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Color name
RGB 199 124 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 199 124 19 it is the complementary color RGB 56 131 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 199 124 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 199 124 19 shade: RGB 204 124 14, RGB 221 142 33, RGB 238 160 52, RGB 255 178 71 and RGB 255 196 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 199 124 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 199 124 19 shade: RGB 199 124 19, RGB 182 106 0, RGB 165 88 0, RGB 148 70 0 and RGB 131 52 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 199 124 19 shade: RGB 200 124 18, RGB 200 75 18, RGB 200 26 18 and RGB 200 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 199 124 19 shade: RGB 200 124 18, RGB 200 173 18, RGB 178 200 18, RGB 129 200 18 and RGB 80 200 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 199 124 19 shade matches the following richer shades: RGB 200 124 18 and RGB 218 127 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 199 124 19 shade: RGB 200 124 18, RGB 182 121 36, RGB 165 118 54, RGB 147 115 71 and RGB 129 112 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 199 124 19 shade: RGB 200 27 18, RGB 200 76 18, RGB 200 124 18, RGB 200 173 18 and RGB 179 200 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 199 124 19 shade: RGB 125 77 11, RGB 162 101 15, RGB 200 124 18, RGB 233 147 26 and RGB 237 165 64

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 199 124 19 shade: RGB 199 124 19, RGB 58 200 18 and RGB 52 18 200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 199 124 19 shade: RGB 199 124 19, RGB 18 200 124 and RGB 124 18 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 199 124 19 shade: RGB 199 124 19, RGB 58 200 18, RGB 18 94 200 and RGB 161 18 200

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 199 124 19 shade: RGB 199 124 19, RGB 18 200 33, RGB 18 94 200 and RGB 200 18 185

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

Complementary color

CMYK 76 / 44 / 0 / 7

HEX #3883EC

RGB 56 131 236

HSL 215, 0.83%, 0.57%

LAB 55.21, 12.96, -59.57

 

CMYK 0 / 39 / 93 / 20

HEX #CC7C0E

RGB 204 124 14

HSL 34.74, 0.87%, 0.43%

LAB 59.24, 24.22, 63.31

 

CMYK 0 / 36 / 85 / 13

HEX #DD8E21

RGB 221 142 33

HSL 34.79, 0.74%, 0.5%

LAB 65.61, 22.18, 64.33

 

CMYK 0 / 33 / 78 / 7

HEX #EEA034

RGB 238 160 52

HSL 34.84, 0.85%, 0.57%

LAB 71.94, 20.37, 64.16

 

CMYK 0 / 30 / 72 / 0

HEX #FFB247

RGB 255 178 71

HSL 34.89, 1%, 0.64%

LAB 78.2, 18.78, 63.37

 

CMYK 0 / 23 / 65 / 0

HEX #FFC45A

RGB 255 196 90

HSL 38.55, 1%, 0.68%

LAB 82.64, 10.4, 59.83

 

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

CMYK 0 / 42 / 100 / 29

HEX #B66A00

RGB 182 106 0

HSL 34.95, 1%, 0.36%

LAB 52.12, 24.34, 59.71

 

CMYK 0 / 47 / 100 / 35

HEX #A55800

RGB 165 88 0

HSL 32, 1%, 0.32%

LAB 45.61, 26.85, 54.44

 

CMYK 0 / 53 / 100 / 42

HEX #944600

RGB 148 70 0

HSL 28.38, 1%, 0.29%

LAB 39.03, 29.37, 49.15

 

CMYK 0 / 60 / 100 / 49

HEX #833400

RGB 131 52 0

HSL 23.82, 1%, 0.26%

LAB 32.44, 31.79, 43.81

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 0 / 63 / 91 / 22

HEX #C84B12

RGB 200 75 18

HSL 18.79, 0.83%, 0.43%

LAB 48.7, 47.52, 54.5

 

CMYK 0 / 87 / 91 / 22

HEX #C81A12

RGB 200 26 18

HSL 2.64, 0.83%, 0.43%

LAB 42.86, 63.64, 50.41

 

CMYK 0 / 91 / 91 / 22

HEX #C81212

RGB 200 18 18

HSL 0, 0.83%, 0.43%

LAB 42.39, 64.97, 50.09

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 0 / 14 / 91 / 22

HEX #C8AD12

RGB 200 173 18

HSL 51.1, 0.83%, 0.43%

LAB 71.02, -3.93, 71.18

 

CMYK 11 / 0 / 91 / 22

HEX #B2C812

RGB 178 200 18

HSL 67.25, 0.83%, 0.43%

LAB 76.57, -27.06, 74.73

 

CMYK 36 / 0 / 91 / 22

HEX #81C812

RGB 129 200 18

HSL 83.41, 0.83%, 0.43%

LAB 73.56, -46.29, 71.05

 

