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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6FF1C it is the complementary color #3900E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6FF1C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6FF1C shade: #CBFF17, #DCFF2A, #EDFF3D, #FEFF50 and #FFFF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6FF1C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6FF1C shade: #C6FF1C, #B5ED09, #A4DB00, #93C900 and #82B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6FF1C shade: #C5FF19, #FFFA19, #FFBC19, #FF7E19 and #FF4119

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6FF1C shade: #C5FF19, #87FF19, #49FF19, #19FF27 and #19FF65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6FF1C shade matches the following richer shades: #C5FF19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6FF1C shade: #C5FF19, #BCEC2C, #B2D93E, #A9C751 and #A0B463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6FF1C shade: #FFBD19, #FFFB19, #C5FF19, #88FF19 and #4BFF19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6FF1C shade: #94C500, #B3EF00, #C5FF19, #CFFF42 and #DAFF6C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6FF1C shade: #C6FF1C, #19FF80 and #DC19FF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6FF1C shade: #C6FF1C, #19C5FF and #FF19C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6FF1C shade: #C6FF1C, #19FF80, #5219FF and #FF1997

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6FF1C shade: #C6FF1C, #19FFC5, #5219FF and #FF1952

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 89 / 0

HEX #C6FF1C

RGB 198 255 28

HSL 75.07, 1%, 0.55%

LAB 93.28, -43.89, 87.2

 

Complementary color

CMYK 75 / 100 / 0 / 11

HEX #3900E3

RGB 57 0 227

HSL 255.07, 1%, 0.45%

LAB 30.44, 73.31, -95.05

 

CMYK 20 / 0 / 91 / 0

HEX #CBFF17

RGB 203 255 23

HSL 73.45, 1%, 0.55%

LAB 93.57, -42.08, 88.24

 

CMYK 14 / 0 / 84 / 0

HEX #DCFF2A

RGB 220 255 42

HSL 69.86, 1%, 0.58%

LAB 94.7, -35.07, 86.42

 

CMYK 7 / 0 / 76 / 0

HEX #EDFF3D

RGB 237 255 61

HSL 65.57, 1%, 0.62%

LAB 95.94, -27.7, 83.25

 

CMYK 0 / 0 / 69 / 0

HEX #FEFF50

RGB 254 255 80

HSL 60.34, 1%, 0.66%

LAB 97.3, -20.07, 78.95

 

CMYK 0 / 0 / 61 / 0

HEX #FFFF63

RGB 255 255 99

HSL 60, 1%, 0.69%

LAB 97.5, -18.63, 72.08

 

CMYK 22 / 0 / 89 / 0

HEX #C6FF1C

RGB 198 255 28

HSL 75.07, 1%, 0.55%

LAB 93.28, -43.89, 87.2

 

CMYK 24 / 0 / 96 / 7

HEX #B5ED09

RGB 181 237 9

HSL 74.74, 0.93%, 0.48%

LAB 87.2, -42.84, 84.09

 

CMYK 25 / 0 / 100 / 14

HEX #A4DB00

RGB 164 219 0

HSL 75.07, 1%, 0.43%

LAB 81.05, -41.62, 79.69

 

CMYK 27 / 0 / 100 / 21

HEX #93C900

RGB 147 201 0

HSL 76.12, 1%, 0.39%

LAB 74.81, -40.29, 74.49

 

CMYK 29 / 0 / 100 / 28

HEX #82B700

RGB 130 183 0

HSL 77.38, 1%, 0.36%

LAB 68.47, -38.94, 69.21

 

CMYK 23 / 0 / 90 / 0

HEX #C5FF19

RGB 197 255 25

HSL 75.13, 1%, 0.55%

LAB 93.22, -44.33, 87.55

 

CMYK 0 / 2 / 90 / 0

HEX #FFFA19

RGB 255 250 25

HSL 58.7, 1%, 0.55%

LAB 95.87, -18.94, 91.34

 

CMYK 0 / 26 / 90 / 0

HEX #FFBC19

RGB 255 188 25

HSL 42.52, 1%, 0.55%

LAB 80.35, 12.2, 79.48

 

CMYK 0 / 51 / 90 / 0

HEX #FF7E19

RGB 255 126 25

HSL 26.35, 1%, 0.55%

LAB 66.71, 44.06, 69.39

 

CMYK 0 / 75 / 90 / 0

HEX #FF4119

RGB 255 65 25

HSL 10.43, 1%, 0.55%

LAB 57.18, 69.3, 62.68

 

CMYK 23 / 0 / 90 / 0

HEX #C5FF19

RGB 197 255 25

HSL 75.13, 1%, 0.55%

LAB 93.22, -44.33, 87.55

 

CMYK 47 / 0 / 90 / 0

HEX #87FF19

RGB 135 255 25

HSL 91.3, 1%, 0.55%

LAB 90.2, -65.41, 83.84

 

CMYK 71 / 0 / 90 / 0

HEX #49FF19

RGB 73 255 25

HSL 107.48, 1%, 0.55%

LAB 88.45, -79.68, 81.67

 

CMYK 90 / 0 / 85 / 0

HEX #19FF27

RGB 25 255 39

HSL 123.65, 1%, 0.55%

LAB 87.91, -84.36, 78.53

 

CMYK 90 / 0 / 60 / 0

HEX #19FF65

RGB 25 255 101

HSL 139.83, 1%, 0.55%

LAB 88.29, -79.54, 58.48

 

CMYK 23 / 0 / 90 / 0

HEX #C5FF19

RGB 197 255 25

HSL 75.13, 1%, 0.55%

LAB 93.22, -44.33, 87.55

 

