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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 23 / 71 / 13 it is the complementary color CMYK 83 / 56 / 0 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 23 / 71 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 25 / 74 / 11, CMYK 0 / 23 / 68 / 4, CMYK 0 / 19 / 62 / 0, CMYK 0 / 12 / 55 / 0 and CMYK 0 / 5 / 47 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 23 / 71 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 71 / 13, CMYK 0 / 25 / 78 / 20, CMYK 0 / 28 / 86 / 26, CMYK 0 / 32 / 96 / 33 and CMYK 0 / 36 / 100 / 40

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 72 / 13, CMYK 0 / 42 / 72 / 13, CMYK 0 / 62 / 72 / 13 and CMYK 0 / 72 / 72 / 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 72 / 13, CMYK 0 / 4 / 72 / 13, CMYK 16 / 0 / 72 / 13, CMYK 35 / 0 / 72 / 13 and CMYK 54 / 0 / 72 / 13

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The CMYK 0 / 23 / 71 / 13 shade matches the following richer shades: CMYK 0 / 23 / 72 / 13 and CMYK 0 / 26 / 82 / 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 72 / 13, CMYK 0 / 20 / 60 / 20, CMYK 0 / 15 / 47 / 27, CMYK 0 / 10 / 30 / 34 and CMYK 0 / 3 / 9 / 42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 62 / 72 / 13, CMYK 0 / 43 / 72 / 13, CMYK 0 / 24 / 72 / 13, CMYK 0 / 5 / 72 / 13 and CMYK 14 / 0 / 72 / 13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 27 / 83 / 32, CMYK 0 / 27 / 83 / 18, CMYK 0 / 23 / 72 / 13, CMYK 0 / 18 / 57 / 11 and CMYK 0 / 14 / 43 / 8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 71 / 13, CMYK 62 / 0 / 72 / 13 and CMYK 53 / 72 / 0 / 13

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 71 / 13, CMYK 72 / 0 / 24 / 13 and CMYK 24 / 72 / 0 / 13

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 71 / 13, CMYK 62 / 0 / 72 / 13, CMYK 72 / 48 / 0 / 13 and CMYK 9 / 72 / 0 / 13

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the CMYK 0 / 23 / 71 / 13 shade: CMYK 0 / 23 / 71 / 13, CMYK 72 / 0 / 60 / 13, CMYK 72 / 48 / 0 / 13 and CMYK 0 / 72 / 12 / 13

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 71 / 13

HEX #DEAB40

RGB 222 171 64

HSL 40.63, 0.71%, 0.56%

LAB 72.91, 8.23, 59.76

 

Complementary color

CMYK 83 / 56 / 0 / 25

HEX #2154BF

RGB 33 84 191

HSL 220.63, 0.71%, 0.44%

LAB 38.6, 23.61, -60.79

 

CMYK 0 / 25 / 74 / 11

HEX #E3AB3B

RGB 227 171 59

HSL 40, 0.75%, 0.56%

LAB 73.4, 10.14, 62.44

 

CMYK 0 / 23 / 68 / 4

HEX #F4BD4E

RGB 244 189 78

HSL 40.12, 0.88%, 0.63%

LAB 79.72, 8.79, 61.61

 

CMYK 0 / 19 / 62 / 0

HEX #FFCF61

RGB 255 207 97

HSL 41.77, 1%, 0.69%

LAB 85.38, 5.15, 59.73

 

CMYK 0 / 12 / 55 / 0

HEX #FFE174

RGB 255 225 116

HSL 47.05, 1%, 0.73%

LAB 90.03, -2.68, 56.38

 

CMYK 0 / 5 / 47 / 0

HEX #FFF387

RGB 255 243 135

HSL 54, 1%, 0.76%

LAB 94.79, -10.08, 53.17

 

CMYK 0 / 23 / 71 / 13

HEX #DEAB40

RGB 222 171 64

HSL 40.63, 0.71%, 0.56%

LAB 72.91, 8.23, 59.76

 

CMYK 0 / 25 / 78 / 20

HEX #CD992D

RGB 205 153 45

HSL 40.5, 0.64%, 0.49%

LAB 66.48, 9.69, 60.34

 

CMYK 0 / 28 / 86 / 26

HEX #BC871A

RGB 188 135 26

HSL 40.37, 0.76%, 0.42%

LAB 59.97, 11.4, 60.14

 

