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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 207 126 113 it is the complementary color RGB 48 129 142. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 207 126 113. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 207 126 113 shade: RGB 212 126 108, RGB 229 144 127, RGB 246 162 146, RGB 255 180 165 and RGB 255 198 184

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 207 126 113. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 207 126 113 shade: RGB 207 126 113, RGB 190 108 94, RGB 173 90 75, RGB 156 72 56 and RGB 139 54 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 207 126 113 shade: RGB 206 127 114 and RGB 206 114 114

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 207 126 113 shade: RGB 206 127 114, RGB 206 152 114, RGB 206 177 114, RGB 206 202 114 and RGB 186 206 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 207 126 113 shade matches the following richer shades: RGB 206 127 114, RGB 222 116 99, RGB 237 105 83 and RGB 252 94 68

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 207 126 113 shade: RGB 206 127 114, RGB 191 138 129, RGB 176 149 144, RGB 161 160 160 and RGB 145 171 175

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 207 126 113 shade: RGB 206 114 151, RGB 206 114 126, RGB 206 126 114, RGB 206 151 114 and RGB 206 176 114

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 207 126 113 shade: RGB 177 77 60, RGB 196 99 83, RGB 206 127 114, RGB 217 155 145 and RGB 227 183 175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 207 126 113 shade: RGB 207 126 113, RGB 176 206 114 and RGB 114 139 206

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 207 126 113 shade: RGB 207 126 113, RGB 114 206 126 and RGB 126 114 206

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 207 126 113 shade: RGB 207 126 113, RGB 176 206 114, RGB 114 194 206 and RGB 145 114 206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 207 126 113 shade: RGB 207 126 113, RGB 148 206 114, RGB 114 194 206 and RGB 172 114 206

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

Complementary color

CMYK 66 / 9 / 0 / 44

HEX #30818E

RGB 48 129 142

HSL 188.3, 0.49%, 0.37%

LAB 49.84, -20.02, -14.25

 

CMYK 0 / 41 / 49 / 17

HEX #D47E6C

RGB 212 126 108

HSL 10.38, 0.55%, 0.63%

LAB 61.66, 31.41, 24.1

 

CMYK 0 / 37 / 45 / 10

HEX #E5907F

RGB 229 144 127

HSL 10, 0.66%, 0.7%

LAB 68.12, 30.3, 22.55

 

CMYK 0 / 34 / 41 / 4

HEX #F6A292

RGB 246 162 146

HSL 9.6, 0.85%, 0.77%

LAB 74.51, 29.31, 21.17

 

CMYK 0 / 29 / 35 / 0

HEX #FFB4A5

RGB 255 180 165

HSL 10, 1%, 0.82%

LAB 79.96, 25.41, 18.57

 

CMYK 0 / 22 / 28 / 0

HEX #FFC6B8

RGB 255 198 184

HSL 11.83, 1%, 0.86%

LAB 84.54, 18.36, 14.82

 

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

CMYK 0 / 43 / 51 / 25

HEX #BE6C5E

RGB 190 108 94

HSL 8.75, 0.42%, 0.56%

LAB 54.53, 31.1, 22.08

 

CMYK 0 / 48 / 57 / 32

HEX #AD5A4B

RGB 173 90 75

HSL 9.18, 0.4%, 0.49%

LAB 47.89, 32.37, 23.96

 

CMYK 0 / 54 / 64 / 39

HEX #9C4838

RGB 156 72 56

HSL 9.6, 0.47%, 0.42%

LAB 41.2, 33.74, 26.18

 

CMYK 0 / 61 / 73 / 45

HEX #8B3625

RGB 139 54 37

HSL 10, 0.58%, 0.35%

LAB 34.52, 35.15, 28.81

 

CMYK 0 / 38 / 45 / 19

HEX #CE7F72

RGB 206 127 114

HSL 8.48, 0.48%, 0.63%

LAB 61.23, 29.13, 20.02

 

CMYK 0 / 45 / 45 / 19

HEX #CE7272

RGB 206 114 114

HSL 0, 0.48%, 0.63%

LAB 58.39, 36.06, 16.12

 

CMYK 0 / 38 / 45 / 19

HEX #CE7F72

RGB 206 127 114

HSL 8.48, 0.48%, 0.63%

LAB 61.23, 29.13, 20.02

 

CMYK 0 / 26 / 45 / 19

HEX #CE9872

RGB 206 152 114

HSL 24.78, 0.48%, 0.63%

LAB 67.12, 15.53, 27.89

 

CMYK 0 / 14 / 45 / 19

HEX #CEB172

RGB 206 177 114

HSL 41.09, 0.48%, 0.63%

LAB 73.4, 2.05, 36.03

 

CMYK 0 / 2 / 45 / 19

HEX #CECA72

RGB 206 202 114

HSL 57.39, 0.48%, 0.63%

LAB 79.94, -10.96, 44.23

 

CMYK 10 / 0 / 45 / 19

HEX #BACE72

RGB 186 206 114

HSL 73.04, 0.48%, 0.63%

LAB 79.5, -20.9, 43.34

 

CMYK 0 / 38 / 45 / 19

HEX #CE7F72

RGB 206 127 114

HSL 8.48, 0.48%, 0.63%

LAB 61.23, 29.13, 20.02

 

CMYK 0 / 48 / 55 / 13

HEX #DE7463

RGB 222 116 99

HSL 8.29, 0.65%, 0.63%

LAB 60.71, 39.69, 28.17

 

