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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 244 141 52 it is the complementary color RGB 11 114 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 244 141 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 244 141 52 shade: RGB 249 141 47, RGB 255 159 66, RGB 255 177 85, RGB 255 195 104 and RGB 255 213 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 244 141 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 244 141 52 shade: RGB 244 141 52, RGB 227 123 33, RGB 210 105 14, RGB 193 87 0 and RGB 176 69 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 244 141 52 shade: RGB 244 140 51, RGB 244 88 51 and RGB 244 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 244 141 52 shade: RGB 244 140 51, RGB 244 192 51, RGB 243 244 51, RGB 191 244 51 and RGB 139 244 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 244 141 52 shade matches the following richer shades: RGB 244 140 51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 244 141 52 shade: RGB 244 140 51, RGB 226 142 68, RGB 209 143 86, RGB 192 144 103 and RGB 174 145 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 244 141 52 shade: RGB 244 51 67, RGB 244 86 51, RGB 244 138 51, RGB 244 189 51 and RGB 244 241 51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 244 141 52 shade: RGB 202 99 10, RGB 241 118 12, RGB 244 140 51, RGB 246 162 90 and RGB 248 184 129

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 244 141 52 shade: RGB 244 141 52, RGB 118 244 51 and RGB 61 51 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 244 141 52 shade: RGB 244 141 52, RGB 51 244 138 and RGB 138 51 244

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 244 141 52 shade: RGB 244 141 52, RGB 118 244 51, RGB 51 157 244 and RGB 176 51 244

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 244 141 52 shade: RGB 244 141 52, RGB 61 244 51, RGB 51 157 244 and RGB 234 51 244

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

Complementary color

CMYK 95 / 44 / 0 / 20

HEX #0B72CB

RGB 11 114 203

HSL 207.81, 0.9%, 0.42%

LAB 47.52, 7.57, -53.33

 

CMYK 0 / 43 / 81 / 2

HEX #F98D2F

RGB 249 141 47

HSL 27.92, 0.94%, 0.58%

LAB 69.04, 34.67, 63.89

 

CMYK 0 / 38 / 74 / 0

HEX #FF9F42

RGB 255 159 66

HSL 29.52, 1%, 0.63%

LAB 73.84, 28.47, 61.07

 

CMYK 0 / 31 / 67 / 0

HEX #FFB155

RGB 255 177 85

HSL 32.47, 1%, 0.67%

LAB 78.09, 20.01, 57.11

 

CMYK 0 / 24 / 59 / 0

HEX #FFC368

RGB 255 195 104

HSL 36.16, 1%, 0.7%

LAB 82.53, 11.82, 53.26

 

CMYK 0 / 16 / 52 / 0

HEX #FFD57B

RGB 255 213 123

HSL 40.91, 1%, 0.74%

LAB 87.13, 3.98, 49.6

 

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

CMYK 0 / 46 / 85 / 11

HEX #E37B21

RGB 227 123 33

HSL 27.84, 0.78%, 0.51%

LAB 62.17, 34.7, 61.81

 

CMYK 0 / 50 / 93 / 18

HEX #D2690E

RGB 210 105 14

HSL 27.86, 0.88%, 0.44%

LAB 55.92, 36.76, 61.37

 

CMYK 0 / 55 / 100 / 24

HEX #C15700

RGB 193 87 0

HSL 27.05, 1%, 0.38%

LAB 49.68, 38.95, 59.06

 

CMYK 0 / 61 / 100 / 31

HEX #B04500

RGB 176 69 0

HSL 23.52, 1%, 0.35%

LAB 43.49, 41.15, 54.12

 

CMYK 0 / 43 / 79 / 4

HEX #F48C33

RGB 244 140 51

HSL 27.67, 0.9%, 0.58%

LAB 68.19, 33.3, 61.32

 

CMYK 0 / 64 / 79 / 4

HEX #F45833

RGB 244 88 51

HSL 11.5, 0.9%, 0.58%

LAB 58.46, 58.04, 52.04

 

CMYK 0 / 79 / 79 / 4

HEX #F43333

RGB 244 51 51

HSL 0, 0.9%, 0.58%

LAB 53.86, 70.72, 47.48

 

CMYK 0 / 43 / 79 / 4

HEX #F48C33

RGB 244 140 51

HSL 27.67, 0.9%, 0.58%

LAB 68.19, 33.3, 61.32

 

CMYK 0 / 21 / 79 / 4

HEX #F4C033

RGB 244 192 51

HSL 43.83, 0.9%, 0.58%

LAB 80.28, 6.06, 72.35

 

CMYK 0 / 0 / 79 / 4

HEX #F3F433

RGB 243 244 51

HSL 60.31, 0.9%, 0.58%

LAB 93.45, -20.42, 83.92

 

CMYK 22 / 0 / 79 / 4

HEX #BFF433

RGB 191 244 51

HSL 76.48, 0.9%, 0.58%

LAB 89.87, -41.1, 79.38

 

CMYK 43 / 0 / 79 / 4

HEX #8BF433

RGB 139 244 51

HSL 92.64, 0.9%, 0.58%

LAB 87.21, -59.26, 75.98

 

CMYK 0 / 43 / 79 / 4

HEX #F48C33

RGB 244 140 51

HSL 27.67, 0.9%, 0.58%

LAB 68.19, 33.3, 61.32

 

