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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #997250 it is the complementary color #668DAF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #997250. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #997250 shade: #9E724B, #AF845E, #C09671, #D1A884 and #E2BA97

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #997250. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #997250 shade: #997250, #88603D, #774E2A, #663C17 and #552A04

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #997250 shade: #997250, #995F50 and #995050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #997250 shade: #997250, #998650, #999950, #859950 and #729950

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #997250 shade matches the following richer shades: #997250, #AC713D, #BF702A, #D26E17 and #E56D05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #997250 shade: #997250, #867463, #737576, #607689 and #4D789C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #997250 shade: #995056, #995E50, #997150, #998550 and #999850

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #997250 shade: #634A34, #7E5E42, #997250, #AE8765 and #BC9C80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #997250 shade: #997250, #6A9950 and #545099

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #997250 shade: #997250, #509971 and #715099

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #997250 shade: #997250, #6A9950, #507899 and #805099

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #997250 shade: #997250, #549950, #507899 and #965099

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

Complementary color

CMYK 42 / 19 / 0 / 31

HEX #668DAF

RGB 102 141 175

HSL 207.95, 0.31%, 0.54%

LAB 57.05, -4.44, -22.12

 

CMYK 0 / 28 / 53 / 38

HEX #9E724B

RGB 158 114 75

HSL 28.19, 0.36%, 0.46%

LAB 51.62, 12.64, 28.35

 

CMYK 0 / 25 / 46 / 31

HEX #AF845E

RGB 175 132 94

HSL 28.15, 0.34%, 0.53%

LAB 58.44, 11.64, 26.88

 

CMYK 0 / 22 / 41 / 25

HEX #C09671

RGB 192 150 113

HSL 28.1, 0.39%, 0.6%

LAB 65.13, 10.81, 25.53

 

CMYK 0 / 20 / 37 / 18

HEX #D1A884

RGB 209 168 132

HSL 28.05, 0.46%, 0.67%

LAB 71.71, 10.08, 24.3

 

CMYK 0 / 18 / 33 / 11

HEX #E2BA97

RGB 226 186 151

HSL 28, 0.56%, 0.74%

LAB 78.18, 9.46, 23.15

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 29 / 55 / 47

HEX #88603D

RGB 136 96 61

HSL 28, 0.38%, 0.39%

LAB 44.14, 12.04, 26.32

 

CMYK 0 / 34 / 65 / 53

HEX #774E2A

RGB 119 78 42

HSL 28.05, 0.48%, 0.32%

LAB 37, 13.35, 28

 

CMYK 0 / 41 / 77 / 60

HEX #663C17

RGB 102 60 23

HSL 28.1, 0.63%, 0.25%

LAB 29.71, 15.03, 29.73

 

CMYK 0 / 51 / 95 / 67

HEX #552A04

RGB 85 42 4

HSL 28.15, 0.91%, 0.17%

LAB 22.29, 17.13, 30.32

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 38 / 48 / 40

HEX #995F50

RGB 153 95 80

HSL 12.33, 0.31%, 0.46%

LAB 46.36, 21.9, 18.49

 

CMYK 0 / 48 / 48 / 40

HEX #995050

RGB 153 80 80

HSL 0, 0.31%, 0.46%

LAB 42.9, 30.33, 13.8

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 12 / 48 / 40

HEX #998650

RGB 153 134 80

HSL 44.38, 0.31%, 0.46%

LAB 56.49, -0.37, 31.6

 

CMYK 0 / 0 / 48 / 40

HEX #999950

RGB 153 153 80

HSL 60, 0.31%, 0.46%

LAB 61.77, -10.74, 38.1

HEX #999950

CMYK 13 / 0 / 48 / 40

HEX #859950

RGB 133 153 80

HSL 76.44, 0.31%, 0.46%

LAB 60.2, -19.1, 35.83

HEX #859950

CMYK 25 / 0 / 48 / 40

HEX #729950

RGB 114 153 80

HSL 92.05, 0.31%, 0.46%

LAB 58.92, -26.63, 33.96

HEX #729950

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 34 / 65 / 33

HEX #AC713D

RGB 172 113 61

HSL 28.11, 0.48%, 0.46%

LAB 52.86, 18.17, 37.85

 

CMYK 0 / 41 / 78 / 25

HEX #BF702A

RGB 191 112 42

HSL 28.19, 0.64%, 0.46%

LAB 54.9, 25.89, 49.97

 

CMYK 0 / 48 / 89 / 18

HEX #D26E17

RGB 210 110 23

HSL 27.91, 0.8%, 0.46%

LAB 56.99, 34.33, 59.83

 

