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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD9431 it is the complementary color #326BCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD9431. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD9431 shade: #D2942C, #E3A63F, #F4B852, #FFCA65 and #FFDC78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD9431. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD9431 shade: #CD9431, #BC821E, #AB700B, #9A5E00 and #894C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD9431 shade: #CD9431, #CD6A31, #CD4031 and #CD3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD9431 shade: #CD9431, #CDBE31, #B2CD31, #88CD31 and #5ECD31

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD9431 shade matches the following richer shades: #CD9431, #E19A1D and #F69F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD9431 shade: #CD9431, #B88E46, #A4895A, #8F836F and #7A7E84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD9431 shade: #CD4131, #CD6A31, #CD9431, #CDBD31 and #B3CD31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD9431 shade: #8A6421, #AC7C29, #CD9431, #D5A552 and #DDB674

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD9431 shade: #CD9431, #4BCD31 and #5631CD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD9431 shade: #CD9431, #31CD94 and #9431CD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD9431 shade: #CD9431, #4BCD31, #316ACD and #B331CD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD9431 shade: #CD9431, #31CD46, #316ACD and #CD31B8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

Complementary color

CMYK 76 / 48 / 0 / 19

HEX #326BCE

RGB 50 107 206

HSL 218.08, 0.61%, 0.5%

LAB 46.51, 16.15, -56.63

 

CMYK 0 / 30 / 79 / 18

HEX #D2942C

RGB 210 148 44

HSL 37.59, 0.65%, 0.5%

LAB 65.8, 14.54, 60.28

 

CMYK 0 / 27 / 72 / 11

HEX #E3A63F

RGB 227 166 63

HSL 37.68, 0.75%, 0.57%

LAB 72.2, 12.98, 59.63

 

CMYK 0 / 25 / 66 / 4

HEX #F4B852

RGB 244 184 82

HSL 37.78, 0.88%, 0.64%

LAB 78.53, 11.62, 58.61

 

CMYK 0 / 21 / 60 / 0

HEX #FFCA65

RGB 255 202 101

HSL 39.35, 1%, 0.7%

LAB 84.19, 7.99, 56.58

 

CMYK 0 / 14 / 53 / 0

HEX #FFDC78

RGB 255 220 120

HSL 44.44, 1%, 0.74%

LAB 88.83, 0.16, 53.08

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 31 / 84 / 26

HEX #BC821E

RGB 188 130 30

HSL 37.97, 0.72%, 0.43%

LAB 58.74, 14.27, 57.89

 

CMYK 0 / 35 / 94 / 33

HEX #AB700B

RGB 171 112 11

HSL 37.88, 0.88%, 0.36%

LAB 52.14, 16.27, 56.84

 

CMYK 0 / 39 / 100 / 40

HEX #9A5E00

RGB 154 94 0

HSL 36.62, 1%, 0.3%

LAB 45.46, 18.59, 53.57

 

CMYK 0 / 45 / 100 / 46

HEX #894C00

RGB 137 76 0

HSL 33.28, 1%, 0.27%

LAB 38.7, 21.17, 48.09

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 48 / 76 / 20

HEX #CD6A31

RGB 205 106 49

HSL 21.92, 0.61%, 0.5%

LAB 55.59, 35.16, 48.12

 

CMYK 0 / 69 / 76 / 20

HEX #CD4031

RGB 205 64 49

HSL 5.77, 0.61%, 0.5%

LAB 48.09, 54.7, 40.3

 

CMYK 0 / 76 / 76 / 20

HEX #CD3131

RGB 205 49 49

HSL 0, 0.61%, 0.5%

LAB 46.17, 60, 38.23

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 7 / 76 / 20

HEX #CDBE31

RGB 205 190 49

HSL 54.23, 0.61%, 0.5%

LAB 76.09, -9.71, 67.83

 

CMYK 13 / 0 / 76 / 20

HEX #B2CD31

RGB 178 205 49

HSL 70.38, 0.61%, 0.5%

LAB 78.08, -28.51, 68.9

 

CMYK 34 / 0 / 76 / 20

HEX #88CD31

RGB 136 205 49

HSL 86.54, 0.61%, 0.5%

LAB 75.53, -44.73, 65.59

 

CMYK 54 / 0 / 76 / 20

HEX #5ECD31

RGB 94 205 49

HSL 102.69, 0.61%, 0.5%

LAB 73.72, -58.02, 63.22

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 32 / 87 / 12

HEX #E19A1D

RGB 225 154 29

HSL 38.27, 0.77%, 0.5%

LAB 68.9, 17.37, 68.33

 

