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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C614B5 it is the complementary color #39EB4A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C614B5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C614B5 shade: #CB14B0, #DC26C3, #ED38D6, #FE4AE9 and #FF5CFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C614B5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C614B5 shade: #C614B5, #B502A2, #A4008F, #93007C and #820069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C614B5 shade: #C713B6, #C71385, #C71355, #C71324 and #C71313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C614B5 shade: #C713B6, #A813C7, #7713C7, #4713C7 and #1613C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C614B5 shade matches the following richer shades: #C713B6 and #D901C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C614B5 shade: #C713B6, #B525A8, #A43799, #92488B and #805A7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C614B5 shade: #7613C7, #A613C7, #C713B8, #C71388 and #C71358

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C614B5 shade: #7C0C71, #A21094, #C713B6, #E81CD5 and #EC41DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C614B5 shade: #C614B5, #C74613 and #13C78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C614B5 shade: #C614B5, #B8C713 and #13B8C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C614B5 shade: #C614B5, #C74613, #13C722 and #1394C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C614B5 shade: #C614B5, #C77C13, #13C722 and #135EC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 9 / 22

HEX #C614B5

RGB 198 20 181

HSL 305.73, 0.82%, 0.43%

LAB 46.77, 76.85, -40.86

 

Complementary color

CMYK 76 / 0 / 69 / 8

HEX #39EB4A

RGB 57 235 74

HSL 125.73, 0.82%, 0.57%

LAB 82.26, -73.43, 62.81

 

CMYK 0 / 90 / 13 / 20

HEX #CB14B0

RGB 203 20 176

HSL 308.85, 0.82%, 0.44%

LAB 47.41, 77.1, -36.85

 

CMYK 0 / 83 / 11 / 14

HEX #DC26C3

RGB 220 38 195

HSL 308.24, 0.72%, 0.51%

LAB 52.44, 79.86, -39.8

 

CMYK 0 / 76 / 10 / 7

HEX #ED38D6

RGB 237 56 214

HSL 307.62, 0.83%, 0.57%

LAB 57.74, 81.64, -42.14

 

CMYK 0 / 71 / 8 / 0

HEX #FE4AE9

RGB 254 74 233

HSL 307, 0.99%, 0.64%

LAB 63.22, 82.71, -44.02

 

CMYK 0 / 64 / 1 / 0

HEX #FF5CFC

RGB 255 92 252

HSL 301.1, 1%, 0.68%

LAB 66.48, 79.61, -49.4

 

CMYK 0 / 90 / 9 / 22

HEX #C614B5

RGB 198 20 181

HSL 305.73, 0.82%, 0.43%

LAB 46.77, 76.85, -40.86

 

CMYK 0 / 99 / 10 / 29

HEX #B502A2

RGB 181 2 162

HSL 306.37, 0.98%, 0.36%

LAB 41.96, 73.06, -37.38

 

CMYK 0 / 100 / 13 / 36

HEX #A4008F

RGB 164 0 143

HSL 307.68, 1%, 0.32%

LAB 37.62, 67.6, -32.93

 

CMYK 0 / 100 / 16 / 42

HEX #93007C

RGB 147 0 124

HSL 309.39, 1%, 0.29%

LAB 33.26, 61.84, -28.23

 

CMYK 0 / 100 / 19 / 49

HEX #820069

RGB 130 0 105

HSL 311.54, 1%, 0.25%

LAB 28.81, 55.96, -23.34

 

CMYK 0 / 90 / 9 / 22

HEX #C713B6

RGB 199 19 182

HSL 305.67, 0.83%, 0.43%

LAB 46.96, 77.31, -41.14

 

CMYK 0 / 90 / 33 / 22

HEX #C71385

RGB 199 19 133

HSL 322, 0.83%, 0.43%

LAB 44.66, 71.3, -15.33

 

CMYK 0 / 90 / 57 / 22

HEX #C71355

RGB 199 19 85

HSL 338, 0.83%, 0.43%

LAB 43.16, 67.18, 12.32

 

CMYK 0 / 90 / 82 / 22

HEX #C71324

RGB 199 19 36

HSL 354.33, 0.83%, 0.43%

LAB 42.36, 64.93, 41.19

 

CMYK 0 / 90 / 90 / 22

HEX #C71313

RGB 199 19 19

HSL 0, 0.83%, 0.43%

LAB 42.24, 64.58, 49.47

 

CMYK 0 / 90 / 9 / 22

HEX #C713B6

RGB 199 19 182

HSL 305.67, 0.83%, 0.43%

LAB 46.96, 77.31, -41.14

 

CMYK 16 / 90 / 0 / 22

HEX #A813C7

RGB 168 19 199

HSL 289.67, 0.83%, 0.43%

LAB 42.63, 74.69, -58.3

 

CMYK 40 / 90 / 0 / 22

HEX #7713C7

RGB 119 19 199

HSL 273.33, 0.83%, 0.43%

LAB 35.03, 67.99, -71.03

 

CMYK 64 / 90 / 0 / 22

HEX #4713C7

RGB 71 19 199

HSL 257.33, 0.83%, 0.43%

LAB 29.23, 63.57, -80.8

 

CMYK 89 / 90 / 0 / 22

HEX #1613C7

RGB 22 19 199

HSL 241, 0.83%, 0.43%

LAB 26.04, 61.51, -86.2

 

CMYK 0 / 90 / 9 / 22

HEX #C713B6

RGB 199 19 182

HSL 305.67, 0.83%, 0.43%

LAB 46.96, 77.31, -41.14

 

