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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A7B508 it is the complementary color #584AF7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A7B508. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A7B508 shade: #ACB503, #BDC716, #CED929, #DFEB3C and #F0FD4F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A7B508. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A7B508 shade: #A7B508, #96A300, #859100, #747F00 and #636D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A7B508 shade: #A7B507, #B59407, #B56507, #B53607 and #B50707

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A7B508 shade: #A7B507, #78B507, #49B507, #1AB507 and #07B523

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A7B508 shade matches the following richer shades: #A7B507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A7B508 shade: #A7B507, #9AA516, #8D9626, #808735 and #737844

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A7B508 shade: #B56407, #B59207, #A9B507, #7BB507 and #4CB507

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A7B508 shade: #5E6504, #828D05, #A7B507, #CBDC09 and #E3F519

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A7B508 shade: #A7B508, #07B535 and #7B07B5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A7B508 shade: #A7B508, #07A9B5 and #B507A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A7B508 shade: #A7B508, #07B535, #1307B5 and #B50786

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A7B508 shade: #A7B508, #07B569, #1307B5 and #B50752

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

Complementary color

CMYK 64 / 70 / 0 / 3

HEX #584AF7

RGB 88 74 247

HSL 244.86, 0.92%, 0.63%

LAB 43.78, 55.08, -84.22

 

CMYK 5 / 0 / 98 / 29

HEX #ACB503

RGB 172 181 3

HSL 63.03, 0.97%, 0.36%

LAB 70.75, -20.55, 71.84

 

CMYK 5 / 0 / 89 / 22

HEX #BDC716

RGB 189 199 22

HSL 63.39, 0.8%, 0.43%

LAB 77.12, -21.87, 74.89

 

CMYK 5 / 0 / 81 / 15

HEX #CED929

RGB 206 217 41

HSL 63.75, 0.7%, 0.51%

LAB 83.39, -23.01, 76.64

 

CMYK 5 / 0 / 74 / 8

HEX #DFEB3C

RGB 223 235 60

HSL 64.11, 0.81%, 0.58%

LAB 89.59, -23.97, 77.36

 

CMYK 5 / 0 / 69 / 1

HEX #F0FD4F

RGB 240 253 79

HSL 64.48, 0.98%, 0.65%

LAB 95.72, -24.78, 77.4

 

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

CMYK 8 / 0 / 100 / 36

HEX #96A300

RGB 150 163 0

HSL 64.79, 1%, 0.32%

LAB 63.9, -21.18, 66.36

 

CMYK 8 / 0 / 100 / 43

HEX #859100

RGB 133 145 0

HSL 64.97, 1%, 0.28%

LAB 57.31, -19.58, 60.87

 

CMYK 9 / 0 / 100 / 50

HEX #747F00

RGB 116 127 0

HSL 65.2, 1%, 0.25%

LAB 50.56, -17.95, 55.26

 

CMYK 9 / 0 / 100 / 57

HEX #636D00

RGB 99 109 0

HSL 65.5, 1%, 0.21%

LAB 43.64, -16.28, 49.5

 

CMYK 8 / 0 / 96 / 29

HEX #A7B507

RGB 167 181 7

HSL 64.83, 0.93%, 0.37%

LAB 70.37, -22.65, 70.93

 

CMYK 0 / 18 / 96 / 29

HEX #B59407

RGB 181 148 7

HSL 48.62, 0.93%, 0.37%

LAB 62.52, 0.77, 65.61

 

CMYK 0 / 44 / 96 / 29

HEX #B56507

RGB 181 101 7

HSL 32.41, 0.93%, 0.37%

LAB 50.86, 26.74, 57.35

 

CMYK 0 / 70 / 96 / 29

HEX #B53607

RGB 181 54 7

HSL 16.21, 0.93%, 0.37%

LAB 41.97, 49.58, 51.64

 

CMYK 0 / 96 / 96 / 29

HEX #B50707

RGB 181 7 7

HSL 0, 0.93%, 0.37%

LAB 37.83, 61.21, 49.32

 

CMYK 8 / 0 / 96 / 29

HEX #A7B507

RGB 167 181 7

HSL 64.83, 0.93%, 0.37%

LAB 70.37, -22.65, 70.93

 

CMYK 34 / 0 / 96 / 29

HEX #78B507

RGB 120 181 7

HSL 81.03, 0.93%, 0.37%

LAB 67.32, -41.76, 67.24

 

CMYK 60 / 0 / 96 / 29

HEX #49B507

RGB 73 181 7

HSL 97.24, 0.93%, 0.37%

LAB 65.34, -56.68, 64.83

 

CMYK 86 / 0 / 96 / 29

HEX #1AB507

RGB 26 181 7

HSL 113.45, 0.93%, 0.37%

LAB 64.39, -64.86, 63.65

 

CMYK 96 / 0 / 81 / 29

HEX #07B523

RGB 7 181 35

HSL 129.66, 0.93%, 0.37%

LAB 64.33, -65.03, 57.97

 

CMYK 8 / 0 / 96 / 29

HEX #A7B507

RGB 167 181 7

HSL 64.83, 0.93%, 0.37%

LAB 70.37, -22.65, 70.93

 

