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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 170 136 69 it is the complementary color RGB 85 119 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 170 136 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 170 136 69 shade: RGB 175 136 64, RGB 192 154 83, RGB 209 172 102, RGB 226 190 121 and RGB 243 208 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 170 136 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 153 118 50, RGB 136 100 31, RGB 119 82 12 and RGB 102 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 170 109 69, RGB 170 81 69 and RGB 170 69 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 170 163 69, RGB 149 170 69, RGB 122 170 69 and RGB 95 170 69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 170 136 69 shade matches the following richer shades: RGB 170 136 69, RGB 189 142 50, RGB 208 148 30 and RGB 228 155 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 150 129 88, RGB 131 123 108, RGB 112 117 127 and RGB 92 110 147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 170 136 69 shade: RGB 170 81 69, RGB 170 108 69, RGB 170 134 69, RGB 170 161 69 and RGB 151 170 69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 170 136 69 shade: RGB 111 89 45, RGB 140 112 57, RGB 170 136 69, RGB 188 156 92 and RGB 200 173 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 84 170 69 and RGB 94 69 170

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 69 170 134 and RGB 134 69 170

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 84 170 69, RGB 69 104 170 and RGB 155 69 170

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 170 136 69 shade: RGB 170 136 69, RGB 69 170 84, RGB 69 104 170 and RGB 170 69 155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

Complementary color

CMYK 54 / 36 / 0 / 27

HEX #5577BA

RGB 85 119 186

HSL 219.8, 0.42%, 0.53%

LAB 50.3, 7.64, -39

 

CMYK 0 / 22 / 63 / 31

HEX #AF8840

RGB 175 136 64

HSL 38.92, 0.46%, 0.47%

LAB 59.06, 6.8, 43.49

 

CMYK 0 / 20 / 57 / 25

HEX #C09A53

RGB 192 154 83

HSL 39.08, 0.46%, 0.54%

LAB 65.7, 5.72, 42.16

 

CMYK 0 / 18 / 51 / 18

HEX #D1AC66

RGB 209 172 102

HSL 39.25, 0.54%, 0.61%

LAB 72.24, 4.81, 40.82

 

CMYK 0 / 16 / 46 / 11

HEX #E2BE79

RGB 226 190 121

HSL 39.43, 0.64%, 0.68%

LAB 78.68, 4.03, 39.51

 

CMYK 0 / 14 / 42 / 5

HEX #F3D08C

RGB 243 208 140

HSL 39.61, 0.81%, 0.75%

LAB 85.03, 3.36, 38.27

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 23 / 67 / 40

HEX #997632

RGB 153 118 50

HSL 39.61, 0.51%, 0.4%

LAB 51.79, 6.13, 41.6

 

CMYK 0 / 26 / 77 / 47

HEX #88641F

RGB 136 100 31

HSL 39.43, 0.63%, 0.33%

LAB 44.87, 7.59, 42.61

 

CMYK 0 / 31 / 90 / 53

HEX #77520C

RGB 119 82 12

HSL 39.25, 0.82%, 0.26%

LAB 37.81, 9.41, 42.68

 

CMYK 0 / 37 / 100 / 60

HEX #664000

RGB 102 64 0

HSL 37.65, 1%, 0.2%

LAB 30.62, 11.71, 40.38

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 36 / 59 / 33

HEX #AA6D45

RGB 170 109 69

HSL 23.76, 0.42%, 0.47%

LAB 51.74, 20.14, 32.14

 

CMYK 0 / 52 / 59 / 33

HEX #AA5145

RGB 170 81 69

HSL 7.13, 0.42%, 0.47%

LAB 45.44, 35.47, 24.27

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 4 / 59 / 33

HEX #AAA345

RGB 170 163 69

HSL 55.84, 0.42%, 0.47%

LAB 65.88, -9.69, 48.6

 

CMYK 12 / 0 / 59 / 33

HEX #95AA45

RGB 149 170 69

HSL 72.48, 0.42%, 0.47%

LAB 66.19, -22.19, 48.48

 

CMYK 28 / 0 / 59 / 33

HEX #7AAA45

RGB 122 170 69

HSL 88.51, 0.42%, 0.47%

LAB 64.42, -32.92, 46

 

CMYK 44 / 0 / 59 / 33

HEX #5FAA45

RGB 95 170 69

HSL 104.55, 0.42%, 0.47%

LAB 63.02, -42.38, 44.04

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 25 / 74 / 26

HEX #BD8E32

RGB 189 142 50

HSL 39.71, 0.58%, 0.47%

LAB 61.99, 8.86, 53.45

 

CMYK 0 / 29 / 86 / 18

HEX #D0941E

RGB 208 148 30

HSL 39.78, 0.75%, 0.47%

LAB 65.5, 13.25, 64.49

 

