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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA889 it is the complementary color #335776. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA889. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA889 shade: #D1A884, #E2BA97, #F3CCAA, #FFDEBD and #FFF0D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA889. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA889 shade: #CCA889, #BB9676, #AA8463, #997250 and #88603D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA889 shade: #CCA889, #CC9689 and #CC8989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA889 shade: #CCA889, #CCBA89, #CCCC89, #BACC89 and #A8CC89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA889 shade matches the following richer shades: #CCA889, #DAA77B, #E7A66D and #F5A560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA889 shade: #CCA889, #BEA996, #B1AAA4, #A3ABB2 and #96ACBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA889 shade: #CC898E, #CC9589, #CCA789, #CCB989 and #CCCB89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA889 shade: #B37D4F, #C0936C, #CCA889, #D8BDA6 and #E5D2C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA889 shade: #CCA889, #A0CC89 and #8C89CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA889 shade: #CCA889, #89CCA7 and #A789CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA889 shade: #CCA889, #A0CC89, #89AECC and #B489CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA889 shade: #CCA889, #8CCC89, #89AECC and #C989CC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

Complementary color

CMYK 57 / 26 / 0 / 54

HEX #335776

RGB 51 87 118

HSL 207.76, 0.4%, 0.33%

LAB 35.65, -3.12, -21.56

 

CMYK 0 / 20 / 37 / 18

HEX #D1A884

RGB 209 168 132

HSL 28.05, 0.46%, 0.67%

LAB 71.71, 10.08, 24.3

 

CMYK 0 / 18 / 33 / 11

HEX #E2BA97

RGB 226 186 151

HSL 28, 0.56%, 0.74%

LAB 78.18, 9.46, 23.15

 

CMYK 0 / 16 / 30 / 5

HEX #F3CCAA

RGB 243 204 170

HSL 27.95, 0.75%, 0.81%

LAB 84.56, 8.9, 22.08

 

CMYK 0 / 13 / 26 / 0

HEX #FFDEBD

RGB 255 222 189

HSL 30, 1%, 0.87%

LAB 90.4, 6.56, 20.4

 

CMYK 0 / 6 / 18 / 0

HEX #FFF0D0

RGB 255 240 208

HSL 40.85, 1%, 0.91%

LAB 95.22, 0.03, 17.29

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 0 / 20 / 37 / 27

HEX #BB9676

RGB 187 150 118

HSL 27.83, 0.34%, 0.6%

LAB 64.71, 9.35, 22.13

 

CMYK 0 / 22 / 42 / 33

HEX #AA8463

RGB 170 132 99

HSL 27.89, 0.29%, 0.53%

LAB 57.99, 10.09, 23.4

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 29 / 55 / 47

HEX #88603D

RGB 136 96 61

HSL 28, 0.38%, 0.39%

LAB 44.14, 12.04, 26.32

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 0 / 26 / 33 / 20

HEX #CC9689

RGB 204 150 137

HSL 11.64, 0.4%, 0.67%

LAB 66.87, 18.52, 14.82

 

CMYK 0 / 33 / 33 / 20

HEX #CC8989

RGB 204 137 137

HSL 0, 0.4%, 0.67%

LAB 63.78, 25.62, 10.49

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 0 / 9 / 33 / 20

HEX #CCBA89

RGB 204 186 137

HSL 43.88, 0.4%, 0.67%

LAB 75.92, -0.9, 27.2

 

CMYK 0 / 0 / 33 / 20

HEX #CCCC89

RGB 204 204 137

HSL 60, 0.4%, 0.67%

LAB 80.64, -10.24, 33.46

 

CMYK 9 / 0 / 33 / 20

HEX #BACC89

RGB 186 204 137

HSL 76.12, 0.4%, 0.67%

LAB 79.29, -17.15, 31.43

 

CMYK 18 / 0 / 33 / 20

HEX #A8CC89

RGB 168 204 137

HSL 92.24, 0.4%, 0.67%

LAB 78.06, -23.83, 29.58

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 0 / 23 / 44 / 15

HEX #DAA77B

RGB 218 167 123

HSL 27.79, 0.56%, 0.67%

LAB 72.21, 13.22, 29.97

 

CMYK 0 / 28 / 53 / 9

HEX #E7A66D

RGB 231 166 109

HSL 28.03, 0.72%, 0.67%

LAB 73.13, 17.69, 38.82

 

CMYK 0 / 33 / 61 / 4

HEX #F5A560

RGB 245 165 96

HSL 27.79, 0.88%, 0.67%

LAB 74.3, 22.91, 47.22

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 0 / 11 / 21 / 25

HEX #BEA996

RGB 190 169 150

HSL 28.5, 0.24%, 0.67%

LAB 70.54, 4.54, 12.58

 

