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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6DA61 it is the complementary color #39259E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6DA61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6DA61 shade: #CBDA5C, #DCEC6F, #EDFE82, #FEFF95 and #FFFFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6DA61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6DA61 shade: #C6DA61, #B5C84E, #A4B63B, #93A428 and #829215

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6DA61 shade: #C6DA62, #DACD62, #DAAD62, #DA8C62 and #DA6C62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6DA61 shade: #C6DA62, #A5DA62, #85DA62, #65DA62 and #62DA7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6DA61 shade matches the following richer shades: #C6DA62, #D0E952 and #DBF942

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6DA61 shade: #C6DA62, #BBCA71, #B1BA81, #A6AB91 and #9C9BA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6DA61 shade: #DAAC62, #DACC62, #C8DA62, #A8DA62 and #88DA62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6DA61 shade: #A5BD2C, #BAD240, #C6DA62, #D2E283 and #DEE9A4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6DA61 shade: #C6DA61, #62DA8C and #BC62DA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6DA61 shade: #C6DA61, #62C8DA and #DA62C8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6DA61 shade: #C6DA61, #62DA8C, #7462DA and #DA62B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6DA61 shade: #C6DA61, #62DAB0, #7462DA and #DA628C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 56 / 15

HEX #C6DA61

RGB 198 218 97

HSL 69.92, 0.62%, 0.62%

LAB 83.45, -23.64, 56.26

 

Complementary color

CMYK 64 / 77 / 0 / 38

HEX #39259E

RGB 57 37 158

HSL 249.92, 0.62%, 0.38%

LAB 25.75, 43.83, -62.09

 

CMYK 7 / 0 / 58 / 15

HEX #CBDA5C

RGB 203 218 92

HSL 67.14, 0.63%, 0.61%

LAB 83.76, -22.04, 58.92

 

CMYK 7 / 0 / 53 / 7

HEX #DCEC6F

RGB 220 236 111

HSL 67.68, 0.77%, 0.68%

LAB 90.02, -22.48, 57.95

 

CMYK 7 / 0 / 49 / 0

HEX #EDFE82

RGB 237 254 130

HSL 68.23, 0.98%, 0.75%

LAB 96.2, -22.84, 56.89

 

CMYK 0 / 0 / 42 / 0

HEX #FEFF95

RGB 254 255 149

HSL 60.57, 1%, 0.79%

LAB 97.94, -15.01, 50.4

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA8

RGB 255 255 168

HSL 60, 1%, 0.83%

LAB 98.28, -12.61, 41.64

 

CMYK 9 / 0 / 56 / 15

HEX #C6DA61

RGB 198 218 97

HSL 69.92, 0.62%, 0.62%

LAB 83.45, -23.64, 56.26

 

CMYK 10 / 0 / 61 / 22

HEX #B5C84E

RGB 181 200 78

HSL 69.34, 0.53%, 0.55%

LAB 77.09, -23.2, 57.17

 

CMYK 10 / 0 / 68 / 29

HEX #A4B63B

RGB 164 182 59

HSL 68.78, 0.51%, 0.47%

LAB 70.64, -22.64, 57.81

 

CMYK 10 / 0 / 76 / 36

HEX #93A428

RGB 147 164 40

HSL 68.23, 0.61%, 0.4%

LAB 64.09, -21.91, 57.94

 

CMYK 11 / 0 / 86 / 43

HEX #829215

RGB 130 146 21

HSL 67.68, 0.75%, 0.33%

LAB 57.42, -20.98, 57.09

 

CMYK 9 / 0 / 55 / 15

HEX #C6DA62

RGB 198 218 98

HSL 70, 0.62%, 0.62%

LAB 83.46, -23.56, 55.82

 

CMYK 0 / 6 / 55 / 15

HEX #DACD62

RGB 218 205 98

HSL 53.5, 0.62%, 0.62%

LAB 81.54, -9.01, 54.03

 