CMYK 0 / 43 / 79 / 4

HEX #F48C33

RGB 244 140 51

HSL 27.67, 0.9%, 0.58%

LAB 68.19, 33.3, 61.32

 

CMYK 0 / 37 / 70 / 11

HEX #E28E44

RGB 226 142 68

HSL 28.1, 0.73%, 0.58%

LAB 66.47, 25.62, 51.39

 

CMYK 0 / 32 / 59 / 18

HEX #D18F56

RGB 209 143 86

HSL 27.8, 0.57%, 0.58%

LAB 64.86, 19.15, 40.06

 

CMYK 0 / 25 / 46 / 25

HEX #C09067

RGB 192 144 103

HSL 27.64, 0.41%, 0.58%

LAB 63.45, 13.03, 28.8

 

CMYK 0 / 17 / 31 / 32

HEX #AE9178

RGB 174 145 120

HSL 27.78, 0.25%, 0.58%

LAB 62.17, 7.11, 17.34

 

CMYK 0 / 79 / 73 / 4

HEX #F43343

RGB 244 51 67

HSL 355.03, 0.9%, 0.58%

LAB 54.03, 71.27, 38.85

 

CMYK 0 / 65 / 79 / 4

HEX #F45633

RGB 244 86 51

HSL 10.88, 0.9%, 0.58%

LAB 58.16, 58.86, 51.74

 

CMYK 0 / 43 / 79 / 4

HEX #F48A33

RGB 244 138 51

HSL 27.05, 0.9%, 0.58%

LAB 67.76, 34.33, 60.92

 

CMYK 0 / 23 / 79 / 4

HEX #F4BD33

RGB 244 189 51

HSL 42.9, 0.9%, 0.58%

LAB 79.54, 7.62, 71.69

 

CMYK 0 / 1 / 79 / 4

HEX #F4F133

RGB 244 241 51

HSL 59.07, 0.9%, 0.58%

LAB 92.74, -18.57, 83.34

 

CMYK 0 / 51 / 95 / 21

HEX #CA630A

RGB 202 99 10

HSL 27.81, 0.91%, 0.42%

LAB 53.49, 36.57, 59.98

 

CMYK 0 / 51 / 95 / 5

HEX #F1760C

RGB 241 118 12

HSL 27.77, 0.91%, 0.5%

LAB 63.08, 42.44, 68.74

 

CMYK 0 / 43 / 79 / 4

HEX #F48C33

RGB 244 140 51

HSL 27.67, 0.9%, 0.58%

LAB 68.19, 33.3, 61.32

 

CMYK 0 / 34 / 63 / 4

HEX #F6A25A

RGB 246 162 90

HSL 27.69, 0.9%, 0.66%

LAB 73.66, 24.5, 49.47

 

CMYK 0 / 26 / 48 / 3

HEX #F8B881

RGB 248 184 129

HSL 27.73, 0.89%, 0.74%

LAB 79.51, 16.78, 36.9

 

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

CMYK 52 / 0 / 79 / 4

HEX #76F433

RGB 118 244 51

HSL 99.17, 0.9%, 0.58%

LAB 86.4, -65.38, 74.94

 

CMYK 75 / 79 / 0 / 4

HEX #3D33F4

RGB 61 51 244

HSL 243.11, 0.9%, 0.58%

LAB 37.65, 63.34, -92.72

 

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

CMYK 79 / 0 / 43 / 4

HEX #33F48A

RGB 51 244 138

HSL 147.05, 0.9%, 0.58%

LAB 85.63, -68.72, 38.21

 

CMYK 43 / 79 / 0 / 4

HEX #8A33F4

RGB 138 51 244

HSL 267.05, 0.9%, 0.58%

LAB 44.66, 71.19, -80.9

 

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

CMYK 52 / 0 / 79 / 4

HEX #76F433

RGB 118 244 51

HSL 99.17, 0.9%, 0.58%

LAB 86.4, -65.38, 74.94

 

CMYK 79 / 36 / 0 / 4

HEX #339DF4

RGB 51 157 244

HSL 207.05, 0.9%, 0.58%

LAB 62.8, -0.17, -51.88

 

CMYK 28 / 79 / 0 / 4

HEX #B033F4

RGB 176 51 244

HSL 278.86, 0.9%, 0.58%

LAB 49.65, 76.82, -72.55

 

CMYK 0 / 42 / 79 / 4

HEX #F48D34

RGB 244 141 52

HSL 27.81, 0.9%, 0.58%

LAB 68.41, 32.82, 61.13

 

CMYK 75 / 0 / 79 / 4

HEX #3DF433

RGB 61 244 51

HSL 116.89, 0.9%, 0.58%

LAB 84.96, -77.23, 73.08

 

CMYK 79 / 36 / 0 / 4

HEX #339DF4

RGB 51 157 244

HSL 207.05, 0.9%, 0.58%

LAB 62.8, -0.17, -51.88

 

CMYK 4 / 79 / 0 / 4

HEX #EA33F4

RGB 234 51 244

HSL 296.89, 0.9%, 0.58%

LAB 58.41, 86.76, -57.99

 

Description

Color code: RGB 244 141 52 | qconv.com Color code: RGB 244 141 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 244 red, 141 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
244 141 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 79 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 79% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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