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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C5A18B it is the complementary color #3A5E74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C5A18B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C5A18B shade: #CAA186, #DBB399, #ECC5AC, #FDD7BF and #FFE9D2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C5A18B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C5A18B shade: #C5A18B, #B48F78, #A37D65, #926B52 and #81593F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C5A18B shade: #C4A18B, #C4918B and #C48B8B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C5A18B shade: #C4A18B, #C4B08B, #C4C08B, #BAC48B and #AAC48B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C5A18B shade matches the following richer shades: #C4A18B, #D29E7D, #E09A6F, #EE9761 and #FD9353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C5A18B shade: #C4A18B, #B6A499, #A8A8A7, #9AABB5 and #8CAEC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C5A18B shade: #C48B95, #C4918B, #C4A08B, #C4AF8B and #C4BF8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C5A18B shade: #A87455, #B78B70, #C4A18B, #D2B7A7 and #E0CDC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C5A18B shade: #C5A18B, #A4C48B and #8B8DC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C5A18B shade: #C5A18B, #8BC4A0 and #A08BC4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C5A18B shade: #C5A18B, #A4C48B, #8BAFC4 and #AC8BC4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C5A18B shade: #C5A18B, #93C48B, #8BAFC4 and #BD8BC4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 29 / 23

HEX #C5A18B

RGB 197 161 139

HSL 22.76, 0.33%, 0.66%

LAB 68.91, 10.03, 16.45

 

Complementary color

CMYK 50 / 19 / 0 / 55

HEX #3A5E74

RGB 58 94 116

HSL 202.76, 0.33%, 0.34%

LAB 38.14, -6.31, -16.46

 

CMYK 0 / 20 / 34 / 21

HEX #CAA186

RGB 202 161 134

HSL 23.82, 0.39%, 0.66%

LAB 69.3, 11.34, 19.82

 

CMYK 0 / 18 / 30 / 14

HEX #DBB399

RGB 219 179 153

HSL 23.64, 0.48%, 0.73%

LAB 75.82, 10.73, 18.73

 

CMYK 0 / 17 / 27 / 7

HEX #ECC5AC

RGB 236 197 172

HSL 23.44, 0.63%, 0.8%

LAB 82.24, 10.19, 17.71

 

CMYK 0 / 15 / 25 / 1

HEX #FDD7BF

RGB 253 215 191

HSL 23.23, 0.94%, 0.87%

LAB 88.56, 9.71, 16.76

 

CMYK 0 / 9 / 18 / 0

HEX #FFE9D2

RGB 255 233 210

HSL 30.67, 1%, 0.91%

LAB 93.53, 3.88, 13.88

 

CMYK 0 / 18 / 29 / 23

HEX #C5A18B

RGB 197 161 139

HSL 22.76, 0.33%, 0.66%

LAB 68.91, 10.03, 16.45

 

CMYK 0 / 21 / 33 / 29

HEX #B48F78

RGB 180 143 120

HSL 23, 0.29%, 0.59%

LAB 62.26, 10.65, 17.55

 

CMYK 0 / 23 / 38 / 36

HEX #A37D65

RGB 163 125 101

HSL 23.23, 0.25%, 0.52%

LAB 55.48, 11.36, 18.76

 

CMYK 0 / 27 / 44 / 43

HEX #926B52

RGB 146 107 82

HSL 23.44, 0.28%, 0.45%

LAB 48.56, 12.21, 20.09

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18B

RGB 196 161 139

HSL 23.16, 0.33%, 0.66%

LAB 68.82, 9.64, 16.3

 

CMYK 0 / 26 / 29 / 23

HEX #C4918B

RGB 196 145 139

HSL 6.32, 0.33%, 0.66%

LAB 64.84, 18.42, 10.73

 

CMYK 0 / 29 / 29 / 23

HEX #C48B8B

RGB 196 139 139

HSL 0, 0.33%, 0.66%

LAB 63.4, 21.73, 8.68

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18B

RGB 196 161 139

HSL 23.16, 0.33%, 0.66%

LAB 68.82, 9.64, 16.3

 

CMYK 0 / 10 / 29 / 23

HEX #C4B08B

RGB 196 176 139

HSL 38.95, 0.33%, 0.66%

LAB 72.66, 1.53, 21.6

 

CMYK 0 / 2 / 29 / 23

HEX #C4C08B

RGB 196 192 139

HSL 55.79, 0.33%, 0.66%

LAB 76.86, -6.91, 27.29

 

CMYK 5 / 0 / 29 / 23

HEX #BAC48B

RGB 186 196 139

HSL 70.53, 0.33%, 0.66%

LAB 77.15, -12.83, 27.54

 

CMYK 13 / 0 / 29 / 23

HEX #AAC48B

RGB 170 196 139

HSL 87.37, 0.33%, 0.66%

LAB 76, -18.84, 25.8

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18B

RGB 196 161 139

HSL 23.16, 0.33%, 0.66%

LAB 68.82, 9.64, 16.3

 

CMYK 0 / 25 / 40 / 18

HEX #D29E7D

RGB 210 158 125

HSL 23.29, 0.49%, 0.66%

LAB 69.21, 15.08, 24.75

 

CMYK 0 / 31 / 50 / 12

HEX #E09A6F

RGB 224 154 111

HSL 22.83, 0.65%, 0.66%

LAB 69.55, 21.45, 33.05

 

CMYK 0 / 37 / 59 / 7

HEX #EE9761

RGB 238 151 97

HSL 22.98, 0.81%, 0.66%

LAB 70.3, 27.54, 41.73

 

CMYK 0 / 42 / 67 / 1

HEX #FD9353

RGB 253 147 83

HSL 22.59, 0.98%, 0.66%

LAB 71.13, 34.7, 50.26

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18B

RGB 196 161 139

HSL 23.16, 0.33%, 0.66%

LAB 68.82, 9.64, 16.3

 

