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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CA6EE5 it is the complementary color #35911A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CA6EE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CA6EE5 shade: #CF6EE0, #E080F3, #F192FF, #FFA4FF and #FFB6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CA6EE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CA6EE5 shade: #CA6EE5, #B95CD2, #A84ABF, #9738AC and #862699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CA6EE5 shade: #C96BE4, #E46BDF, #E46BBF, #E46B9E and #E46B7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CA6EE5 shade: #C96BE4, #A86BE4, #876BE4 and #6B6BE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CA6EE5 shade matches the following richer shades: #C96BE4 and #D15DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CA6EE5 shade: #C96BE4, #C179D6, #BA87C8, #B295BA and #AAA3AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CA6EE5 shade: #876BE4, #A86BE4, #C86BE4, #E46BE0 and #E46BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CA6EE5 shade: #AF26D7, #BC48DE, #C96BE4, #D68EEB and #E2B1F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CA6EE5 shade: #CA6EE5, #E46B6F and #6BE498

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CA6EE5 shade: #CA6EE5, #E4C86B and #6BE4C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CA6EE5 shade: #CA6EE5, #E46B6F, #87E46B and #6BE4E0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CA6EE5 shade: #CA6EE5, #E48B6B, #87E46B and #6BC4E4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 52 / 0 / 10

HEX #CA6EE5

RGB 202 110 229

HSL 286.39, 0.7%, 0.66%

LAB 61.1, 54.67, -45.61

 

Complementary color

CMYK 63 / 0 / 82 / 43

HEX #35911A

RGB 53 145 26

HSL 106.39, 0.7%, 0.34%

LAB 53.04, -48.29, 50.27

 

CMYK 8 / 51 / 0 / 12

HEX #CF6EE0

RGB 207 110 224

HSL 291.05, 0.65%, 0.65%

LAB 61.48, 55.04, -42.19

 

CMYK 8 / 47 / 0 / 5

HEX #E080F3

RGB 224 128 243

HSL 290.09, 0.83%, 0.73%

LAB 67.84, 54.36, -42.59

 

CMYK 5 / 43 / 0 / 0

HEX #F192FF

RGB 241 146 255

HSL 292.29, 1%, 0.79%

LAB 73.85, 52.31, -39.6

 

CMYK 0 / 36 / 0 / 0

HEX #FFA4FF

RGB 255 164 255

HSL 300, 1%, 0.82%

LAB 79.06, 47.25, -31.42

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 12 / 52 / 0 / 10

HEX #CA6EE5

RGB 202 110 229

HSL 286.39, 0.7%, 0.66%

LAB 61.1, 54.67, -45.61

 

CMYK 12 / 56 / 0 / 18

HEX #B95CD2

RGB 185 92 210

HSL 287.29, 0.57%, 0.59%

LAB 54.68, 55.31, -45.21

 

CMYK 12 / 61 / 0 / 25

HEX #A84ABF

RGB 168 74 191

HSL 288.21, 0.48%, 0.52%

LAB 48.24, 55.8, -44.66

 

CMYK 12 / 67 / 0 / 33

HEX #9738AC

RGB 151 56 172

HSL 289.14, 0.51%, 0.45%

LAB 41.82, 55.99, -43.88

 

CMYK 12 / 75 / 0 / 40

HEX #862699

RGB 134 38 153

HSL 290.09, 0.6%, 0.37%

LAB 35.51, 55.63, -42.72

 

CMYK 12 / 53 / 0 / 11

HEX #C96BE4

RGB 201 107 228

HSL 286.61, 0.69%, 0.66%

LAB 60.37, 55.7, -46.22

 

CMYK 0 / 53 / 2 / 11

HEX #E46BDF

RGB 228 107 223

HSL 302.48, 0.69%, 0.66%

LAB 63.62, 61.97, -38.08

 

CMYK 0 / 53 / 16 / 11

HEX #E46BBF

RGB 228 107 191

HSL 318.35, 0.69%, 0.66%

LAB 62.31, 56.86, -22.08

 

CMYK 0 / 53 / 31 / 11

HEX #E46B9E

RGB 228 107 158

HSL 334.71, 0.69%, 0.66%

LAB 61.2, 52.33, -4.87

 

CMYK 0 / 53 / 45 / 11

HEX #E46B7D

RGB 228 107 125

HSL 351.07, 0.69%, 0.66%

LAB 60.33, 48.65, 12.94

 

CMYK 12 / 53 / 0 / 11

HEX #C96BE4

RGB 201 107 228

HSL 286.61, 0.69%, 0.66%

LAB 60.37, 55.7, -46.22

 

CMYK 26 / 53 / 0 / 11

HEX #A86BE4

RGB 168 107 228

HSL 270.25, 0.69%, 0.66%

LAB 56.53, 47.16, -52.56

 

CMYK 41 / 53 / 0 / 11

HEX #876BE4

RGB 135 107 228

HSL 253.88, 0.69%, 0.66%

LAB 53.24, 39.13, -58

 

CMYK 53 / 53 / 0 / 11

HEX #6B6BE4

RGB 107 107 228

HSL 240, 0.69%, 0.66%

LAB 50.97, 33.08, -61.77

 

CMYK 12 / 53 / 0 / 11

HEX #C96BE4

RGB 201 107 228

HSL 286.61, 0.69%, 0.66%

LAB 60.37, 55.7, -46.22

 

CMYK 14 / 62 / 0 / 5

HEX #D15DF3

RGB 209 93 243

HSL 286.4, 0.86%, 0.66%

LAB 59.76, 67.12, -55.49

 

