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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 238 121 154 it is the complementary color RGB 17 134 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 238 121 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 238 121 154 shade: RGB 243 121 149, RGB 255 139 168, RGB 255 157 187, RGB 255 175 206 and RGB 255 193 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 238 121 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 238 121 154 shade: RGB 238 121 154, RGB 221 103 135, RGB 204 85 116, RGB 187 67 97 and RGB 170 49 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 238 121 154 shade: RGB 237 119 152, RGB 237 119 121 and RGB 237 119 119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 238 121 154 shade: RGB 237 119 152, RGB 237 119 184, RGB 237 119 216, RGB 226 119 237 and RGB 194 119 237

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 238 121 154 shade matches the following richer shades: RGB 237 119 152 and RGB 249 107 147

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 238 121 154 shade: RGB 237 119 152, RGB 225 131 158, RGB 212 144 163, RGB 200 156 169 and RGB 187 169 174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 238 121 154 shade: RGB 237 119 215, RGB 237 119 184, RGB 237 119 152, RGB 237 119 121 and RGB 237 149 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 238 121 154 shade: RGB 227 46 97, RGB 232 83 125, RGB 237 119 152, RGB 242 156 180 and RGB 246 192 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 238 121 154 shade: RGB 238 121 154, RGB 237 227 119 and RGB 119 200 237

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 238 121 154 shade: RGB 238 121 154, RGB 152 237 119 and RGB 119 152 237

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 238 121 154 shade: RGB 238 121 154, RGB 237 227 119, RGB 119 237 204 and RGB 119 129 237

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 238 121 154 shade: RGB 238 121 154, RGB 211 237 119, RGB 119 237 204 and RGB 145 119 237

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

Complementary color

CMYK 87 / 0 / 25 / 47

HEX #118665

RGB 17 134 101

HSL 163.08, 0.77%, 0.3%

LAB 49.63, -38.44, 9.35

 

CMYK 0 / 50 / 39 / 5

HEX #F37995

RGB 243 121 149

HSL 346.23, 0.84%, 0.71%

LAB 65.67, 49.5, 7.05

 

CMYK 0 / 45 / 34 / 0

HEX #FF8BA8

RGB 255 139 168

HSL 345, 1%, 0.77%

LAB 71.25, 46.9, 4.58

 

CMYK 0 / 38 / 27 / 0

HEX #FF9DBB

RGB 255 157 187

HSL 341.63, 1%, 0.81%

LAB 75.43, 40.17, 0.13

 

CMYK 0 / 31 / 19 / 0

HEX #FFAFCE

RGB 255 175 206

HSL 336.75, 1%, 0.84%

LAB 79.83, 33.51, -3.79

 

CMYK 0 / 24 / 12 / 0

HEX #FFC1E1

RGB 255 193 225

HSL 329.03, 1%, 0.88%

LAB 84.4, 27.01, -7.26

 

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

CMYK 0 / 53 / 39 / 13

HEX #DD6787

RGB 221 103 135

HSL 343.73, 0.63%, 0.64%

LAB 58.81, 49.23, 4.84

 

CMYK 0 / 58 / 43 / 20

HEX #CC5574

RGB 204 85 116

HSL 344.37, 0.54%, 0.57%

LAB 52.5, 50.02, 6.65

 

CMYK 0 / 64 / 48 / 27

HEX #BB4361

RGB 187 67 97

HSL 345, 0.47%, 0.5%

LAB 46.23, 50.64, 8.84

 

CMYK 0 / 71 / 54 / 33

HEX #AA314E

RGB 170 49 78

HSL 345.62, 0.55%, 0.43%

LAB 40.07, 50.94, 11.59

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 50 / 49 / 7

HEX #ED7779

RGB 237 119 121

HSL 358.98, 0.77%, 0.7%

LAB 63.82, 45.58, 20.25

 

CMYK 0 / 50 / 50 / 7

HEX #ED7777

RGB 237 119 119

HSL 0, 0.77%, 0.7%

LAB 63.78, 45.4, 21.33

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 50 / 22 / 7

HEX #ED77B8

RGB 237 119 184

HSL 326.95, 0.77%, 0.7%

LAB 65.48, 52.88, -13.19

 

CMYK 0 / 50 / 9 / 7

HEX #ED77D8

RGB 237 119 216

HSL 310.68, 0.77%, 0.7%

LAB 66.64, 57.7, -29.39

 

CMYK 5 / 50 / 0 / 7

HEX #E277ED

RGB 226 119 237

HSL 294.41, 0.77%, 0.7%

LAB 66.12, 58.22, -41.96

 

CMYK 18 / 50 / 0 / 7

HEX #C277ED

RGB 194 119 237

HSL 278.14, 0.77%, 0.7%

LAB 62.32, 49.59, -48.2

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 57 / 41 / 2

HEX #F96B93

RGB 249 107 147

HSL 343.1, 0.92%, 0.7%

LAB 63.97, 57.84, 5.86

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 42 / 30 / 12

HEX #E1839E

RGB 225 131 158

HSL 342.77, 0.61%, 0.7%

LAB 65.52, 39.29, 1.42

 

