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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C838FF it is the complementary color #37C700. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C838FF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C838FF shade: #CD38FA, #DE4AFF, #EF5CFF, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C838FF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C838FF shade: #C838FF, #B726EC, #A614D9, #9502C6 and #8400B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C838FF shade: #C838FF, #FD38FF, #FF38CA, #FF3895 and #FF385F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C838FF shade: #C838FF, #9238FF, #5C38FF and #3838FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C838FF shade matches the following richer shades: #C838FF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C838FF shade: #C838FF, #C048EE, #B958DE, #B268CE and #AB78BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C838FF shade: #5C38FF, #9138FF, #C638FF, #FB38FF and #FF38CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C838FF shade: #A500E4, #BC0EFF, #C838FF, #D361FF and #DE8AFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C838FF shade: #C838FF, #FF3848 and #38FF77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C838FF shade: #C838FF, #FFC638 and #38FFC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C838FF shade: #C838FF, #FF3848, #70FF38 and #38FFEE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C838FF shade: #C838FF, #FF6338, #70FF38 and #38D3FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

Complementary color

CMYK 72 / 0 / 100 / 22

HEX #37C700

RGB 55 199 0

HSL 103.42, 1%, 0.39%

LAB 70.64, -66.44, 69.71

 

CMYK 18 / 78 / 0 / 2

HEX #CD38FA

RGB 205 56 250

HSL 286.08, 0.95%, 0.6%

LAB 54.77, 81.29, -67.41

 

CMYK 13 / 71 / 0 / 0

HEX #DE4AFF

RGB 222 74 255

HSL 289.06, 1%, 0.65%

LAB 59.57, 79.57, -62.33

 

CMYK 6 / 64 / 0 / 0

HEX #EF5CFF

RGB 239 92 255

HSL 294.11, 1%, 0.68%

LAB 64.34, 76.51, -54.57

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 22 / 84 / 0 / 7

HEX #B726EC

RGB 183 38 236

HSL 283.94, 0.84%, 0.54%

LAB 48.9, 79.89, -69.24

 

CMYK 24 / 91 / 0 / 15

HEX #A614D9

RGB 166 20 217

HSL 284.47, 0.83%, 0.46%

LAB 43.68, 77.43, -67.02

 

CMYK 25 / 99 / 0 / 22

HEX #9502C6

RGB 149 2 198

HSL 285, 0.98%, 0.39%

LAB 38.74, 73.84, -64.18

 

CMYK 26 / 100 / 0 / 30

HEX #8400B3

RGB 132 0 179

HSL 284.25, 1%, 0.35%

LAB 34.31, 68.4, -60.32

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 1 / 78 / 0 / 0

HEX #FD38FF

RGB 253 56 255

HSL 299.4, 1%, 0.61%

LAB 62.45, 90.71, -57.46

 

CMYK 0 / 78 / 21 / 0

HEX #FF38CA

RGB 255 56 202

HSL 315.98, 1%, 0.61%

LAB 60.21, 83.88, -31.24

 

CMYK 0 / 78 / 42 / 0

HEX #FF3895

RGB 255 56 149

HSL 331.96, 1%, 0.61%

LAB 58.28, 78.21, -3.46

 

CMYK 0 / 78 / 63 / 0

HEX #FF385F

RGB 255 56 95

HSL 348.24, 1%, 0.61%

LAB 56.99, 74.27, 26.67

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 43 / 78 / 0 / 0

HEX #9238FF

RGB 146 56 255

HSL 267.14, 1%, 0.61%

LAB 47.18, 73.01, -82.89

 

CMYK 64 / 78 / 0 / 0

HEX #5C38FF

RGB 92 56 255

HSL 250.85, 1%, 0.61%

LAB 41.73, 66.67, -92.07

 

CMYK 78 / 78 / 0 / 0

HEX #3838FF

RGB 56 56 255

HSL 240, 1%, 0.61%

LAB 39.39, 63.96, -96.01

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 19 / 70 / 0 / 7

HEX #C048EE

RGB 192 72 238

HSL 283.37, 0.83%, 0.61%

LAB 54.04, 71.18, -61.98

 

CMYK 17 / 60 / 0 / 13

HEX #B958DE

RGB 185 88 222

HSL 283.43, 0.67%, 0.61%

LAB 54.62, 59.62, -52.1

 

