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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C9D92E it is the complementary color #3626D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C9D92E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C9D92E shade: #CED929, #DFEB3C, #F0FD4F, #FFFF62 and #FFFF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C9D92E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C9D92E shade: #C9D92E, #B8C71B, #A7B508, #96A300 and #859100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C9D92E shade: #C9D930, #D9BB30, #D98D30, #D96030 and #D93230

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C9D92E shade: #C9D930, #9BD930, #6ED930, #40D930 and #30D94D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C9D92E shade matches the following richer shades: #C9D930 and #D9EC1C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C9D92E shade: #C9D930, #B9C543, #A9B157, #989D6B and #88897F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C9D92E shade: #D98D30, #D9BA30, #CAD930, #9DD930 and #70D930

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C9D92E shade: #8E9A1C, #AEBD22, #C9D930, #D2DF53 and #DBE575

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C9D92E shade: #C9D92E, #30D960 and #A330D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C9D92E shade: #C9D92E, #30CAD9 and #D930CA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C9D92E shade: #C9D92E, #30D960, #3E30D9 and #D930A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C9D92E shade: #C9D92E, #30D992, #3E30D9 and #D93076

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 79 / 15

HEX #C9D92E

RGB 201 217 46

HSL 65.61, 0.69%, 0.52%

LAB 83.04, -24.91, 74.88

 

Complementary color

CMYK 74 / 82 / 0 / 18

HEX #3626D1

RGB 54 38 209

HSL 245.61, 0.69%, 0.48%

LAB 31.29, 58.48, -83.26

 

CMYK 5 / 0 / 81 / 15

HEX #CED929

RGB 206 217 41

HSL 63.75, 0.7%, 0.51%

LAB 83.39, -23.01, 76.64

 

CMYK 5 / 0 / 74 / 8

HEX #DFEB3C

RGB 223 235 60

HSL 64.11, 0.81%, 0.58%

LAB 89.59, -23.97, 77.36

 

CMYK 5 / 0 / 69 / 1

HEX #F0FD4F

RGB 240 253 79

HSL 64.48, 0.98%, 0.65%

LAB 95.72, -24.78, 77.4

 

CMYK 0 / 0 / 62 / 0

HEX #FFFF62

RGB 255 255 98

HSL 60, 1%, 0.69%

LAB 97.5, -18.69, 72.47

 

CMYK 0 / 0 / 54 / 0

HEX #FFFF75

RGB 255 255 117

HSL 60, 1%, 0.73%

LAB 97.66, -17.4, 64.73

 

CMYK 7 / 0 / 79 / 15

HEX #C9D92E

RGB 201 217 46

HSL 65.61, 0.69%, 0.52%

LAB 83.04, -24.91, 74.88

 

CMYK 8 / 0 / 86 / 22

HEX #B8C71B

RGB 184 199 27

HSL 65.23, 0.76%, 0.44%

LAB 76.75, -23.88, 73.52

 

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

CMYK 8 / 0 / 100 / 36

HEX #96A300

RGB 150 163 0

HSL 64.79, 1%, 0.32%

LAB 63.9, -21.18, 66.36

 

CMYK 8 / 0 / 100 / 43

HEX #859100

RGB 133 145 0

HSL 64.97, 1%, 0.28%

LAB 57.31, -19.58, 60.87

 

CMYK 7 / 0 / 78 / 15

HEX #C9D930

RGB 201 217 48

HSL 65.68, 0.69%, 0.52%

LAB 83.05, -24.84, 74.34

 

CMYK 0 / 14 / 78 / 15

HEX #D9BB30

RGB 217 187 48

HSL 49.35, 0.69%, 0.52%

LAB 76.38, -3.02, 68.82

 

CMYK 0 / 35 / 78 / 15

HEX #D98D30

RGB 217 141 48

HSL 33.02, 0.69%, 0.52%

LAB 64.97, 21.48, 58.27

 

CMYK 0 / 56 / 78 / 15

HEX #D96030

RGB 217 96 48

HSL 17.04, 0.69%, 0.52%

LAB 55.41, 44.79, 49

 

CMYK 0 / 77 / 78 / 15

HEX #D93230

RGB 217 50 48

HSL 0.71, 0.69%, 0.52%

LAB 48.57, 63.21, 42.03

 

CMYK 7 / 0 / 78 / 15

HEX #C9D930

RGB 201 217 48

HSL 65.68, 0.69%, 0.52%

LAB 83.05, -24.84, 74.34

 

CMYK 29 / 0 / 78 / 15

HEX #9BD930

RGB 155 217 48

HSL 82.01, 0.69%, 0.52%

LAB 80.07, -42.99, 70.52

 

CMYK 49 / 0 / 78 / 15

HEX #6ED930

RGB 110 217 48

HSL 97.99, 0.69%, 0.52%

LAB 77.97, -58, 67.8

 

CMYK 71 / 0 / 78 / 15

HEX #40D930

RGB 64 217 48

HSL 114.32, 0.69%, 0.52%

LAB 76.64, -68.75, 66.07

 

CMYK 78 / 0 / 65 / 15

HEX #30D94D

RGB 48 217 77

HSL 130.3, 0.69%, 0.52%

LAB 76.55, -68.75, 55.41

 

CMYK 7 / 0 / 78 / 15

HEX #C9D930

RGB 201 217 48

HSL 65.68, 0.69%, 0.52%

LAB 83.05, -24.84, 74.34

 

CMYK 8 / 0 / 88 / 7

HEX #D9EC1C

RGB 217 236 28

HSL 65.48, 0.85%, 0.52%

LAB 89.31, -27.84, 84.52

 

CMYK 7 / 0 / 78 / 15

HEX #C9D930

RGB 201 217 48

HSL 65.68, 0.69%, 0.52%

LAB 83.05, -24.84, 74.34

 

