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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE32EA it is the complementary color #31CD15. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE32EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE32EA shade: #D332E5, #E444F8, #F556FF, #FF68FF and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE32EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE32EA shade: #CE32EA, #BD20D7, #AC0EC4, #9B00B1 and #8A009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE32EA shade: #CE33E9, #E933D4, #E933A3, #E93372 and #E93341

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE32EA shade: #CE33E9, #9D33E9, #6B33E9, #3A33E9 and #3333E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE32EA shade matches the following richer shades: #CE33E9 and #DA21FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE32EA shade: #CE33E9, #C146D7, #B458C5, #A86AB3 and #9B7CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE32EA shade: #6A33E9, #9A33E9, #CB33E9, #E933D7 and #E933A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE32EA shade: #9E13B7, #BF17DD, #CE33E9, #D759ED and #E07EF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE32EA shade: #CE32EA, #E93933 and #33E982

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE32EA shade: #CE32EA, #E9CB33 and #33E9CB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE32EA shade: #CE32EA, #E93933, #52E933 and #33E3E9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE32EA shade: #CE32EA, #E97033, #52E933 and #33ADE9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 79 / 0 / 8

HEX #CE32EA

RGB 206 50 234

HSL 290.87, 0.81%, 0.56%

LAB 53.32, 80.35, -60.78

 

Complementary color

CMYK 76 / 0 / 90 / 20

HEX #31CD15

RGB 49 205 21

HSL 110.87, 0.81%, 0.44%

LAB 72.47, -68.73, 68.6

 

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

CMYK 8 / 73 / 0 / 3

HEX #E444F8

RGB 228 68 248

HSL 293.33, 0.93%, 0.62%

LAB 59.35, 81.54, -58.76

 

CMYK 4 / 66 / 0 / 0

HEX #F556FF

RGB 245 86 255

HSL 296.45, 1%, 0.67%

LAB 64.39, 80.08, -54.44

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 12 / 79 / 0 / 8

HEX #CE32EA

RGB 206 50 234

HSL 290.87, 0.81%, 0.56%

LAB 53.32, 80.35, -60.78

 

CMYK 12 / 85 / 0 / 16

HEX #BD20D7

RGB 189 32 215

HSL 291.48, 0.74%, 0.48%

LAB 47.95, 78.47, -58.78

 

CMYK 12 / 93 / 0 / 23

HEX #AC0EC4

RGB 172 14 196

HSL 292.09, 0.87%, 0.41%

LAB 42.87, 75.48, -56.14

 

CMYK 12 / 100 / 0 / 31

HEX #9B00B1

RGB 155 0 177

HSL 292.54, 1%, 0.35%

LAB 38.1, 71.25, -52.8

 

CMYK 13 / 100 / 0 / 38

HEX #8A009E

RGB 138 0 158

HSL 292.41, 1%, 0.31%

LAB 33.71, 65.49, -48.61

 

CMYK 12 / 78 / 0 / 9

HEX #CE33E9

RGB 206 51 233

HSL 291.1, 0.81%, 0.56%

LAB 53.35, 79.91, -60.17

 

CMYK 0 / 78 / 9 / 9

HEX #E933D4

RGB 233 51 212

HSL 306.92, 0.81%, 0.56%

LAB 56.53, 81.83, -42.96

 

CMYK 0 / 78 / 30 / 9

HEX #E933A3

RGB 233 51 163

HSL 323.08, 0.81%, 0.56%

LAB 54.38, 75.64, -17.94

 

CMYK 0 / 78 / 51 / 9

HEX #E93372

RGB 233 51 114

HSL 339.23, 0.81%, 0.56%

LAB 52.85, 71.02, 9.01

 

CMYK 0 / 78 / 72 / 9

HEX #E93341

RGB 233 51 65

HSL 355.38, 0.81%, 0.56%

LAB 51.92, 68.14, 37.01

 

CMYK 12 / 78 / 0 / 9

HEX #CE33E9

RGB 206 51 233

HSL 291.1, 0.81%, 0.56%

LAB 53.35, 79.91, -60.17

 

CMYK 33 / 78 / 0 / 9

HEX #9D33E9

RGB 157 51 233

HSL 274.95, 0.81%, 0.56%

LAB 46.2, 71.55, -72.09

 

CMYK 54 / 78 / 0 / 9

HEX #6B33E9

RGB 107 51 233

HSL 258.46, 0.81%, 0.56%

LAB 40.21, 64.51, -82.14

 

CMYK 75 / 78 / 0 / 9

HEX #3A33E9

RGB 58 51 233

HSL 242.31, 0.81%, 0.56%

LAB 36.27, 59.88, -88.77

 

CMYK 78 / 78 / 0 / 9

HEX #3333E9

RGB 51 51 233

HSL 240, 0.81%, 0.56%

LAB 35.9, 59.43, -89.41

 

CMYK 12 / 78 / 0 / 9

HEX #CE33E9

RGB 206 51 233

HSL 291.1, 0.81%, 0.56%

LAB 53.35, 79.91, -60.17

 

CMYK 13 / 87 / 0 / 2

HEX #DA21FB

RGB 218 33 251

HSL 290.92, 0.96%, 0.56%

LAB 55.03, 88.86, -67.45

 

CMYK 12 / 78 / 0 / 9

HEX #CE33E9

RGB 206 51 233

HSL 291.1, 0.81%, 0.56%

LAB 53.35, 79.91, -60.17

 

CMYK 10 / 67 / 0 / 16

HEX #C146D7

RGB 193 70 215

HSL 290.9, 0.64%, 0.56%

LAB 52.54, 67.85, -51.4

 