CMYK 0 / 21 / 55 / 15

HEX #DAAD62

RGB 218 173 98

HSL 37.5, 0.62%, 0.62%

LAB 73.33, 7.68, 44.37

 

CMYK 0 / 36 / 55 / 15

HEX #DA8C62

RGB 218 140 98

HSL 21, 0.62%, 0.62%

LAB 65.39, 25.41, 34.6

 

CMYK 0 / 50 / 55 / 15

HEX #DA6C62

RGB 218 108 98

HSL 5, 0.62%, 0.62%

LAB 58.52, 42.16, 25.77

 

CMYK 9 / 0 / 55 / 15

HEX #C6DA62

RGB 198 218 98

HSL 70, 0.62%, 0.62%

LAB 83.46, -23.56, 55.82

 

CMYK 24 / 0 / 55 / 15

HEX #A5DA62

RGB 165 218 98

HSL 86.5, 0.62%, 0.62%

LAB 81.3, -36.2, 52.78

 

CMYK 39 / 0 / 55 / 15

HEX #85DA62

RGB 133 218 98

HSL 102.5, 0.62%, 0.62%

LAB 79.62, -47.24, 50.38

 

CMYK 54 / 0 / 55 / 15

HEX #65DA62

RGB 101 218 98

HSL 118.5, 0.62%, 0.62%

LAB 78.34, -56.49, 48.55

 

CMYK 55 / 0 / 42 / 15

HEX #62DA7F

RGB 98 218 127

HSL 134.5, 0.62%, 0.62%

LAB 78.62, -53.12, 34.81

 

CMYK 9 / 0 / 55 / 15

HEX #C6DA62

RGB 198 218 98

HSL 70, 0.62%, 0.62%

LAB 83.46, -23.56, 55.82

 

CMYK 11 / 0 / 65 / 9

HEX #D0E952

RGB 208 233 82

HSL 69.93, 0.77%, 0.62%

LAB 88.11, -27.91, 67.84

 

CMYK 12 / 0 / 73 / 2

HEX #DBF942

RGB 219 249 66

HSL 69.84, 0.94%, 0.62%

LAB 93.1, -31.87, 78.68

 

CMYK 9 / 0 / 55 / 15

HEX #C6DA62

RGB 198 218 98

HSL 70, 0.62%, 0.62%

LAB 83.46, -23.56, 55.82

 

CMYK 7 / 0 / 44 / 21

HEX #BBCA71

RGB 187 202 113

HSL 70.11, 0.46%, 0.62%

LAB 78.46, -18.63, 42.56

 

CMYK 5 / 0 / 31 / 27

HEX #B1BA81

RGB 177 186 129

HSL 69.47, 0.29%, 0.62%

LAB 73.58, -12.5, 27.92

 

CMYK 3 / 0 / 15 / 33

HEX #A6AB91

RGB 166 171 145

HSL 71.54, 0.13%, 0.62%

LAB 68.95, -6.43, 12.8

 

CMYK 2 / 3 / 0 / 37

HEX #9C9BA0

RGB 156 155 160

HSL 252, 0.03%, 0.62%

LAB 64.2, 1.33, -2.49

 

CMYK 0 / 21 / 55 / 15

HEX #DAAC62

RGB 218 172 98

HSL 37, 0.62%, 0.62%

LAB 73.08, 8.21, 44.07

 

CMYK 0 / 6 / 55 / 15

HEX #DACC62

RGB 218 204 98

HSL 53, 0.62%, 0.62%

LAB 81.28, -8.5, 53.73

 

CMYK 8 / 0 / 55 / 15

HEX #C8DA62

RGB 200 218 98

HSL 69, 0.62%, 0.62%

LAB 83.6, -22.77, 56.03

 

CMYK 23 / 0 / 55 / 15

HEX #A8DA62

RGB 168 218 98

HSL 85, 0.62%, 0.62%

LAB 81.48, -35.09, 53.03

 

