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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 211 50 229 it is the complementary color RGB 44 205 26. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 211 50 229. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 211 50 229 shade: RGB 216 50 224, RGB 233 68 243, RGB 250 86 255, RGB 255 104 255 and RGB 255 122 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 211 50 229. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 211 50 229 shade: RGB 211 50 229, RGB 194 32 210, RGB 177 14 191, RGB 160 0 172 and RGB 143 0 153

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 211 50 229 shade: RGB 210 51 228, RGB 228 51 198, RGB 228 51 151, RGB 228 51 103 and RGB 228 51 55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 211 50 229 shade: RGB 210 51 228, RGB 163 51 228, RGB 115 51 228, RGB 67 51 228 and RGB 51 51 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 211 50 229 shade matches the following richer shades: RGB 210 51 228 and RGB 225 33 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 211 50 229 shade: RGB 210 51 228, RGB 196 70 210, RGB 181 89 191, RGB 166 107 172 and RGB 151 126 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 211 50 229 shade: RGB 113 51 228, RGB 160 51 228, RGB 207 51 228, RGB 228 51 202 and RGB 228 51 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 211 50 229 shade: RGB 159 22 175, RGB 193 27 211, RGB 210 51 228, RGB 218 88 233 and RGB 226 124 238

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 211 50 229 shade: RGB 211 50 229, RGB 228 66 51 and RGB 51 228 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 211 50 229 shade: RGB 211 50 229, RGB 228 207 51 and RGB 51 228 207

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 211 50 229 shade: RGB 211 50 229, RGB 228 66 51, RGB 72 228 51 and RGB 51 213 228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 211 50 229 shade: RGB 211 50 229, RGB 228 119 51, RGB 72 228 51 and RGB 51 160 228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

Complementary color

CMYK 79 / 0 / 87 / 20

HEX #2CCD1A

RGB 44 205 26

HSL 113.97, 0.77%, 0.45%

LAB 72.41, -69.25, 67.6

 

CMYK 4 / 78 / 0 / 12

HEX #D832E0

RGB 216 50 224

HSL 297.24, 0.74%, 0.54%

LAB 54.3, 80.55, -53.48

 

CMYK 4 / 72 / 0 / 5

HEX #E944F3

RGB 233 68 243

HSL 296.57, 0.88%, 0.61%

LAB 59.82, 81.71, -55.18

 

CMYK 2 / 66 / 0 / 0

HEX #FA56FF

RGB 250 86 255

HSL 298.22, 1%, 0.67%

LAB 65.12, 81.16, -53.24

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FF

RGB 255 104 255

HSL 300, 1%, 0.7%

LAB 68.3, 75.43, -48.17

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

CMYK 8 / 85 / 0 / 18

HEX #C220D2

RGB 194 32 210

HSL 294.61, 0.74%, 0.47%

LAB 48.46, 78.49, -55.06

 

CMYK 7 / 93 / 0 / 25

HEX #B10EBF

RGB 177 14 191

HSL 295.25, 0.86%, 0.4%

LAB 43.39, 75.46, -52.33

 

CMYK 7 / 100 / 0 / 33

HEX #A000AC

RGB 160 0 172

HSL 295.81, 1%, 0.34%

LAB 38.64, 71.21, -48.9

 

CMYK 7 / 100 / 0 / 40

HEX #8F0099

RGB 143 0 153

HSL 296.08, 1%, 0.3%

LAB 34.27, 65.45, -44.62

 

CMYK 8 / 78 / 0 / 11

HEX #D233E4

RGB 210 51 228

HSL 293.9, 0.77%, 0.55%

LAB 53.68, 79.8, -56.8

 

CMYK 0 / 78 / 13 / 11

HEX #E433C6

RGB 228 51 198

HSL 310.17, 0.77%, 0.55%

LAB 55.01, 78.87, -37.4

 

CMYK 0 / 78 / 34 / 11

HEX #E43397

RGB 228 51 151

HSL 326.1, 0.77%, 0.55%

LAB 53.05, 73.15, -12.95

 

CMYK 0 / 78 / 55 / 11

HEX #E43367

RGB 228 51 103

HSL 342.37, 0.77%, 0.55%

LAB 51.66, 68.89, 13.85

 

CMYK 0 / 78 / 76 / 11

HEX #E43337

RGB 228 51 55

HSL 358.64, 0.77%, 0.55%

LAB 50.85, 66.34, 41.22

 

CMYK 8 / 78 / 0 / 11

HEX #D233E4

RGB 210 51 228

HSL 293.9, 0.77%, 0.55%

LAB 53.68, 79.8, -56.8

 

CMYK 29 / 78 / 0 / 11

HEX #A333E4

RGB 163 51 228

HSL 277.97, 0.77%, 0.55%

LAB 46.65, 71.48, -68.49

 

CMYK 50 / 78 / 0 / 11

HEX #7333E4

RGB 115 51 228

HSL 261.69, 0.77%, 0.55%

LAB 40.6, 64.24, -78.63

 

CMYK 71 / 78 / 0 / 11

HEX #4333E4

RGB 67 51 228

HSL 245.42, 0.77%, 0.55%

LAB 36.3, 59.05, -85.87

 

CMYK 78 / 78 / 0 / 11

HEX #3333E4

RGB 51 51 228

HSL 240, 0.77%, 0.55%

LAB 35.35, 57.9, -87.47

 

CMYK 8 / 78 / 0 / 11

HEX #D233E4

RGB 210 51 228

HSL 293.9, 0.77%, 0.55%

LAB 53.68, 79.8, -56.8

 

