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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C56CB4 it is the complementary color #3A934B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C56CB4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C56CB4 shade: #CA6CAF, #DB7EC2, #EC90D5, #FDA2E8 and #FFB4FB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C56CB4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C56CB4 shade: #C56CB4, #B45AA1, #A3488E, #92367B and #812468

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C56CB4 shade: #C46DB4, #C46D9C, #C46D84 and #C46D6D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C56CB4 shade: #C46DB4, #BD6DC4, #A66DC4, #8E6DC4 and #766DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C56CB4 shade matches the following richer shades: #C46DB4, #D55CBE, #E54CC8 and #F63BD2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C56CB4 shade: #C46DB4, #B47DA9, #A38E9F, #939E95 and #82AF8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C56CB4 shade: #A66DC4, #BD6DC4, #C46DB4, #C46D9D and #C46D85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C56CB4 shade: #9F3F8D, #B94FA4, #C46DB4, #D08AC3 and #DCA8D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C56CB4 shade: #C56CB4, #C48E6D and #6DC4B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C56CB4 shade: #C56CB4, #B4C46D and #6DB4C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C56CB4 shade: #C56CB4, #C48E6D, #6DC47D and #6DA3C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C56CB4 shade: #C56CB4, #C4A96D, #6DC47D and #6D88C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 9 / 23

HEX #C56CB4

RGB 197 108 180

HSL 311.46, 0.43%, 0.6%

LAB 57.93, 45.17, -22.87

 

Complementary color

CMYK 61 / 0 / 49 / 42

HEX #3A934B

RGB 58 147 75

HSL 131.46, 0.43%, 0.4%

LAB 54.32, -42.55, 30.26

 

CMYK 0 / 47 / 13 / 21

HEX #CA6CAF

RGB 202 108 175

HSL 317.23, 0.47%, 0.61%

LAB 58.39, 45.92, -19.23

 

CMYK 0 / 42 / 11 / 14

HEX #DB7EC2

RGB 219 126 194

HSL 316.13, 0.56%, 0.68%

LAB 64.86, 45.18, -19.99

 

CMYK 0 / 39 / 10 / 7

HEX #EC90D5

RGB 236 144 213

HSL 315, 0.71%, 0.75%

LAB 71.27, 44.43, -20.64

 

CMYK 0 / 36 / 8 / 1

HEX #FDA2E8

RGB 253 162 232

HSL 313.85, 0.96%, 0.81%

LAB 77.61, 43.69, -21.23

 

CMYK 0 / 29 / 2 / 0

HEX #FFB4FB

RGB 255 180 251

HSL 303.2, 1%, 0.85%

LAB 82.31, 38.25, -24.3

 

CMYK 0 / 45 / 9 / 23

HEX #C56CB4

RGB 197 108 180

HSL 311.46, 0.43%, 0.6%

LAB 57.93, 45.17, -22.87

 

CMYK 0 / 50 / 11 / 29

HEX #B45AA1

RGB 180 90 161

HSL 312.67, 0.38%, 0.53%

LAB 51.37, 45.88, -22.11

 

CMYK 0 / 56 / 13 / 36

HEX #A3488E

RGB 163 72 142

HSL 313.85, 0.39%, 0.46%

LAB 44.76, 46.49, -21.18

 

CMYK 0 / 63 / 16 / 43

HEX #92367B

RGB 146 54 123

HSL 315, 0.46%, 0.39%

LAB 38.16, 46.86, -19.97

 

CMYK 0 / 72 / 19 / 49

HEX #812468

RGB 129 36 104

HSL 316.13, 0.56%, 0.32%

LAB 31.64, 46.74, -18.3

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 0 / 44 / 20 / 23

HEX #C46D9C

RGB 196 109 156

HSL 327.59, 0.42%, 0.6%

LAB 57.15, 40.46, -10.22

 

CMYK 0 / 44 / 33 / 23

HEX #C46D84

RGB 196 109 132

HSL 344.14, 0.42%, 0.6%

LAB 56.43, 37.09, 2.7

 

CMYK 0 / 44 / 44 / 23

HEX #C46D6D

RGB 196 109 109

HSL 0, 0.42%, 0.6%

LAB 55.86, 34.39, 15.32

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 4 / 44 / 0 / 23

HEX #BD6DC4

RGB 189 109 196

HSL 295.17, 0.42%, 0.6%

LAB 57.79, 45.1, -32.32

 

CMYK 15 / 44 / 0 / 23

HEX #A66DC4

RGB 166 109 196

HSL 279.31, 0.42%, 0.6%

LAB 55.1, 38.28, -36.72

 

CMYK 28 / 44 / 0 / 23

HEX #8E6DC4

RGB 142 109 196

HSL 262.76, 0.42%, 0.6%

LAB 52.59, 31.35, -40.84

 

CMYK 40 / 44 / 0 / 23

HEX #766DC4

RGB 118 109 196

HSL 246.21, 0.42%, 0.6%

LAB 50.42, 24.84, -44.41

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 0 / 57 / 11 / 16

HEX #D55CBE

RGB 213 92 190

HSL 311.4, 0.59%, 0.6%

LAB 57.58, 59.3, -28.97

 

CMYK 0 / 67 / 13 / 10

HEX #E54CC8

RGB 229 76 200

HSL 311.37, 0.75%, 0.6%

LAB 58.03, 71.51, -33.8

 