CMYK 9 / 55 / 0 / 23

HEX #B458C5

RGB 180 88 197

HSL 290.64, 0.48%, 0.56%

LAB 52.64, 53.4, -41.06

 

CMYK 6 / 41 / 0 / 30

HEX #A86AB3

RGB 168 106 179

HSL 290.96, 0.32%, 0.56%

LAB 53.91, 36.97, -28.8

 

CMYK 4 / 23 / 0 / 37

HEX #9B7CA1

RGB 155 124 161

HSL 290.27, 0.16%, 0.56%

LAB 56.04, 18.79, -15.24

 

CMYK 55 / 78 / 0 / 9

HEX #6A33E9

RGB 106 51 233

HSL 258.13, 0.81%, 0.56%

LAB 40.11, 64.39, -82.31

 

CMYK 34 / 78 / 0 / 9

HEX #9A33E9

RGB 154 51 233

HSL 273.96, 0.81%, 0.56%

LAB 45.8, 71.07, -72.76

 

CMYK 13 / 78 / 0 / 9

HEX #CB33E9

RGB 203 51 233

HSL 290.11, 0.81%, 0.56%

LAB 52.89, 79.36, -60.94

 

CMYK 0 / 78 / 8 / 9

HEX #E933D7

RGB 233 51 215

HSL 305.93, 0.81%, 0.56%

LAB 56.68, 82.26, -44.42

 

CMYK 0 / 78 / 28 / 9

HEX #E933A7

RGB 233 51 167

HSL 321.76, 0.81%, 0.56%

LAB 54.53, 76.09, -20.06

 

CMYK 14 / 90 / 0 / 28

HEX #9E13B7

RGB 158 19 183

HSL 290.85, 0.81%, 0.4%

LAB 39.84, 70.36, -53.52

 

CMYK 14 / 90 / 0 / 13

HEX #BF17DD

RGB 191 23 221

HSL 290.91, 0.81%, 0.48%

LAB 48.15, 81.36, -61.88

 

CMYK 12 / 78 / 0 / 9

HEX #CE33E9

RGB 206 51 233

HSL 291.1, 0.81%, 0.56%

LAB 53.35, 79.91, -60.17

 

CMYK 9 / 62 / 0 / 7

HEX #D759ED

RGB 215 89 237

HSL 291.08, 0.8%, 0.64%

LAB 59.62, 69.1, -52.31

 

CMYK 7 / 48 / 0 / 5

HEX #E07EF1

RGB 224 126 241

HSL 291.13, 0.8%, 0.72%

LAB 67.37, 54.98, -42.23

 

CMYK 12 / 79 / 0 / 8

HEX #CE32EA

RGB 206 50 234

HSL 290.87, 0.81%, 0.56%

LAB 53.32, 80.35, -60.78

 

CMYK 0 / 76 / 78 / 9

HEX #E93933

RGB 233 57 51

HSL 1.98, 0.81%, 0.56%

LAB 52.39, 65.87, 45.31

 

CMYK 78 / 0 / 44 / 9

HEX #33E982

RGB 51 233 130

HSL 146.04, 0.81%, 0.56%

LAB 82.16, -66.32, 37.68

 

CMYK 12 / 79 / 0 / 8

HEX #CE32EA

RGB 206 50 234

HSL 290.87, 0.81%, 0.56%

LAB 53.32, 80.35, -60.78

 

CMYK 0 / 13 / 78 / 9

HEX #E9CB33

RGB 233 203 51

HSL 50.11, 0.81%, 0.56%

LAB 81.99, -4.3, 73.49

 

CMYK 78 / 0 / 13 / 9

HEX #33E9CB

RGB 51 233 203

HSL 170.11, 0.81%, 0.56%

LAB 83.6, -50.63, 2

 

CMYK 12 / 79 / 0 / 8

HEX #CE32EA

RGB 206 50 234

HSL 290.87, 0.81%, 0.56%

LAB 53.32, 80.35, -60.78

 

CMYK 0 / 76 / 78 / 9

HEX #E93933

RGB 233 57 51

HSL 1.98, 0.81%, 0.56%

LAB 52.39, 65.87, 45.31

 

CMYK 65 / 0 / 78 / 9

HEX #52E933

RGB 82 233 51

HSL 109.78, 0.81%, 0.56%

LAB 82.01, -70.26, 70.44

 

CMYK 78 / 3 / 0 / 9

HEX #33E3E9

RGB 51 227 233

HSL 181.98, 0.81%, 0.56%

LAB 82.66, -39.82, -15.25

 

CMYK 12 / 79 / 0 / 8

HEX #CE32EA

RGB 206 50 234

HSL 290.87, 0.81%, 0.56%

LAB 53.32, 80.35, -60.78

 

CMYK 0 / 52 / 78 / 9

HEX #E97033

RGB 233 112 51

HSL 20.11, 0.81%, 0.56%

LAB 60.91, 43.15, 53.85

 

CMYK 65 / 0 / 78 / 9

HEX #52E933

RGB 82 233 51

HSL 109.78, 0.81%, 0.56%

LAB 82.01, -70.26, 70.44

 

CMYK 78 / 26 / 0 / 9

HEX #33ADE9

RGB 51 173 233

HSL 199.78, 0.81%, 0.56%

LAB 66.88, -13.01, -39.43

 

Description

Color code: HEX #CE32EA | qconv.com Color code: HEX #CE32EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 50 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 50 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 79 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 79% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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