CMYK 9 / 87 / 0 / 3

HEX #E121F7

RGB 225 33 247

HSL 293.83, 0.93%, 0.55%

LAB 55.9, 89.33, -63.76

 

CMYK 8 / 78 / 0 / 11

HEX #D233E4

RGB 210 51 228

HSL 293.9, 0.77%, 0.55%

LAB 53.68, 79.8, -56.8

 

CMYK 7 / 67 / 0 / 18

HEX #C446D2

RGB 196 70 210

HSL 294, 0.61%, 0.55%

LAB 52.7, 67.62, -48.26

 

CMYK 5 / 53 / 0 / 25

HEX #B559BF

RGB 181 89 191

HSL 294.12, 0.44%, 0.55%

LAB 52.65, 52.04, -37.57

 

CMYK 3 / 38 / 0 / 33

HEX #A66BAC

RGB 166 107 172

HSL 294.46, 0.28%, 0.55%

LAB 53.6, 34.38, -25.24

 

CMYK 2 / 18 / 0 / 40

HEX #977E9A

RGB 151 126 154

HSL 293.57, 0.12%, 0.55%

LAB 55.92, 14.8, -11.42

 

CMYK 50 / 78 / 0 / 11

HEX #7133E4

RGB 113 51 228

HSL 261.02, 0.77%, 0.55%

LAB 40.38, 63.98, -79

 

CMYK 30 / 78 / 0 / 11

HEX #A033E4

RGB 160 51 228

HSL 276.95, 0.77%, 0.55%

LAB 46.23, 70.98, -69.18

 

CMYK 9 / 78 / 0 / 11

HEX #CF33E4

RGB 207 51 228

HSL 292.88, 0.77%, 0.55%

LAB 53.21, 79.25, -57.58

 

CMYK 0 / 78 / 11 / 11

HEX #E433CA

RGB 228 51 202

HSL 308.81, 0.77%, 0.55%

LAB 55.2, 79.41, -39.39

 

CMYK 0 / 78 / 32 / 11

HEX #E4339A

RGB 228 51 154

HSL 325.08, 0.77%, 0.55%

LAB 53.16, 73.47, -14.56

 

CMYK 9 / 87 / 0 / 31

HEX #9F16AF

RGB 159 22 175

HSL 293.73, 0.78%, 0.39%

LAB 39.65, 68.63, -49.08

 

CMYK 9 / 87 / 0 / 17

HEX #C11BD3

RGB 193 27 211

HSL 294.13, 0.77%, 0.47%

LAB 48.04, 79.4, -56.31

 

CMYK 8 / 78 / 0 / 11

HEX #D233E4

RGB 210 51 228

HSL 293.9, 0.77%, 0.55%

LAB 53.68, 79.8, -56.8

 

CMYK 6 / 62 / 0 / 9

HEX #DA58E9

RGB 218 88 233

HSL 293.79, 0.77%, 0.63%

LAB 59.68, 69.5, -49.97

 

CMYK 5 / 48 / 0 / 7

HEX #E27CEE

RGB 226 124 238

HSL 293.68, 0.77%, 0.71%

LAB 67.09, 55.96, -40.99

 

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

CMYK 0 / 71 / 78 / 11

HEX #E44233

RGB 228 66 51

HSL 5.08, 0.77%, 0.55%

LAB 52.54, 61.37, 45.18

 

CMYK 78 / 0 / 40 / 11

HEX #33E489

RGB 51 228 137

HSL 149.15, 0.77%, 0.55%

LAB 80.74, -63.35, 32.32

 

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

CMYK 0 / 9 / 78 / 11

HEX #E4CF33

RGB 228 207 51

HSL 52.88, 0.77%, 0.55%

LAB 82.57, -8.46, 73.84

 

CMYK 78 / 0 / 9 / 11

HEX #33E4CF

RGB 51 228 207

HSL 172.88, 0.77%, 0.55%

LAB 82.21, -47.49, -2.14

 

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

CMYK 0 / 71 / 78 / 11

HEX #E44233

RGB 228 66 51

HSL 5.08, 0.77%, 0.55%

LAB 52.54, 61.37, 45.18

 

CMYK 68 / 0 / 78 / 11

HEX #48E433

RGB 72 228 51

HSL 112.88, 0.77%, 0.55%

LAB 80.24, -70.59, 68.67

 

CMYK 78 / 7 / 0 / 11

HEX #33D5E4

RGB 51 213 228

HSL 185.08, 0.77%, 0.55%

LAB 78.4, -34.83, -19.01

 

CMYK 8 / 78 / 0 / 10

HEX #D332E5

RGB 211 50 229

HSL 293.97, 0.77%, 0.55%

LAB 53.8, 80.42, -57.15

 

CMYK 0 / 48 / 78 / 11

HEX #E47733

RGB 228 119 51

HSL 23.05, 0.77%, 0.55%

LAB 61.59, 37.7, 54.26

 

CMYK 68 / 0 / 78 / 11

HEX #48E433

RGB 72 228 51

HSL 112.88, 0.77%, 0.55%

LAB 80.24, -70.59, 68.67

 

CMYK 78 / 30 / 0 / 11

HEX #33A0E4

RGB 51 160 228

HSL 203.05, 0.77%, 0.55%

LAB 62.88, -7.56, -42.95

 

Description

Color code: RGB 211 50 229 | qconv.com Color code: RGB 211 50 229 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 50 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 50 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 78 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 78% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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