CMYK 0 / 100 / 10 / 15

HEX #D901C4

RGB 217 1 196

HSL 305.83, 0.99%, 0.43%

LAB 50.4, 84.01, -43.64

 

CMYK 0 / 90 / 9 / 22

HEX #C713B6

RGB 199 19 182

HSL 305.67, 0.83%, 0.43%

LAB 46.96, 77.31, -41.14

 

CMYK 0 / 80 / 7 / 29

HEX #B525A8

RGB 181 37 168

HSL 305.42, 0.66%, 0.43%

LAB 44.2, 68.35, -37.43

 

CMYK 0 / 66 / 7 / 36

HEX #A43799

RGB 164 55 153

HSL 306.06, 0.5%, 0.43%

LAB 42.65, 56.16, -31.09

 

CMYK 0 / 51 / 5 / 43

HEX #92488B

RGB 146 72 139

HSL 305.68, 0.34%, 0.43%

LAB 42.17, 40.76, -23.58

 

CMYK 0 / 30 / 3 / 50

HEX #805A7C

RGB 128 90 124

HSL 306.32, 0.17%, 0.43%

LAB 43.3, 21.62, -12.94

 

CMYK 41 / 90 / 0 / 22

HEX #7613C7

RGB 118 19 199

HSL 273, 0.83%, 0.43%

LAB 34.88, 67.87, -71.27

 

CMYK 17 / 90 / 0 / 22

HEX #A613C7

RGB 166 19 199

HSL 289, 0.83%, 0.43%

LAB 42.3, 74.38, -58.86

 

CMYK 0 / 90 / 8 / 22

HEX #C713B8

RGB 199 19 184

HSL 305, 0.83%, 0.43%

LAB 47.06, 77.59, -42.14

 

CMYK 0 / 90 / 32 / 22

HEX #C71388

RGB 199 19 136

HSL 321, 0.83%, 0.43%

LAB 44.78, 71.62, -16.99

 

CMYK 0 / 90 / 56 / 22

HEX #C71358

RGB 199 19 88

HSL 337, 0.83%, 0.43%

LAB 43.23, 67.38, 10.54

 

CMYK 0 / 90 / 9 / 51

HEX #7C0C71

RGB 124 12 113

HSL 305.89, 0.82%, 0.27%

LAB 28.75, 53.88, -28.67

 

CMYK 0 / 90 / 9 / 36

HEX #A21094

RGB 162 16 148

HSL 305.75, 0.82%, 0.35%

LAB 38.18, 65.97, -35.13

 

CMYK 0 / 90 / 9 / 22

HEX #C713B6

RGB 199 19 182

HSL 305.67, 0.83%, 0.43%

LAB 46.96, 77.31, -41.14

 

CMYK 0 / 88 / 8 / 9

HEX #E81CD5

RGB 232 28 213

HSL 305.59, 0.82%, 0.51%

LAB 54.86, 86.31, -46.19

 

CMYK 0 / 72 / 7 / 7

HEX #EC41DB

RGB 236 65 219

HSL 305.96, 0.82%, 0.59%

LAB 58.72, 79.57, -43.44

 

CMYK 0 / 90 / 9 / 22

HEX #C614B5

RGB 198 20 181

HSL 305.73, 0.82%, 0.43%

LAB 46.77, 76.85, -40.86

 

CMYK 0 / 65 / 90 / 22

HEX #C74613

RGB 199 70 19

HSL 17, 0.83%, 0.43%

LAB 47.71, 49.37, 53.38

 

CMYK 90 / 0 / 29 / 22

HEX #13C78E

RGB 19 199 142

HSL 161, 0.83%, 0.43%

LAB 71.51, -54.42, 17.18

 

CMYK 0 / 90 / 9 / 22

HEX #C614B5

RGB 198 20 181

HSL 305.73, 0.82%, 0.43%

LAB 46.77, 76.85, -40.86

 

CMYK 8 / 0 / 90 / 22

HEX #B8C713

RGB 184 199 19

HSL 65, 0.83%, 0.43%

LAB 76.73, -24.04, 74.9

 

CMYK 90 / 8 / 0 / 22

HEX #13B8C7

RGB 19 184 199

HSL 185, 0.83%, 0.43%

LAB 68.42, -32.3, -18.43

 

CMYK 0 / 90 / 9 / 22

HEX #C614B5

RGB 198 20 181

HSL 305.73, 0.82%, 0.43%

LAB 46.77, 76.85, -40.86

 

CMYK 0 / 65 / 90 / 22

HEX #C74613

RGB 199 70 19

HSL 17, 0.83%, 0.43%

LAB 47.71, 49.37, 53.38

 

CMYK 90 / 0 / 83 / 22

HEX #13C722

RGB 19 199 34

HSL 125, 0.83%, 0.43%

LAB 70.25, -69.57, 63.76

 

CMYK 90 / 26 / 0 / 22

HEX #1394C7

RGB 19 148 199

HSL 197, 0.83%, 0.43%

LAB 57.5, -13.75, -35.24

 

CMYK 0 / 90 / 9 / 22

HEX #C614B5

RGB 198 20 181

HSL 305.73, 0.82%, 0.43%

LAB 46.77, 76.85, -40.86

 

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

CMYK 90 / 0 / 83 / 22

HEX #13C722

RGB 19 199 34

HSL 125, 0.83%, 0.43%

LAB 70.25, -69.57, 63.76

 

CMYK 90 / 53 / 0 / 22

HEX #135EC7

RGB 19 94 199

HSL 215, 0.83%, 0.43%

LAB 41.64, 19.22, -60.51

 

Description

Color code: HEX #C614B5 | qconv.com Color code: HEX #C614B5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 20 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 20 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 9 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 9% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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