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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C586A2 it is the complementary color #3A795D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C586A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C586A2 shade: #CA869D, #DB98B0, #ECAAC3, #FDBCD6 and #FFCEE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C586A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C586A2 shade: #C586A2, #B4748F, #A3627C, #925069 and #813E56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C586A2 shade: #C486A2, #C48691 and #C48686

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C586A2 shade: #C486A2, #C486B3, #C486C3, #B586C4 and #A486C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C586A2 shade matches the following richer shades: #C486A2, #D378A0, #E1699F, #F05B9D and #FE4C9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C586A2 shade: #C486A2, #B694A3, #A8A3A5, #99B1A7 and #8BC0A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C586A2 shade: #C486C3, #C486B3, #C486A2, #C48691 and #C48B86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C586A2 shade: #A85077, #B76A8C, #C486A2, #D2A2B7 and #DFBECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C586A2 shade: #C586A2, #C4B586 and #86BBC4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C586A2 shade: #C586A2, #A2C486 and #86A2C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C586A2 shade: #C586A2, #C4B586, #86C4A8 and #8696C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C586A2 shade: #C586A2, #C1C486, #86C4A8 and #8986C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 18 / 23

HEX #C586A2

RGB 197 134 162

HSL 333.33, 0.35%, 0.65%

LAB 62.95, 28.27, -5.01

 

Complementary color

CMYK 52 / 0 / 23 / 53

HEX #3A795D

RGB 58 121 93

HSL 153.33, 0.35%, 0.35%

LAB 46.13, -27.45, 9.23

 

CMYK 0 / 34 / 22 / 21

HEX #CA869D

RGB 202 134 157

HSL 339.71, 0.39%, 0.66%

LAB 63.38, 29.3, -1.48

 

CMYK 0 / 31 / 20 / 14

HEX #DB98B0

RGB 219 152 176

HSL 338.51, 0.48%, 0.73%

LAB 69.93, 28.55, -2.32

 

CMYK 0 / 28 / 17 / 7

HEX #ECAAC3

RGB 236 170 195

HSL 337.27, 0.63%, 0.8%

LAB 76.39, 27.85, -3.1

 

CMYK 0 / 26 / 15 / 1

HEX #FDBCD6

RGB 253 188 214

HSL 336, 0.94%, 0.86%

LAB 82.76, 27.21, -3.82

 

CMYK 0 / 19 / 9 / 0

HEX #FFCEE9

RGB 255 206 233

HSL 326.94, 1%, 0.9%

LAB 87.62, 21.5, -6.74

 

CMYK 0 / 32 / 18 / 23

HEX #C586A2

RGB 197 134 162

HSL 333.33, 0.35%, 0.65%

LAB 62.95, 28.27, -5.01

 

CMYK 0 / 36 / 21 / 29

HEX #B4748F

RGB 180 116 143

HSL 334.69, 0.3%, 0.58%

LAB 56.26, 29.04, -4.19

 

CMYK 0 / 40 / 24 / 36

HEX #A3627C

RGB 163 98 124

HSL 336, 0.26%, 0.51%

LAB 49.47, 29.88, -3.26

 

CMYK 0 / 45 / 28 / 43

HEX #925069

RGB 146 80 105

HSL 337.27, 0.29%, 0.44%

LAB 42.56, 30.78, -2.18

 

CMYK 0 / 52 / 33 / 49

HEX #813E56

RGB 129 62 86

HSL 338.51, 0.35%, 0.37%

LAB 35.57, 31.7, -0.85

 

CMYK 0 / 32 / 17 / 23

HEX #C486A2

RGB 196 134 162

HSL 332.9, 0.34%, 0.65%

LAB 62.84, 27.91, -5.19

 

CMYK 0 / 32 / 26 / 23

HEX #C48691

RGB 196 134 145

HSL 349.35, 0.34%, 0.65%

LAB 62.36, 25.32, 3.79

 