CMYK 60 / 0 / 91 / 22

HEX #50C812

RGB 80 200 18

HSL 99.56, 0.83%, 0.43%

LAB 71.59, -61.22, 68.62

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 0 / 42 / 100 / 15

HEX #DA7F00

RGB 218 127 0

HSL 34.95, 1%, 0.43%

LAB 61.73, 28.41, 68.18

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 0 / 34 / 80 / 29

HEX #B67924

RGB 182 121 36

HSL 34.93, 0.67%, 0.43%

LAB 55.83, 16.8, 52.91

 

CMYK 0 / 28 / 67 / 35

HEX #A57636

RGB 165 118 54

HSL 34.59, 0.51%, 0.43%

LAB 53.19, 11.8, 41.57

 

CMYK 0 / 22 / 52 / 42

HEX #937347

RGB 147 115 71

HSL 34.74, 0.35%, 0.43%

LAB 50.59, 6.85, 29.02

 

CMYK 0 / 13 / 31 / 49

HEX #817059

RGB 129 112 89

HSL 34.5, 0.18%, 0.43%

LAB 48.23, 2.91, 15.25

 

CMYK 0 / 87 / 91 / 22

HEX #C81B12

RGB 200 27 18

HSL 2.97, 0.83%, 0.43%

LAB 42.92, 63.45, 50.45

 

CMYK 0 / 62 / 91 / 22

HEX #C84C12

RGB 200 76 18

HSL 19.12, 0.83%, 0.43%

LAB 48.87, 47.07, 54.62

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 0 / 14 / 91 / 22

HEX #C8AD12

RGB 200 173 18

HSL 51.1, 0.83%, 0.43%

LAB 71.02, -3.93, 71.18

 

CMYK 11 / 0 / 91 / 22

HEX #B3C812

RGB 179 200 18

HSL 66.92, 0.83%, 0.43%

LAB 76.64, -26.65, 74.82

 

CMYK 0 / 38 / 91 / 51

HEX #7D4D0B

RGB 125 77 11

HSL 34.74, 0.84%, 0.27%

LAB 37.28, 15.25, 42.9

 

CMYK 0 / 38 / 91 / 36

HEX #A2650F

RGB 162 101 15

HSL 35.1, 0.83%, 0.35%

LAB 48.29, 18.49, 52.5

 

CMYK 0 / 38 / 91 / 22

HEX #C87C12

RGB 200 124 18

HSL 34.95, 0.83%, 0.43%

LAB 58.73, 22.56, 61.85

 

CMYK 0 / 37 / 89 / 9

HEX #E9931A

RGB 233 147 26

HSL 35.07, 0.82%, 0.51%

LAB 68.22, 24.45, 68.96

 

CMYK 0 / 30 / 73 / 7

HEX #EDA540

RGB 237 165 64

HSL 35.03, 0.83%, 0.59%

LAB 73.08, 17.79, 60.46

 

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

CMYK 71 / 0 / 91 / 22

HEX #3AC812

RGB 58 200 18

HSL 106.81, 0.83%, 0.43%

LAB 71.04, -65.85, 67.94

 

CMYK 74 / 91 / 0 / 22

HEX #3412C8

RGB 52 18 200

HSL 251.21, 0.83%, 0.43%

LAB 27.66, 63.03, -84.04

 

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

CMYK 91 / 0 / 38 / 22

HEX #12C87C

RGB 18 200 124

HSL 154.95, 0.83%, 0.43%

LAB 71.48, -58.69, 26.66

 

CMYK 38 / 91 / 0 / 22

HEX #7C12C8

RGB 124 18 200

HSL 274.95, 0.83%, 0.43%

LAB 35.77, 68.98, -70.37

 

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

CMYK 71 / 0 / 91 / 22

HEX #3AC812

RGB 58 200 18

HSL 106.81, 0.83%, 0.43%

LAB 71.04, -65.85, 67.94

 

CMYK 91 / 53 / 0 / 22

HEX #125EC8

RGB 18 94 200

HSL 214.95, 0.83%, 0.43%

LAB 41.7, 19.56, -61

 

CMYK 20 / 91 / 0 / 22

HEX #A112C8

RGB 161 18 200

HSL 287.14, 0.83%, 0.43%

LAB 41.5, 73.96, -60.78

 

CMYK 0 / 38 / 90 / 22

HEX #C77C13

RGB 199 124 19

HSL 35, 0.83%, 0.43%

LAB 58.61, 22.14, 61.47

 

CMYK 91 / 0 / 84 / 22

HEX #12C821

RGB 18 200 33

HSL 124.95, 0.83%, 0.43%

LAB 70.56, -69.97, 64.29

 

CMYK 91 / 53 / 0 / 22

HEX #125EC8

RGB 18 94 200

HSL 214.95, 0.83%, 0.43%

LAB 41.7, 19.56, -61

 

CMYK 0 / 91 / 8 / 22

HEX #C812B9

RGB 200 18 185

HSL 304.95, 0.83%, 0.43%

LAB 47.25, 78.03, -42.41

 

Description

Color code: RGB 199 124 19 | qconv.com Color code: RGB 199 124 19 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 124 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 124 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 90 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 90% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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