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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C79831 it is the complementary color #3867CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C79831. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C79831 shade: #CC982C, #DDAA3F, #EEBC52, #FFCE65 and #FFE078

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C79831. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C79831 shade: #C79831, #B6861E, #A5740B, #946200 and #835000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C79831 shade: #C79831, #C77031, #C74831 and #C73131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C79831 shade: #C79831, #C7C131, #A6C731, #7DC731 and #55C731

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C79831 shade matches the following richer shades: #C79831, #DCA01D and #F0A809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C79831 shade: #C79831, #B39146, #9F895A, #8B826E and #777A82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C79831 shade: #C74831, #C77031, #C79831, #C7C031 and #A7C731

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C79831 shade: #856621, #A67F29, #C79831, #D3AA4F and #DBBA70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C79831 shade: #C79831, #43C731 and #5C31C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C79831 shade: #C79831, #31C798 and #9831C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C79831 shade: #C79831, #43C731, #3161C7 and #B631C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C79831 shade: #C79831, #31C74D, #3161C7 and #C731AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

Complementary color

CMYK 73 / 50 / 0 / 19

HEX #3867CE

RGB 56 103 206

HSL 221.2, 0.6%, 0.51%

LAB 45.63, 19.46, -58.03

 

CMYK 0 / 25 / 78 / 20

HEX #CC982C

RGB 204 152 44

HSL 40.5, 0.65%, 0.49%

LAB 66.12, 9.76, 60.32

 

CMYK 0 / 23 / 71 / 13

HEX #DDAA3F

RGB 221 170 63

HSL 40.63, 0.7%, 0.56%

LAB 72.55, 8.29, 59.77

 

CMYK 0 / 21 / 66 / 7

HEX #EEBC52

RGB 238 188 82

HSL 40.77, 0.82%, 0.63%

LAB 78.9, 7.02, 58.82

 

CMYK 0 / 19 / 60 / 0

HEX #FFCE65

RGB 255 206 101

HSL 40.91, 1%, 0.7%

LAB 85.17, 5.92, 57.69

 

CMYK 0 / 12 / 53 / 0

HEX #FFE078

RGB 255 224 120

HSL 46.22, 1%, 0.74%

LAB 89.83, -1.86, 54.27

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 26 / 84 / 29

HEX #B6861E

RGB 182 134 30

HSL 41.05, 0.72%, 0.42%

LAB 59.06, 9.37, 57.89

 

CMYK 0 / 30 / 93 / 35

HEX #A5740B

RGB 165 116 11

HSL 40.91, 0.88%, 0.35%

LAB 52.41, 11.28, 56.71

 

CMYK 0 / 34 / 100 / 42

HEX #946200

RGB 148 98 0

HSL 39.73, 1%, 0.29%

LAB 45.68, 13.53, 53.33

 

CMYK 0 / 39 / 100 / 49

HEX #835000

RGB 131 80 0

HSL 36.64, 1%, 0.26%

LAB 38.83, 16.06, 47.75

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 44 / 75 / 22

HEX #C77031

RGB 199 112 49

HSL 25.2, 0.6%, 0.49%

LAB 56.04, 29.54, 48.3

 

CMYK 0 / 64 / 75 / 22

HEX #C74831

RGB 199 72 49

HSL 9.2, 0.6%, 0.49%

LAB 48.26, 49.36, 40.17

 

CMYK 0 / 75 / 75 / 22

HEX #C73131

RGB 199 49 49

HSL 0, 0.6%, 0.49%

LAB 45.03, 58.19, 36.65

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 3 / 75 / 22

HEX #C7C131

RGB 199 193 49

HSL 57.6, 0.6%, 0.49%

LAB 76.38, -13.81, 67.91

 

CMYK 17 / 0 / 75 / 22

HEX #A6C731

RGB 166 199 49

HSL 73.2, 0.6%, 0.49%

LAB 75.56, -30.55, 66.26

 

CMYK 37 / 0 / 75 / 22

HEX #7DC731

RGB 125 199 49

HSL 89.6, 0.6%, 0.49%

LAB 73.17, -46.08, 63.14

 

CMYK 57 / 0 / 75 / 22

HEX #55C731

RGB 85 199 49

HSL 105.6, 0.6%, 0.49%

LAB 71.55, -58.22, 61.02

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 27 / 87 / 14

HEX #DCA01D

RGB 220 160 29

HSL 41.15, 0.77%, 0.49%

LAB 69.79, 12, 68.79

 