CMYK 0 / 35 / 97 / 4

HEX #F69F08

RGB 246 159 8

HSL 38.07, 0.94%, 0.5%

LAB 72.5, 23.37, 75.88

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 23 / 62 / 28

HEX #B88E46

RGB 184 142 70

HSL 37.89, 0.45%, 0.5%

LAB 61.64, 7.85, 43.71

 

CMYK 0 / 16 / 45 / 36

HEX #A4895A

RGB 164 137 90

HSL 38.11, 0.29%, 0.5%

LAB 58.53, 3.75, 28.98

 

CMYK 0 / 8 / 22 / 44

HEX #8F836F

RGB 143 131 111

HSL 37.5, 0.13%, 0.5%

LAB 55.3, 1.13, 12.47

 

CMYK 8 / 5 / 0 / 48

HEX #7A7E84

RGB 122 126 132

HSL 216, 0.04%, 0.5%

LAB 52.65, -0.24, -3.77

 

CMYK 0 / 68 / 76 / 20

HEX #CD4131

RGB 205 65 49

HSL 6.15, 0.61%, 0.5%

LAB 48.24, 54.3, 40.46

 

CMYK 0 / 48 / 76 / 20

HEX #CD6A31

RGB 205 106 49

HSL 21.92, 0.61%, 0.5%

LAB 55.59, 35.16, 48.12

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 8 / 76 / 20

HEX #CDBD31

RGB 205 189 49

HSL 53.85, 0.61%, 0.5%

LAB 75.82, -9.2, 67.59

 

CMYK 13 / 0 / 76 / 20

HEX #B3CD31

RGB 179 205 49

HSL 70, 0.61%, 0.5%

LAB 78.15, -28.1, 68.99

 

CMYK 0 / 28 / 76 / 46

HEX #8A6421

RGB 138 100 33

HSL 38.29, 0.61%, 0.34%

LAB 45.12, 8.62, 42.06

 

CMYK 0 / 28 / 76 / 33

HEX #AC7C29

RGB 172 124 41

HSL 38.02, 0.62%, 0.42%

LAB 55.43, 10.86, 50.1

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 0 / 23 / 62 / 16

HEX #D5A552

RGB 213 165 82

HSL 38.02, 0.61%, 0.58%

LAB 70.64, 8.65, 48.94

 

CMYK 0 / 18 / 48 / 13

HEX #DDB674

RGB 221 182 116

HSL 37.71, 0.61%, 0.66%

LAB 76.12, 5.73, 38.74

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 63 / 0 / 76 / 20

HEX #4BCD31

RGB 75 205 49

HSL 110, 0.61%, 0.5%

LAB 73.14, -62.65, 62.47

 

CMYK 58 / 76 / 0 / 20

HEX #5631CD

RGB 86 49 205

HSL 254.23, 0.61%, 0.5%

LAB 35.17, 55.27, -74.44

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 76 / 0 / 28 / 20

HEX #31CD94

RGB 49 205 148

HSL 158.08, 0.61%, 0.5%

LAB 73.84, -52.8, 17.26

 

CMYK 28 / 76 / 0 / 20

HEX #9431CD

RGB 148 49 205

HSL 278.08, 0.61%, 0.5%

LAB 42.61, 64.83, -61.96

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 63 / 0 / 76 / 20

HEX #4BCD31

RGB 75 205 49

HSL 110, 0.61%, 0.5%

LAB 73.14, -62.65, 62.47

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 13 / 76 / 0 / 20

HEX #B331CD

RGB 179 49 205

HSL 290, 0.61%, 0.5%

LAB 47.22, 70.59, -54.29

 

CMYK 0 / 28 / 76 / 20

HEX #CD9431

RGB 205 148 49

HSL 38.08, 0.61%, 0.5%

LAB 65.26, 12.56, 57.66

 

CMYK 76 / 0 / 66 / 20

HEX #31CD46

RGB 49 205 70

HSL 128.08, 0.61%, 0.5%

LAB 72.73, -65.55, 54.11

 

CMYK 76 / 48 / 0 / 20

HEX #316ACD

RGB 49 106 205

HSL 218.08, 0.61%, 0.5%

LAB 46.14, 16.3, -56.66

 

CMYK 0 / 76 / 10 / 20

HEX #CD31B8

RGB 205 49 184

HSL 308.08, 0.61%, 0.5%

LAB 50.26, 72.53, -37.02

 

Description

Color code: HEX #CD9431 | qconv.com Color code: HEX #CD9431 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 148 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 148 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 76 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 76% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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