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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DFBECD it is the complementary color #204132. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DFBECD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DFBECD shade: #E4BEC8, #F5D0DB, #FFE2EE and #FFF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DFBECD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DFBECD shade: #DFBECD, #CEACBA, #BD9AA7, #AC8894 and #9B7681

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DFBECD shade: #DFBECD, #DFBEC4 and #DFBEBE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DFBECD shade: #DFBECD, #DFBED5, #DFBEDE, #D6BEDF and #CDBEDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DFBECD shade matches the following richer shades: #DFBECD, #E6B6CC, #EEAECB, #F6A6CA and #FE9ECA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DFBECD shade: #DFBECD, #D7C5CD, #CFCDCE, #C7D5CF and #BFDDCF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DFBECD shade: #DFBEDF, #DFBED6, #DFBECD, #DFBEC4 and #DFC0BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DFBECD shade: #C386A2, #D1A2B7, #DFBECD, #ECD9E2 and #FAF5F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DFBECD shade: #DFBECD, #DFD6BE and #BEDADF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DFBECD shade: #DFBECD, #CDDFBE and #BECDDF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DFBECD shade: #DFBECD, #DFD6BE, #BEDFCF and #BEC6DF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DFBECD shade: #DFBECD, #DDDFBE, #BEDFCF and #BFBEDF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

Complementary color

CMYK 51 / 0 / 23 / 75

HEX #204132

RGB 32 65 50

HSL 152.73, 0.34%, 0.19%

LAB 24.7, -16.32, 5.45

 

CMYK 0 / 17 / 12 / 11

HEX #E4BEC8

RGB 228 190 200

HSL 344.21, 0.41%, 0.82%

LAB 80.45, 15.14, 0.06

 

CMYK 0 / 15 / 11 / 4

HEX #F5D0DB

RGB 245 208 219

HSL 342.16, 0.65%, 0.89%

LAB 86.82, 14.7, -0.61

 

CMYK 0 / 11 / 7 / 0

HEX #FFE2EE

RGB 255 226 238

HSL 335.17, 1%, 0.94%

LAB 92.5, 11.91, -2.19

 

CMYK 0 / 4 / 0 / 0

HEX #FFF4FF

RGB 255 244 255

HSL 300, 1%, 0.98%

LAB 97.3, 5.59, -3.97

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 17 / 10 / 19

HEX #CEACBA

RGB 206 172 186

HSL 335.29, 0.26%, 0.74%

LAB 73.66, 14.65, -2.53

 

CMYK 0 / 19 / 12 / 26

HEX #BD9AA7

RGB 189 154 167

HSL 337.71, 0.21%, 0.67%

LAB 67.07, 15.13, -1.86

 

CMYK 0 / 21 / 14 / 33

HEX #AC8894

RGB 172 136 148

HSL 340, 0.18%, 0.6%

LAB 60.35, 15.67, -1.16

 

CMYK 0 / 24 / 17 / 39

HEX #9B7681

RGB 155 118 129

HSL 342.16, 0.16%, 0.54%

LAB 53.5, 16.26, -0.4

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 15 / 12 / 13

HEX #DFBEC4

RGB 223 190 196

HSL 349.09, 0.34%, 0.81%

LAB 79.9, 12.71, 1.34

 

CMYK 0 / 15 / 15 / 13

HEX #DFBEBE

RGB 223 190 190

HSL 0, 0.34%, 0.81%

LAB 79.75, 11.74, 4.36

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 15 / 4 / 13

HEX #DFBED5

RGB 223 190 213

HSL 318.18, 0.34%, 0.81%

LAB 80.36, 15.61, -7.14

 

CMYK 0 / 15 / 0 / 13

HEX #DFBEDE

RGB 223 190 222

HSL 301.82, 0.34%, 0.81%

LAB 80.62, 17.23, -11.59

 

CMYK 4 / 15 / 0 / 13

HEX #D6BEDF

RGB 214 190 223

HSL 283.64, 0.34%, 0.81%

LAB 79.87, 14.41, -13.34

 

CMYK 8 / 15 / 0 / 13

HEX #CDBEDF

RGB 205 190 223

HSL 267.27, 0.34%, 0.81%

LAB 79.12, 11.43, -14.54

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 21 / 11 / 10

HEX #E6B6CC

RGB 230 182 204

HSL 332.5, 0.49%, 0.81%

LAB 78.83, 20.78, -4.46

 

CMYK 0 / 27 / 15 / 7

HEX #EEAECB

RGB 238 174 203

HSL 332.81, 0.65%, 0.81%

LAB 77.73, 27.68, -5.45

 

CMYK 0 / 33 / 18 / 4

HEX #F6A6CA

RGB 246 166 202

HSL 333, 0.82%, 0.81%

LAB 76.76, 34.52, -6.25

 