CMYK 0 / 32 / 32 / 23

HEX #C48686

RGB 196 134 134

HSL 0, 0.34%, 0.65%

LAB 62.09, 23.8, 9.66

 

CMYK 0 / 32 / 17 / 23

HEX #C486A2

RGB 196 134 162

HSL 332.9, 0.34%, 0.65%

LAB 62.84, 27.91, -5.19

 

CMYK 0 / 32 / 9 / 23

HEX #C486B3

RGB 196 134 179

HSL 316.45, 0.34%, 0.65%

LAB 63.38, 30.76, -14.03

 

CMYK 0 / 32 / 1 / 23

HEX #C486C3

RGB 196 134 195

HSL 300.97, 0.34%, 0.65%

LAB 63.94, 33.66, -22.2

 

CMYK 8 / 32 / 0 / 23

HEX #B586C4

RGB 181 134 196

HSL 285.48, 0.34%, 0.65%

LAB 62.39, 28.98, -25.28

 

CMYK 16 / 32 / 0 / 23

HEX #A486C4

RGB 164 134 196

HSL 269.03, 0.34%, 0.65%

LAB 60.72, 23.55, -27.99

 

CMYK 0 / 32 / 17 / 23

HEX #C486A2

RGB 196 134 162

HSL 332.9, 0.34%, 0.65%

LAB 62.84, 27.91, -5.19

 

CMYK 0 / 43 / 24 / 17

HEX #D378A0

RGB 211 120 160

HSL 333.63, 0.51%, 0.65%

LAB 61.5, 40.42, -5.83

 

CMYK 0 / 53 / 29 / 12

HEX #E1699F

RGB 225 105 159

HSL 333, 0.67%, 0.65%

LAB 60.44, 52.45, -6.62

 

CMYK 0 / 62 / 35 / 6

HEX #F05B9D

RGB 240 91 157

HSL 333.42, 0.83%, 0.65%

LAB 60.29, 63.07, -5.45

 

CMYK 0 / 70 / 39 / 0

HEX #FE4C9B

RGB 254 76 155

HSL 333.37, 0.99%, 0.65%

LAB 60.43, 72.48, -3.81

 

CMYK 0 / 32 / 17 / 23

HEX #C486A2

RGB 196 134 162

HSL 332.9, 0.34%, 0.65%

LAB 62.84, 27.91, -5.19

 

CMYK 0 / 19 / 10 / 29

HEX #B694A3

RGB 182 148 163

HSL 333.53, 0.19%, 0.65%

LAB 64.78, 15.22, -3.06

 

CMYK 0 / 3 / 2 / 34

HEX #A8A3A5

RGB 168 163 165

HSL 336, 0.03%, 0.65%

LAB 67.45, 2.17, -0.4

 

CMYK 14 / 0 / 6 / 31

HEX #99B1A7

RGB 153 177 167

HSL 155, 0.13%, 0.65%

LAB 70.18, -10.26, 2.33

 

CMYK 28 / 0 / 13 / 25

HEX #8BC0A8

RGB 139 192 168

HSL 152.83, 0.3%, 0.65%

LAB 73.56, -22.37, 6.54

 

CMYK 0 / 32 / 1 / 23

HEX #C486C3

RGB 196 134 195

HSL 300.97, 0.34%, 0.65%

LAB 63.94, 33.66, -22.2

 

CMYK 0 / 32 / 9 / 23

HEX #C486B3

RGB 196 134 179

HSL 316.45, 0.34%, 0.65%

LAB 63.38, 30.76, -14.03

 

CMYK 0 / 32 / 17 / 23

HEX #C486A2

RGB 196 134 162

HSL 332.9, 0.34%, 0.65%

LAB 62.84, 27.91, -5.19

 

CMYK 0 / 32 / 26 / 23

HEX #C48691

RGB 196 134 145

HSL 349.35, 0.34%, 0.65%

LAB 62.36, 25.32, 3.79

 

