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Color name
HEX #CD6913

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD6913 it is the complementary color #3296EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD6913. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD6913 shade: #D2690E, #E37B21, #F48D34, #FF9F47 and #FFB15A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD6913. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD6913 shade: #CD6913, #BC5700, #AB4500, #9A3300 and #892100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD6913 shade: #CD6913, #CD3613 and #CD1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD6913 shade: #CD6913, #CD9B13, #CDCD13, #9ACD13 and #68CD13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD6913 shade matches the following richer shades: #CD6913 and #DF6700

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD6913 shade: #CD6913, #BB6A25, #A96B37, #966D49 and #846E5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD6913 shade: #CD1322, #CD3513, #CD6613, #CD9813 and #CDCA13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD6913 shade: #81420C, #A7550F, #CD6913, #EA7D1F and #ED9345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD6913 shade: #CD6913, #54CD13 and #1C13CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD6913 shade: #CD6913, #13CD66 and #6613CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD6913 shade: #CD6913, #54CD13, #1379CD and #8C13CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD6913 shade: #CD6913, #1CCD13, #1379CD and #C413CD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

Complementary color

CMYK 79 / 36 / 0 / 7

HEX #3296EC

RGB 50 150 236

HSL 207.74, 0.83%, 0.56%

LAB 60.38, 0.92, -51.32

 

CMYK 0 / 50 / 93 / 18

HEX #D2690E

RGB 210 105 14

HSL 27.86, 0.88%, 0.44%

LAB 55.92, 36.76, 61.37

 

CMYK 0 / 46 / 85 / 11

HEX #E37B21

RGB 227 123 33

HSL 27.84, 0.78%, 0.51%

LAB 62.17, 34.7, 61.81

 

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

CMYK 0 / 38 / 72 / 0

HEX #FF9F47

RGB 255 159 71

HSL 28.7, 1%, 0.64%

LAB 73.88, 28.69, 58.93

 

CMYK 0 / 31 / 65 / 0

HEX #FFB15A

RGB 255 177 90

HSL 31.64, 1%, 0.68%

LAB 78.14, 20.3, 54.84

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 54 / 100 / 26

HEX #BC5700

RGB 188 87 0

HSL 27.77, 1%, 0.37%

LAB 48.89, 36.96, 58.19

 

CMYK 0 / 60 / 100 / 33

HEX #AB4500

RGB 171 69 0

HSL 24.21, 1%, 0.34%

LAB 42.63, 39.23, 53.2

 

CMYK 0 / 67 / 100 / 40

HEX #9A3300

RGB 154 51 0

HSL 19.87, 1%, 0.3%

LAB 36.44, 41.2, 48.27

 

CMYK 0 / 76 / 100 / 46

HEX #892100

RGB 137 33 0

HSL 14.45, 1%, 0.27%

LAB 30.41, 42.56, 42.94

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 74 / 91 / 20

HEX #CD3613

RGB 205 54 19

HSL 11.29, 0.83%, 0.44%

LAB 46.53, 57.58, 53.04

 

CMYK 0 / 91 / 91 / 20

HEX #CD1313

RGB 205 19 19

HSL 0, 0.83%, 0.44%

LAB 43.5, 66.15, 50.93

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 24 / 91 / 20

HEX #CD9B13

RGB 205 155 19

HSL 43.87, 0.83%, 0.44%

LAB 66.88, 7.91, 68.05

 

CMYK 0 / 0 / 91 / 20

HEX #CDCD13

RGB 205 205 19

HSL 60, 0.83%, 0.44%

LAB 80, -18.07, 78.16

 

CMYK 25 / 0 / 91 / 20

HEX #9ACD13

RGB 154 205 19

HSL 76.45, 0.83%, 0.44%

LAB 76.42, -39.06, 73.81

 

CMYK 49 / 0 / 91 / 20

HEX #68CD13

RGB 104 205 19

HSL 92.58, 0.83%, 0.44%

LAB 73.97, -56.46, 70.78

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 54 / 100 / 13

HEX #DF6700

RGB 223 103 0

HSL 27.71, 1%, 0.44%

LAB 57.45, 42.74, 65.96

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 43 / 80 / 27

HEX #BB6A25

RGB 187 106 37

HSL 27.6, 0.67%, 0.44%

LAB 52.96, 27.27, 50.07

 

CMYK 0 / 37 / 67 / 34

HEX #A96B37

RGB 169 107 55

HSL 27.37, 0.51%, 0.44%

LAB 50.95, 19.85, 38.7

 

