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Color name
RGB 120 134 130

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 120 134 130 it is the complementary color RGB 135 121 125. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 120 134 130. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 120 134 130 shade: RGB 125 134 125, RGB 142 152 144, RGB 159 170 163, RGB 176 188 182 and RGB 193 206 201

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 120 134 130. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 120 134 130 shade: RGB 120 134 130, RGB 103 116 111, RGB 86 98 92, RGB 69 80 73 and RGB 52 62 54

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 120 134 130 shade: RGB 119 135 130, RGB 119 135 126, RGB 119 135 122, RGB 121 135 119 and RGB 125 135 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 120 134 130 shade: RGB 119 135 130, RGB 119 135 134, RGB 119 131 135, RGB 119 127 135 and RGB 119 123 135

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 120 134 130 shade matches the following richer shades: RGB 119 135 130, RGB 99 155 139, RGB 78 176 148, RGB 57 197 157 and RGB 37 217 166

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 120 134 130 shade: RGB 119 135 130, RGB 140 114 121, RGB 161 93 113, RGB 181 73 104 and RGB 202 52 95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 120 134 130 shade: RGB 119 135 122, RGB 119 135 126, RGB 119 135 130, RGB 119 135 134 and RGB 119 131 135

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 120 134 130 shade: RGB 81 91 88, RGB 100 113 109, RGB 119 135 130, RGB 141 154 150 and RGB 163 173 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 120 134 130 shade: RGB 120 134 130, RGB 119 121 135 and RGB 135 124 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 120 134 130 shade: RGB 120 134 130, RGB 130 119 135 and RGB 135 130 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 120 134 130 shade: RGB 120 134 130, RGB 119 121 135, RGB 135 119 124 and RGB 135 133 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 120 134 130 shade: RGB 120 134 130, RGB 122 119 135, RGB 135 119 124 and RGB 132 135 119

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

Complementary color

CMYK 0 / 10 / 7 / 47

HEX #87797D

RGB 135 121 125

HSL 342.86, 0.06%, 0.5%

LAB 52.18, 6.12, -0.23

 

CMYK 7 / 0 / 7 / 47

HEX #7D867D

RGB 125 134 125

HSL 120, 0.04%, 0.51%

LAB 54.96, -5.11, 3.7

 

CMYK 7 / 0 / 5 / 40

HEX #8E9890

RGB 142 152 144

HSL 132, 0.05%, 0.58%

LAB 61.84, -5.17, 2.96

 

CMYK 6 / 0 / 4 / 33

HEX #9FAAA3

RGB 159 170 163

HSL 141.82, 0.06%, 0.65%

LAB 68.58, -5.22, 2.26

 

CMYK 6 / 0 / 3 / 26

HEX #B0BCB6

RGB 176 188 182

HSL 150, 0.08%, 0.71%

LAB 75.19, -5.28, 1.6

 

CMYK 6 / 0 / 2 / 19

HEX #C1CEC9

RGB 193 206 201

HSL 156.92, 0.12%, 0.78%

LAB 81.67, -5.35, 0.95

 

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

CMYK 11 / 0 / 4 / 55

HEX #67746F

RGB 103 116 111

HSL 156.92, 0.06%, 0.43%

LAB 47.65, -5.92, 1.1

 

CMYK 12 / 0 / 6 / 62

HEX #56625C

RGB 86 98 92

HSL 150, 0.07%, 0.36%

LAB 40.39, -5.93, 1.85

 

CMYK 14 / 0 / 9 / 69

HEX #455049

RGB 69 80 73

HSL 141.82, 0.07%, 0.29%

LAB 32.88, -5.97, 2.65

 

CMYK 16 / 0 / 13 / 76

HEX #343E36

RGB 52 62 54

HSL 132, 0.09%, 0.22%

LAB 25.08, -6.03, 3.54

 

CMYK 12 / 0 / 4 / 47

HEX #778782

RGB 119 135 130

HSL 161.25, 0.06%, 0.5%

LAB 54.93, -6.85, 0.71

 

