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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C75579 it is the complementary color #38AA86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C75579. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C75579 shade: #CC5574, #DD6787, #EE799A, #FF8BAD and #FF9DC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C75579. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C75579 shade: #C75579, #B64366, #A53153, #941F40 and #830D2D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C75579 shade: #C6567A, #C6565B and #C65656

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C75579 shade: #C6567A, #C65698, #C656B6, #B856C6 and #9A56C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C75579 shade matches the following richer shades: #C6567A, #D94473, #EB326C and #FD2066

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C75579 shade: #C6567A, #B46880, #A27B87, #908D8E and #7E9F94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C75579 shade: #C656B6, #C65698, #C6567A, #C6565C and #C66F56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C75579 shade: #983252, #B73D63, #C6567A, #D17592 and #DB94AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C75579 shade: #C75579, #C6B956 and #56A7C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C75579 shade: #C75579, #7AC656 and #567AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C75579 shade: #C75579, #C6B956, #56C6A3 and #5663C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C75579 shade: #C75579, #B2C656, #56C6A3 and #6B56C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 39 / 22

HEX #C75579

RGB 199 85 121

HSL 341.05, 0.5%, 0.56%

LAB 51.86, 48.89, 2.63

 

Complementary color

CMYK 67 / 0 / 21 / 33

HEX #38AA86

RGB 56 170 134

HSL 161.05, 0.5%, 0.44%

LAB 62.77, -40.61, 9.35

 

CMYK 0 / 58 / 43 / 20

HEX #CC5574

RGB 204 85 116

HSL 344.37, 0.54%, 0.57%

LAB 52.5, 50.02, 6.65

 

CMYK 0 / 53 / 39 / 13

HEX #DD6787

RGB 221 103 135

HSL 343.73, 0.63%, 0.64%

LAB 58.81, 49.23, 4.84

 

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

CMYK 0 / 45 / 32 / 0

HEX #FF8BAD

RGB 255 139 173

HSL 342.41, 1%, 0.77%

LAB 71.38, 47.5, 1.98

 

CMYK 0 / 38 / 25 / 0

HEX #FF9DC0

RGB 255 157 192

HSL 338.57, 1%, 0.81%

LAB 75.56, 40.85, -2.42

 

CMYK 0 / 57 / 39 / 22

HEX #C75579

RGB 199 85 121

HSL 341.05, 0.5%, 0.56%

LAB 51.86, 48.89, 2.63

 

CMYK 0 / 63 / 44 / 29

HEX #B64366

RGB 182 67 102

HSL 341.74, 0.46%, 0.49%

LAB 45.52, 49.51, 4.65

 

CMYK 0 / 70 / 50 / 35

HEX #A53153

RGB 165 49 83

HSL 342.41, 0.54%, 0.42%

LAB 39.28, 49.81, 7.18

 

CMYK 0 / 79 / 57 / 42

HEX #941F40

RGB 148 31 64

HSL 343.08, 0.65%, 0.35%

LAB 33.23, 49.48, 10.47

 

CMYK 0 / 90 / 66 / 49

HEX #830D2D

RGB 131 13 45

HSL 343.73, 0.82%, 0.28%

LAB 27.58, 48.02, 14.86

 

CMYK 0 / 57 / 38 / 22

HEX #C6567A

RGB 198 86 122

HSL 340.71, 0.5%, 0.56%

LAB 51.91, 48.2, 2.09

 

CMYK 0 / 57 / 54 / 22

HEX #C6565B

RGB 198 86 91

HSL 357.32, 0.5%, 0.56%

LAB 51.17, 45.15, 19.54

 

CMYK 0 / 57 / 57 / 22

HEX #C65656

RGB 198 86 86

HSL 0, 0.5%, 0.56%

LAB 51.07, 44.75, 22.37

 

CMYK 0 / 57 / 38 / 22

HEX #C6567A

RGB 198 86 122

HSL 340.71, 0.5%, 0.56%

LAB 51.91, 48.2, 2.09

 

CMYK 0 / 57 / 23 / 22

HEX #C65698

RGB 198 86 152

HSL 324.64, 0.5%, 0.56%

LAB 52.87, 52, -14.29

 

CMYK 0 / 57 / 8 / 22

HEX #C656B6

RGB 198 86 182

HSL 308.57, 0.5%, 0.56%

LAB 54.07, 56.57, -29.98

 

CMYK 7 / 57 / 0 / 22

HEX #B856C6

RGB 184 86 198

HSL 292.5, 0.5%, 0.56%

LAB 52.87, 55.61, -41.23

 

CMYK 22 / 57 / 0 / 22

HEX #9A56C6

RGB 154 86 198

HSL 276.43, 0.5%, 0.56%

LAB 49.01, 47.84, -47.59

 

CMYK 0 / 57 / 38 / 22

HEX #C6567A

RGB 198 86 122

HSL 340.71, 0.5%, 0.56%

LAB 51.91, 48.2, 2.09

 

CMYK 0 / 69 / 47 / 15

HEX #D94473

RGB 217 68 115

HSL 341.07, 0.66%, 0.56%

LAB 51.98, 61.15, 6.78

 

CMYK 0 / 79 / 54 / 8

HEX #EB326C

RGB 235 50 108

HSL 341.19, 0.82%, 0.56%

LAB 52.98, 71.37, 12.87

 

CMYK 0 / 87 / 60 / 1

HEX #FD2066

RGB 253 32 102

HSL 341, 0.98%, 0.56%

LAB 54.94, 79.3, 19.72

 

CMYK 0 / 57 / 38 / 22

HEX #C6567A

RGB 198 86 122

HSL 340.71, 0.5%, 0.56%

LAB 51.91, 48.2, 2.09

 

