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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CB3561 it is the complementary color #34CA9E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CB3561. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CB3561 shade: #D0355C, #E1476F, #F25982, #FF6B95 and #FF7DA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CB3561. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CB3561 shade: #CB3561, #BA234E, #A9113B, #980028 and #870015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CB3561 shade: #CA3460, #CA3437 and #CA3434

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CB3561 shade: #CA3460, #CA3488, #CA34B1, #BB34CA and #9234CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CB3561 shade matches the following richer shades: #CA3460, #DF1F57 and #F30B4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CB3561 shade: #CA3460, #B64868, #A15D71, #8C7279 and #788682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CB3561 shade: #CA34B1, #CA3489, #CA3461, #CA3439 and #CA5734

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CB3561 shade: #892341, #A92B50, #CA3460, #D3557A and #DB7593

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CB3561 shade: #CB3561, #CABB34 and #349DCA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CB3561 shade: #CB3561, #61CA34 and #3461CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CB3561 shade: #CB3561, #CABB34, #34CA9D and #3443CA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CB3561 shade: #CB3561, #ACCA34, #34CA9D and #5234CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 52 / 20

HEX #CB3561

RGB 203 53 97

HSL 342.4, 0.59%, 0.5%

LAB 47.11, 60.89, 10.49

 

Complementary color

CMYK 74 / 0 / 22 / 21

HEX #34CA9E

RGB 52 202 158

HSL 162.4, 0.59%, 0.5%

LAB 73.18, -48.92, 10.99

 

CMYK 0 / 75 / 56 / 18

HEX #D0355C

RGB 208 53 92

HSL 344.9, 0.62%, 0.51%

LAB 47.92, 61.94, 14.81

 

CMYK 0 / 68 / 51 / 12

HEX #E1476F

RGB 225 71 111

HSL 344.42, 0.72%, 0.58%

LAB 53.67, 62.06, 11.76

 

CMYK 0 / 63 / 46 / 5

HEX #F25982

RGB 242 89 130

HSL 343.92, 0.85%, 0.65%

LAB 59.56, 61.76, 9.25

 

CMYK 0 / 58 / 42 / 0

HEX #FF6B95

RGB 255 107 149

HSL 342.97, 1%, 0.71%

LAB 64.92, 59.95, 6.2

 

CMYK 0 / 51 / 34 / 0

HEX #FF7DA8

RGB 255 125 168

HSL 340.15, 1%, 0.75%

LAB 68.57, 53.73, 0.7

 

CMYK 0 / 74 / 52 / 20

HEX #CB3561

RGB 203 53 97

HSL 342.4, 0.59%, 0.5%

LAB 47.11, 60.89, 10.49

 

CMYK 0 / 81 / 58 / 27

HEX #BA234E

RGB 186 35 78

HSL 342.91, 0.68%, 0.43%

LAB 41.52, 60.12, 14.06

 

CMYK 0 / 90 / 65 / 34

HEX #A9113B

RGB 169 17 59

HSL 343.42, 0.82%, 0.36%

LAB 36.27, 58.32, 18.56

 

CMYK 0 / 100 / 74 / 40

HEX #980028

RGB 152 0 40

HSL 344.21, 1%, 0.3%

LAB 31.41, 55.42, 23.99

 

CMYK 0 / 100 / 84 / 47

HEX #870015

RGB 135 0 21

HSL 350.67, 1%, 0.26%

LAB 27.31, 50.35, 30.41

 

CMYK 0 / 74 / 52 / 21

HEX #CA3460

RGB 202 52 96

HSL 342.4, 0.59%, 0.5%

LAB 46.79, 60.85, 10.62

 

CMYK 0 / 74 / 73 / 21

HEX #CA3437

RGB 202 52 55

HSL 358.8, 0.59%, 0.5%

LAB 46.03, 58.36, 34.47

 

CMYK 0 / 74 / 74 / 21

HEX #CA3434

RGB 202 52 52

HSL 0, 0.59%, 0.5%

LAB 45.99, 58.23, 36.16

 

CMYK 0 / 74 / 52 / 21

HEX #CA3460

RGB 202 52 96

HSL 342.4, 0.59%, 0.5%

LAB 46.79, 60.85, 10.62

 

CMYK 0 / 74 / 33 / 21

HEX #CA3488

RGB 202 52 136

HSL 326.4, 0.59%, 0.5%

LAB 47.99, 64.7, -12.05

 

CMYK 0 / 74 / 12 / 21

HEX #CA34B1

RGB 202 52 177

HSL 310, 0.59%, 0.5%

LAB 49.72, 69.98, -33.81

 

CMYK 7 / 74 / 0 / 21

HEX #BB34CA

RGB 187 52 202

HSL 294, 0.59%, 0.5%

LAB 48.62, 70.69, -50.26

 

CMYK 28 / 74 / 0 / 21

HEX #9234CA

RGB 146 52 202

HSL 277.6, 0.59%, 0.5%

LAB 42.51, 62.71, -60.41

 

CMYK 0 / 74 / 52 / 21

HEX #CA3460

RGB 202 52 96

HSL 342.4, 0.59%, 0.5%

LAB 46.79, 60.85, 10.62

 

CMYK 0 / 86 / 61 / 13

HEX #DF1F57

RGB 223 31 87

HSL 342.5, 0.76%, 0.5%

LAB 48.71, 71.24, 19.42

 

CMYK 0 / 95 / 67 / 5

HEX #F30B4F

RGB 243 11 79

HSL 342.41, 0.91%, 0.5%

LAB 51.68, 78.22, 28.92

 

