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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CC9531 it is the complementary color #336ACE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CC9531. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CC9531 shade: #D1952C, #E2A73F, #F3B952, #FFCB65 and #FFDD78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CC9531. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CC9531 shade: #CC9531, #BB831E, #AA710B, #995F00 and #884D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CC9531 shade: #CD9631, #CD6C31, #CD4231 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CC9531 shade: #CD9631, #CDC031, #B0CD31, #86CD31 and #5CCD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CC9531 shade matches the following richer shades: #CD9631, #E19C1D and #F6A208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CC9531 shade: #CD9631, #B89046, #A48A5A, #8F846F and #7A7E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CC9531 shade: #CD4131, #CD6A31, #CD9431, #CDBD31 and #B3CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CC9531 shade: #8A6521, #AC7D29, #CD9631, #D5A752 and #DDB874

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CC9531 shade: #CC9531, #4BCD31 and #5631CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CC9531 shade: #CC9531, #31CD94 and #9431CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CC9531 shade: #CC9531, #4BCD31, #316ACD and #B331CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CC9531 shade: #CC9531, #31CD46, #316ACD and #CD31B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 76 / 20

HEX #CC9531

RGB 204 149 49

HSL 38.71, 0.61%, 0.5%

LAB 65.4, 11.58, 57.76

 

Complementary color

CMYK 75 / 49 / 0 / 19

HEX #336ACE

RGB 51 106 206

HSL 218.71, 0.61%, 0.5%

LAB 46.27, 16.91, -57.02

 

CMYK 0 / 29 / 79 / 18

HEX #D1952C

RGB 209 149 44

HSL 38.18, 0.65%, 0.5%

LAB 65.93, 13.57, 60.35

 

CMYK 0 / 26 / 72 / 11

HEX #E2A73F

RGB 226 167 63

HSL 38.28, 0.74%, 0.57%

LAB 72.34, 12.02, 59.73

 

CMYK 0 / 24 / 66 / 5

HEX #F3B952

RGB 243 185 82

HSL 38.39, 0.87%, 0.64%

LAB 78.67, 10.68, 58.73

 

CMYK 0 / 20 / 60 / 0

HEX #FFCB65

RGB 255 203 101

HSL 39.74, 1%, 0.7%

LAB 84.44, 7.47, 56.85

 

CMYK 0 / 13 / 53 / 0

HEX #FFDD78

RGB 255 221 120

HSL 44.89, 1%, 0.74%

LAB 89.08, -0.34, 53.38

 

CMYK 0 / 27 / 76 / 20

HEX #CC9531

RGB 204 149 49

HSL 38.71, 0.61%, 0.5%

LAB 65.4, 11.58, 57.76

 

CMYK 0 / 30 / 84 / 27

HEX #BB831E

RGB 187 131 30

HSL 38.6, 0.72%, 0.43%

LAB 58.87, 13.27, 57.96

 

CMYK 0 / 34 / 94 / 33

HEX #AA710B

RGB 170 113 11

HSL 38.49, 0.88%, 0.35%

LAB 52.26, 15.26, 56.88

 

CMYK 0 / 38 / 100 / 40

HEX #995F00

RGB 153 95 0

HSL 37.25, 1%, 0.3%

LAB 45.57, 17.56, 53.58

 

CMYK 0 / 43 / 100 / 47

HEX #884D00

RGB 136 77 0

HSL 33.97, 1%, 0.27%

LAB 38.8, 20.14, 48.08

 

CMYK 0 / 27 / 76 / 20

HEX #CD9631

RGB 205 150 49

HSL 38.85, 0.61%, 0.5%

LAB 65.76, 11.48, 58.14

 

CMYK 0 / 47 / 76 / 20

HEX #CD6C31

RGB 205 108 49

HSL 22.69, 0.61%, 0.5%

LAB 56.01, 34.12, 48.54

 

CMYK 0 / 68 / 76 / 20

HEX #CD4231

RGB 205 66 49

HSL 6.54, 0.61%, 0.5%

LAB 48.38, 53.91, 40.61

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 27 / 76 / 20

HEX #CD9631

RGB 205 150 49

HSL 38.85, 0.61%, 0.5%

LAB 65.76, 11.48, 58.14

 

CMYK 0 / 6 / 76 / 20

HEX #CDC031

RGB 205 192 49

HSL 55, 0.61%, 0.5%

LAB 76.62, -10.73, 68.32

 

CMYK 14 / 0 / 76 / 20

HEX #B0CD31

RGB 176 205 49

HSL 71.15, 0.61%, 0.5%

LAB 77.94, -29.33, 68.72

 

CMYK 35 / 0 / 76 / 20

HEX #86CD31

RGB 134 205 49

HSL 87.31, 0.61%, 0.5%

LAB 75.42, -45.44, 65.46

 

CMYK 55 / 0 / 76 / 20

HEX #5CCD31

RGB 92 205 49

HSL 103.46, 0.61%, 0.5%

LAB 73.65, -58.55, 63.14

 

CMYK 0 / 27 / 76 / 20

HEX #CD9631

RGB 205 150 49

HSL 38.85, 0.61%, 0.5%

LAB 65.76, 11.48, 58.14

 