CMYK 0 / 32 / 96 / 33

HEX #AB7507

RGB 171 117 7

HSL 40.24, 0.92%, 0.35%

LAB 53.38, 13.4, 58.5

 

CMYK 0 / 36 / 100 / 40

HEX #9A6300

RGB 154 99 0

HSL 38.57, 1%, 0.3%

LAB 46.7, 15.73, 54.38

 

CMYK 0 / 23 / 72 / 13

HEX #DEAB3F

RGB 222 171 63

HSL 40.75, 0.71%, 0.56%

LAB 72.9, 8.18, 60.16

 

CMYK 0 / 42 / 72 / 13

HEX #DE803F

RGB 222 128 63

HSL 24.53, 0.71%, 0.56%

LAB 62.78, 31.14, 49.67

 

CMYK 0 / 62 / 72 / 13

HEX #DE553F

RGB 222 85 63

HSL 8.3, 0.71%, 0.56%

LAB 54.43, 52.28, 40.5

 

CMYK 0 / 72 / 72 / 13

HEX #DE3F3F

RGB 222 63 63

HSL 0, 0.71%, 0.56%

LAB 51.2, 61.04, 36.8

 

CMYK 0 / 23 / 72 / 13

HEX #DEAB3F

RGB 222 171 63

HSL 40.75, 0.71%, 0.56%

LAB 72.9, 8.18, 60.16

 

CMYK 0 / 4 / 72 / 13

HEX #DED53F

RGB 222 213 63

HSL 56.6, 0.71%, 0.56%

LAB 83.69, -13.52, 70.78

 

CMYK 16 / 0 / 72 / 13

HEX #BBDE3F

RGB 187 222 63

HSL 73.21, 0.71%, 0.56%

LAB 83.53, -32.19, 69.73

 

CMYK 35 / 0 / 72 / 13

HEX #91DE3F

RGB 145 222 63

HSL 89.06, 0.71%, 0.56%

LAB 81.08, -47.88, 66.49

 

CMYK 54 / 0 / 72 / 13

HEX #66DE3F

RGB 102 222 63

HSL 105.28, 0.71%, 0.56%

LAB 79.29, -61.09, 64.1

 

CMYK 0 / 23 / 72 / 13

HEX #DEAB3F

RGB 222 171 63

HSL 40.75, 0.71%, 0.56%

LAB 72.9, 8.18, 60.16

 

CMYK 0 / 26 / 82 / 6

HEX #F0B12C

RGB 240 177 44

HSL 40.71, 0.87%, 0.56%

LAB 76.16, 11.98, 70.77

 

CMYK 0 / 23 / 72 / 13

HEX #DEAB3F

RGB 222 171 63

HSL 40.75, 0.71%, 0.56%

LAB 72.9, 8.18, 60.16

 

CMYK 0 / 20 / 60 / 20

HEX #CCA451

RGB 204 164 81

HSL 40.49, 0.55%, 0.56%

LAB 69.46, 5.29, 47.83

 

CMYK 0 / 15 / 47 / 27

HEX #BA9E63

RGB 186 158 99

HSL 40.69, 0.39%, 0.56%

LAB 66.36, 2.45, 34.56

 

CMYK 0 / 10 / 30 / 34

HEX #A89775

RGB 168 151 117

HSL 40, 0.23%, 0.56%

LAB 63.13, 0.96, 20.23

 

CMYK 0 / 3 / 9 / 42

HEX #959187

RGB 149 145 135

HSL 42.86, 0.06%, 0.56%

LAB 60.24, -0.37, 5.82

 

CMYK 0 / 62 / 72 / 13

HEX #DE543F

RGB 222 84 63

HSL 7.92, 0.71%, 0.56%

LAB 54.27, 52.72, 40.31

 

CMYK 0 / 43 / 72 / 13

HEX #DE7E3F

RGB 222 126 63

HSL 23.77, 0.71%, 0.56%

LAB 62.35, 32.19, 49.2

 

CMYK 0 / 24 / 72 / 13

HEX #DEA93F

RGB 222 169 63

HSL 40, 0.71%, 0.56%

LAB 72.4, 9.25, 59.66

 

