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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FF38CD it is the complementary color #00C732. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FF38CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FF38CD shade: #FF38C8, #FF4ADB, #FF5CEE, #FF6EFF and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FF38CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FF38CD shade: #FF38CD, #EE26BA, #DD14A7, #CC0294 and #BB0081

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FF38CD shade: #FF38CD, #FF3897, #FF3861 and #FF3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FF38CD shade: #FF38CD, #FB38FF, #C538FF, #9038FF and #5A38FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FF38CD shade matches the following richer shades: #FF38CD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FF38CD shade: #FF38CD, #EE48C5, #DE58BD, #CE68B5 and #BE78AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FF38CD shade: #C638FF, #FB38FF, #FF38CD, #FF3898 and #FF3863

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FF38CD shade: #E400AB, #FF0EC2, #FF38CD, #FF61D7 and #FF8AE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FF38CD shade: #FF38CD, #FF9138 and #38FFE1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FF38CD shade: #FF38CD, #CDFF38 and #38CDFF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FF38CD shade: #FF38CD, #FF9138, #38FF69 and #38A5FF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FF38CD shade: #FF38CD, #FFCD38, #38FF69 and #3869FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

Complementary color

CMYK 100 / 0 / 75 / 22

HEX #00C732

RGB 0 199 50

HSL 135.08, 1%, 0.39%

LAB 70.23, -69.41, 58.92

 

CMYK 0 / 78 / 22 / 0

HEX #FF38C8

RGB 255 56 200

HSL 316.58, 1%, 0.61%

LAB 60.12, 83.64, -30.23

 

CMYK 0 / 71 / 14 / 0

HEX #FF4ADB

RGB 255 74 219

HSL 311.93, 1%, 0.65%

LAB 62.74, 80.97, -36.92

 

CMYK 0 / 64 / 7 / 0

HEX #FF5CEE

RGB 255 92 238

HSL 306.26, 1%, 0.68%

LAB 65.82, 77.45, -42.71

 

CMYK 0 / 57 / 0 / 0

HEX #FF6EFF

RGB 255 110 255

HSL 300, 1%, 0.72%

LAB 69.21, 72.94, -46.74

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 84 / 22 / 7

HEX #EE26BA

RGB 238 38 186

HSL 315.6, 0.85%, 0.54%

LAB 55.18, 82.34, -30.07

 

CMYK 0 / 91 / 24 / 13

HEX #DD14A7

RGB 221 20 167

HSL 316.12, 0.83%, 0.47%

LAB 50.29, 79.49, -26.78

 

CMYK 0 / 99 / 27 / 20

HEX #CC0294

RGB 204 2 148

HSL 316.63, 0.98%, 0.4%

LAB 45.66, 75.67, -22.84

 

CMYK 0 / 100 / 31 / 27

HEX #BB0081

RGB 187 0 129

HSL 318.61, 1%, 0.37%

LAB 41.45, 70.38, -17.99

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 78 / 41 / 0

HEX #FF3897

RGB 255 56 151

HSL 331.36, 1%, 0.61%

LAB 58.34, 78.39, -4.54

 

CMYK 0 / 78 / 62 / 0

HEX #FF3861

RGB 255 56 97

HSL 347.64, 1%, 0.61%

LAB 57.03, 74.38, 25.54

 

CMYK 0 / 78 / 78 / 0

HEX #FF3838

RGB 255 56 56

HSL 0, 1%, 0.61%

LAB 56.46, 72.6, 48.15

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 2 / 78 / 0 / 0

HEX #FB38FF

RGB 251 56 255

HSL 298.79, 1%, 0.61%

LAB 62.13, 90.34, -57.98

 

CMYK 23 / 78 / 0 / 0

HEX #C538FF

RGB 197 56 255

HSL 282.51, 1%, 0.61%

LAB 53.94, 80.85, -71.59

 

CMYK 44 / 78 / 0 / 0

HEX #9038FF

RGB 144 56 255

HSL 266.53, 1%, 0.61%

LAB 46.95, 72.73, -83.29

 

CMYK 65 / 78 / 0 / 0

HEX #5A38FF

RGB 90 56 255

HSL 250.25, 1%, 0.61%

LAB 41.57, 66.49, -92.34

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 70 / 17 / 7

HEX #EE48C5

RGB 238 72 197

HSL 314.82, 0.83%, 0.61%

LAB 58.83, 74.68, -30.74

 