CMYK 0 / 42 / 29 / 29

HEX #B46880

RGB 180 104 128

HSL 341.05, 0.34%, 0.56%

LAB 53.13, 33.42, -0.01

 

CMYK 0 / 24 / 17 / 36

HEX #A27B87

RGB 162 123 135

HSL 341.54, 0.17%, 0.56%

LAB 55.68, 17.08, -0.63

 

CMYK 0 / 2 / 1 / 44

HEX #908D8E

RGB 144 141 142

HSL 340, 0.01%, 0.56%

LAB 58.91, 1.3, -0.15

 

CMYK 21 / 0 / 7 / 38

HEX #7E9F94

RGB 126 159 148

HSL 160, 0.15%, 0.56%

LAB 62.82, -13.72, 1.98

 

CMYK 0 / 57 / 8 / 22

HEX #C656B6

RGB 198 86 182

HSL 308.57, 0.5%, 0.56%

LAB 54.07, 56.57, -29.98

 

CMYK 0 / 57 / 23 / 22

HEX #C65698

RGB 198 86 152

HSL 324.64, 0.5%, 0.56%

LAB 52.87, 52, -14.29

 

CMYK 0 / 57 / 38 / 22

HEX #C6567A

RGB 198 86 122

HSL 340.71, 0.5%, 0.56%

LAB 51.91, 48.2, 2.09

 

CMYK 0 / 57 / 54 / 22

HEX #C6565C

RGB 198 86 92

HSL 356.79, 0.5%, 0.56%

LAB 51.19, 45.23, 18.98

 

CMYK 0 / 44 / 57 / 22

HEX #C66F56

RGB 198 111 86

HSL 13.39, 0.5%, 0.56%

LAB 56.13, 31.96, 28.94

 

CMYK 0 / 67 / 46 / 40

HEX #983252

RGB 152 50 82

HSL 341.18, 0.5%, 0.4%

LAB 37.05, 45.16, 4.33

 

CMYK 0 / 67 / 46 / 28

HEX #B73D63

RGB 183 61 99

HSL 341.31, 0.5%, 0.48%

LAB 44.67, 52.09, 5.29

 

CMYK 0 / 57 / 38 / 22

HEX #C6567A

RGB 198 86 122

HSL 340.71, 0.5%, 0.56%

LAB 51.91, 48.2, 2.09

 

CMYK 0 / 44 / 30 / 18

HEX #D17592

RGB 209 117 146

HSL 341.09, 0.5%, 0.64%

LAB 60.21, 39.36, 0.28

 

CMYK 0 / 32 / 22 / 14

HEX #DB94AA

RGB 219 148 170

HSL 341.41, 0.5%, 0.72%

LAB 68.85, 29.8, -0.55

 

CMYK 0 / 57 / 39 / 22

HEX #C75579

RGB 199 85 121

HSL 341.05, 0.5%, 0.56%

LAB 51.86, 48.89, 2.63

 

CMYK 0 / 7 / 57 / 22

HEX #C6B956

RGB 198 185 86

HSL 53.04, 0.5%, 0.56%

LAB 74.43, -7.99, 51

 

CMYK 57 / 16 / 0 / 22

HEX #56A7C6

RGB 86 167 198

HSL 196.61, 0.5%, 0.56%

LAB 64.72, -15.83, -23.39

 

CMYK 0 / 57 / 39 / 22

HEX #C75579

RGB 199 85 121

HSL 341.05, 0.5%, 0.56%

LAB 51.86, 48.89, 2.63

 

CMYK 38 / 0 / 57 / 22

HEX #7AC656

RGB 122 198 86

HSL 100.71, 0.5%, 0.56%

LAB 73.02, -43.66, 48.05

 

CMYK 57 / 38 / 0 / 22

HEX #567AC6

RGB 86 122 198

HSL 220.71, 0.5%, 0.56%

LAB 51.81, 9.95, -43.5

 

CMYK 0 / 57 / 39 / 22

HEX #C75579

RGB 199 85 121

HSL 341.05, 0.5%, 0.56%

LAB 51.86, 48.89, 2.63

 

CMYK 0 / 7 / 57 / 22

HEX #C6B956

RGB 198 185 86

HSL 53.04, 0.5%, 0.56%

LAB 74.43, -7.99, 51

 

CMYK 57 / 0 / 18 / 22

HEX #56C6A3

RGB 86 198 163

HSL 161.25, 0.5%, 0.56%

LAB 72.9, -40.34, 8.01

 

CMYK 57 / 50 / 0 / 22

HEX #5663C6

RGB 86 99 198

HSL 233.04, 0.5%, 0.56%

LAB 45.61, 24.19, -53.39

 

CMYK 0 / 57 / 39 / 22

HEX #C75579

RGB 199 85 121

HSL 341.05, 0.5%, 0.56%

LAB 51.86, 48.89, 2.63

 

CMYK 10 / 0 / 57 / 22

HEX #B2C656

RGB 178 198 86

HSL 70.71, 0.5%, 0.56%

LAB 76.39, -22.81, 52.8

 

CMYK 57 / 0 / 18 / 22

HEX #56C6A3

RGB 86 198 163

HSL 161.25, 0.5%, 0.56%

LAB 72.9, -40.34, 8.01

 

CMYK 46 / 57 / 0 / 22

HEX #6B56C6

RGB 107 86 198

HSL 251.25, 0.5%, 0.56%

LAB 44.03, 36.57, -55.85

 

Description

Color code: HEX #C75579 | qconv.com Color code: HEX #C75579 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 85 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 85 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 39 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 39% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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