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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF26D7 it is the complementary color #50D928. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF26D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AF26D7 shade: #B426D2, #C538E5, #D64AF8, #E75CFF and #F86EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF26D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AF26D7 shade: #AF26D7, #9E14C4, #8D02B1, #7C009E and #6B008B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AF26D7 shade: #B026D8, #D826D0, #D826A0, #D82670 and #D82640

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AF26D7 shade: #B026D8, #8026D8, #5026D8 and #2626D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AF26D7 shade matches the following richer shades: #B026D8 and #BB11ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AF26D7 shade: #B026D8, #A53AC4, #994FAF, #8E649A and #837886

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AF26D7 shade: #4F26D8, #7F26D8, #AF26D8, #D826D2 and #D826A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AF26D7 shade: #771992, #9320B5, #B026D8, #BD49DE and #C96CE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AF26D7 shade: #AF26D7, #D8262C and #26D867

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AF26D7 shade: #AF26D7, #D8AF26 and #26D8AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AF26D7 shade: #AF26D7, #D8262C, #4FD826 and #26D8D2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AF26D7 shade: #AF26D7, #D85526, #4FD826 and #26A9D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

Complementary color

CMYK 63 / 0 / 82 / 15

HEX #50D928

RGB 80 217 40

HSL 106.44, 0.7%, 0.5%

LAB 76.97, -66.06, 68.75

 

CMYK 14 / 82 / 0 / 18

HEX #B426D2

RGB 180 38 210

HSL 289.53, 0.69%, 0.49%

LAB 46.64, 74.74, -58.11

 

CMYK 14 / 76 / 0 / 10

HEX #C538E5

RGB 197 56 229

HSL 288.9, 0.77%, 0.56%

LAB 52.24, 76.09, -59.78

 

CMYK 14 / 70 / 0 / 3

HEX #D64AF8

RGB 214 74 248

HSL 288.28, 0.93%, 0.63%

LAB 58.01, 76.73, -61.02

 

CMYK 9 / 64 / 0 / 0

HEX #E75CFF

RGB 231 92 255

HSL 291.17, 1%, 0.68%

LAB 63.23, 74.72, -56.41

 

CMYK 3 / 57 / 0 / 0

HEX #F86EFF

RGB 248 110 255

HSL 297.1, 1%, 0.72%

LAB 68.26, 71.22, -48.29

 

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

CMYK 19 / 90 / 0 / 23

HEX #9E14C4

RGB 158 20 196

HSL 287.05, 0.81%, 0.42%

LAB 40.82, 72.47, -59.56

 

CMYK 20 / 99 / 0 / 31

HEX #8D02B1

RGB 141 2 177

HSL 287.66, 0.98%, 0.35%

LAB 35.75, 68.98, -56.72

 

CMYK 22 / 100 / 0 / 38

HEX #7C009E

RGB 124 0 158

HSL 287.09, 1%, 0.31%

LAB 31.24, 63.45, -52.74

 

CMYK 23 / 100 / 0 / 45

HEX #6B008B

RGB 107 0 139

HSL 286.19, 1%, 0.27%

LAB 26.71, 57.53, -48.55

 

CMYK 19 / 82 / 0 / 15

HEX #B026D8

RGB 176 38 216

HSL 286.52, 0.7%, 0.5%

LAB 46.41, 75.13, -61.95

 

CMYK 0 / 82 / 4 / 15

HEX #D826D0

RGB 216 38 208

HSL 302.7, 0.7%, 0.5%

LAB 52.44, 80.92, -47.33

 

CMYK 0 / 82 / 26 / 15

HEX #D826A0

RGB 216 38 160

HSL 318.88, 0.7%, 0.5%

LAB 50.12, 74.58, -22.96

 

CMYK 0 / 82 / 48 / 15

HEX #D82670

RGB 216 38 112

HSL 335.06, 0.7%, 0.5%

LAB 48.45, 69.78, 3.52

 

CMYK 0 / 82 / 70 / 15

HEX #D82640

RGB 216 38 64

HSL 351.24, 0.7%, 0.5%

LAB 47.44, 66.76, 31.49

 

CMYK 19 / 82 / 0 / 15

HEX #B026D8

RGB 176 38 216

HSL 286.52, 0.7%, 0.5%

LAB 46.41, 75.13, -61.95

 

CMYK 41 / 82 / 0 / 15

HEX #8026D8

RGB 128 38 216

HSL 270.34, 0.7%, 0.5%

LAB 39.47, 67.86, -73.56

 

CMYK 63 / 82 / 0 / 15

HEX #5026D8

RGB 80 38 216

HSL 254.16, 0.7%, 0.5%

LAB 34.09, 62.45, -82.61

 

CMYK 82 / 82 / 0 / 15

HEX #2626D8

RGB 38 38 216

HSL 240, 0.7%, 0.5%

LAB 31.25, 59.7, -87.41

 

CMYK 19 / 82 / 0 / 15

HEX #B026D8

RGB 176 38 216

HSL 286.52, 0.7%, 0.5%

LAB 46.41, 75.13, -61.95

 

CMYK 21 / 93 / 0 / 7

HEX #BB11ED

RGB 187 17 237

HSL 286.36, 0.87%, 0.5%

LAB 48.36, 84.28, -70.64

 