CMYK 0 / 60 / 15 / 13

HEX #DE58BD

RGB 222 88 189

HSL 314.78, 0.67%, 0.61%

LAB 58.21, 63.37, -27.31

 

CMYK 0 / 50 / 12 / 19

HEX #CE68B5

RGB 206 104 181

HSL 314.71, 0.51%, 0.61%

LAB 58.38, 50.15, -22.66

 

CMYK 0 / 37 / 9 / 25

HEX #BE78AC

RGB 190 120 172

HSL 315.43, 0.35%, 0.61%

LAB 59.3, 35.15, -16.26

 

CMYK 22 / 78 / 0 / 0

HEX #C638FF

RGB 198 56 255

HSL 282.81, 1%, 0.61%

LAB 54.08, 81.01, -71.35

 

CMYK 2 / 78 / 0 / 0

HEX #FB38FF

RGB 251 56 255

HSL 298.79, 1%, 0.61%

LAB 62.13, 90.34, -57.98

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 78 / 40 / 0

HEX #FF3898

RGB 255 56 152

HSL 331.06, 1%, 0.61%

LAB 58.37, 78.49, -5.08

 

CMYK 0 / 78 / 61 / 0

HEX #FF3863

RGB 255 56 99

HSL 347.04, 1%, 0.61%

LAB 57.06, 74.49, 24.41

 

CMYK 0 / 100 / 25 / 11

HEX #E400AB

RGB 228 0 171

HSL 315, 1%, 0.45%

LAB 51.19, 83.02, -27.64

 

CMYK 0 / 95 / 24 / 0

HEX #FF0EC2

RGB 255 14 194

HSL 315.19, 1%, 0.53%

LAB 57.53, 89.72, -30.81

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 62 / 16 / 0

HEX #FF61D7

RGB 255 97 215

HSL 315.19, 1%, 0.69%

LAB 65.53, 72.15, -30.35

 

CMYK 0 / 46 / 12 / 0

HEX #FF8AE1

RGB 255 138 225

HSL 315.38, 1%, 0.77%

LAB 72.81, 55.27, -24.7

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 43 / 78 / 0

HEX #FF9138

RGB 255 145 56

HSL 26.83, 1%, 0.61%

LAB 70.73, 35.31, 62.21

 

CMYK 78 / 0 / 12 / 0

HEX #38FFE1

RGB 56 255 225

HSL 170.95, 1%, 0.61%

LAB 90.69, -53.61, 0.83

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 20 / 0 / 78 / 0

HEX #CDFF38

RGB 205 255 56

HSL 75.08, 1%, 0.61%

LAB 93.79, -40.42, 81.9

 

CMYK 78 / 20 / 0 / 0

HEX #38CDFF

RGB 56 205 255

HSL 195.08, 1%, 0.61%

LAB 77.12, -22, -35.41

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 43 / 78 / 0

HEX #FF9138

RGB 255 145 56

HSL 26.83, 1%, 0.61%

LAB 70.73, 35.31, 62.21

 

CMYK 78 / 0 / 59 / 0

HEX #38FF69

RGB 56 255 105

HSL 134.77, 1%, 0.61%

LAB 88.63, -76.48, 57.24

 

CMYK 78 / 35 / 0 / 0

HEX #38A5FF

RGB 56 165 255

HSL 207.14, 1%, 0.61%

LAB 65.73, -0.36, -53.25

 

CMYK 0 / 78 / 20 / 0

HEX #FF38CD

RGB 255 56 205

HSL 315.08, 1%, 0.61%

LAB 60.33, 84.25, -32.75

 

CMYK 0 / 20 / 78 / 0

HEX #FFCD38

RGB 255 205 56

HSL 44.92, 1%, 0.61%

LAB 84.59, 4.17, 75.04

 

CMYK 78 / 0 / 59 / 0

HEX #38FF69

RGB 56 255 105

HSL 134.77, 1%, 0.61%

LAB 88.63, -76.48, 57.24

 

CMYK 78 / 59 / 0 / 0

HEX #3869FF

RGB 56 105 255

HSL 225.23, 1%, 0.61%

LAB 49.69, 36.05, -79.05

 

Description

Color code: HEX #FF38CD | qconv.com Color code: HEX #FF38CD | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 255 red, 56 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
255 56 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 20 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 20% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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