CMYK 0 / 56 / 65 / 7

HEX #ED6953

RGB 237 105 83

HSL 8.57, 0.81%, 0.63%

LAB 60.54, 49.5, 37.32

 

CMYK 0 / 63 / 73 / 1

HEX #FC5E44

RGB 252 94 68

HSL 8.48, 0.97%, 0.63%

LAB 60.89, 58.84, 46.4

 

CMYK 0 / 38 / 45 / 19

HEX #CE7F72

RGB 206 127 114

HSL 8.48, 0.48%, 0.63%

LAB 61.23, 29.13, 20.02

 

CMYK 0 / 28 / 32 / 25

HEX #BF8A81

RGB 191 138 129

HSL 8.71, 0.33%, 0.63%

LAB 62.37, 18.99, 12.82

 

CMYK 0 / 15 / 18 / 31

HEX #B09590

RGB 176 149 144

HSL 9.38, 0.17%, 0.63%

LAB 63.95, 9.23, 6.37

 

CMYK 0 / 1 / 1 / 37

HEX #A1A0A0

RGB 161 160 160

HSL 0, 0.01%, 0.63%

LAB 65.95, 0.36, 0.12

 

CMYK 17 / 2 / 0 / 31

HEX #91ABAF

RGB 145 171 175

HSL 188, 0.16%, 0.63%

LAB 68.2, -8.06, -5.06

 

CMYK 0 / 45 / 27 / 19

HEX #CE7297

RGB 206 114 151

HSL 335.87, 0.48%, 0.63%

LAB 59.33, 40.55, -3.93

 

CMYK 0 / 45 / 39 / 19

HEX #CE727E

RGB 206 114 126

HSL 352.17, 0.48%, 0.63%

LAB 58.66, 37.37, 9.57

 

CMYK 0 / 39 / 45 / 19

HEX #CE7E72

RGB 206 126 114

HSL 7.83, 0.48%, 0.63%

LAB 61.01, 29.67, 19.71

 

CMYK 0 / 27 / 45 / 19

HEX #CE9772

RGB 206 151 114

HSL 24.13, 0.48%, 0.63%

LAB 66.88, 16.08, 27.57

 

CMYK 0 / 15 / 45 / 19

HEX #CEB072

RGB 206 176 114

HSL 40.43, 0.48%, 0.63%

LAB 73.15, 2.59, 35.7

 

CMYK 0 / 56 / 66 / 31

HEX #B14D3C

RGB 177 77 60

HSL 8.72, 0.49%, 0.46%

LAB 45.61, 39.57, 30

 

CMYK 0 / 49 / 58 / 23

HEX #C46353

RGB 196 99 83

HSL 8.5, 0.49%, 0.55%

LAB 53.26, 37.26, 26.9

 

CMYK 0 / 38 / 45 / 19

HEX #CE7F72

RGB 206 127 114

HSL 8.48, 0.48%, 0.63%

LAB 61.23, 29.13, 20.02

 

CMYK 0 / 29 / 33 / 15

HEX #D99B91

RGB 217 155 145

HSL 8.33, 0.49%, 0.71%

LAB 69.64, 21.85, 14.46

 

CMYK 0 / 19 / 23 / 11

HEX #E3B7AF

RGB 227 183 175

HSL 9.23, 0.48%, 0.79%

LAB 78.05, 14.66, 10.07

 

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

CMYK 15 / 0 / 45 / 19

HEX #B0CE72

RGB 176 206 114

HSL 79.57, 0.48%, 0.63%

LAB 78.8, -24.76, 42.32

 

CMYK 45 / 33 / 0 / 19

HEX #728BCE

RGB 114 139 206

HSL 223.7, 0.48%, 0.63%

LAB 58.51, 8.79, -37.37

 

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

CMYK 45 / 0 / 39 / 19

HEX #72CE7E

RGB 114 206 126

HSL 127.83, 0.48%, 0.63%

LAB 75.59, -44.17, 31.48

 

CMYK 39 / 45 / 0 / 19

HEX #7E72CE

RGB 126 114 206

HSL 247.83, 0.48%, 0.63%

LAB 52.87, 26.73, -46.2

 

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

CMYK 15 / 0 / 45 / 19

HEX #B0CE72

RGB 176 206 114

HSL 79.57, 0.48%, 0.63%

LAB 78.8, -24.76, 42.32

 

CMYK 45 / 6 / 0 / 19

HEX #72C2CE

RGB 114 194 206

HSL 187.83, 0.48%, 0.63%

LAB 73.94, -21.39, -13.69

 

CMYK 30 / 45 / 0 / 19

HEX #9172CE

RGB 145 114 206

HSL 260.22, 0.48%, 0.63%

LAB 54.56, 31.81, -43.41

 

CMYK 0 / 39 / 45 / 19

HEX #CF7E71

RGB 207 126 113

HSL 8.3, 0.49%, 0.63%

LAB 61.11, 29.95, 20.44

 

CMYK 28 / 0 / 45 / 19

HEX #94CE72

RGB 148 206 114

HSL 97.83, 0.48%, 0.63%

LAB 77.07, -35.04, 39.79

 

CMYK 45 / 6 / 0 / 19

HEX #72C2CE

RGB 114 194 206

HSL 187.83, 0.48%, 0.63%

LAB 73.94, -21.39, -13.69

 

CMYK 17 / 45 / 0 / 19

HEX #AC72CE

RGB 172 114 206

HSL 277.83, 0.48%, 0.63%

LAB 57.33, 39.46, -38.86

 

Description

Color code: RGB 207 126 113 | qconv.com Color code: RGB 207 126 113 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 126 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 126 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 45 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 45% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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