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Color name
HEX #9D7A2D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9D7A2D it is the complementary color #6285D2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9D7A2D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9D7A2D shade: #A27A28, #B38C3B, #C49E4E, #D5B061 and #E6C274

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9D7A2D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9D7A2D shade: #9D7A2D, #8C681A, #7B5607, #6A4400 and #593200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9D7A2D shade: #9E7B2D, #9E5C2D, #9E3E2D and #9E2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9D7A2D shade: #9E7B2D, #9E992D, #849E2D, #669E2D and #489E2D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9D7A2D shade matches the following richer shades: #9E7B2D, #AE811D and #BF870C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9D7A2D shade: #9E7B2D, #8D743E, #7D6E4E, #6C685F and #5C626F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9D7A2D shade: #9E3E2D, #9E5C2D, #9E7A2D, #9E982D and #859E2D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9D7A2D shade: #5E491B, #7E6224, #9E7B2D, #BE9337 and #CCA651

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9D7A2D shade: #9D7A2D, #3A9E2D and #4D2D9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9D7A2D shade: #9D7A2D, #2D9E7A and #7A2D9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9D7A2D shade: #9D7A2D, #3A9E2D, #2D519E and #912D9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9D7A2D shade: #9D7A2D, #2D9E42, #2D519E and #9E2D89

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

Complementary color

CMYK 53 / 37 / 0 / 18

HEX #6285D2

RGB 98 133 210

HSL 221.25, 0.55%, 0.6%

LAB 56.11, 9.77, -43.45

 

CMYK 0 / 25 / 75 / 36

HEX #A27A28

RGB 162 122 40

HSL 40.33, 0.6%, 0.4%

LAB 53.76, 7.41, 48.5

 

CMYK 0 / 22 / 67 / 30

HEX #B38C3B

RGB 179 140 59

HSL 40.5, 0.5%, 0.47%

LAB 60.48, 6.03, 47.56

 

CMYK 0 / 19 / 60 / 23

HEX #C49E4E

RGB 196 158 78

HSL 40.68, 0.5%, 0.54%

LAB 67.08, 4.88, 46.35

 

CMYK 0 / 17 / 54 / 16

HEX #D5B061

RGB 213 176 97

HSL 40.86, 0.58%, 0.61%

LAB 73.58, 3.91, 45.05

 

CMYK 0 / 16 / 50 / 10

HEX #E6C274

RGB 230 194 116

HSL 41.05, 0.7%, 0.68%

LAB 79.99, 3.09, 43.76

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

CMYK 0 / 26 / 81 / 45

HEX #8C681A

RGB 140 104 26

HSL 41.05, 0.69%, 0.33%

LAB 46.38, 6.92, 46.23

 

CMYK 0 / 30 / 94 / 52

HEX #7B5607

RGB 123 86 7

HSL 40.86, 0.89%, 0.25%

LAB 39.38, 8.84, 45.56

 

CMYK 0 / 36 / 100 / 58

HEX #6A4400

RGB 106 68 0

HSL 38.49, 1%, 0.21%

LAB 32.25, 11.23, 41.78

 

CMYK 0 / 44 / 100 / 65

HEX #593200

RGB 89 50 0

HSL 33.71, 1%, 0.17%

LAB 24.97, 13.96, 34.85

 

CMYK 0 / 22 / 72 / 38

HEX #9E7B2D

RGB 158 123 45

HSL 41.42, 0.56%, 0.4%

LAB 53.63, 5.28, 46.05

 

CMYK 0 / 42 / 72 / 38

HEX #9E5C2D

RGB 158 92 45

HSL 24.96, 0.56%, 0.4%

LAB 45.79, 22.92, 37.74

 

CMYK 0 / 61 / 72 / 38

HEX #9E3E2D

RGB 158 62 45

HSL 9.03, 0.56%, 0.4%

LAB 39.42, 38.9, 30.6

 

CMYK 0 / 72 / 72 / 38

HEX #9E2D2D

RGB 158 45 45

HSL 0, 0.56%, 0.4%

LAB 36.62, 46.43, 27.34

 

CMYK 0 / 22 / 72 / 38

HEX #9E7B2D

RGB 158 123 45

HSL 41.42, 0.56%, 0.4%

LAB 53.63, 5.28, 46.05

 

CMYK 0 / 3 / 72 / 38

HEX #9E992D

RGB 158 153 45

HSL 57.35, 0.56%, 0.4%

LAB 61.86, -11.18, 54.31

 

CMYK 16 / 0 / 72 / 38

HEX #849E2D

RGB 132 158 45

HSL 73.81, 0.56%, 0.4%

LAB 61.26, -25.03, 53.03

 

CMYK 35 / 0 / 72 / 38

HEX #669E2D

RGB 102 158 45

HSL 89.73, 0.56%, 0.4%

LAB 59.4, -36.94, 50.56

 

CMYK 54 / 0 / 72 / 38

HEX #489E2D

RGB 72 158 45

HSL 105.66, 0.56%, 0.4%

LAB 58.06, -46.79, 48.75

 

CMYK 0 / 22 / 72 / 38

HEX #9E7B2D

RGB 158 123 45

HSL 41.42, 0.56%, 0.4%

LAB 53.63, 5.28, 46.05

 

CMYK 0 / 26 / 83 / 32

HEX #AE811D

RGB 174 129 29

HSL 41.38, 0.71%, 0.4%

LAB 56.87, 8.51, 55.97

 