CMYK 0 / 30 / 96 / 6

HEX #F0A809

RGB 240 168 9

HSL 41.3, 0.93%, 0.49%

LAB 73.9, 16.09, 76.4

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 19 / 61 / 30

HEX #B39146

RGB 179 145 70

HSL 41.28, 0.44%, 0.49%

LAB 61.89, 4.01, 43.86

 

CMYK 0 / 14 / 43 / 38

HEX #9F895A

RGB 159 137 90

HSL 40.87, 0.28%, 0.49%

LAB 58.04, 1.61, 28.25

 

CMYK 0 / 6 / 21 / 45

HEX #8B826E

RGB 139 130 110

HSL 41.38, 0.12%, 0.49%

LAB 54.64, -0.08, 12.06

 

CMYK 8 / 6 / 0 / 49

HEX #777A82

RGB 119 122 130

HSL 223.64, 0.04%, 0.49%

LAB 51.21, 0.56, -4.75

 

CMYK 0 / 64 / 75 / 22

HEX #C74831

RGB 199 72 49

HSL 9.2, 0.6%, 0.49%

LAB 48.26, 49.36, 40.17

 

CMYK 0 / 44 / 75 / 22

HEX #C77031

RGB 199 112 49

HSL 25.2, 0.6%, 0.49%

LAB 56.04, 29.54, 48.3

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 4 / 75 / 22

HEX #C7C031

RGB 199 192 49

HSL 57.2, 0.6%, 0.49%

LAB 76.11, -13.31, 67.66

 

CMYK 16 / 0 / 75 / 22

HEX #A7C731

RGB 167 199 49

HSL 72.8, 0.6%, 0.49%

LAB 75.63, -30.15, 66.34

 

CMYK 0 / 23 / 75 / 48

HEX #856621

RGB 133 102 33

HSL 41.4, 0.6%, 0.33%

LAB 45.08, 5.1, 41.83

 

CMYK 0 / 23 / 75 / 35

HEX #A67F29

RGB 166 127 41

HSL 41.28, 0.6%, 0.41%

LAB 55.53, 6.46, 49.97

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 0 / 19 / 63 / 17

HEX #D3AA4F

RGB 211 170 79

HSL 41.36, 0.6%, 0.57%

LAB 71.67, 4.92, 51.47

 

CMYK 0 / 15 / 49 / 14

HEX #DBBA70

RGB 219 186 112

HSL 41.5, 0.6%, 0.65%

LAB 76.89, 2.43, 41.7

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 66 / 0 / 75 / 22

HEX #43C731

RGB 67 199 49

HSL 112.8, 0.6%, 0.49%

LAB 71.05, -62.33, 60.35

 

CMYK 54 / 75 / 0 / 22

HEX #5C31C7

RGB 92 49 199

HSL 257.2, 0.6%, 0.49%

LAB 35.19, 54.38, -70.88

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 75 / 0 / 24 / 22

HEX #31C798

RGB 49 199 152

HSL 161.2, 0.6%, 0.49%

LAB 72.07, -49.49, 12.65

 

CMYK 24 / 75 / 0 / 22

HEX #9831C7

RGB 152 49 199

HSL 281.2, 0.6%, 0.49%

LAB 42.76, 64.32, -58.22

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 66 / 0 / 75 / 22

HEX #43C731

RGB 67 199 49

HSL 112.8, 0.6%, 0.49%

LAB 71.05, -62.33, 60.35

 

CMYK 75 / 51 / 0 / 22

HEX #3161C7

RGB 49 97 199

HSL 220.8, 0.6%, 0.49%

LAB 43.25, 19.82, -57.87

 

CMYK 9 / 75 / 0 / 22

HEX #B631C7

RGB 182 49 199

HSL 293.2, 0.6%, 0.49%

LAB 47.32, 70.12, -50.64

 

CMYK 0 / 24 / 75 / 22

HEX #C79831

RGB 199 152 49

HSL 41.2, 0.6%, 0.49%

LAB 65.61, 7.76, 57.77

 

CMYK 75 / 0 / 61 / 22

HEX #31C74D

RGB 49 199 77

HSL 131.2, 0.6%, 0.49%

LAB 70.9, -62.84, 49.06

 

CMYK 75 / 51 / 0 / 22

HEX #3161C7

RGB 49 97 199

HSL 220.8, 0.6%, 0.49%

LAB 43.25, 19.82, -57.87

 

CMYK 0 / 75 / 14 / 22

HEX #C731AC

RGB 199 49 172

HSL 310.8, 0.6%, 0.49%

LAB 48.66, 69.49, -32.57

 

Description

Color code: HEX #C79831 | qconv.com Color code: HEX #C79831 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 152 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 152 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 75 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 75% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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