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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE1FD0 it is the complementary color #31E02F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE1FD0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE1FD0 shade: #D31FCB, #E431DE, #F543F1, #FF55FF and #FF67FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE1FD0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE1FD0 shade: #CE1FD0, #BD0DBD, #AC00AA, #9B0097 and #8A0084

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE1FD0 shade: #CE1FD0, #D01FA2, #D01F72, #D01F43 and #D01F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE1FD0 shade: #CE1FD0, #9E1FD0, #6E1FD0, #3F1FD0 and #1F1FD0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE1FD0 shade matches the following richer shades: #CE1FD0 and #E10BE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE1FD0 shade: #CE1FD0, #BB32BD, #A845A9, #955996 and #826C82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE1FD0 shade: #6E1FD0, #9E1FD0, #CD1FD0, #D01FA4 and #D01F74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE1FD0 shade: #871488, #AA19AC, #CE1FD0, #DF37E1 and #E55BE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE1FD0 shade: #CE1FD0, #D03F1F and #1FD086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE1FD0 shade: #CE1FD0, #D0CD1F and #1FD0CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE1FD0 shade: #CE1FD0, #D03F1F, #22D01F and #1FB0D0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE1FD0 shade: #CE1FD0, #D0741F, #22D01F and #1F7AD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

Complementary color

CMYK 78 / 0 / 79 / 12

HEX #31E02F

RGB 49 224 47

HSL 119.32, 0.74%, 0.53%

LAB 78.56, -73.18, 68.1

 

CMYK 0 / 85 / 4 / 17

HEX #D31FCB

RGB 211 31 203

HSL 302.67, 0.74%, 0.47%

LAB 50.85, 80.62, -47.04

 

CMYK 0 / 79 / 3 / 11

HEX #E431DE

RGB 228 49 222

HSL 302.01, 0.77%, 0.54%

LAB 56.05, 82.78, -49.44

 

CMYK 0 / 73 / 2 / 4

HEX #F543F1

RGB 245 67 241

HSL 301.35, 0.9%, 0.61%

LAB 61.46, 84.13, -51.35

 

CMYK 0 / 67 / 0 / 0

HEX #FF55FF

RGB 255 85 255

HSL 300, 1%, 0.67%

LAB 65.73, 82.6, -52.23

 

CMYK 0 / 60 / 0 / 0

HEX #FF67FF

RGB 255 103 255

HSL 300, 1%, 0.7%

LAB 68.15, 75.83, -48.4

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 0 / 93 / 0 / 26

HEX #BD0DBD

RGB 189 13 189

HSL 300, 0.87%, 0.4%

LAB 45.33, 77.26, -47.93

 

CMYK 0 / 100 / 1 / 33

HEX #AC00AA

RGB 172 0 170

HSL 300.7, 1%, 0.34%

LAB 40.69, 72.85, -44.3

 

CMYK 0 / 100 / 3 / 39

HEX #9B0097

RGB 155 0 151

HSL 301.55, 1%, 0.3%

LAB 36.37, 67.14, -39.91

 

CMYK 0 / 100 / 4 / 46

HEX #8A0084

RGB 138 0 132

HSL 302.61, 1%, 0.27%

LAB 31.96, 61.32, -35.41

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 0 / 85 / 22 / 18

HEX #D01FA2

RGB 208 31 162

HSL 315.59, 0.74%, 0.47%

LAB 48.26, 74.53, -27.15

 

CMYK 0 / 85 / 45 / 18

HEX #D01F72

RGB 208 31 114

HSL 331.86, 0.74%, 0.47%

LAB 46.45, 69.49, -0.8

 

CMYK 0 / 85 / 68 / 18

HEX #D01F43

RGB 208 31 67

HSL 347.8, 0.74%, 0.47%

LAB 45.35, 66.31, 26.76

 

CMYK 0 / 85 / 85 / 18

HEX #D01F1F

RGB 208 31 31

HSL 0, 0.74%, 0.47%

LAB 44.93, 65.05, 46.84

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 24 / 85 / 0 / 18

HEX #9E1FD0

RGB 158 31 208

HSL 283.05, 0.74%, 0.47%

LAB 42.47, 72.47, -63.87

 

CMYK 47 / 85 / 0 / 18

HEX #6E1FD0

RGB 110 31 208

HSL 266.78, 0.74%, 0.47%

LAB 35.69, 65.94, -75.22

 

CMYK 70 / 85 / 0 / 18

HEX #3F1FD0

RGB 63 31 208

HSL 250.85, 0.74%, 0.47%

LAB 30.86, 61.62, -83.37

 

CMYK 85 / 85 / 0 / 18

HEX #1F1FD0

RGB 31 31 208

HSL 240, 0.74%, 0.47%

LAB 28.97, 60.04, -86.57

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 1 / 95 / 0 / 11

HEX #E10BE3

RGB 225 11 227

HSL 299.44, 0.91%, 0.47%

LAB 53.81, 88.91, -55.88

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 1 / 74 / 0 / 26

HEX #BB32BD

RGB 187 50 189

HSL 299.14, 0.58%, 0.47%

LAB 47.65, 69.15, -44.26

 