CMYK 0 / 4 / 7 / 31

HEX #B1AAA4

RGB 177 170 164

HSL 27.69, 0.08%, 0.67%

LAB 70.02, 1.43, 3.97

 

CMYK 8 / 4 / 0 / 30

HEX #A3ABB2

RGB 163 171 178

HSL 208, 0.09%, 0.67%

LAB 69.56, -1.41, -4.57

 

CMYK 21 / 10 / 0 / 25

HEX #96ACBF

RGB 150 172 191

HSL 207.8, 0.24%, 0.67%

LAB 69.29, -3.43, -12.25

 

CMYK 0 / 33 / 30 / 20

HEX #CC898E

RGB 204 137 142

HSL 355.52, 0.4%, 0.67%

LAB 63.9, 26.28, 7.83

 

CMYK 0 / 27 / 33 / 20

HEX #CC9589

RGB 204 149 137

HSL 10.75, 0.4%, 0.67%

LAB 66.63, 19.06, 14.48

 

CMYK 0 / 18 / 33 / 20

HEX #CCA789

RGB 204 167 137

HSL 26.87, 0.4%, 0.67%

LAB 71.06, 9.26, 20.62

 

CMYK 0 / 9 / 33 / 20

HEX #CCB989

RGB 204 185 137

HSL 42.99, 0.4%, 0.67%

LAB 75.66, -0.37, 26.86

 

CMYK 0 / 0 / 33 / 20

HEX #CCCB89

RGB 204 203 137

HSL 59.1, 0.4%, 0.67%

LAB 80.38, -9.73, 33.11

 

CMYK 0 / 30 / 56 / 30

HEX #B37D4F

RGB 179 125 79

HSL 27.6, 0.4%, 0.51%

LAB 56.9, 15.84, 33.25

 

CMYK 0 / 23 / 44 / 25

HEX #C0936C

RGB 192 147 108

HSL 27.86, 0.4%, 0.59%

LAB 64.29, 11.9, 27.16

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 0 / 13 / 23 / 15

HEX #D8BDA6

RGB 216 189 166

HSL 27.6, 0.39%, 0.75%

LAB 78.31, 6.05, 15.16

 

CMYK 0 / 8 / 15 / 10

HEX #E5D2C2

RGB 229 210 194

HSL 27.43, 0.4%, 0.83%

LAB 85.32, 3.99, 10.3

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 22 / 0 / 33 / 20

HEX #A0CC89

RGB 160 204 137

HSL 99.4, 0.4%, 0.67%

LAB 77.56, -26.69, 28.82

 

CMYK 31 / 33 / 0 / 20

HEX #8C89CC

RGB 140 137 204

HSL 242.69, 0.4%, 0.67%

LAB 59.73, 16.48, -34.2

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 33 / 0 / 18 / 20

HEX #89CCA7

RGB 137 204 167

HSL 146.87, 0.4%, 0.67%

LAB 76.86, -29.07, 11.78

 

CMYK 18 / 33 / 0 / 20

HEX #A789CC

RGB 167 137 204

HSL 266.87, 0.4%, 0.67%

LAB 62.05, 24.59, -30.41

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 22 / 0 / 33 / 20

HEX #A0CC89

RGB 160 204 137

HSL 99.4, 0.4%, 0.67%

LAB 77.56, -26.69, 28.82

 

CMYK 33 / 15 / 0 / 20

HEX #89AECC

RGB 137 174 204

HSL 206.87, 0.4%, 0.67%

LAB 69.43, -5.31, -19.29

 

CMYK 12 / 33 / 0 / 20

HEX #B489CC

RGB 180 137 204

HSL 278.51, 0.4%, 0.67%

LAB 63.31, 28.65, -28.37

 

CMYK 0 / 18 / 33 / 20

HEX #CCA889

RGB 204 168 137

HSL 27.76, 0.4%, 0.67%

LAB 71.32, 8.72, 20.97

 

CMYK 31 / 0 / 33 / 20

HEX #8CCC89

RGB 140 204 137

HSL 117.31, 0.4%, 0.67%

LAB 76.42, -33.51, 27.09

 

CMYK 33 / 15 / 0 / 20

HEX #89AECC

RGB 137 174 204

HSL 206.87, 0.4%, 0.67%

LAB 69.43, -5.31, -19.29

 

CMYK 1 / 33 / 0 / 20

HEX #C989CC

RGB 201 137 204

HSL 297.31, 0.4%, 0.67%

LAB 65.49, 35.34, -24.83

 

Description

Color code: HEX #CCA889 | qconv.com Color code: HEX #CCA889 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 168 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 168 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 33 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 33% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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