CMYK 0 / 29 / 94 / 25

HEX #BF870C

RGB 191 135 12

HSL 41.23, 0.88%, 0.4%

LAB 60.28, 12.47, 63.7

 

CMYK 0 / 22 / 72 / 38

HEX #9E7B2D

RGB 158 123 45

HSL 41.42, 0.56%, 0.4%

LAB 53.63, 5.28, 46.05

 

CMYK 0 / 18 / 56 / 45

HEX #8D743E

RGB 141 116 62

HSL 41.01, 0.39%, 0.4%

LAB 50.1, 2.75, 33.18

 

CMYK 0 / 12 / 38 / 51

HEX #7D6E4E

RGB 125 110 78

HSL 40.85, 0.23%, 0.4%

LAB 47.06, 0.84, 20.02

 

CMYK 0 / 4 / 12 / 58

HEX #6C685F

RGB 108 104 95

HSL 41.54, 0.06%, 0.4%

LAB 44.11, -0.17, 5.62

 

CMYK 17 / 12 / 0 / 56

HEX #5C626F

RGB 92 98 111

HSL 221.05, 0.09%, 0.4%

LAB 41.47, 0.67, -8.13

 

CMYK 0 / 61 / 72 / 38

HEX #9E3E2D

RGB 158 62 45

HSL 9.03, 0.56%, 0.4%

LAB 39.42, 38.9, 30.6

 

CMYK 0 / 42 / 72 / 38

HEX #9E5C2D

RGB 158 92 45

HSL 24.96, 0.56%, 0.4%

LAB 45.79, 22.92, 37.74

 

CMYK 0 / 23 / 72 / 38

HEX #9E7A2D

RGB 158 122 45

HSL 40.88, 0.56%, 0.4%

LAB 53.36, 5.84, 45.77

 

CMYK 0 / 4 / 72 / 38

HEX #9E982D

RGB 158 152 45

HSL 56.81, 0.56%, 0.4%

LAB 61.58, -10.65, 54.04

 

CMYK 16 / 0 / 72 / 38

HEX #859E2D

RGB 133 158 45

HSL 73.27, 0.56%, 0.4%

LAB 61.33, -24.61, 53.13

 

CMYK 0 / 22 / 71 / 63

HEX #5E491B

RGB 94 73 27

HSL 41.19, 0.55%, 0.24%

LAB 32.31, 3.29, 30.07

 

CMYK 0 / 22 / 71 / 51

HEX #7E6224

RGB 126 98 36

HSL 41.33, 0.56%, 0.32%

LAB 43.21, 4.31, 38.28

 

CMYK 0 / 22 / 72 / 38

HEX #9E7B2D

RGB 158 123 45

HSL 41.42, 0.56%, 0.4%

LAB 53.63, 5.28, 46.05

 

CMYK 0 / 23 / 71 / 25

HEX #BE9337

RGB 190 147 55

HSL 40.89, 0.55%, 0.48%

LAB 63.42, 6.81, 52.8

 

CMYK 0 / 19 / 60 / 20

HEX #CCA651

RGB 204 166 81

HSL 41.46, 0.55%, 0.56%

LAB 69.97, 4.22, 48.41

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

CMYK 63 / 0 / 72 / 38

HEX #3A9E2D

RGB 58 158 45

HSL 113.1, 0.56%, 0.4%

LAB 57.6, -50.41, 48.13

 

CMYK 51 / 72 / 0 / 38

HEX #4D2D9E

RGB 77 45 158

HSL 256.99, 0.56%, 0.4%

LAB 29.22, 42.47, -56.32

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

CMYK 72 / 0 / 23 / 38

HEX #2D9E7A

RGB 45 158 122

HSL 160.88, 0.56%, 0.4%

LAB 58.43, -40.1, 9.87

 

CMYK 23 / 72 / 0 / 38

HEX #7A2D9E

RGB 122 45 158

HSL 280.88, 0.56%, 0.4%

LAB 34.97, 51.32, -46.72

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

CMYK 63 / 0 / 72 / 38

HEX #3A9E2D

RGB 58 158 45

HSL 113.1, 0.56%, 0.4%

LAB 57.6, -50.41, 48.13

 

CMYK 72 / 49 / 0 / 38

HEX #2D519E

RGB 45 81 158

HSL 220.88, 0.56%, 0.4%

LAB 35.81, 14.24, -45.73

 

CMYK 8 / 72 / 0 / 38

HEX #912D9E

RGB 145 45 158

HSL 293.1, 0.56%, 0.4%

LAB 38.49, 56.39, -40.88

 

CMYK 0 / 22 / 71 / 38

HEX #9D7A2D

RGB 157 122 45

HSL 41.25, 0.55%, 0.4%

LAB 53.25, 5.39, 45.62

 

CMYK 72 / 0 / 58 / 38

HEX #2D9E42

RGB 45 158 66

HSL 131.15, 0.56%, 0.4%

LAB 57.47, -50.79, 38.58

 

CMYK 72 / 49 / 0 / 38

HEX #2D519E

RGB 45 81 158

HSL 220.88, 0.56%, 0.4%

LAB 35.81, 14.24, -45.73

 

CMYK 0 / 72 / 13 / 38

HEX #9E2D89

RGB 158 45 137

HSL 311.15, 0.56%, 0.4%

LAB 39.5, 55.95, -26.37

 

Description

Color code: HEX #9D7A2D | qconv.com Color code: HEX #9D7A2D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 122 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 122 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 71 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 71% 38% C M Y K

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Provide designers and agencies with accurate color values.

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