CMYK 0 / 52 / 98 / 10

HEX #E56D05

RGB 229 109 5

HSL 27.86, 0.96%, 0.46%

LAB 59.53, 42.16, 66.76

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 13 / 26 / 47

HEX #867463

RGB 134 116 99

HSL 29.14, 0.15%, 0.46%

LAB 50.05, 4.18, 11.98

 

CMYK 3 / 1 / 0 / 54

HEX #737576

RGB 115 117 118

HSL 200, 0.01%, 0.46%

LAB 49.1, -0.55, -0.82

 

CMYK 30 / 14 / 0 / 46

HEX #607689

RGB 96 118 137

HSL 207.8, 0.18%, 0.46%

LAB 48.57, -3.31, -13

 

CMYK 51 / 23 / 0 / 39

HEX #4D789C

RGB 77 120 156

HSL 207.34, 0.34%, 0.46%

LAB 48.77, -4.4, -23.98

 

CMYK 0 / 48 / 44 / 40

HEX #995056

RGB 153 80 86

HSL 355.07, 0.31%, 0.46%

LAB 43.04, 30.99, 10.31

 

CMYK 0 / 39 / 48 / 40

HEX #995E50

RGB 153 94 80

HSL 11.51, 0.31%, 0.46%

LAB 46.12, 22.47, 18.17

 

CMYK 0 / 26 / 48 / 40

HEX #997150

RGB 153 113 80

HSL 27.12, 0.31%, 0.46%

LAB 50.88, 11.55, 24.45

 

CMYK 0 / 13 / 48 / 40

HEX #998550

RGB 153 133 80

HSL 43.56, 0.31%, 0.46%

LAB 56.21, 0.18, 31.26

 

CMYK 0 / 1 / 48 / 40

HEX #999850

RGB 153 152 80

HSL 59.18, 0.31%, 0.46%

LAB 61.49, -10.21, 37.76

 

CMYK 0 / 25 / 47 / 61

HEX #634A34

RGB 99 74 52

HSL 28.09, 0.31%, 0.3%

LAB 33.56, 7.45, 17.23

 

CMYK 0 / 25 / 48 / 51

HEX #7E5E42

RGB 126 94 66

HSL 28, 0.31%, 0.38%

LAB 42.51, 9.25, 21.09

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 0 / 22 / 42 / 32

HEX #AE8765

RGB 174 135 101

HSL 27.95, 0.31%, 0.54%

LAB 59.22, 10.31, 23.99

 

CMYK 0 / 17 / 32 / 26

HEX #BC9C80

RGB 188 156 128

HSL 28, 0.31%, 0.62%

LAB 66.54, 7.73, 19.11

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 31 / 0 / 48 / 40

HEX #6A9950

RGB 106 153 80

HSL 98.63, 0.31%, 0.46%

LAB 58.44, -29.62, 33.26

 

CMYK 45 / 48 / 0 / 40

HEX #545099

RGB 84 80 153

HSL 243.29, 0.31%, 0.46%

LAB 37.7, 21.26, -39.55

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 48 / 0 / 26 / 40

HEX #509971

RGB 80 153 113

HSL 147.12, 0.31%, 0.46%

LAB 57.73, -32.39, 14.11

 

CMYK 26 / 48 / 0 / 40

HEX #715099

RGB 113 80 153

HSL 267.12, 0.31%, 0.46%

LAB 40.49, 29.27, -34.96

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 31 / 0 / 48 / 40

HEX #6A9950

RGB 106 153 80

HSL 98.63, 0.31%, 0.46%

LAB 58.44, -29.62, 33.26

 

CMYK 48 / 22 / 0 / 40

HEX #507899

RGB 80 120 153

HSL 207.12, 0.31%, 0.46%

LAB 48.81, -4.57, -22.16

 

CMYK 16 / 48 / 0 / 40

HEX #805099

RGB 128 80 153

HSL 279.45, 0.31%, 0.46%

LAB 42.19, 33.72, -32.15

 

CMYK 0 / 25 / 48 / 40

HEX #997250

RGB 153 114 80

HSL 27.95, 0.31%, 0.46%

LAB 51.14, 10.97, 24.78

 

CMYK 45 / 0 / 48 / 40

HEX #549950

RGB 84 153 80

HSL 116.71, 0.31%, 0.46%

LAB 57.31, -37.11, 31.61

 

CMYK 48 / 22 / 0 / 40

HEX #507899

RGB 80 120 153

HSL 207.12, 0.31%, 0.46%

LAB 48.81, -4.57, -22.16

 

CMYK 2 / 48 / 0 / 40

HEX #965099

RGB 150 80 153

HSL 297.53, 0.31%, 0.46%

LAB 44.97, 40.4, -27.6

 

Description

Color code: HEX #997250 | qconv.com Color code: HEX #997250 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 114 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 114 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 25 magenta, 48 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 25% 48% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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