CMYK 12 / 53 / 0 / 11

HEX #C96BE4

RGB 201 107 228

HSL 286.61, 0.69%, 0.66%

LAB 60.37, 55.7, -46.22

 

CMYK 10 / 43 / 0 / 16

HEX #C179D6

RGB 193 121 214

HSL 286.45, 0.53%, 0.66%

LAB 61.54, 43.47, -36.61

 

CMYK 7 / 33 / 0 / 22

HEX #BA87C8

RGB 186 135 200

HSL 287.08, 0.37%, 0.66%

LAB 63.29, 30.85, -26.1

 

CMYK 4 / 20 / 0 / 27

HEX #B295BA

RGB 178 149 186

HSL 287.03, 0.21%, 0.66%

LAB 65.36, 17.55, -15.16

 

CMYK 1 / 5 / 0 / 33

HEX #AAA3AC

RGB 170 163 172

HSL 286.67, 0.05%, 0.66%

LAB 67.81, 4.22, -3.75

 

CMYK 41 / 53 / 0 / 11

HEX #876BE4

RGB 135 107 228

HSL 253.88, 0.69%, 0.66%

LAB 53.24, 39.13, -58

 

CMYK 26 / 53 / 0 / 11

HEX #A86BE4

RGB 168 107 228

HSL 270.25, 0.69%, 0.66%

LAB 56.53, 47.16, -52.56

 

CMYK 12 / 53 / 0 / 11

HEX #C86BE4

RGB 200 107 228

HSL 286.12, 0.69%, 0.66%

LAB 60.24, 55.43, -46.43

 

CMYK 0 / 53 / 2 / 11

HEX #E46BE0

RGB 228 107 224

HSL 301.98, 0.69%, 0.66%

LAB 63.66, 62.14, -38.57

 

CMYK 0 / 53 / 16 / 11

HEX #E46BC0

RGB 228 107 192

HSL 317.85, 0.69%, 0.66%

LAB 62.35, 57.01, -22.59

 

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

CMYK 15 / 68 / 0 / 13

HEX #BC48DE

RGB 188 72 222

HSL 286.4, 0.69%, 0.58%

LAB 52.51, 67.27, -55.45

 

CMYK 12 / 53 / 0 / 11

HEX #C96BE4

RGB 201 107 228

HSL 286.61, 0.69%, 0.66%

LAB 60.37, 55.7, -46.22

 

CMYK 9 / 40 / 0 / 8

HEX #D68EEB

RGB 214 142 235

HSL 286.45, 0.7%, 0.74%

LAB 69.21, 42.69, -36.14

 

CMYK 6 / 27 / 0 / 5

HEX #E2B1F1

RGB 226 177 241

HSL 285.94, 0.7%, 0.82%

LAB 78.44, 28.79, -25.09

 

CMYK 12 / 52 / 0 / 10

HEX #CA6EE5

RGB 202 110 229

HSL 286.39, 0.7%, 0.66%

LAB 61.1, 54.67, -45.61

 

CMYK 0 / 53 / 51 / 11

HEX #E46B6F

RGB 228 107 111

HSL 358.02, 0.69%, 0.66%

LAB 60.03, 47.36, 20.6

 

CMYK 53 / 0 / 33 / 11

HEX #6BE498

RGB 107 228 152

HSL 142.31, 0.69%, 0.66%

LAB 82.31, -50.72, 27.02

 

CMYK 12 / 52 / 0 / 10

HEX #CA6EE5

RGB 202 110 229

HSL 286.39, 0.7%, 0.66%

LAB 61.1, 54.67, -45.61

 

CMYK 0 / 12 / 53 / 11

HEX #E4C86B

RGB 228 200 107

HSL 46.12, 0.69%, 0.66%

LAB 81.22, -1.62, 49.62

 

CMYK 53 / 0 / 12 / 11

HEX #6BE4C8

RGB 107 228 200

HSL 166.12, 0.69%, 0.66%

LAB 83.33, -40.67, 3.35

 

CMYK 12 / 52 / 0 / 10

HEX #CA6EE5

RGB 202 110 229

HSL 286.39, 0.7%, 0.66%

LAB 61.1, 54.67, -45.61

 

CMYK 0 / 53 / 51 / 11

HEX #E46B6F

RGB 228 107 111

HSL 358.02, 0.69%, 0.66%

LAB 60.03, 47.36, 20.6

 

CMYK 41 / 0 / 53 / 11

HEX #87E46B

RGB 135 228 107

HSL 106.12, 0.69%, 0.66%

LAB 82.75, -49.76, 49.97

 

CMYK 53 / 0 / 2 / 11

HEX #6BE4E0

RGB 107 228 224

HSL 178.02, 0.69%, 0.66%

LAB 83.96, -34.76, -8.41

 

CMYK 12 / 52 / 0 / 10

HEX #CA6EE5

RGB 202 110 229

HSL 286.39, 0.7%, 0.66%

LAB 61.1, 54.67, -45.61

 

CMYK 0 / 39 / 53 / 11

HEX #E48B6B

RGB 228 139 107

HSL 15.87, 0.69%, 0.66%

LAB 66.54, 30.68, 31.43

 

CMYK 41 / 0 / 53 / 11

HEX #87E46B

RGB 135 228 107

HSL 106.12, 0.69%, 0.66%

LAB 82.75, -49.76, 49.97

 

CMYK 53 / 14 / 0 / 11

HEX #6BC4E4

RGB 107 196 228

HSL 195.87, 0.69%, 0.66%

LAB 74.96, -17.96, -24.11

 

Description

Color code: HEX #CA6EE5 | qconv.com Color code: HEX #CA6EE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 202 red, 110 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
202 110 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 52 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 52% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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