CMYK 0 / 74 / 52 / 21

HEX #CA3460

RGB 202 52 96

HSL 342.4, 0.59%, 0.5%

LAB 46.79, 60.85, 10.62

 

CMYK 0 / 60 / 43 / 29

HEX #B64868

RGB 182 72 104

HSL 342.55, 0.43%, 0.5%

LAB 46.42, 47.46, 4.71

 

CMYK 0 / 42 / 30 / 37

HEX #A15D71

RGB 161 93 113

HSL 342.35, 0.27%, 0.5%

LAB 47.75, 30.31, 0.78

 

CMYK 0 / 19 / 14 / 45

HEX #8C7279

RGB 140 114 121

HSL 343.85, 0.1%, 0.5%

LAB 50.68, 11.4, -0.02

 

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

CMYK 0 / 74 / 12 / 21

HEX #CA34B1

RGB 202 52 177

HSL 310, 0.59%, 0.5%

LAB 49.72, 69.98, -33.81

 

CMYK 0 / 74 / 32 / 21

HEX #CA3489

RGB 202 52 137

HSL 326, 0.59%, 0.5%

LAB 48.03, 64.82, -12.6

 

CMYK 0 / 74 / 52 / 21

HEX #CA3461

RGB 202 52 97

HSL 342, 0.59%, 0.5%

LAB 46.81, 60.93, 10.04

 

CMYK 0 / 74 / 72 / 21

HEX #CA3439

RGB 202 52 57

HSL 358, 0.59%, 0.5%

LAB 46.05, 58.45, 33.33

 

CMYK 0 / 57 / 74 / 21

HEX #CA5734

RGB 202 87 52

HSL 14, 0.59%, 0.5%

LAB 51.41, 43.67, 42.11

 

CMYK 0 / 74 / 53 / 46

HEX #892341

RGB 137 35 65

HSL 342.35, 0.59%, 0.34%

LAB 31.58, 44.84, 7.19

 

CMYK 0 / 75 / 53 / 34

HEX #A92B50

RGB 169 43 80

HSL 342.38, 0.59%, 0.42%

LAB 39.14, 52.99, 9

 

CMYK 0 / 74 / 52 / 21

HEX #CA3460

RGB 202 52 96

HSL 342.4, 0.59%, 0.5%

LAB 46.79, 60.85, 10.62

 

CMYK 0 / 60 / 42 / 17

HEX #D3557A

RGB 211 85 122

HSL 342.38, 0.59%, 0.58%

LAB 53.76, 52.93, 5.02

 

CMYK 0 / 47 / 33 / 14

HEX #DB7593

RGB 219 117 147

HSL 342.35, 0.59%, 0.66%

LAB 61.56, 43, 1.84

 

CMYK 0 / 74 / 52 / 20

HEX #CB3561

RGB 203 53 97

HSL 342.4, 0.59%, 0.5%

LAB 47.11, 60.89, 10.49

 

CMYK 0 / 7 / 74 / 21

HEX #CABB34

RGB 202 187 52

HSL 54, 0.59%, 0.5%

LAB 75.04, -9.34, 65.76

 

CMYK 74 / 22 / 0 / 21

HEX #349DCA

RGB 52 157 202

HSL 198, 0.59%, 0.5%

LAB 60.88, -14.75, -31.63

 

CMYK 0 / 74 / 52 / 20

HEX #CB3561

RGB 203 53 97

HSL 342.4, 0.59%, 0.5%

LAB 47.11, 60.89, 10.49

 

CMYK 52 / 0 / 74 / 21

HEX #61CA34

RGB 97 202 52

HSL 102, 0.59%, 0.5%

LAB 72.91, -55.9, 61.48

 

CMYK 74 / 52 / 0 / 21

HEX #3461CA

RGB 52 97 202

HSL 222, 0.59%, 0.5%

LAB 43.57, 21.31, -59.07

 

CMYK 0 / 74 / 52 / 20

HEX #CB3561

RGB 203 53 97

HSL 342.4, 0.59%, 0.5%

LAB 47.11, 60.89, 10.49

 

CMYK 0 / 7 / 74 / 21

HEX #CABB34

RGB 202 187 52

HSL 54, 0.59%, 0.5%

LAB 75.04, -9.34, 65.76

 

CMYK 74 / 0 / 22 / 21

HEX #34CA9D

RGB 52 202 157

HSL 162, 0.59%, 0.5%

LAB 73.16, -49.16, 11.5

 

CMYK 74 / 67 / 0 / 21

HEX #3443CA

RGB 52 67 202

HSL 234, 0.59%, 0.5%

LAB 36, 40.44, -71.41

 

CMYK 0 / 74 / 52 / 20

HEX #CB3561

RGB 203 53 97

HSL 342.4, 0.59%, 0.5%

LAB 47.11, 60.89, 10.49

 

CMYK 15 / 0 / 74 / 21

HEX #ACCA34

RGB 172 202 52

HSL 72, 0.59%, 0.5%

LAB 76.84, -29.39, 66.63

 

CMYK 74 / 0 / 22 / 21

HEX #34CA9D

RGB 52 202 157

HSL 162, 0.59%, 0.5%

LAB 73.16, -49.16, 11.5

 

CMYK 59 / 74 / 0 / 21

HEX #5234CA

RGB 82 52 202

HSL 252, 0.59%, 0.5%

LAB 35.03, 52.43, -72.93

 

Description

Color code: HEX #CB3561 | qconv.com Color code: HEX #CB3561 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 53 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 53 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 52 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 52% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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