CMYK 19 / 82 / 0 / 15

HEX #B026D8

RGB 176 38 216

HSL 286.52, 0.7%, 0.5%

LAB 46.41, 75.13, -61.95

 

CMYK 16 / 70 / 0 / 23

HEX #A53AC4

RGB 165 58 196

HSL 286.52, 0.54%, 0.5%

LAB 45.65, 62.93, -51.72

 

CMYK 13 / 55 / 0 / 31

HEX #994FAF

RGB 153 79 175

HSL 286.25, 0.38%, 0.5%

LAB 46.26, 46.23, -38.59

 

CMYK 8 / 35 / 0 / 40

HEX #8E649A

RGB 142 100 154

HSL 286.67, 0.21%, 0.5%

LAB 48.51, 26.81, -22.79

 

CMYK 2 / 10 / 0 / 47

HEX #837886

RGB 131 120 134

HSL 287.14, 0.06%, 0.5%

LAB 51.81, 6.96, -6.09

 

CMYK 63 / 82 / 0 / 15

HEX #4F26D8

RGB 79 38 216

HSL 253.82, 0.7%, 0.5%

LAB 34, 62.36, -82.76

 

CMYK 41 / 82 / 0 / 15

HEX #7F26D8

RGB 127 38 216

HSL 270, 0.7%, 0.5%

LAB 39.34, 67.73, -73.78

 

CMYK 19 / 82 / 0 / 15

HEX #AF26D8

RGB 175 38 216

HSL 286.18, 0.7%, 0.5%

LAB 46.26, 74.97, -62.2

 

CMYK 0 / 82 / 3 / 15

HEX #D826D2

RGB 216 38 210

HSL 302.02, 0.7%, 0.5%

LAB 52.55, 81.22, -48.3

 

CMYK 0 / 82 / 25 / 15

HEX #D826A3

RGB 216 38 163

HSL 317.87, 0.7%, 0.5%

LAB 50.25, 74.93, -24.54

 

CMYK 18 / 83 / 0 / 43

HEX #771992

RGB 119 25 146

HSL 286.61, 0.71%, 0.34%

LAB 31.1, 55.56, -45.67

 

CMYK 19 / 82 / 0 / 29

HEX #9320B5

RGB 147 32 181

HSL 286.31, 0.7%, 0.42%

LAB 38.85, 65.32, -54.02

 

CMYK 19 / 82 / 0 / 15

HEX #B026D8

RGB 176 38 216

HSL 286.52, 0.7%, 0.5%

LAB 46.41, 75.13, -61.95

 

CMYK 15 / 67 / 0 / 13

HEX #BD49DE

RGB 189 73 222

HSL 286.71, 0.69%, 0.58%

LAB 52.79, 67.08, -54.99

 

CMYK 12 / 53 / 0 / 10

HEX #C96CE5

RGB 201 108 229

HSL 286.12, 0.7%, 0.66%

LAB 60.6, 55.4, -46.41

 

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

CMYK 0 / 82 / 80 / 15

HEX #D8262C

RGB 216 38 44

HSL 357.98, 0.7%, 0.5%

LAB 47.19, 66.02, 42.74

 

CMYK 82 / 0 / 52 / 15

HEX #26D867

RGB 38 216 103

HSL 141.91, 0.7%, 0.5%

LAB 76.38, -66.26, 43.51

 

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

CMYK 0 / 19 / 82 / 15

HEX #D8AF26

RGB 216 175 38

HSL 46.18, 0.7%, 0.5%

LAB 73.15, 2.5, 68.99

 

CMYK 82 / 0 / 19 / 15

HEX #26D8AF

RGB 38 216 175

HSL 166.18, 0.7%, 0.5%

LAB 77.65, -51.91, 8.23

 

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

CMYK 0 / 82 / 80 / 15

HEX #D8262C

RGB 216 38 44

HSL 357.98, 0.7%, 0.5%

LAB 47.19, 66.02, 42.74

 

CMYK 63 / 0 / 82 / 15

HEX #4FD826

RGB 79 216 38

HSL 106.18, 0.7%, 0.5%

LAB 76.63, -66.05, 68.93

 

CMYK 82 / 0 / 3 / 15

HEX #26D8D2

RGB 38 216 210

HSL 177.98, 0.7%, 0.5%

LAB 78.56, -42.56, -9.14

 

CMYK 19 / 82 / 0 / 16

HEX #AF26D7

RGB 175 38 215

HSL 286.44, 0.7%, 0.5%

LAB 46.19, 74.79, -61.74

 

CMYK 0 / 61 / 82 / 15

HEX #D85526

RGB 216 85 38

HSL 15.84, 0.7%, 0.5%

LAB 53.21, 49.23, 51.48

 

CMYK 63 / 0 / 82 / 15

HEX #4FD826

RGB 79 216 38

HSL 106.18, 0.7%, 0.5%

LAB 76.63, -66.05, 68.93

 

CMYK 82 / 22 / 0 / 15

HEX #26A9D8

RGB 38 169 216

HSL 195.84, 0.7%, 0.5%

LAB 64.76, -17.88, -33.4

 

Description

Color code: HEX #AF26D7 | qconv.com Color code: HEX #AF26D7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 38 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 38 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 82 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 82% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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