CMYK 12 / 0 / 7 / 47

HEX #77877E

RGB 119 135 126

HSL 146.25, 0.06%, 0.5%

LAB 54.82, -7.68, 2.86

 

CMYK 12 / 0 / 10 / 47

HEX #77877A

RGB 119 135 122

HSL 131.25, 0.06%, 0.5%

LAB 54.72, -8.48, 5.02

 

CMYK 10 / 0 / 12 / 47

HEX #798777

RGB 121 135 119

HSL 112.5, 0.06%, 0.5%

LAB 54.79, -8.33, 6.88

 

CMYK 7 / 0 / 12 / 47

HEX #7D8777

RGB 125 135 119

HSL 97.5, 0.06%, 0.5%

LAB 55.09, -6.82, 7.35

 

CMYK 12 / 0 / 4 / 47

HEX #778782

RGB 119 135 130

HSL 161.25, 0.06%, 0.5%

LAB 54.93, -6.85, 0.71

 

CMYK 12 / 0 / 1 / 47

HEX #778786

RGB 119 135 134

HSL 176.25, 0.06%, 0.5%

LAB 55.04, -6, -1.44

 

CMYK 12 / 3 / 0 / 47

HEX #778387

RGB 119 131 135

HSL 195, 0.06%, 0.5%

LAB 53.92, -3.52, -3.66

 

CMYK 12 / 6 / 0 / 47

HEX #777F87

RGB 119 127 135

HSL 210, 0.06%, 0.5%

LAB 52.78, -1.24, -5.35

 

CMYK 12 / 9 / 0 / 47

HEX #777B87

RGB 119 123 135

HSL 225, 0.06%, 0.5%

LAB 51.65, 1.07, -7.03

 

CMYK 12 / 0 / 4 / 47

HEX #778782

RGB 119 135 130

HSL 161.25, 0.06%, 0.5%

LAB 54.93, -6.85, 0.71

 

CMYK 36 / 0 / 10 / 39

HEX #639B8B

RGB 99 155 139

HSL 162.86, 0.22%, 0.5%

LAB 59.85, -22.17, 2.56

 

CMYK 56 / 0 / 16 / 31

HEX #4EB094

RGB 78 176 148

HSL 162.86, 0.39%, 0.5%

LAB 65.6, -35.64, 5.71

 

CMYK 71 / 0 / 20 / 23

HEX #39C59D

RGB 57 197 157

HSL 162.86, 0.55%, 0.5%

LAB 71.72, -46.43, 9.46

 

CMYK 83 / 0 / 24 / 15

HEX #25D9A6

RGB 37 217 166

HSL 163, 0.71%, 0.5%

LAB 77.74, -54.56, 13.14

 

CMYK 12 / 0 / 4 / 47

HEX #778782

RGB 119 135 130

HSL 161.25, 0.06%, 0.5%

LAB 54.93, -6.85, 0.71

 

CMYK 0 / 19 / 14 / 45

HEX #8C7279

RGB 140 114 121

HSL 343.85, 0.1%, 0.5%

LAB 50.68, 11.4, -0.02

 

CMYK 0 / 42 / 30 / 37

HEX #A15D71

RGB 161 93 113

HSL 342.35, 0.27%, 0.5%

LAB 47.75, 30.31, 0.78

 

CMYK 0 / 60 / 43 / 29

HEX #B54968

RGB 181 73 104

HSL 342.78, 0.43%, 0.5%

LAB 46.43, 46.66, 4.7

 

CMYK 0 / 74 / 53 / 21

HEX #CA345F

RGB 202 52 95

HSL 342.8, 0.59%, 0.5%

LAB 46.76, 60.78, 11.2

 

CMYK 12 / 0 / 10 / 47

HEX #77877A

RGB 119 135 122

HSL 131.25, 0.06%, 0.5%

LAB 54.72, -8.48, 5.02

 