CMYK 0 / 29 / 32 / 23

HEX #C48B86

RGB 196 139 134

HSL 4.84, 0.34%, 0.65%

LAB 63.28, 21.05, 11.34

 

CMYK 0 / 52 / 29 / 34

HEX #A85077

RGB 168 80 119

HSL 333.41, 0.35%, 0.49%

LAB 46.17, 40.63, -5.05

 

CMYK 0 / 42 / 23 / 28

HEX #B76A8C

RGB 183 106 140

HSL 333.51, 0.35%, 0.57%

LAB 54.31, 35.14, -5.29

 

CMYK 0 / 32 / 17 / 23

HEX #C486A2

RGB 196 134 162

HSL 332.9, 0.34%, 0.65%

LAB 62.84, 27.91, -5.19

 

CMYK 0 / 23 / 13 / 18

HEX #D2A2B7

RGB 210 162 183

HSL 333.75, 0.35%, 0.73%

LAB 71.53, 21.02, -3.96

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 32 / 18 / 23

HEX #C586A2

RGB 197 134 162

HSL 333.33, 0.35%, 0.65%

LAB 62.95, 28.27, -5.01

 

CMYK 0 / 8 / 32 / 23

HEX #C4B586

RGB 196 181 134

HSL 45.48, 0.34%, 0.65%

LAB 73.87, -1.79, 25.93

 

CMYK 32 / 5 / 0 / 23

HEX #86BBC4

RGB 134 187 196

HSL 188.71, 0.34%, 0.65%

LAB 72.62, -15.07, -10.12

 

CMYK 0 / 32 / 18 / 23

HEX #C586A2

RGB 197 134 162

HSL 333.33, 0.35%, 0.65%

LAB 62.95, 28.27, -5.01

 

CMYK 17 / 0 / 32 / 23

HEX #A2C486

RGB 162 196 134

HSL 92.9, 0.34%, 0.65%

LAB 75.38, -22.51, 27.5

 

CMYK 32 / 17 / 0 / 23

HEX #86A2C4

RGB 134 162 196

HSL 212.9, 0.34%, 0.65%

LAB 65.67, -1.6, -20.61

 

CMYK 0 / 32 / 18 / 23

HEX #C586A2

RGB 197 134 162

HSL 333.33, 0.35%, 0.65%

LAB 62.95, 28.27, -5.01

 

CMYK 0 / 8 / 32 / 23

HEX #C4B586

RGB 196 181 134

HSL 45.48, 0.34%, 0.65%

LAB 73.87, -1.79, 25.93

 

CMYK 32 / 0 / 14 / 23

HEX #86C4A8

RGB 134 196 168

HSL 152.9, 0.34%, 0.65%

LAB 74.43, -25.89, 7.76

 

CMYK 32 / 23 / 0 / 23

HEX #8696C4

RGB 134 150 196

HSL 224.52, 0.34%, 0.65%

LAB 62.39, 5.16, -25.61

 

CMYK 0 / 32 / 18 / 23

HEX #C586A2

RGB 197 134 162

HSL 333.33, 0.35%, 0.65%

LAB 62.95, 28.27, -5.01

 

CMYK 2 / 0 / 32 / 23

HEX #C1C486

RGB 193 196 134

HSL 62.9, 0.34%, 0.65%

LAB 77.6, -10.79, 30.85

 

CMYK 32 / 0 / 14 / 23

HEX #86C4A8

RGB 134 196 168

HSL 152.9, 0.34%, 0.65%

LAB 74.43, -25.89, 7.76

 

CMYK 30 / 32 / 0 / 23

HEX #8986C4

RGB 137 134 196

HSL 242.9, 0.34%, 0.65%

LAB 58.37, 15.29, -31.82

 

Description

Color code: HEX #C586A2 | qconv.com Color code: HEX #C586A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 134 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 134 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 18 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 18% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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