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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #81593F it is the complementary color #7EA6C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #81593F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #81593F shade: #86593A, #976B4D, #A87D60, #B98F73 and #CAA186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #81593F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #81593F shade: #81593F, #70472C, #5F3519, #4E2306 and #3D1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #81593F shade: #81593F, #81483F and #813F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #81593F shade: #81593F, #816B3F, #817D3F, #74813F and #62813F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #81593F shade matches the following richer shades: #81593F, #915630, #A15320, #B04F10 and #C04C01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #81593F shade: #81593F, #725D4F, #62605F, #52636E and #43677E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #81593F shade: #813F49, #81473F, #81593F, #816A3F and #817C3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #81593F shade: #4A3324, #664632, #81593F, #9D6D4D and #B18162

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #81593F shade: #81593F, #5B813F and #3F4181

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #81593F shade: #81593F, #3F8159 and #593F81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #81593F shade: #81593F, #5B813F, #3F6881 and #663F81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #81593F shade: #81593F, #47813F, #3F6881 and #7A3F81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

Complementary color

CMYK 34 / 14 / 0 / 25

HEX #7EA6C0

RGB 126 166 192

HSL 203.64, 0.34%, 0.62%

LAB 66.15, -7.14, -17.7

 

CMYK 0 / 34 / 57 / 47

HEX #86593A

RGB 134 89 58

HSL 24.47, 0.4%, 0.38%

LAB 42.03, 14.98, 25.35

 

CMYK 0 / 29 / 49 / 41

HEX #976B4D

RGB 151 107 77

HSL 24.32, 0.32%, 0.45%

LAB 49.04, 13.82, 23.74

 

CMYK 0 / 26 / 43 / 34

HEX #A87D60

RGB 168 125 96

HSL 24.17, 0.29%, 0.52%

LAB 55.92, 12.86, 22.3

 

CMYK 0 / 23 / 38 / 27

HEX #B98F73

RGB 185 143 115

HSL 24, 0.33%, 0.59%

LAB 62.67, 12.04, 21

 

CMYK 0 / 20 / 34 / 21

HEX #CAA186

RGB 202 161 134

HSL 23.82, 0.39%, 0.66%

LAB 69.3, 11.34, 19.82

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 37 / 61 / 56

HEX #70472C

RGB 112 71 44

HSL 23.82, 0.44%, 0.31%

LAB 34.26, 14.51, 23.32

 

CMYK 0 / 44 / 74 / 63

HEX #5F3519

RGB 95 53 25

HSL 24, 0.58%, 0.24%

LAB 26.87, 16.12, 25.25

 

CMYK 0 / 55 / 92 / 69

HEX #4E2306

RGB 78 35 6

HSL 24.17, 0.86%, 0.16%

LAB 19.37, 18.15, 25.95

 

CMYK 0 / 72 / 100 / 76

HEX #3D1100

RGB 61 17 0

HSL 16.72, 1%, 0.12%

LAB 11.91, 20.55, 18.29

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 44 / 51 / 49

HEX #81483F

RGB 129 72 63

HSL 8.18, 0.34%, 0.38%

LAB 37.23, 23.26, 16

 

CMYK 0 / 51 / 51 / 49

HEX #813F3F

RGB 129 63 63

HSL 0, 0.34%, 0.38%

LAB 35.16, 28.39, 13.22

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 17 / 51 / 49

HEX #816B3F

RGB 129 107 63

HSL 40, 0.34%, 0.38%

LAB 46.37, 2.62, 27.79

 

CMYK 0 / 3 / 51 / 49

HEX #817D3F

RGB 129 125 63

HSL 56.36, 0.34%, 0.38%

LAB 51.49, -7.63, 34.04

 

CMYK 10 / 0 / 51 / 49

HEX #74813F

RGB 116 129 63

HSL 71.82, 0.34%, 0.38%

LAB 51.58, -15.5, 33.89

 

CMYK 24 / 0 / 51 / 49

HEX #62813F

RGB 98 129 63

HSL 88.18, 0.34%, 0.38%

LAB 50.28, -23, 32.02

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 41 / 67 / 43

HEX #915630

RGB 145 86 48

HSL 23.51, 0.5%, 0.38%

LAB 42.6, 20.83, 32.06

 

CMYK 0 / 48 / 80 / 37

HEX #A15320

RGB 161 83 32

HSL 23.72, 0.67%, 0.38%

LAB 44.04, 28.6, 42.51

 

CMYK 0 / 55 / 91 / 31

HEX #B04F10

RGB 176 79 16

HSL 23.63, 0.83%, 0.38%

LAB 45.44, 36.45, 50.95

 