CMYK 38 / 0 / 55 / 15

HEX #88DA62

RGB 136 218 98

HSL 101, 0.62%, 0.62%

LAB 79.76, -46.27, 50.59

 

CMYK 13 / 0 / 77 / 26

HEX #A5BD2C

RGB 165 189 44

HSL 69.93, 0.62%, 0.46%

LAB 72.61, -26.42, 65.06

 

CMYK 11 / 0 / 70 / 18

HEX #BAD240

RGB 186 210 64

HSL 69.86, 0.62%, 0.54%

LAB 80.12, -26.89, 66

 

CMYK 9 / 0 / 55 / 15

HEX #C6DA62

RGB 198 218 98

HSL 70, 0.62%, 0.62%

LAB 83.46, -23.56, 55.82

 

CMYK 7 / 0 / 42 / 11

HEX #D2E283

RGB 210 226 131

HSL 70.11, 0.62%, 0.7%

LAB 86.87, -19.6, 44.55

 

CMYK 5 / 0 / 30 / 9

HEX #DEE9A4

RGB 222 233 164

HSL 69.57, 0.61%, 0.78%

LAB 90.09, -14.58, 32.39

 

CMYK 9 / 0 / 56 / 15

HEX #C6DA61

RGB 198 218 97

HSL 69.92, 0.62%, 0.62%

LAB 83.45, -23.64, 56.26

 

CMYK 55 / 0 / 36 / 15

HEX #62DA8C

RGB 98 218 140

HSL 141, 0.62%, 0.62%

LAB 78.83, -50.9, 28.45

 

CMYK 14 / 55 / 0 / 15

HEX #BC62DA

RGB 188 98 218

HSL 285, 0.62%, 0.62%

LAB 56.57, 54.75, -46.72

 

CMYK 9 / 0 / 56 / 15

HEX #C6DA61

RGB 198 218 97

HSL 69.92, 0.62%, 0.62%

LAB 83.45, -23.64, 56.26

 

CMYK 55 / 8 / 0 / 15

HEX #62C8DA

RGB 98 200 218

HSL 189, 0.62%, 0.62%

LAB 75.43, -24.64, -18.01

 

CMYK 0 / 55 / 8 / 15

HEX #DA62C8

RGB 218 98 200

HSL 309, 0.62%, 0.62%

LAB 59.72, 59.56, -31.31

 

CMYK 9 / 0 / 56 / 15

HEX #C6DA61

RGB 198 218 97

HSL 69.92, 0.62%, 0.62%

LAB 83.45, -23.64, 56.26

 

CMYK 55 / 0 / 36 / 15

HEX #62DA8C

RGB 98 218 140

HSL 141, 0.62%, 0.62%

LAB 78.83, -50.9, 28.45

 

CMYK 47 / 55 / 0 / 15

HEX #7462DA

RGB 116 98 218

HSL 249, 0.62%, 0.62%

LAB 48.9, 37.29, -59.43

 

CMYK 0 / 55 / 19 / 15

HEX #DA62B0

RGB 218 98 176

HSL 321, 0.62%, 0.62%

LAB 58.77, 55.89, -19.04

 

CMYK 9 / 0 / 56 / 15

HEX #C6DA61

RGB 198 218 97

HSL 69.92, 0.62%, 0.62%

LAB 83.45, -23.64, 56.26

 

CMYK 55 / 0 / 19 / 15

HEX #62DAB0

RGB 98 218 176

HSL 159, 0.62%, 0.62%

LAB 79.54, -43.66, 10.57

 

CMYK 47 / 55 / 0 / 15

HEX #7462DA

RGB 116 98 218

HSL 249, 0.62%, 0.62%

LAB 48.9, 37.29, -59.43

 

CMYK 0 / 55 / 36 / 15

HEX #DA628C

RGB 218 98 140

HSL 339, 0.62%, 0.62%

LAB 57.59, 51.18, 0.1

 

Description

Color code: HEX #C6DA61 | qconv.com Color code: HEX #C6DA61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 218 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 218 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 56 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 56% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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