 207 202 113

HSL 56.81, 0.49%, 0.63%

LAB 80.01, -10.66, 44.82

 

CMYK 10 / 0 / 45 / 19

HEX #BBCF71

RGB 187 207 113

HSL 72.77, 0.49%, 0.63%

LAB 79.83, -21.11, 44.26

 

CMYK 22 / 0 / 45 / 19

HEX #A1CF71

RGB 161 207 113

HSL 89.36, 0.49%, 0.63%

LAB 78.11, -30.97, 41.74

 

CMYK 34 / 0 / 45 / 19

HEX #88CF71

RGB 136 207 113

HSL 105.32, 0.49%, 0.63%

LAB 76.71, -39.71, 39.69

 

CMYK 45 / 0 / 44 / 19

HEX #71CF73

RGB 113 207 115

HSL 121.28, 0.49%, 0.63%

LAB 75.68, -46.57, 37.18

 

CMYK 0 / 2 / 45 / 19

HEX #CFCA71

RGB 207 202 113

HSL 56.81, 0.49%, 0.63%

LAB 80.01, -10.66, 44.82

 

CMYK 0 / 3 / 56 / 13

HEX #DFD862

RGB 223 216 98

HSL 56.64, 0.66%, 0.63%

LAB 84.83, -12.51, 57.9

 

CMYK 0 / 3 / 66 / 7

HEX #EEE652

RGB 238 230 82

HSL 56.92, 0.82%, 0.63%

LAB 89.57, -14.35, 70.06

 

CMYK 0 / 4 / 74 / 1

HEX #FDF343

RGB 253 243 67

HSL 56.77, 0.98%, 0.63%

LAB 94.05, -15.27, 80.15

 

CMYK 0 / 2 / 45 / 19

HEX #CFCA71

RGB 207 202 113

HSL 56.81, 0.49%, 0.63%

LAB 80.01, -10.66, 44.82

 

CMYK 0 / 2 / 33 / 25

HEX #C0BD80

RGB 192 189 128

HSL 57.19, 0.34%, 0.63%

LAB 75.55, -8.32, 31.27

 

CMYK 0 / 1 / 19 / 31

HEX #B1AF90

RGB 177 175 144

HSL 56.36, 0.17%, 0.63%

LAB 70.89, -4.57, 16.19

 

CMYK 0 / 1 / 2 / 36

HEX #A2A19F

RGB 162 161 159

HSL 40, 0.02%, 0.63%

LAB 66.27, -0.01, 1.16

 

CMYK 16 / 15 / 0 / 32

HEX #9294AE

RGB 146 148 174

HSL 235.71, 0.15%, 0.63%

LAB 61.95, 4.75, -13.82

 

CMYK 0 / 27 / 45 / 19

HEX #CF9771

RGB 207 151 113

HSL 24.26, 0.49%, 0.63%

LAB 66.97, 16.38, 28.26

 

CMYK 0 / 15 / 45 / 19

HEX #CFB071

RGB 207 176 113

HSL 40.21, 0.49%, 0.63%

LAB 73.23, 2.89, 36.34

 

CMYK 0 / 3 / 45 / 19

HEX #CFC971

RGB 207 201 113

HSL 56.17, 0.49%, 0.63%

LAB 79.75, -10.15, 44.5

 

CMYK 9 / 0 / 45 / 19

HEX #BCCF71

RGB 188 207 113

HSL 72.13, 0.49%, 0.63%

LAB 79.9, -20.72, 44.36

 

CMYK 21 / 0 / 45 / 19

HEX #A3CF71

RGB 163 207 113

HSL 88.09, 0.49%, 0.63%

LAB 78.23, -30.23, 41.92

 

CMYK 0 / 4 / 67 / 30

HEX #B3AC3B

RGB 179 172 59

HSL 56.5, 0.5%, 0.47%

LAB 69.04, -11.17, 56.56

 

CMYK 0 / 3 / 58 / 23

HEX #C5BF52

RGB 197 191 82

HSL 56.87, 0.5%, 0.55%

LAB 75.91, -11.79, 54.47

 

CMYK 0 / 2 / 45 / 19

HEX #CFCA71

RGB 207 202 113

HSL 56.81, 0.49%, 0.63%

LAB 80.01, -10.66, 44.82

 

CMYK 0 / 2 / 34 / 15

HEX #DAD690

RGB 218 214 144

HSL 56.76, 0.5%, 0.71%

LAB 84.49, -9.06, 35.12

 

CMYK 0 / 1 / 23 / 11

HEX #E4E1AF

RGB 228 225 175

HSL 56.6, 0.5%, 0.79%

LAB 88.66, -6.88, 24.9

 

CMYK 0 / 2 / 46 / 19

HEX #CFCA70

RGB 207 202 112

HSL 56.84, 0.5%, 0.63%

LAB 80, -10.75, 45.3

 

CMYK 45 / 0 / 39 / 19

HEX #71CF7E

RGB 113 207 126

HSL 128.3, 0.49%, 0.63%

LAB 75.85, -44.88, 31.81

 

CMYK 21 / 45 / 0 / 19

HEX #A371CF

RGB 163 113 207

HSL 271.91, 0.49%, 0.63%

LAB 56.19, 37.66, -41.29

 

CMYK 0 / 2 / 46 / 19

HEX #CFCA70

RGB 207 202 112

HSL 56.84, 0.5%, 0.63%

LAB 80, -10.75, 45.3

 

CMYK 45 / 0 / 3 / 19

HEX #71CFC9

RGB 113 207 201

HSL 176.17, 0.49%, 0.63%

LAB 77.49, -29.33, -5.7

 

CMYK 3 / 45 / 0 / 19

HEX #C971CF

RGB 201 113 207

HSL 296.17, 0.49%, 0.63%

LAB 60.55, 48.64, -34.15

 

CMYK 0 / 2 / 46 / 19

HEX #CFCA70

RGB 207 202 112

HSL 56.84, 0.5%, 0.63%

LAB 80, -10.75, 45.3

 

CMYK 45 / 0 / 39 / 19

HEX #71CF7E

RGB 113 207 126

HSL 128.3, 0.49%, 0.63%

LAB 75.85, -44.88, 31.81

 

CMYK 45 / 43 / 0 / 19

HEX #7177CF

RGB 113 119 207

HSL 236.17, 0.49%, 0.63%

LAB 53.18, 20.76, -46.34

 

CMYK 0 / 45 / 6 / 19

HEX #CF71C3

RGB 207 113 195

HSL 307.66, 0.49%, 0.63%

LAB 60.8, 48.27, -26.92

 

CMYK 0 / 2 / 46 / 19

HEX #CFCA70

RGB 207 202 112

HSL 56.84, 0.5%, 0.63%

LAB 80, -10.75, 45.3

 

CMYK 45 / 0 / 26 / 19

HEX #71CF9A

RGB 113 207 154

HSL 146.17, 0.49%, 0.63%

LAB 76.36, -39.86, 17.84

 

CMYK 45 / 43 / 0 / 19

HEX #7177CF

RGB 113 119 207

HSL 236.17, 0.49%, 0.63%

LAB 53.18, 20.76, -46.34

 

CMYK 0 / 45 / 20 / 19

HEX #CF71A6

RGB 207 113 166

HSL 326.17, 0.49%, 0.63%

LAB 59.73, 43.58, -11.97

 

Description

Color code: HEX #CFCA70 | qconv.com Color code: HEX #CFCA70 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 202 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 202 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 46 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 46% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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