CMYK 14 / 50 / 0 / 19

HEX #B268CE

RGB 178 104 206

HSL 283.53, 0.51%, 0.61%

LAB 55.91, 46.55, -41.05

 

CMYK 10 / 37 / 0 / 25

HEX #AB78BE

RGB 171 120 190

HSL 283.71, 0.35%, 0.61%

LAB 57.85, 32.39, -28.96

 

CMYK 64 / 78 / 0 / 0

HEX #5C38FF

RGB 92 56 255

HSL 250.85, 1%, 0.61%

LAB 41.73, 66.67, -92.07

 

CMYK 43 / 78 / 0 / 0

HEX #9138FF

RGB 145 56 255

HSL 266.83, 1%, 0.61%

LAB 47.06, 72.87, -83.09

 

CMYK 22 / 78 / 0 / 0

HEX #C638FF

RGB 198 56 255

HSL 282.81, 1%, 0.61%

LAB 54.08, 81.01, -71.35

 

CMYK 2 / 78 / 0 / 0

HEX #FB38FF

RGB 251 56 255

HSL 298.79, 1%, 0.61%

LAB 62.13, 90.34, -57.98

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 28 / 100 / 0 / 11

HEX #A500E4

RGB 165 0 228

HSL 283.42, 1%, 0.45%

LAB 43.65, 81.48, -73.36

 

CMYK 26 / 95 / 0 / 0

HEX #BC0EFF

RGB 188 14 255

HSL 283.32, 1%, 0.53%

LAB 49.77, 87.89, -78.43

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 17 / 62 / 0 / 0

HEX #D361FF

RGB 211 97 255

HSL 283.29, 1%, 0.69%

LAB 61.32, 68.14, -59.61

 

CMYK 13 / 46 / 0 / 0

HEX #DE8AFF

RGB 222 138 255

HSL 283.08, 1%, 0.77%

LAB 70.12, 51.07, -45.58

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 0 / 78 / 72 / 0

HEX #FF3848

RGB 255 56 72

HSL 355.18, 1%, 0.61%

LAB 56.64, 73.17, 39.56

 

CMYK 78 / 0 / 53 / 0

HEX #38FF77

RGB 56 255 119

HSL 138.99, 1%, 0.61%

LAB 88.78, -74.69, 51.19

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 0 / 22 / 78 / 0

HEX #FFC638

RGB 255 198 56

HSL 42.81, 1%, 0.61%

LAB 82.88, 7.78, 73.48

 

CMYK 78 / 0 / 22 / 0

HEX #38FFC6

RGB 56 255 198

HSL 162.81, 1%, 0.61%

LAB 90.06, -60.15, 13.89

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 0 / 78 / 72 / 0

HEX #FF3848

RGB 255 56 72

HSL 355.18, 1%, 0.61%

LAB 56.64, 73.17, 39.56

 

CMYK 56 / 0 / 78 / 0

HEX #70FF38

RGB 112 255 56

HSL 103.12, 1%, 0.61%

LAB 89.51, -70.48, 76.39

 

CMYK 78 / 0 / 7 / 0

HEX #38FFEE

RGB 56 255 238

HSL 174.87, 1%, 0.61%

LAB 91.02, -50.22, -5.42

 

CMYK 22 / 78 / 0 / 0

HEX #C838FF

RGB 200 56 255

HSL 283.42, 1%, 0.61%

LAB 54.37, 81.35, -70.87

 

CMYK 0 / 61 / 78 / 0

HEX #FF6338

RGB 255 99 56

HSL 12.96, 1%, 0.61%

LAB 62.06, 57.29, 53.79

 

CMYK 56 / 0 / 78 / 0

HEX #70FF38

RGB 112 255 56

HSL 103.12, 1%, 0.61%

LAB 89.51, -70.48, 76.39

 

CMYK 78 / 17 / 0 / 0

HEX #38D3FF

RGB 56 211 255

HSL 193.27, 1%, 0.61%

LAB 78.84, -25.03, -32.75

 

Description

Color code: HEX #C838FF | qconv.com Color code: HEX #C838FF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 200 red, 56 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
200 56 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 78 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 78% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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