CMYK 0 / 5 / 72 / 13

HEX #DED33F

RGB 222 211 63

HSL 55.85, 0.71%, 0.56%

LAB 83.17, -12.52, 70.27

 

CMYK 14 / 0 / 72 / 13

HEX #BEDE3F

RGB 190 222 63

HSL 72.08, 0.71%, 0.56%

LAB 83.73, -31, 69.99

 

CMYK 0 / 27 / 83 / 32

HEX #AD7F1D

RGB 173 127 29

HSL 40.83, 0.71%, 0.4%

LAB 56.24, 9.17, 55.38

 

CMYK 0 / 27 / 83 / 18

HEX #D09823

RGB 208 152 35

HSL 40.58, 0.71%, 0.48%

LAB 66.51, 11.21, 63.86

 

CMYK 0 / 23 / 72 / 13

HEX #DEAB3F

RGB 222 171 63

HSL 40.75, 0.71%, 0.56%

LAB 72.9, 8.18, 60.16

 

CMYK 0 / 18 / 57 / 11

HEX #E4BA62

RGB 228 186 98

HSL 40.62, 0.71%, 0.64%

LAB 77.58, 4.96, 49.65

 

CMYK 0 / 14 / 43 / 8

HEX #EAC985

RGB 234 201 133

HSL 40.4, 0.71%, 0.72%

LAB 82.36, 2.7, 38.23

 

CMYK 0 / 23 / 71 / 13

HEX #DEAB40

RGB 222 171 64

HSL 40.63, 0.71%, 0.56%

LAB 72.91, 8.23, 59.76

 

CMYK 62 / 0 / 72 / 13

HEX #54DE3F

RGB 84 222 63

HSL 112.08, 0.71%, 0.56%

LAB 78.74, -65.42, 63.37

 

CMYK 53 / 72 / 0 / 13

HEX #693FDE

RGB 105 63 222

HSL 255.85, 0.71%, 0.56%

LAB 40.95, 55.78, -74.67

 

CMYK 0 / 23 / 71 / 13

HEX #DEAB40

RGB 222 171 64

HSL 40.63, 0.71%, 0.56%

LAB 72.91, 8.23, 59.76

 

CMYK 72 / 0 / 24 / 13

HEX #3FDEA9

RGB 63 222 169

HSL 160, 0.71%, 0.56%

LAB 79.71, -53.02, 14.38

 

CMYK 24 / 72 / 0 / 13

HEX #A93FDE

RGB 169 63 222

HSL 280, 0.71%, 0.56%

LAB 48.59, 66.96, -61.9

 

CMYK 0 / 23 / 71 / 13

HEX #DEAB40

RGB 222 171 64

HSL 40.63, 0.71%, 0.56%

LAB 72.91, 8.23, 59.76

 

CMYK 62 / 0 / 72 / 13

HEX #54DE3F

RGB 84 222 63

HSL 112.08, 0.71%, 0.56%

LAB 78.74, -65.42, 63.37

 

CMYK 72 / 48 / 0 / 13

HEX #3F74DE

RGB 63 116 222

HSL 220, 0.71%, 0.56%

LAB 50.48, 18.02, -59.31

 

CMYK 9 / 72 / 0 / 13

HEX #C93FDE

RGB 201 63 222

HSL 292.08, 0.71%, 0.56%

LAB 53.22, 73.35, -54.21

 

CMYK 0 / 23 / 71 / 13

HEX #DEAB40

RGB 222 171 64

HSL 40.63, 0.71%, 0.56%

LAB 72.91, 8.23, 59.76

 

CMYK 72 / 0 / 60 / 13

HEX #3FDE59

RGB 63 222 89

HSL 129.81, 0.71%, 0.56%

LAB 78.47, -66.88, 52.52

 

CMYK 72 / 48 / 0 / 13

HEX #3F74DE

RGB 63 116 222

HSL 220, 0.71%, 0.56%

LAB 50.48, 18.02, -59.31

 

CMYK 0 / 72 / 12 / 13

HEX #DE3FC3

RGB 222 63 195

HSL 310.19, 0.71%, 0.56%

LAB 55.1, 73.63, -35.6

 

Description

Color code: CMYK 0 / 23 / 71 / 13 | qconv.com Color code: CMYK 0 / 23 / 71 / 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 171 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 171 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 71 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 71% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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