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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6B052 it is the complementary color #394FAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6B052. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6B052 shade: #CBB04D, #DCC260, #EDD473, #FEE686 and #FFF899

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6B052. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6B052 shade: #C6B052, #B59E3F, #A48C2C, #937A19 and #826806

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6B052 shade: #C5AF52, #C59052, #C57152, #C55352 and #C55252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6B052 shade: #C5AF52, #BCC552, #9DC552, #7EC552 and #5FC552

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6B052 shade matches the following richer shades: #C5AF52, #D8BB40, #EAC62D and #FDD21B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6B052 shade: #C5AF52, #B3A465, #A09878, #8D8D8A and #7B819D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6B052 shade: #C57152, #C59052, #C5AE52, #BDC552 and #9FC552

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6B052 shade: #948131, #B39C3B, #C5AF52, #CFBE71 and #DACC90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6B052 shade: #C6B052, #52C552 and #8052C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6B052 shade: #C6B052, #52C5AE and #AE52C5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6B052 shade: #C6B052, #52C552, #5269C5 and #C552C5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6B052 shade: #C6B052, #52C575, #5269C5 and #C552A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 59 / 22

HEX #C6B052

RGB 198 176 82

HSL 48.62, 0.5%, 0.55%

LAB 72, -3.59, 50.11

 

Complementary color

CMYK 67 / 54 / 0 / 32

HEX #394FAD

RGB 57 79 173

HSL 228.62, 0.5%, 0.45%

LAB 36.89, 23.04, -52.92

 

CMYK 0 / 13 / 62 / 20

HEX #CBB04D

RGB 203 176 77

HSL 47.14, 0.55%, 0.55%

LAB 72.42, -1.81, 53.01

 

CMYK 0 / 12 / 56 / 14

HEX #DCC260

RGB 220 194 96

HSL 47.42, 0.64%, 0.62%

LAB 78.84, -2.69, 51.89

 

CMYK 0 / 11 / 51 / 7

HEX #EDD473

RGB 237 212 115

HSL 47.7, 0.77%, 0.69%

LAB 85.16, -3.44, 50.7

 

CMYK 0 / 9 / 47 / 0

HEX #FEE686

RGB 254 230 134

HSL 48, 0.98%, 0.76%

LAB 91.41, -4.09, 49.49

 

CMYK 0 / 3 / 40 / 0

HEX #FFF899

RGB 255 248 153

HSL 55.88, 1%, 0.8%

LAB 96.28, -10.8, 46.41

 

CMYK 0 / 11 / 59 / 22

HEX #C6B052

RGB 198 176 82

HSL 48.62, 0.5%, 0.55%

LAB 72, -3.59, 50.11

 

CMYK 0 / 13 / 65 / 29

HEX #B59E3F

RGB 181 158 63

HSL 48.31, 0.48%, 0.48%

LAB 65.46, -2.65, 51.16

 

CMYK 0 / 15 / 73 / 36

HEX #A48C2C

RGB 164 140 44

HSL 48, 0.58%, 0.41%

LAB 58.82, -1.52, 51.9

 

CMYK 0 / 17 / 83 / 42

HEX #937A19

RGB 147 122 25

HSL 47.7, 0.71%, 0.34%

LAB 52.05, -0.13, 51.94

 

CMYK 0 / 20 / 95 / 49

HEX #826806

RGB 130 104 6

HSL 47.42, 0.91%, 0.27%

LAB 45.16, 1.6, 50.54

 

CMYK 0 / 11 / 58 / 23

HEX #C5AF52

RGB 197 175 82

HSL 48.52, 0.5%, 0.55%

LAB 71.65, -3.48, 49.68

 

CMYK 0 / 27 / 58 / 23

HEX #C59052

RGB 197 144 82

HSL 32.35, 0.5%, 0.55%

LAB 63.69, 13.24, 40.4

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 58 / 58 / 23

HEX #C55352

RGB 197 83 82

HSL 0.52, 0.5%, 0.55%

LAB 50.29, 45.52, 23.68

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 11 / 58 / 23

HEX #C5AF52

RGB 197 175 82

HSL 48.52, 0.5%, 0.55%

LAB 71.65, -3.48, 49.68

 

CMYK 5 / 0 / 58 / 23

HEX #BCC552

RGB 188 197 82

HSL 64.7, 0.5%, 0.55%

LAB 76.82, -18.56, 55.28

 

CMYK 20 / 0 / 58 / 23

HEX #9DC552

RGB 157 197 82

HSL 80.87, 0.5%, 0.55%

LAB 74.64, -30.97, 52.24

 

CMYK 36 / 0 / 58 / 23

HEX #7EC552

RGB 126 197 82

HSL 97.04, 0.5%, 0.55%

LAB 72.88, -42.3, 49.76

 

CMYK 52 / 0 / 58 / 23

HEX #5FC552

RGB 95 197 82

HSL 113.22, 0.5%, 0.55%

LAB 71.54, -51.88, 47.87

 

CMYK 0 / 11 / 58 / 23

HEX #C5AF52

RGB 197 175 82

HSL 48.52, 0.5%, 0.55%

LAB 71.65, -3.48, 49.68

 

CMYK 0 / 13 / 70 / 15

HEX #D8BB40

RGB 216 187 64

HSL 48.55, 0.66%, 0.55%

LAB 76.38, -2.77, 63.06

 

CMYK 0 / 15 / 81 / 8

HEX #EAC62D

RGB 234 198 45

HSL 48.57, 0.82%, 0.55%

LAB 80.78, -1.5, 74.24

 