CMYK 6 / 0 / 66 / 23

HEX #B9C543

RGB 185 197 67

HSL 65.54, 0.53%, 0.52%

LAB 76.47, -20.82, 61.13

 

CMYK 5 / 0 / 51 / 31

HEX #A9B157

RGB 169 177 87

HSL 65.33, 0.37%, 0.52%

LAB 69.87, -15.88, 44.61

 

CMYK 3 / 0 / 32 / 38

HEX #989D6B

RGB 152 157 107

HSL 66, 0.2%, 0.52%

LAB 63.22, -10.12, 25.61

 

CMYK 1 / 0 / 7 / 46

HEX #88897F

RGB 136 137 127

HSL 66, 0.04%, 0.52%

LAB 56.74, -2.28, 5.23

 

CMYK 0 / 35 / 78 / 15

HEX #D98D30

RGB 217 141 48

HSL 33.02, 0.69%, 0.52%

LAB 64.97, 21.48, 58.27

 

CMYK 0 / 14 / 78 / 15

HEX #D9BA30

RGB 217 186 48

HSL 48.99, 0.69%, 0.52%

LAB 76.12, -2.5, 68.59

 

CMYK 7 / 0 / 78 / 15

HEX #CAD930

RGB 202 217 48

HSL 65.33, 0.69%, 0.52%

LAB 83.12, -24.43, 74.43

 

CMYK 28 / 0 / 78 / 15

HEX #9DD930

RGB 157 217 48

HSL 81.3, 0.69%, 0.52%

LAB 80.18, -42.24, 70.67

 

CMYK 48 / 0 / 78 / 15

HEX #70D930

RGB 112 217 48

HSL 97.28, 0.69%, 0.52%

LAB 78.04, -57.42, 67.9

 

CMYK 8 / 0 / 82 / 40

HEX #8E9A1C

RGB 142 154 28

HSL 65.71, 0.69%, 0.36%

LAB 60.73, -19.53, 58.47

 

CMYK 8 / 0 / 82 / 26

HEX #AEBD22

RGB 174 189 34

HSL 65.81, 0.7%, 0.44%

LAB 73.23, -23.03, 68.69

 

CMYK 7 / 0 / 78 / 15

HEX #C9D930

RGB 201 217 48

HSL 65.68, 0.69%, 0.52%

LAB 83.05, -24.84, 74.34

 

CMYK 6 / 0 / 63 / 13

HEX #D2DF53

RGB 210 223 83

HSL 65.57, 0.69%, 0.6%

LAB 85.56, -22.28, 64.8

 

CMYK 4 / 0 / 49 / 10

HEX #DBE575

RGB 219 229 117

HSL 65.36, 0.68%, 0.68%

LAB 88.15, -18.96, 52.98

 

CMYK 7 / 0 / 79 / 15

HEX #C9D92E

RGB 201 217 46

HSL 65.61, 0.69%, 0.52%

LAB 83.04, -24.91, 74.88

 

CMYK 78 / 0 / 56 / 15

HEX #30D960

RGB 48 217 96

HSL 137.04, 0.69%, 0.52%

LAB 76.74, -66.48, 47.26

 

CMYK 25 / 78 / 0 / 15

HEX #A330D9

RGB 163 48 217

HSL 280.83, 0.69%, 0.52%

LAB 45.51, 70.25, -64.07

 

CMYK 7 / 0 / 79 / 15

HEX #C9D92E

RGB 201 217 46

HSL 65.61, 0.69%, 0.52%

LAB 83.04, -24.91, 74.88

 

CMYK 78 / 7 / 0 / 15

HEX #30CAD9

RGB 48 202 217

HSL 185.33, 0.69%, 0.52%

LAB 74.75, -33.24, -18.62

 

CMYK 0 / 78 / 7 / 15

HEX #D930CA

RGB 217 48 202

HSL 305.33, 0.69%, 0.52%

LAB 53.09, 77.92, -42.84

 

CMYK 7 / 0 / 79 / 15

HEX #C9D92E

RGB 201 217 46

HSL 65.61, 0.69%, 0.52%

LAB 83.04, -24.91, 74.88

 

CMYK 78 / 0 / 56 / 15

HEX #30D960

RGB 48 217 96

HSL 137.04, 0.69%, 0.52%

LAB 76.74, -66.48, 47.26

 

CMYK 71 / 78 / 0 / 15

HEX #3E30D9

RGB 62 48 217

HSL 244.97, 0.69%, 0.52%

LAB 34.29, 56.81, -82.9

 

CMYK 0 / 78 / 22 / 15

HEX #D930A9

RGB 217 48 169

HSL 317.04, 0.69%, 0.52%

LAB 51.53, 73.45, -26.09

 

CMYK 7 / 0 / 79 / 15

HEX #C9D92E

RGB 201 217 46

HSL 65.61, 0.69%, 0.52%

LAB 83.04, -24.91, 74.88

 

CMYK 78 / 0 / 33 / 15

HEX #30D992

RGB 48 217 146

HSL 154.79, 0.69%, 0.52%

LAB 77.48, -57.93, 23.32

 

CMYK 71 / 78 / 0 / 15

HEX #3E30D9

RGB 62 48 217

HSL 244.97, 0.69%, 0.52%

LAB 34.29, 56.81, -82.9

 

CMYK 0 / 78 / 46 / 15

HEX #D93076

RGB 217 48 118

HSL 335.15, 0.69%, 0.52%

LAB 49.71, 68, 1.7

 

Description

Color code: HEX #C9D92E | qconv.com Color code: HEX #C9D92E | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 201 red, 217 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
201 217 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 79 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 79% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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