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Color name
RGB 197 82 197

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 82 197 it is the complementary color RGB 58 173 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 82 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 82 197 shade: RGB 202 82 192, RGB 219 100 211, RGB 236 118 230, RGB 253 136 249 and RGB 255 154 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 82 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 180 64 178, RGB 163 46 159, RGB 146 28 140 and RGB 129 10 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 197 82 166, RGB 197 82 135, RGB 197 82 104 and RGB 197 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 166 82 197, RGB 135 82 197, RGB 104 82 197 and RGB 82 82 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 82 197 shade matches the following richer shades: RGB 197 82 197, RGB 216 64 216, RGB 234 45 234 and RGB 253 27 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 179 101 179, RGB 160 120 160, RGB 141 138 141 and RGB 123 157 123

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 82 197 shade: RGB 136 82 197, RGB 167 82 197, RGB 197 82 197, RGB 197 82 167 and RGB 197 82 136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 82 197 shade: RGB 148 49 148, RGB 179 59 179, RGB 197 82 197, RGB 207 113 207 and RGB 218 144 218

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 197 105 82 and RGB 82 197 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 197 197 82 and RGB 82 197 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 197 105 82, RGB 82 197 82 and RGB 82 174 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 82 197 shade: RGB 197 82 197, RGB 197 140 82, RGB 82 197 82 and RGB 82 140 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

Complementary color

CMYK 66 / 0 / 66 / 32

HEX #3AAD3A

RGB 58 173 58

HSL 120, 0.5%, 0.45%

LAB 62.59, -54.54, 48.1

 

CMYK 0 / 59 / 5 / 21

HEX #CA52C0

RGB 202 82 192

HSL 305, 0.53%, 0.56%

LAB 54.45, 61.07, -35.12

 

CMYK 0 / 54 / 4 / 14

HEX #DB64D3

RGB 219 100 211

HSL 304.03, 0.62%, 0.63%

LAB 60.67, 60.73, -36.04

 

CMYK 0 / 50 / 3 / 7

HEX #EC76E6

RGB 236 118 230

HSL 303.05, 0.76%, 0.69%

LAB 66.9, 60.21, -36.77

 

CMYK 0 / 46 / 2 / 1

HEX #FD88F9

RGB 253 136 249

HSL 302.05, 0.97%, 0.76%

LAB 73.11, 59.59, -37.39

 

CMYK 0 / 40 / 0 / 0

HEX #FF9AFF

RGB 255 154 255

HSL 300, 1%, 0.8%

LAB 77.04, 52.33, -34.54

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 64 / 1 / 29

HEX #B440B2

RGB 180 64 178

HSL 301.03, 0.48%, 0.48%

LAB 47.73, 60.7, -37.77

 

CMYK 0 / 72 / 2 / 36

HEX #A32E9F

RGB 163 46 159

HSL 302.05, 0.56%, 0.41%

LAB 41.6, 60.29, -36.36

 

CMYK 0 / 81 / 4 / 43

HEX #921C8C

RGB 146 28 140

HSL 303.05, 0.68%, 0.34%

LAB 35.66, 59.04, -34.4

 

CMYK 0 / 92 / 6 / 49

HEX #810A79

RGB 129 10 121

HSL 304.03, 0.86%, 0.27%

LAB 30.07, 56.45, -31.61

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 58 / 16 / 23

HEX #C552A6

RGB 197 82 166

HSL 316.17, 0.5%, 0.55%

LAB 52.57, 55.59, -22.99

 

CMYK 0 / 58 / 31 / 23

HEX #C55287

RGB 197 82 135

HSL 332.35, 0.5%, 0.55%

LAB 51.44, 51.29, -6.37

 

CMYK 0 / 58 / 47 / 23

HEX #C55268

RGB 197 82 104

HSL 348.52, 0.5%, 0.55%

LAB 50.58, 47.86, 10.94

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 16 / 58 / 0 / 23

HEX #A652C5

RGB 166 82 197

HSL 283.83, 0.5%, 0.55%

LAB 49.71, 52.7, -45.81

 

CMYK 31 / 58 / 0 / 23

HEX #8752C5

RGB 135 82 197

HSL 267.65, 0.5%, 0.55%

LAB 45.93, 45.03, -52.06

 

CMYK 47 / 58 / 0 / 23

HEX #6852C5

RGB 104 82 197

HSL 251.48, 0.5%, 0.55%

LAB 42.78, 38, -57.31

 

CMYK 58 / 58 / 0 / 23

HEX #5252C5

RGB 82 82 197

HSL 240, 0.5%, 0.55%

LAB 40.99, 33.69, -60.28

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 70 / 0 / 15

HEX #D840D8

RGB 216 64 216

HSL 300, 0.66%, 0.55%

LAB 55.3, 75.15, -47.35

 