CMYK 0 / 27 / 51 / 41

HEX #966D49

RGB 150 109 73

HSL 28.05, 0.35%, 0.44%

LAB 49.38, 11.83, 26.43

 

CMYK 0 / 17 / 31 / 48

HEX #846E5B

RGB 132 110 91

HSL 27.8, 0.18%, 0.44%

LAB 48.02, 5.64, 13.84

 

CMYK 0 / 91 / 83 / 20

HEX #CD1322

RGB 205 19 34

HSL 355.16, 0.83%, 0.44%

LAB 43.6, 66.44, 43.88

 

CMYK 0 / 74 / 91 / 20

HEX #CD3513

RGB 205 53 19

HSL 10.97, 0.83%, 0.44%

LAB 46.41, 57.92, 52.95

 

CMYK 0 / 50 / 91 / 20

HEX #CD6613

RGB 205 102 19

HSL 26.77, 0.83%, 0.44%

LAB 54.58, 36.37, 58.83

 

CMYK 0 / 26 / 91 / 20

HEX #CD9813

RGB 205 152 19

HSL 42.9, 0.83%, 0.44%

LAB 66.12, 9.53, 67.48

 

CMYK 0 / 1 / 91 / 20

HEX #CDCA13

RGB 205 202 19

HSL 59.03, 0.83%, 0.44%

LAB 79.19, -16.58, 77.54

 

CMYK 0 / 49 / 91 / 49

HEX #81420C

RGB 129 66 12

HSL 27.69, 0.83%, 0.28%

LAB 35.18, 23.55, 41.14

 

CMYK 0 / 49 / 91 / 35

HEX #A7550F

RGB 167 85 15

HSL 27.63, 0.84%, 0.36%

LAB 45.29, 29.57, 50.52

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 0 / 47 / 87 / 8

HEX #EA7D1F

RGB 234 125 31

HSL 27.78, 0.83%, 0.52%

LAB 63.56, 36.45, 63.98

 

CMYK 0 / 38 / 71 / 7

HEX #ED9345

RGB 237 147 69

HSL 27.86, 0.82%, 0.6%

LAB 68.97, 27.54, 54.01

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 59 / 0 / 91 / 20

HEX #54CD13

RGB 84 205 19

HSL 99.03, 0.83%, 0.44%

LAB 73.28, -61.91, 69.93

 

CMYK 86 / 91 / 0 / 20

HEX #1C13CD

RGB 28 19 205

HSL 242.9, 0.83%, 0.44%

LAB 27.08, 63.28, -87.98

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 91 / 0 / 50 / 20

HEX #13CD66

RGB 19 205 102

HSL 146.77, 0.83%, 0.44%

LAB 72.73, -64.27, 39.45

 

CMYK 50 / 91 / 0 / 20

HEX #6613CD

RGB 102 19 205

HSL 266.77, 0.83%, 0.44%

LAB 33.35, 67.52, -77.38

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 59 / 0 / 91 / 20

HEX #54CD13

RGB 84 205 19

HSL 99.03, 0.83%, 0.44%

LAB 73.28, -61.91, 69.93

 

CMYK 91 / 41 / 0 / 20

HEX #1379CD

RGB 19 121 205

HSL 207.1, 0.83%, 0.44%

LAB 49.76, 4.34, -50.87

 

CMYK 32 / 91 / 0 / 20

HEX #8C13CD

RGB 140 19 205

HSL 279.03, 0.83%, 0.44%

LAB 38.64, 71.81, -68.49

 

CMYK 0 / 49 / 91 / 20

HEX #CD6913

RGB 205 105 19

HSL 27.74, 0.83%, 0.44%

LAB 55.21, 34.82, 59.29

 

CMYK 86 / 0 / 91 / 20

HEX #1CCD13

RGB 28 205 19

HSL 117.1, 0.83%, 0.44%

LAB 72.2, -71.2, 68.59

 

CMYK 91 / 41 / 0 / 20

HEX #1379CD

RGB 19 121 205

HSL 207.1, 0.83%, 0.44%

LAB 49.76, 4.34, -50.87

 

CMYK 4 / 91 / 0 / 20

HEX #C413CD

RGB 196 19 205

HSL 297.1, 0.83%, 0.44%

LAB 47.76, 80.15, -53.27

 

Description

Color code: HEX #CD6913 | qconv.com Color code: HEX #CD6913 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 105 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 105 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 91 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 91% 20% C M Y K

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Provide designers and agencies with accurate color values.

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