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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CCA651 it is the complementary color #3359AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CCA651. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CCA651 shade: #D1A64C, #E2B85F, #F3CA72, #FFDC85 and #FFEE98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CCA651. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CCA651 shade: #CCA651, #BB943E, #AA822B, #997018 and #885E05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CCA651 shade: #CCA651, #CC8551, #CC6351 and #CC5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CCA651 shade: #CCA651, #CCC751, #B0CC51, #8ECC51 and #6DCC51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CCA651 shade matches the following richer shades: #CCA651, #DEAD3E and #F0B42C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CCA651 shade: #CCA651, #BA9F63, #A89875, #969187 and #838A99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CCA651 shade: #CC6351, #CC8451, #CCA551, #CCC651 and #B1CC51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CCA651 shade: #9D7A2D, #BD9336, #CCA651, #D5B671 and #DFC691

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CCA651 shade: #CCA651, #5FCC51 and #7451CC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CCA651 shade: #CCA651, #51CCA5 and #A551CC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CCA651 shade: #CCA651, #5FCC51, #5178CC and #BE51CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CCA651 shade: #CCA651, #51CC67, #5178CC and #CC51B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

Complementary color

CMYK 71 / 49 / 0 / 32

HEX #3359AE

RGB 51 89 174

HSL 221.46, 0.55%, 0.44%

LAB 39.42, 15.92, -49.44

 

CMYK 0 / 21 / 64 / 18

HEX #D1A64C

RGB 209 166 76

HSL 40.6, 0.59%, 0.56%

LAB 70.42, 6.01, 51.42

 

CMYK 0 / 19 / 58 / 11

HEX #E2B85F

RGB 226 184 95

HSL 40.76, 0.69%, 0.63%

LAB 76.85, 4.96, 50.19

 

CMYK 0 / 17 / 53 / 5

HEX #F3CA72

RGB 243 202 114

HSL 40.93, 0.84%, 0.7%

LAB 83.18, 4.05, 48.93

 

CMYK 0 / 14 / 48 / 0

HEX #FFDC85

RGB 255 220 133

HSL 42.79, 1%, 0.76%

LAB 88.99, 1.28, 47.01

 

CMYK 0 / 7 / 40 / 0

HEX #FFEE98

RGB 255 238 152

HSL 50.1, 1%, 0.8%

LAB 93.74, -5.95, 43.66

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 21 / 67 / 27

HEX #BB943E

RGB 187 148 62

HSL 41.28, 0.5%, 0.49%

LAB 63.42, 5.34, 49.59

 

CMYK 0 / 24 / 75 / 33

HEX #AA822B

RGB 170 130 43

HSL 41.1, 0.6%, 0.42%

LAB 56.77, 6.69, 50.5

 

CMYK 0 / 27 / 84 / 40

HEX #997018

RGB 153 112 24

HSL 40.93, 0.73%, 0.35%

LAB 50.01, 8.32, 50.74

 

CMYK 0 / 31 / 96 / 47

HEX #885E05

RGB 136 94 5

HSL 40.76, 0.93%, 0.28%

LAB 43.14, 10.3, 49.6

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 35 / 60 / 20

HEX #CC8551

RGB 204 133 81

HSL 25.37, 0.55%, 0.56%

LAB 61.83, 22.13, 38.89

 

CMYK 0 / 51 / 60 / 20

HEX #CC6351

RGB 204 99 81

HSL 8.78, 0.55%, 0.56%

LAB 54.4, 40.16, 29.74

 

CMYK 0 / 60 / 60 / 20

HEX #CC5151

RGB 204 81 81

HSL 0, 0.55%, 0.56%

LAB 51.06, 48.85, 25.48

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 2 / 60 / 20

HEX #CCC751

RGB 204 199 81

HSL 57.56, 0.55%, 0.56%

LAB 78.62, -13.01, 58.06

 

CMYK 14 / 0 / 60 / 20

HEX #B0CC51

RGB 176 204 81

HSL 73.66, 0.55%, 0.56%

LAB 77.88, -26.92, 56.64

 

CMYK 30 / 0 / 60 / 20

HEX #8ECC51

RGB 142 204 81

HSL 90.24, 0.55%, 0.56%

LAB 75.78, -39.86, 53.72

 

CMYK 47 / 0 / 60 / 20

HEX #6DCC51

RGB 109 204 81

HSL 106.34, 0.55%, 0.56%

LAB 74.21, -50.75, 51.52

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 22 / 72 / 13

HEX #DEAD3E

RGB 222 173 62

HSL 41.63, 0.71%, 0.56%

LAB 73.39, 7.07, 61.06

 