CMYK 12 / 0 / 7 / 47

HEX #77877E

RGB 119 135 126

HSL 146.25, 0.06%, 0.5%

LAB 54.82, -7.68, 2.86

 

CMYK 12 / 0 / 4 / 47

HEX #778782

RGB 119 135 130

HSL 161.25, 0.06%, 0.5%

LAB 54.93, -6.85, 0.71

 

CMYK 12 / 0 / 1 / 47

HEX #778786

RGB 119 135 134

HSL 176.25, 0.06%, 0.5%

LAB 55.04, -6, -1.44

 

CMYK 12 / 3 / 0 / 47

HEX #778387

RGB 119 131 135

HSL 195, 0.06%, 0.5%

LAB 53.92, -3.52, -3.66

 

CMYK 11 / 0 / 3 / 64

HEX #515B58

RGB 81 91 88

HSL 162, 0.06%, 0.34%

LAB 37.73, -4.57, 0.39

 

CMYK 12 / 0 / 4 / 56

HEX #64716D

RGB 100 113 109

HSL 161.54, 0.06%, 0.42%

LAB 46.48, -5.74, 0.56

 

CMYK 12 / 0 / 4 / 47

HEX #778782

RGB 119 135 130

HSL 161.25, 0.06%, 0.5%

LAB 54.93, -6.85, 0.71

 

CMYK 8 / 0 / 3 / 40

HEX #8D9A96

RGB 141 154 150

HSL 161.54, 0.06%, 0.58%

LAB 62.49, -5.44, 0.5

 

CMYK 6 / 0 / 2 / 32

HEX #A3ADAA

RGB 163 173 170

HSL 162, 0.06%, 0.66%

LAB 69.88, -4.08, 0.32

 

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

CMYK 12 / 10 / 0 / 47

HEX #777987

RGB 119 121 135

HSL 232.5, 0.06%, 0.5%

LAB 51.09, 2.24, -7.87

 

CMYK 0 / 8 / 12 / 47

HEX #877C77

RGB 135 124 119

HSL 18.75, 0.06%, 0.5%

LAB 52.84, 3.28, 4.24

 

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

CMYK 4 / 12 / 0 / 47

HEX #827787

RGB 130 119 135

HSL 281.25, 0.06%, 0.5%

LAB 51.48, 7.39, -7.18

 

CMYK 0 / 4 / 12 / 47

HEX #878277

RGB 135 130 119

HSL 41.25, 0.06%, 0.5%

LAB 54.5, -0.15, 6.62

 

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

CMYK 12 / 10 / 0 / 47

HEX #777987

RGB 119 121 135

HSL 232.5, 0.06%, 0.5%

LAB 51.09, 2.24, -7.87

 

CMYK 0 / 12 / 8 / 47

HEX #87777C

RGB 135 119 124

HSL 341.25, 0.06%, 0.5%

LAB 51.61, 7.09, -0.48

 

CMYK 0 / 1 / 12 / 47

HEX #878577

RGB 135 133 119

HSL 52.5, 0.06%, 0.5%

LAB 55.34, -1.85, 7.81

 

CMYK 10 / 0 / 3 / 47

HEX #788682

RGB 120 134 130

HSL 162.86, 0.06%, 0.5%

LAB 54.72, -5.93, 0.41

 

CMYK 10 / 12 / 0 / 47

HEX #7A7787

RGB 122 119 135

HSL 251.25, 0.06%, 0.5%

LAB 50.78, 4.48, -8.31

 

CMYK 0 / 12 / 8 / 47

HEX #87777C

RGB 135 119 124

HSL 341.25, 0.06%, 0.5%

LAB 51.61, 7.09, -0.48

 

CMYK 2 / 0 / 12 / 47

HEX #848777

RGB 132 135 119

HSL 71.25, 0.06%, 0.5%

LAB 55.65, -4.14, 8.22

 

Description

Color code: RGB 120 134 130 | qconv.com Color code: RGB 120 134 130 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 134 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 134 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 3 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 3% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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