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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CEBD53 it is the complementary color #3142AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CEBD53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CEBD53 shade: #D3BD4E, #E4CF61, #F5E174, #FFF387 and #FFFF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CEBD53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CEBD53 shade: #CEBD53, #BDAB40, #AC992D, #9B871A and #8A7507

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CEBD53 shade: #CEBD53, #CE9C53, #CE7B53, #CE5A53 and #CE5353

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CEBD53 shade: #CEBD53, #BECE53, #9DCE53, #7CCE53 and #5BCE53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CEBD53 shade matches the following richer shades: #CEBD53, #E0CA42 and #F2D730

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CEBD53 shade: #CEBD53, #BDB065, #ABA477, #999789 and #878A9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CEBD53 shade: #CE7A53, #CE9B53, #CEBC53, #C0CE53 and #9FCE53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CEBD53 shade: #A2922D, #C2AF36, #CEBD53, #D7CA74 and #E0D694

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CEBD53 shade: #CEBD53, #53CE5A and #8B53CE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CEBD53 shade: #CEBD53, #53CEBC and #BC53CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CEBD53 shade: #CEBD53, #53CE5A, #5366CE and #CE53C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CEBD53 shade: #CEBD53, #53CE7E, #5366CE and #CE53A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

Complementary color

CMYK 72 / 62 / 0 / 33

HEX #3142AC

RGB 49 66 172

HSL 231.71, 0.56%, 0.43%

LAB 32.98, 30.01, -58.7

 

CMYK 0 / 10 / 63 / 17

HEX #D3BD4E

RGB 211 189 78

HSL 50.08, 0.6%, 0.57%

LAB 76.55, -5.14, 57.29

 

CMYK 0 / 9 / 57 / 11

HEX #E4CF61

RGB 228 207 97

HSL 50.38, 0.71%, 0.64%

LAB 82.9, -5.99, 56.27

 

CMYK 0 / 8 / 53 / 4

HEX #F5E174

RGB 245 225 116

HSL 50.7, 0.87%, 0.71%

LAB 89.17, -6.71, 55.15

 

CMYK 0 / 5 / 47 / 0

HEX #FFF387

RGB 255 243 135

HSL 54, 1%, 0.76%

LAB 94.79, -10.08, 53.17

 

CMYK 0 / 0 / 40 / 0

HEX #FFFF9A

RGB 255 255 154

HSL 60, 1%, 0.8%

LAB 98.08, -14.13, 48.19

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 0 / 10 / 66 / 26

HEX #BDAB40

RGB 189 171 64

HSL 51.36, 0.49%, 0.5%

LAB 69.69, -6.02, 55.43

 

CMYK 0 / 11 / 74 / 33

HEX #AC992D

RGB 172 153 45

HSL 51.02, 0.59%, 0.43%

LAB 63.13, -4.94, 55.98

 

CMYK 0 / 13 / 83 / 39

HEX #9B871A

RGB 155 135 26

HSL 50.7, 0.71%, 0.35%

LAB 56.46, -3.62, 55.77

 

CMYK 0 / 15 / 95 / 46

HEX #8A7507

RGB 138 117 7

HSL 50.38, 0.9%, 0.28%

LAB 49.67, -1.99, 54.1

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 0 / 24 / 60 / 19

HEX #CE9C53

RGB 206 156 83

HSL 35.61, 0.56%, 0.57%

LAB 67.67, 10.6, 44.83

 

CMYK 0 / 40 / 60 / 19

HEX #CE7B53

RGB 206 123 83

HSL 19.51, 0.56%, 0.57%

LAB 59.81, 28.51, 35.42

 

CMYK 0 / 56 / 60 / 19

HEX #CE5A53

RGB 206 90 83

HSL 3.41, 0.56%, 0.57%

LAB 53.01, 45.48, 26.89

 

CMYK 0 / 60 / 60 / 19

HEX #CE5353

RGB 206 83 83

HSL 0, 0.56%, 0.57%

LAB 51.76, 48.77, 25.28

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 8 / 0 / 60 / 19

HEX #BECE53

RGB 190 206 83

HSL 67.8, 0.56%, 0.57%

LAB 79.45, -22.11, 57.79

 

CMYK 24 / 0 / 60 / 19

HEX #9DCE53

RGB 157 206 83

HSL 83.9, 0.56%, 0.57%

LAB 77.24, -35.06, 54.72

 

CMYK 40 / 0 / 60 / 19

HEX #7CCE53

RGB 124 206 83

HSL 100, 0.56%, 0.57%

LAB 75.48, -46.69, 52.26

 

CMYK 56 / 0 / 60 / 19

HEX #5BCE53

RGB 91 206 83

HSL 116.1, 0.56%, 0.57%

LAB 74.18, -56.24, 50.43

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 0 / 10 / 71 / 12

HEX #E0CA42

RGB 224 202 66

HSL 51.65, 0.72%, 0.57%

LAB 81.01, -6.99, 67.14

 

