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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCAC6B it is the complementary color #335394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCAC6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCAC6B shade: #D1AC66, #E2BE79, #F3D08C, #FFE29F and #FFF4B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCAC6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCAC6B shade: #CCAC6B, #BB9A58, #AA8845, #997632 and #88641F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCAC6B shade: #CCAC6A, #CC916A, #CC776A and #CC6A6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCAC6B shade: #CCAC6A, #CCC66A, #B7CC6A, #9DCC6A and #83CC6A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCAC6B shade matches the following richer shades: #CCAC6A, #DCB15A, #ECB74A and #FCBC3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCAC6B shade: #CCAC6A, #BCA67A, #ACA18B, #9C9B9B and #8B96AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCAC6B shade: #CC776A, #CC916A, #CCAB6A, #CCC56A and #B8CC6A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCAC6B shade: #AA853A, #C19A4C, #CCAC6A, #D6BD89 and #E1CEA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCAC6B shade: #CCAC6B, #77CC6A and #846ACC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCAC6B shade: #CCAC6B, #6ACCAB and #AB6ACC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCAC6B shade: #CCAC6B, #77CC6A, #6A8BCC and #BF6ACC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCAC6B shade: #CCAC6B, #6ACC7B, #6A8BCC and #CC6ABC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 48 / 20

HEX #CCAC6B

RGB 204 172 107

HSL 40.21, 0.49%, 0.61%

LAB 71.83, 3.2, 37.63

 

Complementary color

CMYK 66 / 44 / 0 / 42

HEX #335394

RGB 51 83 148

HSL 220.21, 0.49%, 0.39%

LAB 36.04, 10.18, -39.32

 

CMYK 0 / 18 / 51 / 18

HEX #D1AC66

RGB 209 172 102

HSL 39.25, 0.54%, 0.61%

LAB 72.24, 4.81, 40.82

 

CMYK 0 / 16 / 46 / 11

HEX #E2BE79

RGB 226 190 121

HSL 39.43, 0.64%, 0.68%

LAB 78.68, 4.03, 39.51

 

CMYK 0 / 14 / 42 / 5

HEX #F3D08C

RGB 243 208 140

HSL 39.61, 0.81%, 0.75%

LAB 85.03, 3.36, 38.27

 

CMYK 0 / 11 / 38 / 0

HEX #FFE29F

RGB 255 226 159

HSL 41.88, 1%, 0.81%

LAB 90.85, 0.84, 36.42

 

CMYK 0 / 4 / 30 / 0

HEX #FFF4B2

RGB 255 244 178

HSL 51.43, 1%, 0.85%

LAB 95.65, -6, 33.2

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6B

RGB 204 172 107

HSL 40.21, 0.49%, 0.61%

LAB 71.83, 3.2, 37.63

 

CMYK 0 / 18 / 53 / 27

HEX #BB9A58

RGB 187 154 88

HSL 40, 0.42%, 0.54%

LAB 65.26, 4, 38.96

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 23 / 67 / 40

HEX #997632

RGB 153 118 50

HSL 39.61, 0.51%, 0.4%

LAB 51.79, 6.13, 41.6

 

CMYK 0 / 26 / 77 / 47

HEX #88641F

RGB 136 100 31

HSL 39.43, 0.63%, 0.33%

LAB 44.87, 7.59, 42.61

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6A

RGB 204 172 106

HSL 40.41, 0.49%, 0.61%

LAB 71.81, 3.1, 38.13

 

CMYK 0 / 29 / 48 / 20

HEX #CC916A

RGB 204 145 106

HSL 23.88, 0.49%, 0.61%

LAB 65.06, 17.72, 29.52

 

CMYK 0 / 42 / 48 / 20

HEX #CC776A

RGB 204 119 106

HSL 7.96, 0.49%, 0.61%

LAB 59.04, 31.83, 21.55

 

CMYK 0 / 48 / 48 / 20

HEX #CC6A6A

RGB 204 106 106

HSL 0, 0.49%, 0.61%

LAB 56.27, 38.68, 17.8

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6A

RGB 204 172 106

HSL 40.41, 0.49%, 0.61%

LAB 71.81, 3.1, 38.13

 

CMYK 0 / 3 / 48 / 20

HEX #CCC66A

RGB 204 198 106

HSL 56.33, 0.49%, 0.61%

LAB 78.62, -10.5, 46.5

 

CMYK 10 / 0 / 48 / 20

HEX #B7CC6A

RGB 183 204 106

HSL 72.86, 0.49%, 0.61%

LAB 78.63, -21.92, 46.14

 

CMYK 23 / 0 / 48 / 20

HEX #9DCC6A

RGB 157 204 106

HSL 88.78, 0.49%, 0.61%

LAB 76.92, -31.84, 43.65

 

CMYK 36 / 0 / 48 / 20

HEX #83CC6A

RGB 131 204 106

HSL 104.69, 0.49%, 0.61%

LAB 75.48, -40.95, 41.57

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6A

RGB 204 172 106

HSL 40.41, 0.49%, 0.61%

LAB 71.81, 3.1, 38.13

 

CMYK 0 / 20 / 59 / 14

HEX #DCB15A

RGB 220 177 90

HSL 40.15, 0.65%, 0.61%

LAB 74.44, 5.78, 49.66

 

CMYK 0 / 22 / 69 / 7

HEX #ECB74A

RGB 236 183 74

HSL 40.37, 0.81%, 0.61%

LAB 77.4, 8.35, 60.63

 