CMYK 0 / 32 / 23 / 17

HEX #D490A3

RGB 212 144 163

HSL 343.24, 0.44%, 0.7%

LAB 66.97, 28.4, 0.52

 

CMYK 0 / 22 / 16 / 22

HEX #C89CA9

RGB 200 156 169

HSL 342.27, 0.29%, 0.7%

LAB 68.69, 18.39, -0.47

 

CMYK 0 / 10 / 7 / 27

HEX #BBA9AE

RGB 187 169 174

HSL 343.33, 0.12%, 0.7%

LAB 70.87, 7.37, -0.21

 

CMYK 0 / 50 / 9 / 7

HEX #ED77D7

RGB 237 119 215

HSL 311.19, 0.77%, 0.7%

LAB 66.6, 57.54, -28.9

 

CMYK 0 / 50 / 22 / 7

HEX #ED77B8

RGB 237 119 184

HSL 326.95, 0.77%, 0.7%

LAB 65.48, 52.88, -13.19

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 50 / 49 / 7

HEX #ED7779

RGB 237 119 121

HSL 358.98, 0.77%, 0.7%

LAB 63.82, 45.58, 20.25

 

CMYK 0 / 37 / 50 / 7

HEX #ED9577

RGB 237 149 119

HSL 15.25, 0.77%, 0.7%

LAB 70.06, 29.99, 29.69

 

CMYK 0 / 80 / 57 / 11

HEX #E32E61

RGB 227 46 97

HSL 343.09, 0.76%, 0.54%

LAB 50.86, 69.55, 16.37

 

CMYK 0 / 64 / 46 / 9

HEX #E8537D

RGB 232 83 125

HSL 343.09, 0.76%, 0.62%

LAB 56.9, 60.69, 8.19

 

CMYK 0 / 50 / 36 / 7

HEX #ED7798

RGB 237 119 152

HSL 343.22, 0.77%, 0.7%

LAB 64.54, 48.78, 3.6

 

CMYK 0 / 36 / 26 / 5

HEX #F29CB4

RGB 242 156 180

HSL 343.26, 0.77%, 0.78%

LAB 73.51, 35.19, 1.01

 

CMYK 0 / 22 / 16 / 4

HEX #F6C0CF

RGB 246 192 207

HSL 343.33, 0.75%, 0.86%

LAB 82.81, 21.56, -0.07

 

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

CMYK 0 / 4 / 50 / 7

HEX #EDE377

RGB 237 227 119

HSL 54.92, 0.77%, 0.7%

LAB 89.05, -10.67, 53.45

 

CMYK 50 / 16 / 0 / 7

HEX #77C8ED

RGB 119 200 237

HSL 198.81, 0.77%, 0.7%

LAB 76.89, -14.92, -25.96

 

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

CMYK 36 / 0 / 50 / 7

HEX #98ED77

RGB 152 237 119

HSL 103.22, 0.77%, 0.7%

LAB 86.29, -46.76, 48.83

 

CMYK 50 / 36 / 0 / 7

HEX #7798ED

RGB 119 152 237

HSL 223.22, 0.77%, 0.7%

LAB 63.75, 11.62, -46.36

 

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

CMYK 0 / 4 / 50 / 7

HEX #EDE377

RGB 237 227 119

HSL 54.92, 0.77%, 0.7%

LAB 89.05, -10.67, 53.45

 

CMYK 50 / 0 / 14 / 7

HEX #77EDCC

RGB 119 237 204

HSL 163.22, 0.77%, 0.7%

LAB 86.43, -41.16, 5.78

 

CMYK 50 / 46 / 0 / 7

HEX #7781ED

RGB 119 129 237

HSL 234.92, 0.77%, 0.7%

LAB 57.79, 25.18, -55.82

 

CMYK 0 / 49 / 35 / 7

HEX #EE799A

RGB 238 121 154

HSL 343.08, 0.77%, 0.7%

LAB 65.11, 48.37, 3.31

 

CMYK 11 / 0 / 50 / 7

HEX #D3ED77

RGB 211 237 119

HSL 73.22, 0.77%, 0.7%

LAB 89.74, -25.73, 53.8

 

CMYK 50 / 0 / 14 / 7

HEX #77EDCC

RGB 119 237 204

HSL 163.22, 0.77%, 0.7%

LAB 86.43, -41.16, 5.78

 

CMYK 39 / 50 / 0 / 7

HEX #9177ED

RGB 145 119 237

HSL 253.22, 0.77%, 0.7%

LAB 57.39, 37.05, -56.33

 

Description

Color code: RGB 238 121 154 | qconv.com Color code: RGB 238 121 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 238 red, 121 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
238 121 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 35 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 35% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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