CMYK 23 / 0 / 90 / 0

HEX #C5FF19

RGB 197 255 25

HSL 75.13, 1%, 0.55%

LAB 93.22, -44.33, 87.55

 

CMYK 20 / 0 / 81 / 7

HEX #BCEC2C

RGB 188 236 44

HSL 75, 0.83%, 0.55%

LAB 87.42, -38.97, 78.92

 

CMYK 18 / 0 / 71 / 15

HEX #B2D93E

RGB 178 217 62

HSL 75.1, 0.67%, 0.55%

LAB 81.53, -33.48, 67.92

 

CMYK 15 / 0 / 59 / 22

HEX #A9C751

RGB 169 199 81

HSL 75.25, 0.51%, 0.55%

LAB 75.99, -27.31, 54.42

 

CMYK 11 / 0 / 45 / 29

HEX #A0B463

RGB 160 180 99

HSL 74.81, 0.35%, 0.55%

LAB 70.19, -19.83, 38.88

 

CMYK 0 / 26 / 90 / 0

HEX #FFBD19

RGB 255 189 25

HSL 42.78, 1%, 0.55%

LAB 80.59, 11.68, 79.67

 

CMYK 0 / 2 / 90 / 0

HEX #FFFB19

RGB 255 251 25

HSL 58.96, 1%, 0.55%

LAB 96.13, -19.42, 91.54

 

CMYK 23 / 0 / 90 / 0

HEX #C5FF19

RGB 197 255 25

HSL 75.13, 1%, 0.55%

LAB 93.22, -44.33, 87.55

 

CMYK 47 / 0 / 90 / 0

HEX #88FF19

RGB 136 255 25

HSL 91.04, 1%, 0.55%

LAB 90.24, -65.12, 83.89

 

CMYK 71 / 0 / 90 / 0

HEX #4BFF19

RGB 75 255 25

HSL 106.96, 1%, 0.55%

LAB 88.49, -79.35, 81.72

 

CMYK 25 / 0 / 100 / 23

HEX #94C500

RGB 148 197 0

HSL 74.92, 1%, 0.39%

LAB 73.69, -38.13, 73.67

 

CMYK 25 / 0 / 100 / 6

HEX #B3EF00

RGB 179 239 0

HSL 75.06, 1%, 0.47%

LAB 87.64, -44.56, 85.09

 

CMYK 23 / 0 / 90 / 0

HEX #C5FF19

RGB 197 255 25

HSL 75.13, 1%, 0.55%

LAB 93.22, -44.33, 87.55

 

CMYK 19 / 0 / 74 / 0

HEX #CFFF42

RGB 207 255 66

HSL 75.24, 1%, 0.63%

LAB 93.96, -39.23, 79.21

 

CMYK 15 / 0 / 58 / 0

HEX #DAFF6C

RGB 218 255 108

HSL 75.1, 1%, 0.71%

LAB 94.95, -32.42, 64.84

 

CMYK 22 / 0 / 89 / 0

HEX #C6FF1C

RGB 198 255 28

HSL 75.07, 1%, 0.55%

LAB 93.28, -43.89, 87.2

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 14 / 90 / 0 / 0

HEX #DC19FF

RGB 220 25 255

HSL 290.87, 1%, 0.55%

LAB 55.21, 91, -69.37

 

CMYK 22 / 0 / 89 / 0

HEX #C6FF1C

RGB 198 255 28

HSL 75.07, 1%, 0.55%

LAB 93.28, -43.89, 87.2

 

CMYK 90 / 23 / 0 / 0

HEX #19C5FF

RGB 25 197 255

HSL 195.13, 1%, 0.55%

LAB 74.42, -20.05, -39.62

 

CMYK 0 / 90 / 23 / 0

HEX #FF19C5

RGB 255 25 197

HSL 315.13, 1%, 0.55%

LAB 58.02, 88.99, -31.77

 

CMYK 22 / 0 / 89 / 0

HEX #C6FF1C

RGB 198 255 28

HSL 75.07, 1%, 0.55%

LAB 93.28, -43.89, 87.2

 

CMYK 90 / 0 / 50 / 0

HEX #19FF80

RGB 25 255 128

HSL 146.87, 1%, 0.55%

LAB 88.58, -75.92, 46.72

 

CMYK 68 / 90 / 0 / 0

HEX #5219FF

RGB 82 25 255

HSL 254.87, 1%, 0.55%

LAB 37.32, 76.62, -99.41

 

CMYK 0 / 90 / 41 / 0

HEX #FF1997

RGB 255 25 151

HSL 327.13, 1%, 0.55%

LAB 56.28, 84.33, -7.61

 

CMYK 22 / 0 / 89 / 0

HEX #C6FF1C

RGB 198 255 28

HSL 75.07, 1%, 0.55%

LAB 93.28, -43.89, 87.2

 

CMYK 90 / 0 / 23 / 0

HEX #19FFC5

RGB 25 255 197

HSL 164.87, 1%, 0.55%

LAB 89.75, -62.56, 13.91

 

CMYK 68 / 90 / 0 / 0

HEX #5219FF

RGB 82 25 255

HSL 254.87, 1%, 0.55%

LAB 37.32, 76.62, -99.41

 

CMYK 0 / 90 / 68 / 0

HEX #FF1952

RGB 255 25 82

HSL 345.13, 1%, 0.55%

LAB 54.62, 79.77, 31.33

 

Description

Color code: HEX #C6FF1C | qconv.com Color code: HEX #C6FF1C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 255 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 255 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 89 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 89% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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