CMYK 0 / 25 / 77 / 1

HEX #FCBC3A

RGB 252 188 58

HSL 40.21, 0.97%, 0.61%

LAB 80.16, 11.77, 70.19

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6A

RGB 204 172 106

HSL 40.41, 0.49%, 0.61%

LAB 71.81, 3.1, 38.13

 

CMYK 0 / 12 / 35 / 26

HEX #BCA67A

RGB 188 166 122

HSL 40, 0.33%, 0.61%

LAB 69.02, 1.53, 25.75

 

CMYK 0 / 6 / 19 / 33

HEX #ACA18B

RGB 172 161 139

HSL 40, 0.17%, 0.61%

LAB 66.61, 0.29, 12.9

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9B

RGB 156 155 155

HSL 0, 0.01%, 0.61%

LAB 64.06, 0.37, 0.12

 

CMYK 19 / 12 / 0 / 33

HEX #8B96AB

RGB 139 150 171

HSL 219.38, 0.16%, 0.61%

LAB 61.86, 0.62, -12.31

 

CMYK 0 / 42 / 48 / 20

HEX #CC776A

RGB 204 119 106

HSL 7.96, 0.49%, 0.61%

LAB 59.04, 31.83, 21.55

 

CMYK 0 / 29 / 48 / 20

HEX #CC916A

RGB 204 145 106

HSL 23.88, 0.49%, 0.61%

LAB 65.06, 17.72, 29.52

 

CMYK 0 / 16 / 48 / 20

HEX #CCAB6A

RGB 204 171 106

HSL 39.8, 0.49%, 0.61%

LAB 71.56, 3.63, 37.81

 

CMYK 0 / 3 / 48 / 20

HEX #CCC56A

RGB 204 197 106

HSL 55.71, 0.49%, 0.61%

LAB 78.35, -9.99, 46.17

 

CMYK 10 / 0 / 48 / 20

HEX #B8CC6A

RGB 184 204 106

HSL 72.24, 0.49%, 0.61%

LAB 78.7, -21.53, 46.24

 

CMYK 0 / 22 / 66 / 33

HEX #AA853A

RGB 170 133 58

HSL 40.18, 0.49%, 0.45%

LAB 57.68, 5.85, 44.71

 

CMYK 0 / 20 / 61 / 24

HEX #C19A4C

RGB 193 154 76

HSL 40, 0.49%, 0.53%

LAB 65.73, 5.61, 45.69

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6A

RGB 204 172 106

HSL 40.41, 0.49%, 0.61%

LAB 71.81, 3.1, 38.13

 

CMYK 0 / 12 / 36 / 16

HEX #D6BD89

RGB 214 189 137

HSL 40.52, 0.48%, 0.69%

LAB 77.58, 1.47, 29.57

 

CMYK 0 / 8 / 25 / 12

HEX #E1CEA8

RGB 225 206 168

HSL 40, 0.49%, 0.77%

LAB 83.43, 0.79, 21.33

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6B

RGB 204 172 107

HSL 40.21, 0.49%, 0.61%

LAB 71.83, 3.2, 37.63

 

CMYK 42 / 0 / 48 / 20

HEX #77CC6A

RGB 119 204 106

HSL 112.04, 0.49%, 0.61%

LAB 74.92, -44.77, 40.74

 

CMYK 35 / 48 / 0 / 20

HEX #846ACC

RGB 132 106 204

HSL 255.92, 0.49%, 0.61%

LAB 51.35, 32.46, -47.44

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6B

RGB 204 172 107

HSL 40.21, 0.49%, 0.61%

LAB 71.83, 3.2, 37.63

 

CMYK 48 / 0 / 16 / 20

HEX #6ACCAB

RGB 106 204 171

HSL 159.8, 0.49%, 0.61%

LAB 75.57, -36.7, 7.61

 

CMYK 16 / 48 / 0 / 20

HEX #AB6ACC

RGB 171 106 204

HSL 279.8, 0.49%, 0.61%

LAB 55.41, 43.09, -40.76

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6B

RGB 204 172 107

HSL 40.21, 0.49%, 0.61%

LAB 71.83, 3.2, 37.63

 

CMYK 42 / 0 / 48 / 20

HEX #77CC6A

RGB 119 204 106

HSL 112.04, 0.49%, 0.61%

LAB 74.92, -44.77, 40.74

 

CMYK 48 / 32 / 0 / 20

HEX #6A8BCC

RGB 106 139 204

HSL 219.8, 0.49%, 0.61%

LAB 57.93, 6.22, -37.18

 

CMYK 6 / 48 / 0 / 20

HEX #BF6ACC

RGB 191 106 204

HSL 292.04, 0.49%, 0.61%

LAB 57.79, 48.77, -36.85

 

CMYK 0 / 16 / 48 / 20

HEX #CCAC6B

RGB 204 172 107

HSL 40.21, 0.49%, 0.61%

LAB 71.83, 3.2, 37.63

 

CMYK 48 / 0 / 40 / 20

HEX #6ACC7B

RGB 106 204 123

HSL 130.41, 0.49%, 0.61%

LAB 74.62, -46.03, 31.69

 

CMYK 48 / 32 / 0 / 20

HEX #6A8BCC

RGB 106 139 204

HSL 219.8, 0.49%, 0.61%

LAB 57.93, 6.22, -37.18

 

CMYK 0 / 48 / 8 / 20

HEX #CC6ABC

RGB 204 106 188

HSL 309.8, 0.49%, 0.61%

LAB 58.77, 49.7, -26.09

 

Description

Color code: HEX #CCAC6B | qconv.com Color code: HEX #CCAC6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 172 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 172 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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