CMYK 0 / 38 / 20 / 0

HEX #FE9ECA

RGB 254 158 202

HSL 332.5, 0.98%, 0.81%

LAB 75.94, 41.41, -7.37

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 8 / 5 / 16

HEX #D7C5CD

RGB 215 197 205

HSL 333.33, 0.18%, 0.81%

LAB 81.17, 7.69, -1.71

 

CMYK 0 / 1 / 0 / 19

HEX #CFCDCE

RGB 207 205 206

HSL 330, 0.02%, 0.81%

LAB 82.58, 0.87, -0.26

 

CMYK 7 / 0 / 3 / 16

HEX #C7D5CF

RGB 199 213 207

HSL 154.29, 0.14%, 0.81%

LAB 84.09, -5.84, 1.33

 

CMYK 14 / 0 / 6 / 13

HEX #BFDDCF

RGB 191 221 207

HSL 152, 0.31%, 0.81%

LAB 85.65, -12.59, 3.53

 

CMYK 0 / 15 / 0 / 13

HEX #DFBEDF

RGB 223 190 223

HSL 300, 0.34%, 0.81%

LAB 80.65, 17.41, -12.08

 

CMYK 0 / 15 / 4 / 13

HEX #DFBED6

RGB 223 190 214

HSL 316.36, 0.34%, 0.81%

LAB 80.39, 15.78, -7.64

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 15 / 12 / 13

HEX #DFBEC4

RGB 223 190 196

HSL 349.09, 0.34%, 0.81%

LAB 79.9, 12.71, 1.34

 

CMYK 0 / 14 / 15 / 13

HEX #DFC0BE

RGB 223 192 190

HSL 3.64, 0.34%, 0.81%

LAB 80.24, 10.67, 5.07

 

CMYK 0 / 31 / 17 / 24

HEX #C386A2

RGB 195 134 162

HSL 332.46, 0.34%, 0.65%

LAB 62.73, 27.55, -5.37

 

CMYK 0 / 22 / 12 / 18

HEX #D1A2B7

RGB 209 162 183

HSL 333.19, 0.34%, 0.73%

LAB 71.43, 20.66, -4.12

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 8 / 4 / 7

HEX #ECD9E2

RGB 236 217 226

HSL 331.58, 0.33%, 0.89%

LAB 88.42, 8.07, -2.05

 

CMYK 0 / 2 / 1 / 2

HEX #FAF5F7

RGB 250 245 247

HSL 336, 0.33%, 0.97%

LAB 96.96, 2.02, -0.38

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 4 / 15 / 13

HEX #DFD6BE

RGB 223 214 190

HSL 43.64, 0.34%, 0.81%

LAB 85.76, -0.88, 12.96

 

CMYK 15 / 2 / 0 / 13

HEX #BEDADF

RGB 190 218 223

HSL 189.09, 0.34%, 0.81%

LAB 85.21, -8.22, -5.59

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 8 / 0 / 15 / 13

HEX #CDDFBE

RGB 205 223 190

HSL 92.73, 0.34%, 0.81%

LAB 86.74, -11.88, 14.16

 

CMYK 15 / 8 / 0 / 13

HEX #BECDDF

RGB 190 205 223

HSL 212.73, 0.34%, 0.81%

LAB 81.8, -1.44, -10.64

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 0 / 4 / 15 / 13

HEX #DFD6BE

RGB 223 214 190

HSL 43.64, 0.34%, 0.81%

LAB 85.76, -0.88, 12.96

 

CMYK 15 / 0 / 7 / 13

HEX #BEDFCF

RGB 190 223 207

HSL 150.91, 0.34%, 0.81%

LAB 86.12, -13.93, 4.2

 

CMYK 15 / 11 / 0 / 13

HEX #BEC6DF

RGB 190 198 223

HSL 225.45, 0.34%, 0.81%

LAB 79.99, 2.27, -13.35

 

CMYK 0 / 15 / 8 / 13

HEX #DFBECD

RGB 223 190 205

HSL 332.73, 0.34%, 0.81%

LAB 80.14, 14.21, -3.16

 

CMYK 1 / 0 / 15 / 13

HEX #DDDFBE

RGB 221 223 190

HSL 63.64, 0.34%, 0.81%

LAB 87.9, -6.22, 15.97

 

CMYK 15 / 0 / 7 / 13

HEX #BEDFCF

RGB 190 223 207

HSL 150.91, 0.34%, 0.81%

LAB 86.12, -13.93, 4.2

 

CMYK 14 / 15 / 0 / 13

HEX #BFBEDF

RGB 191 190 223

HSL 241.82, 0.34%, 0.81%

LAB 78.01, 6.89, -16.31

 

Description

Color code: HEX #DFBECD | qconv.com Color code: HEX #DFBECD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 190 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 190 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 8 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 8% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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