CMYK 8 / 0 / 96 / 29

HEX #A7B507

RGB 167 181 7

HSL 64.83, 0.93%, 0.37%

LAB 70.37, -22.65, 70.93

 

CMYK 7 / 0 / 87 / 35

HEX #9AA516

RGB 154 165 22

HSL 64.62, 0.76%, 0.37%

LAB 64.83, -20.04, 63.81

 

CMYK 6 / 0 / 75 / 41

HEX #8D9626

RGB 141 150 38

HSL 64.82, 0.6%, 0.37%

LAB 59.54, -17.49, 54.17

 

CMYK 5 / 0 / 61 / 47

HEX #808735

RGB 128 135 53

HSL 65.12, 0.44%, 0.37%

LAB 54.21, -14.4, 42.14

 

CMYK 4 / 0 / 43 / 53

HEX #737844

RGB 115 120 68

HSL 65.77, 0.28%, 0.37%

LAB 48.88, -10.47, 27.87

 

CMYK 0 / 45 / 96 / 29

HEX #B56407

RGB 181 100 7

HSL 32.07, 0.93%, 0.37%

LAB 50.63, 27.28, 57.2

 

CMYK 0 / 19 / 96 / 29

HEX #B59207

RGB 181 146 7

HSL 47.93, 0.93%, 0.37%

LAB 62, 1.86, 65.22

 

CMYK 7 / 0 / 96 / 29

HEX #A9B507

RGB 169 181 7

HSL 64.14, 0.93%, 0.37%

LAB 70.52, -21.79, 71.11

 

CMYK 32 / 0 / 96 / 29

HEX #7BB507

RGB 123 181 7

HSL 80, 0.93%, 0.37%

LAB 67.48, -40.63, 67.44

 

CMYK 58 / 0 / 96 / 29

HEX #4CB507

RGB 76 181 7

HSL 96.21, 0.93%, 0.37%

LAB 65.44, -55.9, 64.94

 

CMYK 7 / 0 / 96 / 60

HEX #5E6504

RGB 94 101 4

HSL 64.33, 0.92%, 0.21%

LAB 40.73, -14.19, 46.09

 

CMYK 8 / 0 / 96 / 45

HEX #828D05

RGB 130 141 5

HSL 64.85, 0.93%, 0.29%

LAB 55.89, -18.78, 58.88

 

CMYK 8 / 0 / 96 / 29

HEX #A7B507

RGB 167 181 7

HSL 64.83, 0.93%, 0.37%

LAB 70.37, -22.65, 70.93

 

CMYK 8 / 0 / 96 / 14

HEX #CBDC09

RGB 203 220 9

HSL 64.83, 0.92%, 0.45%

LAB 83.92, -26.31, 82.2

 

CMYK 7 / 0 / 90 / 4

HEX #E3F519

RGB 227 245 25

HSL 64.91, 0.92%, 0.53%

LAB 92.44, -28.04, 87.76

 

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

CMYK 96 / 0 / 71 / 29

HEX #07B535

RGB 7 181 53

HSL 135.86, 0.93%, 0.37%

LAB 64.44, -63.63, 51.91

 

CMYK 32 / 96 / 0 / 29

HEX #7B07B5

RGB 123 7 181

HSL 280, 0.93%, 0.37%

LAB 33.35, 66.69, -63.15

 

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

CMYK 96 / 7 / 0 / 29

HEX #07A9B5

RGB 7 169 181

HSL 184.14, 0.93%, 0.37%

LAB 63.14, -31.29, -16.45

 

CMYK 0 / 96 / 7 / 29

HEX #B507A9

RGB 181 7 169

HSL 304.14, 0.93%, 0.37%

LAB 42.52, 73.54, -40.68

 

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

CMYK 96 / 0 / 71 / 29

HEX #07B535

RGB 7 181 53

HSL 135.86, 0.93%, 0.37%

LAB 64.44, -63.63, 51.91

 

CMYK 90 / 96 / 0 / 29

HEX #1307B5

RGB 19 7 181

HSL 244.14, 0.93%, 0.37%

LAB 22.4, 59.7, -81.62

 

CMYK 0 / 96 / 26 / 29

HEX #B50786

RGB 181 7 134

HSL 316.21, 0.93%, 0.37%

LAB 40.73, 69, -22.29

 

CMYK 8 / 0 / 96 / 29

HEX #A7B508

RGB 167 181 8

HSL 64.86, 0.92%, 0.37%

LAB 70.37, -22.64, 70.81

 

CMYK 96 / 0 / 42 / 29

HEX #07B569

RGB 7 181 105

HSL 153.79, 0.93%, 0.37%

LAB 65.05, -56.18, 28.1

 

CMYK 90 / 96 / 0 / 29

HEX #1307B5

RGB 19 7 181

HSL 244.14, 0.93%, 0.37%

LAB 22.4, 59.7, -81.62

 

CMYK 0 / 96 / 55 / 29

HEX #B50752

RGB 181 7 82

HSL 334.14, 0.93%, 0.37%

LAB 38.87, 64.09, 7.69

 

Description

Color code: HEX #A7B508 | qconv.com Color code: HEX #A7B508 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 167 red, 181 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
167 181 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 96 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 96% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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