CMYK 0 / 17 / 89 / 1

HEX #FDD21B

RGB 253 210 27

HSL 48.58, 0.98%, 0.55%

LAB 85.53, 0.04, 82.99

 

CMYK 0 / 11 / 58 / 23

HEX #C5AF52

RGB 197 175 82

HSL 48.52, 0.5%, 0.55%

LAB 71.65, -3.48, 49.68

 

CMYK 0 / 8 / 44 / 30

HEX #B3A465

RGB 179 164 101

HSL 48.46, 0.34%, 0.55%

LAB 67.33, -3.51, 34.6

 

CMYK 0 / 5 / 25 / 37

HEX #A09878

RGB 160 152 120

HSL 48, 0.17%, 0.55%

LAB 62.75, -2.38, 17.93

 

CMYK 0 / 0 / 2 / 45

HEX #8D8D8A

RGB 141 141 138

HSL 60, 0.01%, 0.55%

LAB 58.55, -0.58, 1.59

 

CMYK 22 / 18 / 0 / 38

HEX #7B819D

RGB 123 129 157

HSL 229.41, 0.15%, 0.55%

LAB 54.39, 4.07, -15.7

 

CMYK 0 / 43 / 58 / 23

HEX #C57152

RGB 197 113 82

HSL 16.17, 0.5%, 0.55%

LAB 56.38, 30.17, 31.45

 

CMYK 0 / 27 / 58 / 23

HEX #C59052

RGB 197 144 82

HSL 32.35, 0.5%, 0.55%

LAB 63.69, 13.24, 40.4

 

CMYK 0 / 12 / 58 / 23

HEX #C5AE52

RGB 197 174 82

HSL 48, 0.5%, 0.55%

LAB 71.39, -2.96, 49.38

 

CMYK 4 / 0 / 58 / 23

HEX #BDC552

RGB 189 197 82

HSL 64.17, 0.5%, 0.55%

LAB 76.9, -18.15, 55.39

 

CMYK 19 / 0 / 58 / 23

HEX #9FC552

RGB 159 197 82

HSL 79.83, 0.5%, 0.55%

LAB 74.77, -30.2, 52.42

 

CMYK 0 / 13 / 67 / 42

HEX #948131

RGB 148 129 49

HSL 48.48, 0.5%, 0.39%

LAB 54.26, -2.41, 44.57

 

CMYK 0 / 13 / 67 / 30

HEX #B39C3B

RGB 179 156 59

HSL 48.5, 0.5%, 0.47%

LAB 64.7, -2.7, 52.06

 

CMYK 0 / 11 / 58 / 23

HEX #C5AF52

RGB 197 175 82

HSL 48.52, 0.5%, 0.55%

LAB 71.65, -3.48, 49.68

 

CMYK 0 / 8 / 45 / 19

HEX #CFBE71

RGB 207 190 113

HSL 49.15, 0.49%, 0.63%

LAB 76.85, -4.48, 40.91

 

CMYK 0 / 6 / 34 / 15

HEX #DACC90

RGB 218 204 144

HSL 48.65, 0.5%, 0.71%

LAB 81.9, -3.95, 31.7

 

CMYK 0 / 11 / 59 / 22

HEX #C6B052

RGB 198 176 82

HSL 48.62, 0.5%, 0.55%

LAB 72, -3.59, 50.11

 

CMYK 58 / 0 / 58 / 23

HEX #52C552

RGB 82 197 82

HSL 120, 0.5%, 0.55%

LAB 71.1, -55.21, 47.25

 

CMYK 35 / 58 / 0 / 23

HEX #8052C5

RGB 128 82 197

HSL 264, 0.5%, 0.55%

LAB 45.16, 43.37, -53.34

 

CMYK 0 / 11 / 59 / 22

HEX #C6B052

RGB 198 176 82

HSL 48.62, 0.5%, 0.55%

LAB 72, -3.59, 50.11

 

CMYK 58 / 0 / 12 / 23

HEX #52C5AE

RGB 82 197 174

HSL 168, 0.5%, 0.55%

LAB 72.75, -38.04, 1.81

 

CMYK 12 / 58 / 0 / 23

HEX #AE52C5

RGB 174 82 197

HSL 288, 0.5%, 0.55%

LAB 50.76, 54.73, -44.07

 

CMYK 0 / 11 / 59 / 22

HEX #C6B052

RGB 198 176 82

HSL 48.62, 0.5%, 0.55%

LAB 72, -3.59, 50.11

 

CMYK 58 / 0 / 58 / 23

HEX #52C552

RGB 82 197 82

HSL 120, 0.5%, 0.55%

LAB 71.1, -55.21, 47.25

 

CMYK 58 / 47 / 0 / 23

HEX #5269C5

RGB 82 105 197

HSL 228, 0.5%, 0.55%

LAB 46.88, 19.3, -50.79

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 11 / 59 / 22

HEX #C6B052

RGB 198 176 82

HSL 48.62, 0.5%, 0.55%

LAB 72, -3.59, 50.11

 

CMYK 58 / 0 / 41 / 23

HEX #52C575

RGB 82 197 117

HSL 138.26, 0.5%, 0.55%

LAB 71.56, -50.14, 30.62

 

CMYK 58 / 47 / 0 / 23

HEX #5269C5

RGB 82 105 197

HSL 228, 0.5%, 0.55%

LAB 46.88, 19.3, -50.79

 

CMYK 0 / 58 / 17 / 23

HEX #C552A3

RGB 197 82 163

HSL 317.74, 0.5%, 0.55%

LAB 52.45, 55.14, -21.41

 

Description

Color code: HEX #C6B052 | qconv.com Color code: HEX #C6B052 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 176 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 176 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 59 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 59% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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