CMYK 0 / 11 / 80 / 5

HEX #F2D730

RGB 242 215 48

HSL 51.65, 0.88%, 0.57%

LAB 85.85, -6.67, 78.09

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 0 / 7 / 47 / 26

HEX #BDB065

RGB 189 176 101

HSL 51.14, 0.4%, 0.57%

LAB 71.43, -5.73, 39.91

 

CMYK 0 / 4 / 30 / 33

HEX #ABA477

RGB 171 164 119

HSL 51.92, 0.24%, 0.57%

LAB 66.93, -4.63, 24.31

 

CMYK 0 / 1 / 10 / 40

HEX #999789

RGB 153 151 137

HSL 52.5, 0.07%, 0.57%

LAB 62.26, -1.83, 7.63

 

CMYK 12 / 10 / 0 / 40

HEX #878A9A

RGB 135 138 154

HSL 230.53, 0.09%, 0.57%

LAB 57.71, 2.25, -8.87

 

CMYK 0 / 41 / 60 / 19

HEX #CE7A53

RGB 206 122 83

HSL 19.02, 0.56%, 0.57%

LAB 59.59, 29.05, 35.15

 

CMYK 0 / 25 / 60 / 19

HEX #CE9B53

RGB 206 155 83

HSL 35.12, 0.56%, 0.57%

LAB 67.42, 11.14, 44.54

 

CMYK 0 / 9 / 60 / 19

HEX #CEBC53

RGB 206 188 83

HSL 51.22, 0.56%, 0.57%

LAB 75.89, -6.4, 54.21

 

CMYK 7 / 0 / 60 / 19

HEX #C0CE53

RGB 192 206 83

HSL 66.83, 0.56%, 0.57%

LAB 79.6, -21.3, 57.99

 

CMYK 23 / 0 / 60 / 19

HEX #9FCE53

RGB 159 206 83

HSL 82.93, 0.56%, 0.57%

LAB 77.36, -34.31, 54.89

 

CMYK 0 / 10 / 72 / 36

HEX #A2922D

RGB 162 146 45

HSL 51.79, 0.57%, 0.41%

LAB 60.27, -5.64, 52.87

 

CMYK 0 / 10 / 72 / 24

HEX #C2AF36

RGB 194 175 54

HSL 51.86, 0.56%, 0.49%

LAB 71.14, -6.49, 61.05

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 0 / 6 / 46 / 16

HEX #D7CA74

RGB 215 202 116

HSL 52.12, 0.55%, 0.65%

LAB 80.71, -7.14, 44.35

 

CMYK 0 / 4 / 34 / 12

HEX #E0D694

RGB 224 214 148

HSL 52.11, 0.55%, 0.73%

LAB 85.04, -6.27, 33.88

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 60 / 0 / 56 / 19

HEX #53CE5A

RGB 83 206 90

HSL 123.41, 0.56%, 0.57%

LAB 74.01, -57.34, 46.99

 

CMYK 33 / 60 / 0 / 19

HEX #8B53CE

RGB 139 83 206

HSL 267.32, 0.56%, 0.57%

LAB 47.15, 47.67, -55.27

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 60 / 0 / 9 / 19

HEX #53CEBC

RGB 83 206 188

HSL 171.22, 0.56%, 0.57%

LAB 75.83, -38.41, -1.26

 

CMYK 9 / 60 / 0 / 19

HEX #BC53CE

RGB 188 83 206

HSL 291.22, 0.56%, 0.57%

LAB 53.31, 59.53, -45.07

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 60 / 0 / 56 / 19

HEX #53CE5A

RGB 83 206 90

HSL 123.41, 0.56%, 0.57%

LAB 74.01, -57.34, 46.99

 

CMYK 60 / 50 / 0 / 19

HEX #5366CE

RGB 83 102 206

HSL 230.73, 0.56%, 0.57%

LAB 46.71, 24.4, -56.23

 

CMYK 0 / 60 / 3 / 19

HEX #CE53C8

RGB 206 83 200

HSL 302.93, 0.56%, 0.57%

LAB 55.56, 63, -37.92

 

CMYK 0 / 8 / 60 / 19

HEX #CEBD53

RGB 206 189 83

HSL 51.71, 0.56%, 0.57%

LAB 76.16, -6.91, 54.51

 

CMYK 60 / 0 / 39 / 19

HEX #53CE7E

RGB 83 206 126

HSL 140.98, 0.56%, 0.57%

LAB 74.5, -51.92, 29.84

 

CMYK 60 / 50 / 0 / 19

HEX #5366CE

RGB 83 102 206

HSL 230.73, 0.56%, 0.57%

LAB 46.71, 24.4, -56.23

 

CMYK 0 / 60 / 21 / 19

HEX #CE53A3

RGB 206 83 163

HSL 320.98, 0.56%, 0.57%

LAB 53.98, 57.3, -18.96

 

Description

Color code: HEX #CEBD53 | qconv.com Color code: HEX #CEBD53 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 189 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 189 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 60 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 60% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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