CMYK 0 / 25 / 82 / 6

HEX #F0B42C

RGB 240 180 44

HSL 41.63, 0.87%, 0.56%

LAB 76.89, 10.41, 71.4

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 15 / 47 / 27

HEX #BA9F63

RGB 186 159 99

HSL 41.38, 0.39%, 0.56%

LAB 66.62, 1.9, 34.89

 

CMYK 0 / 10 / 30 / 34

HEX #A89875

RGB 168 152 117

HSL 41.18, 0.23%, 0.56%

LAB 63.4, 0.41, 20.6

 

CMYK 0 / 3 / 10 / 41

HEX #969187

RGB 150 145 135

HSL 40, 0.07%, 0.56%

LAB 60.32, 0.01, 5.95

 

CMYK 14 / 10 / 0 / 40

HEX #838A99

RGB 131 138 153

HSL 220.91, 0.1%, 0.56%

LAB 57.37, 0.65, -8.85

 

CMYK 0 / 51 / 60 / 20

HEX #CC6351

RGB 204 99 81

HSL 8.78, 0.55%, 0.56%

LAB 54.4, 40.16, 29.74

 

CMYK 0 / 35 / 60 / 20

HEX #CC8451

RGB 204 132 81

HSL 24.88, 0.55%, 0.56%

LAB 61.6, 22.67, 38.61

 

CMYK 0 / 19 / 60 / 20

HEX #CCA551

RGB 204 165 81

HSL 40.98, 0.55%, 0.56%

LAB 69.71, 4.75, 48.12

 

CMYK 0 / 3 / 60 / 20

HEX #CCC651

RGB 204 198 81

HSL 57.07, 0.55%, 0.56%

LAB 78.36, -12.5, 57.77

 

CMYK 13 / 0 / 60 / 20

HEX #B1CC51

RGB 177 204 81

HSL 73.17, 0.55%, 0.56%

LAB 77.95, -26.52, 56.74

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

CMYK 0 / 22 / 71 / 26

HEX #BD9336

RGB 189 147 54

HSL 41.33, 0.56%, 0.48%

LAB 63.3, 6.32, 53.08

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 15 / 47 / 16

HEX #D5B671

RGB 213 182 113

HSL 41.4, 0.54%, 0.64%

LAB 75.32, 2.17, 39.11

 

CMYK 0 / 11 / 35 / 13

HEX #DFC691

RGB 223 198 145

HSL 40.77, 0.55%, 0.72%

LAB 80.81, 1.24, 29.81

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 53 / 0 / 60 / 20

HEX #5FCC51

RGB 95 204 81

HSL 113.17, 0.55%, 0.56%

LAB 73.68, -54.68, 50.79

 

CMYK 43 / 60 / 0 / 20

HEX #7451CC

RGB 116 81 204

HSL 257.07, 0.55%, 0.56%

LAB 44.17, 43.12, -59.04

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 60 / 0 / 19 / 20

HEX #51CCA5

RGB 81 204 165

HSL 160.98, 0.55%, 0.56%

LAB 74.6, -43.51, 9.34

 

CMYK 19 / 60 / 0 / 20

HEX #A551CC

RGB 165 81 204

HSL 280.98, 0.55%, 0.56%

LAB 49.79, 54.41, -49.71

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 53 / 0 / 60 / 20

HEX #5FCC51

RGB 95 204 81

HSL 113.17, 0.55%, 0.56%

LAB 73.68, -54.68, 50.79

 

CMYK 60 / 41 / 0 / 20

HEX #5178CC

RGB 81 120 204

HSL 220.98, 0.55%, 0.56%

LAB 51.32, 12.16, -47.72

 

CMYK 7 / 60 / 0 / 20

HEX #BE51CC

RGB 190 81 204

HSL 293.17, 0.55%, 0.56%

LAB 53.16, 60.55, -44.15

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 60 / 0 / 50 / 20

HEX #51CC67

RGB 81 204 103

HSL 130.73, 0.55%, 0.56%

LAB 73.49, -55.3, 40.13

 

CMYK 60 / 41 / 0 / 20

HEX #5178CC

RGB 81 120 204

HSL 220.98, 0.55%, 0.56%

LAB 51.32, 12.16, -47.72

 

CMYK 0 / 60 / 11 / 20

HEX #CC51B5

RGB 204 81 181

HSL 311.22, 0.55%, 0.56%

LAB 54.09, 60.27, -29.3

 

Description

Color code: HEX #CCA651 | qconv.com Color code: HEX #CCA651 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 204 red, 166 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
204 166 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 60 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 60% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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