CMYK 1 / 59 / 0 / 34

HEX #A845A9

RGB 168 69 169

HSL 299.4, 0.42%, 0.47%

LAB 46.24, 53.95, -34.94

 

CMYK 1 / 41 / 0 / 41

HEX #955996

RGB 149 89 150

HSL 299.02, 0.26%, 0.47%

LAB 46.63, 34.58, -23.25

 

CMYK 0 / 17 / 0 / 49

HEX #826C82

RGB 130 108 130

HSL 300, 0.09%, 0.47%

LAB 48.36, 12.84, -8.89

 

CMYK 47 / 85 / 0 / 18

HEX #6E1FD0

RGB 110 31 208

HSL 266.78, 0.74%, 0.47%

LAB 35.69, 65.94, -75.22

 

CMYK 24 / 85 / 0 / 18

HEX #9E1FD0

RGB 158 31 208

HSL 283.05, 0.74%, 0.47%

LAB 42.47, 72.47, -63.87

 

CMYK 1 / 85 / 0 / 18

HEX #CD1FD0

RGB 205 31 208

HSL 298.98, 0.74%, 0.47%

LAB 50.11, 80.28, -51.15

 

CMYK 0 / 85 / 21 / 18

HEX #D01FA4

RGB 208 31 164

HSL 314.92, 0.74%, 0.47%

LAB 48.35, 74.78, -28.2

 

CMYK 0 / 85 / 44 / 18

HEX #D01F74

RGB 208 31 116

HSL 331.19, 0.74%, 0.47%

LAB 46.51, 69.67, -1.95

 

CMYK 1 / 85 / 0 / 47

HEX #871488

RGB 135 20 136

HSL 299.48, 0.74%, 0.31%

LAB 32.76, 58.11, -36.66

 

CMYK 1 / 85 / 0 / 33

HEX #AA19AC

RGB 170 25 172

HSL 299.18, 0.75%, 0.39%

LAB 41.56, 69.53, -44.12

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 1 / 76 / 0 / 12

HEX #DF37E1

RGB 223 55 225

HSL 299.29, 0.74%, 0.55%

LAB 55.94, 80.71, -51.36

 

CMYK 0 / 60 / 0 / 10

HEX #E55BE6

RGB 229 91 230

HSL 299.57, 0.74%, 0.63%

LAB 61.53, 70.36, -45.26

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 0 / 70 / 85 / 18

HEX #D03F1F

RGB 208 63 31

HSL 10.85, 0.74%, 0.47%

LAB 48.34, 55.51, 49.78

 

CMYK 85 / 0 / 36 / 18

HEX #1FD086

RGB 31 208 134

HSL 154.92, 0.74%, 0.47%

LAB 74.27, -58.7, 25.2

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 0 / 1 / 85 / 18

HEX #D0CD1F

RGB 208 205 31

HSL 58.98, 0.74%, 0.47%

LAB 80.28, -16.56, 76.37

 

CMYK 85 / 0 / 1 / 18

HEX #1FD0CD

RGB 31 208 205

HSL 178.98, 0.74%, 0.47%

LAB 75.95, -40.93, -10.36

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 0 / 70 / 85 / 18

HEX #D03F1F

RGB 208 63 31

HSL 10.85, 0.74%, 0.47%

LAB 48.34, 55.51, 49.78

 

CMYK 84 / 0 / 85 / 18

HEX #22D01F

RGB 34 208 31

HSL 118.98, 0.74%, 0.47%

LAB 73.25, -71.06, 67.24

 

CMYK 85 / 15 / 0 / 18

HEX #1FB0D0

RGB 31 176 208

HSL 190.85, 0.74%, 0.47%

LAB 66.44, -24.74, -26.4

 

CMYK 1 / 85 / 0 / 18

HEX #CE1FD0

RGB 206 31 208

HSL 299.32, 0.74%, 0.47%

LAB 50.28, 80.46, -50.87

 

CMYK 0 / 44 / 85 / 18

HEX #D0741F

RGB 208 116 31

HSL 28.81, 0.74%, 0.47%

LAB 58.04, 30.53, 57.99

 

CMYK 84 / 0 / 85 / 18

HEX #22D01F

RGB 34 208 31

HSL 118.98, 0.74%, 0.47%

LAB 73.25, -71.06, 67.24

 

CMYK 85 / 41 / 0 / 18

HEX #1F7AD0

RGB 31 122 208

HSL 209.15, 0.74%, 0.47%

LAB 50.41, 5.64, -51.54

 

Description

Color code: HEX #CE1FD0 | qconv.com Color code: HEX #CE1FD0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 31 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 31 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 85 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 85% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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