CMYK 0 / 32 / 95 / 11

HEX #E49B0B

RGB 228 155 11

HSL 39.82, 0.91%, 0.47%

LAB 69.44, 17.85, 72.4

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 14 / 41 / 41

HEX #968158

RGB 150 129 88

HSL 39.68, 0.26%, 0.47%

LAB 54.96, 2.02, 25.19

 

CMYK 0 / 6 / 18 / 49

HEX #837B6C

RGB 131 123 108

HSL 39.13, 0.1%, 0.47%

LAB 51.92, 0.36, 9.3

 

CMYK 12 / 8 / 0 / 50

HEX #70757F

RGB 112 117 127

HSL 220, 0.06%, 0.47%

LAB 49.13, 0.28, -6.13

 

CMYK 37 / 25 / 0 / 42

HEX #5C6E93

RGB 92 110 147

HSL 220.36, 0.23%, 0.47%

LAB 46.36, 2.95, -22.34

 

CMYK 0 / 52 / 59 / 33

HEX #AA5145

RGB 170 81 69

HSL 7.13, 0.42%, 0.47%

LAB 45.44, 35.47, 24.27

 

CMYK 0 / 36 / 59 / 33

HEX #AA6C45

RGB 170 108 69

HSL 23.17, 0.42%, 0.47%

LAB 51.5, 20.71, 31.85

 

CMYK 0 / 21 / 59 / 33

HEX #AA8645

RGB 170 134 69

HSL 38.61, 0.42%, 0.47%

LAB 58.06, 6.08, 39.7

 

CMYK 0 / 5 / 59 / 33

HEX #AAA145

RGB 170 161 69

HSL 54.65, 0.42%, 0.47%

LAB 65.33, -8.64, 47.99

 

CMYK 11 / 0 / 59 / 33

HEX #97AA45

RGB 151 170 69

HSL 71.29, 0.42%, 0.47%

LAB 66.33, -21.36, 48.68

 

CMYK 0 / 20 / 59 / 56

HEX #6F592D

RGB 111 89 45

HSL 40, 0.42%, 0.31%

LAB 39.09, 3.21, 28.55

 

CMYK 0 / 20 / 59 / 45

HEX #8C7039

RGB 140 112 57

HSL 39.76, 0.42%, 0.39%

LAB 48.83, 4.17, 34.32

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 0 / 17 / 51 / 26

HEX #BC9C5C

RGB 188 156 92

HSL 40, 0.42%, 0.55%

LAB 65.94, 3.7, 37.73

 

CMYK 0 / 14 / 40 / 22

HEX #C8AD79

RGB 200 173 121

HSL 39.49, 0.42%, 0.63%

LAB 71.92, 2.5, 30.33

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 51 / 0 / 59 / 33

HEX #54AA45

RGB 84 170 69

HSL 111.09, 0.42%, 0.47%

LAB 62.56, -45.74, 43.39

 

CMYK 45 / 59 / 0 / 33

HEX #5E45AA

RGB 94 69 170

HSL 254.85, 0.42%, 0.47%

LAB 37, 35.61, -50.82

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 59 / 0 / 21 / 33

HEX #45AA86

RGB 69 170 134

HSL 158.61, 0.42%, 0.47%

LAB 63.12, -38.15, 9.9

 

CMYK 21 / 59 / 0 / 33

HEX #8645AA

RGB 134 69 170

HSL 278.61, 0.42%, 0.47%

LAB 41.57, 45.29, -43.23

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 51 / 0 / 59 / 33

HEX #54AA45

RGB 84 170 69

HSL 111.09, 0.42%, 0.47%

LAB 62.56, -45.74, 43.39

 

CMYK 59 / 39 / 0 / 33

HEX #4568AA

RGB 69 104 170

HSL 219.21, 0.42%, 0.47%

LAB 44.33, 8.1, -39.19

 

CMYK 9 / 59 / 0 / 33

HEX #9B45AA

RGB 155 69 170

HSL 291.09, 0.42%, 0.47%

LAB 44.41, 50.72, -38.54

 

CMYK 0 / 20 / 59 / 33

HEX #AA8845

RGB 170 136 69

HSL 39.8, 0.42%, 0.47%

LAB 58.59, 4.96, 40.31

 

CMYK 59 / 0 / 51 / 33

HEX #45AA54

RGB 69 170 84

HSL 128.91, 0.42%, 0.47%

LAB 62.22, -47.74, 35.54

 

CMYK 59 / 39 / 0 / 33

HEX #4568AA

RGB 69 104 170

HSL 219.21, 0.42%, 0.47%

LAB 44.33, 8.1, -39.19

 

CMYK 0 / 59 / 9 / 33

HEX #AA459B

RGB 170 69 155

HSL 308.91, 0.42%, 0.47%

LAB 45.86, 52.08, -27.19

 

Description

Color code: RGB 170 136 69 | qconv.com Color code: RGB 170 136 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 170 red, 136 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
170 136 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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