CMYK 0 / 31 / 87 / 12

HEX #E19C1D

RGB 225 156 29

HSL 38.88, 0.77%, 0.5%

LAB 69.38, 16.3, 68.71

 

CMYK 0 / 34 / 97 / 4

HEX #F6A208

RGB 246 162 8

HSL 38.82, 0.94%, 0.5%

LAB 73.19, 21.79, 76.35

 

CMYK 0 / 27 / 76 / 20

HEX #CD9631

RGB 205 150 49

HSL 38.85, 0.61%, 0.5%

LAB 65.76, 11.48, 58.14

 

CMYK 0 / 22 / 62 / 28

HEX #B89046

RGB 184 144 70

HSL 38.95, 0.45%, 0.5%

LAB 62.15, 6.75, 44.29

 

CMYK 0 / 16 / 45 / 36

HEX #A48A5A

RGB 164 138 90

HSL 38.92, 0.29%, 0.5%

LAB 58.8, 3.19, 29.32

 

CMYK 0 / 8 / 22 / 44

HEX #8F846F

RGB 143 132 111

HSL 39.38, 0.13%, 0.5%

LAB 55.57, 0.56, 12.85

 

CMYK 8 / 5 / 0 / 48

HEX #7A7E84

RGB 122 126 132

HSL 216, 0.04%, 0.5%

LAB 52.65, -0.24, -3.77

 

CMYK 0 / 68 / 76 / 20

HEX #CD4131

RGB 205 65 49

HSL 6.15, 0.61%, 0.5%

LAB 48.24, 54.3, 40.46

 

CMYK 0 / 48 / 76 / 20

HEX #CD6A31

RGB 205 106 49

HSL 21.92, 0.61%, 0.5%

LAB 55.59, 35.16, 48.12

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 13 / 0 / 76 / 20

HEX #B3CD31

RGB 179 205 49

HSL 70, 0.61%, 0.5%

LAB 78.15, -28.1, 68.99

 

CMYK 0 / 27 / 76 / 46

HEX #8A6521

RGB 138 101 33

HSL 38.86, 0.61%, 0.34%

LAB 45.39, 8.04, 42.33

 

CMYK 0 / 27 / 76 / 33

HEX #AC7D29

RGB 172 125 41

HSL 38.47, 0.62%, 0.42%

LAB 55.68, 10.3, 50.35

 

CMYK 0 / 27 / 76 / 20

HEX #CD9631

RGB 205 150 49

HSL 38.85, 0.61%, 0.5%

LAB 65.76, 11.48, 58.14

 

CMYK 0 / 22 / 62 / 16

HEX #D5A752

RGB 213 167 82

HSL 38.93, 0.61%, 0.58%

LAB 71.14, 7.58, 49.51

 

CMYK 0 / 17 / 48 / 13

HEX #DDB874

RGB 221 184 116

HSL 38.86, 0.61%, 0.66%

LAB 76.63, 4.67, 39.38

 

CMYK 0 / 27 / 76 / 20

HEX #CC9531

RGB 204 149 49

HSL 38.71, 0.61%, 0.5%

LAB 65.4, 11.58, 57.76

 

CMYK 63 / 0 / 76 / 20

HEX #4BCD31

RGB 75 205 49

HSL 110, 0.61%, 0.5%

LAB 73.14, -62.65, 62.47

 

CMYK 58 / 76 / 0 / 20

HEX #5631CD

RGB 86 49 205

HSL 254.23, 0.61%, 0.5%

LAB 35.17, 55.27, -74.44

 

CMYK 0 / 27 / 76 / 20

HEX #CC9531

RGB 204 149 49

HSL 38.71, 0.61%, 0.5%

LAB 65.4, 11.58, 57.76

 

CMYK 76 / 0 / 28 / 20

HEX #31CD94

RGB 49 205 148

HSL 158.08, 0.61%, 0.5%

LAB 73.84, -52.8, 17.26

 

CMYK 28 / 76 / 0 / 20

HEX #9431CD

RGB 148 49 205

HSL 278.08, 0.61%, 0.5%

LAB 42.61, 64.83, -61.96

 

CMYK 0 / 27 / 76 / 20

HEX #CC9531

RGB 204 149 49

HSL 38.71, 0.61%, 0.5%

LAB 65.4, 11.58, 57.76

 

CMYK 63 / 0 / 76 / 20

HEX #4BCD31

RGB 75 205 49

HSL 110, 0.61%, 0.5%

LAB 73.14, -62.65, 62.47

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 13 / 76 / 0 / 20

HEX #B331CD

RGB 179 49 205

HSL 290, 0.61%, 0.5%

LAB 47.22, 70.59, -54.29

 

CMYK 0 / 27 / 76 / 20

HEX #CC9531

RGB 204 149 49

HSL 38.71, 0.61%, 0.5%

LAB 65.4, 11.58, 57.76

 

CMYK 76 / 0 / 66 / 20

HEX #31CD46

RGB 49 205 70

HSL 128.08, 0.61%, 0.5%

LAB 72.73, -65.55, 54.11

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 0 / 76 / 10 / 20

HEX #CD31B8

RGB 205 49 184

HSL 308.08, 0.61%, 0.5%

LAB 50.26, 72.53, -37.02

 

Description

Color code: HEX #CC9531 | qconv.com Color code: HEX #CC9531 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 149 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 149 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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