CMYK 0 / 10 / 16 / 29

HEX #B6A499

RGB 182 164 153

HSL 22.76, 0.17%, 0.66%

LAB 68.6, 4.69, 8.08

 

CMYK 0 / 0 / 1 / 34

HEX #A8A8A7

RGB 168 168 167

HSL 60, 0.01%, 0.66%

LAB 68.84, -0.18, 0.51

 

CMYK 15 / 6 / 0 / 29

HEX #9AABB5

RGB 154 171 181

HSL 202.22, 0.15%, 0.66%

LAB 68.99, -3.81, -7.14

 

CMYK 28 / 11 / 0 / 24

HEX #8CAEC3

RGB 140 174 195

HSL 202.91, 0.31%, 0.66%

LAB 69.32, -6.65, -14.49

 

CMYK 0 / 29 / 24 / 23

HEX #C48B95

RGB 196 139 149

HSL 349.47, 0.33%, 0.66%

LAB 63.65, 23.16, 3.38

 

CMYK 0 / 26 / 29 / 23

HEX #C4918B

RGB 196 145 139

HSL 6.32, 0.33%, 0.66%

LAB 64.84, 18.42, 10.73

 

CMYK 0 / 18 / 29 / 23

HEX #C4A08B

RGB 196 160 139

HSL 22.11, 0.33%, 0.66%

LAB 68.56, 10.18, 15.95

 

CMYK 0 / 11 / 29 / 23

HEX #C4AF8B

RGB 196 175 139

HSL 37.89, 0.33%, 0.66%

LAB 72.4, 2.06, 21.25

 

CMYK 0 / 3 / 29 / 23

HEX #C4BF8B

RGB 196 191 139

HSL 54.74, 0.33%, 0.66%

LAB 76.6, -6.39, 26.93

 

CMYK 0 / 31 / 49 / 34

HEX #A87455

RGB 168 116 85

HSL 22.41, 0.33%, 0.5%

LAB 53.46, 16.77, 25.3

 

CMYK 0 / 24 / 39 / 28

HEX #B78B70

RGB 183 139 112

HSL 22.82, 0.33%, 0.58%

LAB 61.4, 13.09, 20.92

 

CMYK 0 / 18 / 29 / 23

HEX #C4A18B

RGB 196 161 139

HSL 23.16, 0.33%, 0.66%

LAB 68.82, 9.64, 16.3

 

CMYK 0 / 13 / 20 / 18

HEX #D2B7A7

RGB 210 183 167

HSL 22.33, 0.32%, 0.74%

LAB 76.29, 7.14, 11.68

 

CMYK 0 / 8 / 13 / 12

HEX #E0CDC2

RGB 224 205 194

HSL 22, 0.33%, 0.82%

LAB 83.66, 4.8, 7.86

 

CMYK 0 / 18 / 29 / 23

HEX #C5A18B

RGB 197 161 139

HSL 22.76, 0.33%, 0.66%

LAB 68.91, 10.03, 16.45

 

CMYK 16 / 0 / 29 / 23

HEX #A4C48B

RGB 164 196 139

HSL 93.68, 0.33%, 0.66%

LAB 75.6, -21.03, 25.18

 

CMYK 29 / 28 / 0 / 23

HEX #8B8DC4

RGB 139 141 196

HSL 237.89, 0.33%, 0.66%

LAB 60.36, 11.81, -28.72

 

CMYK 0 / 18 / 29 / 23

HEX #C5A18B

RGB 197 161 139

HSL 22.76, 0.33%, 0.66%

LAB 68.91, 10.03, 16.45

 

CMYK 29 / 0 / 18 / 23

HEX #8BC4A0

RGB 139 196 160

HSL 142.11, 0.33%, 0.66%

LAB 74.51, -25.94, 12.23

 

CMYK 18 / 29 / 0 / 23

HEX #A08BC4

RGB 160 139 196

HSL 262.11, 0.33%, 0.66%

LAB 61.59, 19.43, -26.68

 

CMYK 0 / 18 / 29 / 23

HEX #C5A18B

RGB 197 161 139

HSL 22.76, 0.33%, 0.66%

LAB 68.91, 10.03, 16.45

 

CMYK 16 / 0 / 29 / 23

HEX #A4C48B

RGB 164 196 139

HSL 93.68, 0.33%, 0.66%

LAB 75.6, -21.03, 25.18

 

CMYK 29 / 11 / 0 / 23

HEX #8BAFC4

RGB 139 175 196

HSL 202.11, 0.33%, 0.66%

LAB 69.57, -7.25, -14.67

 

CMYK 12 / 29 / 0 / 23

HEX #AC8BC4

RGB 172 139 196

HSL 274.74, 0.33%, 0.66%

LAB 62.69, 23.27, -24.89

 

CMYK 0 / 18 / 29 / 23

HEX #C5A18B

RGB 197 161 139

HSL 22.76, 0.33%, 0.66%

LAB 68.91, 10.03, 16.45

 

CMYK 25 / 0 / 29 / 23

HEX #93C48B

RGB 147 196 139

HSL 111.58, 0.33%, 0.66%

LAB 74.54, -27.04, 23.57

 

CMYK 29 / 11 / 0 / 23

HEX #8BAFC4

RGB 139 175 196

HSL 202.11, 0.33%, 0.66%

LAB 69.57, -7.25, -14.67

 

CMYK 4 / 29 / 0 / 23

HEX #BD8BC4

RGB 189 139 196

HSL 292.63, 0.33%, 0.66%

LAB 64.38, 28.8, -22.16

 

Description

Color code: HEX #C5A18B | qconv.com Color code: HEX #C5A18B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 161 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 161 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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