CMYK 0 / 76 / 15 / 4

HEX #F63BD2

RGB 246 59 210

HSL 311.55, 0.91%, 0.6%

LAB 59.32, 82.19, -37.29

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 0 / 31 / 6 / 29

HEX #B47DA9

RGB 180 125 169

HSL 312, 0.27%, 0.6%

LAB 59.19, 28.44, -14.83

 

CMYK 0 / 13 / 2 / 36

HEX #A38E9F

RGB 163 142 159

HSL 311.43, 0.1%, 0.6%

LAB 61.34, 10.95, -6.08

 

CMYK 7 / 0 / 6 / 38

HEX #939E95

RGB 147 158 149

HSL 130.91, 0.05%, 0.6%

LAB 64.02, -5.68, 3.35

 

CMYK 26 / 0 / 21 / 31

HEX #82AF8B

RGB 130 175 139

HSL 132, 0.22%, 0.6%

LAB 67.48, -22.46, 13.67

 

CMYK 15 / 44 / 0 / 23

HEX #A66DC4

RGB 166 109 196

HSL 279.31, 0.42%, 0.6%

LAB 55.1, 38.28, -36.72

 

CMYK 4 / 44 / 0 / 23

HEX #BD6DC4

RGB 189 109 196

HSL 295.17, 0.42%, 0.6%

LAB 57.79, 45.1, -32.32

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 0 / 44 / 20 / 23

HEX #C46D9D

RGB 196 109 157

HSL 326.9, 0.42%, 0.6%

LAB 57.18, 40.61, -10.75

 

CMYK 0 / 44 / 32 / 23

HEX #C46D85

RGB 196 109 133

HSL 343.45, 0.42%, 0.6%

LAB 56.45, 37.22, 2.15

 

CMYK 0 / 60 / 11 / 38

HEX #9F3F8D

RGB 159 63 141

HSL 311.25, 0.43%, 0.44%

LAB 42.53, 49.4, -24.07

 

CMYK 0 / 57 / 11 / 27

HEX #B94FA4

RGB 185 79 164

HSL 311.89, 0.43%, 0.52%

LAB 50.2, 53.2, -25.62

 

CMYK 0 / 44 / 8 / 23

HEX #C46DB4

RGB 196 109 180

HSL 311.03, 0.42%, 0.6%

LAB 58.01, 44.34, -22.77

 

CMYK 0 / 34 / 6 / 18

HEX #D08AC3

RGB 208 138 195

HSL 311.14, 0.43%, 0.68%

LAB 66.16, 35.43, -18.7

 

CMYK 0 / 24 / 5 / 14

HEX #DCA8D2

RGB 220 168 210

HSL 311.54, 0.43%, 0.76%

LAB 74.75, 25.89, -13.91

 

CMYK 0 / 45 / 9 / 23

HEX #C56CB4

RGB 197 108 180

HSL 311.46, 0.43%, 0.6%

LAB 57.93, 45.17, -22.87

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 44 / 0 / 10 / 23

HEX #6DC4B1

RGB 109 196 177

HSL 166.9, 0.42%, 0.6%

LAB 73.48, -30.83, 1.37

 

CMYK 0 / 45 / 9 / 23

HEX #C56CB4

RGB 197 108 180

HSL 311.46, 0.43%, 0.6%

LAB 57.93, 45.17, -22.87

 

CMYK 8 / 0 / 44 / 23

HEX #B4C46D

RGB 180 196 109

HSL 71.03, 0.42%, 0.6%

LAB 76.25, -18.83, 41.69

 

CMYK 44 / 8 / 0 / 23

HEX #6DB4C4

RGB 109 180 196

HSL 191.03, 0.42%, 0.6%

LAB 69.38, -18.07, -15.1

 

CMYK 0 / 45 / 9 / 23

HEX #C56CB4

RGB 197 108 180

HSL 311.46, 0.43%, 0.6%

LAB 57.93, 45.17, -22.87

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 44 / 0 / 36 / 23

HEX #6DC47D

RGB 109 196 125

HSL 131.03, 0.42%, 0.6%

LAB 72.37, -41.43, 27.7

 

CMYK 44 / 17 / 0 / 23

HEX #6DA3C4

RGB 109 163 196

HSL 202.76, 0.42%, 0.6%

LAB 64.51, -9, -22.5

 

CMYK 0 / 45 / 9 / 23

HEX #C56CB4

RGB 197 108 180

HSL 311.46, 0.43%, 0.6%

LAB 57.93, 45.17, -22.87

 

CMYK 0 / 14 / 44 / 23

HEX #C4A96D

RGB 196 169 109

HSL 41.38, 0.42%, 0.6%

LAB 70.33, 1.7, 34.53

 

CMYK 44 / 0 / 36 / 23

HEX #6DC47D

RGB 109 196 125

HSL 131.03, 0.42%, 0.6%

LAB 72.37, -41.43, 27.7

 

CMYK 44 / 31 / 0 / 23

HEX #6D88C4

RGB 109 136 196

HSL 221.38, 0.42%, 0.6%

LAB 56.92, 6.35, -34.22

 

Description

Color code: HEX #C56CB4 | qconv.com Color code: HEX #C56CB4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 108 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 108 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 9 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 9% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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