CMYK 0 / 81 / 0 / 8

HEX #EA2DEA

RGB 234 45 234

HSL 300, 0.82%, 0.55%

LAB 57.38, 86.6, -54.04

 

CMYK 0 / 89 / 0 / 1

HEX #FD1BFD

RGB 253 27 253

HSL 300, 0.98%, 0.55%

LAB 60.57, 95.59, -59.36

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 44 / 0 / 30

HEX #B365B3

RGB 179 101 179

HSL 300, 0.34%, 0.55%

LAB 54.18, 43.07, -28.27

 

CMYK 0 / 25 / 0 / 37

HEX #A078A0

RGB 160 120 160

HSL 300, 0.17%, 0.55%

LAB 55.53, 22.63, -15.4

 

CMYK 0 / 2 / 0 / 45

HEX #8D8A8D

RGB 141 138 141

HSL 300, 0.01%, 0.55%

LAB 57.81, 1.7, -1.21

 

CMYK 22 / 0 / 22 / 38

HEX #7B9D7B

RGB 123 157 123

HSL 120, 0.15%, 0.55%

LAB 61.44, -18.65, 14.02

 

CMYK 31 / 58 / 0 / 23

HEX #8852C5

RGB 136 82 197

HSL 268.17, 0.5%, 0.55%

LAB 46.04, 45.27, -51.88

 

CMYK 15 / 58 / 0 / 23

HEX #A752C5

RGB 167 82 197

HSL 284.35, 0.5%, 0.55%

LAB 49.84, 52.96, -45.6

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 58 / 15 / 23

HEX #C552A7

RGB 197 82 167

HSL 315.65, 0.5%, 0.55%

LAB 52.61, 55.74, -23.51

 

CMYK 0 / 58 / 31 / 23

HEX #C55288

RGB 197 82 136

HSL 331.83, 0.5%, 0.55%

LAB 51.48, 51.42, -6.92

 

CMYK 0 / 67 / 0 / 42

HEX #943194

RGB 148 49 148

HSL 300, 0.5%, 0.39%

LAB 38.95, 53.72, -34.06

 

CMYK 0 / 67 / 0 / 30

HEX #B33BB3

RGB 179 59 179

HSL 300, 0.5%, 0.47%

LAB 46.93, 62.59, -39.63

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 45 / 0 / 19

HEX #CF71CF

RGB 207 113 207

HSL 300, 0.49%, 0.63%

LAB 61.29, 50.39, -32.94

 

CMYK 0 / 34 / 0 / 15

HEX #DA90DA

RGB 218 144 218

HSL 300, 0.5%, 0.71%

LAB 69.41, 39.59, -26.43

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 47 / 58 / 23

HEX #C56952

RGB 197 105 82

HSL 12, 0.5%, 0.55%

LAB 54.64, 34.43, 29.27

 

CMYK 58 / 0 / 23 / 23

HEX #52C597

RGB 82 197 151

HSL 156, 0.5%, 0.55%

LAB 72.2, -43.45, 13.48

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 0 / 58 / 23

HEX #C5C552

RGB 197 197 82

HSL 60, 0.5%, 0.55%

LAB 77.53, -14.84, 56.26

 

CMYK 58 / 0 / 0 / 23

HEX #52C5C5

RGB 82 197 197

HSL 180, 0.5%, 0.55%

LAB 73.39, -32.02, -9.75

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 47 / 58 / 23

HEX #C56952

RGB 197 105 82

HSL 12, 0.5%, 0.55%

LAB 54.64, 34.43, 29.27

 

CMYK 58 / 0 / 58 / 23

HEX #52C552

RGB 82 197 82

HSL 120, 0.5%, 0.55%

LAB 71.1, -55.21, 47.25

 

CMYK 58 / 12 / 0 / 23

HEX #52AEC5

RGB 82 174 197

HSL 192, 0.5%, 0.55%

LAB 66.59, -20.59, -19.98

 

CMYK 0 / 58 / 0 / 23

HEX #C552C5

RGB 197 82 197

HSL 300, 0.5%, 0.55%

LAB 53.96, 60.62, -38.81

 

CMYK 0 / 29 / 58 / 23

HEX #C58C52

RGB 197 140 82

HSL 30.26, 0.5%, 0.55%

LAB 62.71, 15.43, 39.22

 

CMYK 58 / 0 / 58 / 23

HEX #52C552

RGB 82 197 82

HSL 120, 0.5%, 0.55%

LAB 71.1, -55.21, 47.25

 

CMYK 58 / 29 / 0 / 23

HEX #528CC5

RGB 82 140 197

HSL 209.74, 0.5%, 0.55%

LAB 56.67, -1.92, -35.3

 

Description

Color code: RGB 197 82 197 | qconv.com Color code: RGB 197 82 197 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 82 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 82 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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