CMYK 0 / 60 / 99 / 25

HEX #C04C01

RGB 192 76 1

HSL 23.56, 0.99%, 0.38%

LAB 47.47, 43.9, 57.48

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 18 / 31 / 55

HEX #725D4F

RGB 114 93 79

HSL 24, 0.18%, 0.38%

LAB 41.17, 6.25, 11.25

 

CMYK 0 / 2 / 3 / 62

HEX #62605F

RGB 98 96 95

HSL 20, 0.02%, 0.38%

LAB 40.88, 0.59, 0.84

 

CMYK 25 / 10 / 0 / 57

HEX #52636E

RGB 82 99 110

HSL 203.57, 0.15%, 0.38%

LAB 40.97, -3.7, -8.35

 

CMYK 47 / 18 / 0 / 51

HEX #43677E

RGB 67 103 126

HSL 203.39, 0.31%, 0.38%

LAB 41.85, -6.18, -16.83

 

CMYK 0 / 51 / 43 / 49

HEX #813F49

RGB 129 63 73

HSL 350.91, 0.34%, 0.38%

LAB 35.41, 29.49, 7.2

 

CMYK 0 / 45 / 51 / 49

HEX #81473F

RGB 129 71 63

HSL 7.27, 0.34%, 0.38%

LAB 36.99, 23.84, 15.68

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 18 / 51 / 49

HEX #816A3F

RGB 129 106 63

HSL 39.09, 0.34%, 0.38%

LAB 46.09, 3.2, 27.44

 

CMYK 0 / 4 / 51 / 49

HEX #817C3F

RGB 129 124 63

HSL 55.45, 0.34%, 0.38%

LAB 51.2, -7.07, 33.69

 

CMYK 0 / 31 / 51 / 71

HEX #4A3324

RGB 74 51 36

HSL 23.68, 0.35%, 0.22%

LAB 23.51, 8.23, 13.61

 

CMYK 0 / 31 / 51 / 60

HEX #664632

RGB 102 70 50

HSL 23.08, 0.34%, 0.3%

LAB 32.78, 11.09, 17.51

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 0 / 31 / 51 / 38

HEX #9D6D4D

RGB 157 109 77

HSL 24, 0.34%, 0.46%

LAB 50.26, 15.26, 25.46

 

CMYK 0 / 27 / 45 / 31

HEX #B18162

RGB 177 129 98

HSL 23.54, 0.34%, 0.54%

LAB 57.97, 14.59, 24.07

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 29 / 0 / 51 / 49

HEX #5B813F

RGB 91 129 63

HSL 94.55, 0.34%, 0.38%

LAB 49.84, -25.76, 31.37

 

CMYK 51 / 50 / 0 / 49

HEX #3F4181

RGB 63 65 129

HSL 238.18, 0.34%, 0.38%

LAB 30.45, 18, -36.54

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 51 / 0 / 31 / 49

HEX #3F8159

RGB 63 129 89

HSL 143.64, 0.34%, 0.38%

LAB 48.86, -30.81, 15.38

 

CMYK 31 / 51 / 0 / 49

HEX #593F81

RGB 89 63 129

HSL 263.64, 0.34%, 0.38%

LAB 32.4, 26.31, -33.29

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 29 / 0 / 51 / 49

HEX #5B813F

RGB 91 129 63

HSL 94.55, 0.34%, 0.38%

LAB 49.84, -25.76, 31.37

 

CMYK 51 / 19 / 0 / 49

HEX #3F6881

RGB 63 104 129

HSL 202.73, 0.34%, 0.38%

LAB 42.07, -6.9, -18.32

 

CMYK 21 / 51 / 0 / 49

HEX #663F81

RGB 102 63 129

HSL 275.45, 0.34%, 0.38%

LAB 33.91, 30.15, -30.8

 

CMYK 0 / 31 / 51 / 49

HEX #81593F

RGB 129 89 63

HSL 23.64, 0.34%, 0.38%

LAB 41.49, 13.24, 21.6

 

CMYK 45 / 0 / 51 / 49

HEX #47813F

RGB 71 129 63

HSL 112.73, 0.34%, 0.38%

LAB 48.76, -32.94, 29.8

 

CMYK 51 / 19 / 0 / 49

HEX #3F6881

RGB 63 104 129

HSL 202.73, 0.34%, 0.38%

LAB 42.07, -6.9, -18.32

 

CMYK 5 / 51 / 0 / 49

HEX #7A3F81

RGB 122 63 129

HSL 293.64, 0.34%, 0.38%

LAB 36.51, 36.23, -26.52

 

Description

Color code: HEX #81593F | qconv.com Color code: HEX #81593F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 89 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 89 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 51 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 51% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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