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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C48E6D it is the complementary color #3B7192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C48E6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C48E6D shade: #C98E68, #DAA07B, #EBB28E, #FCC4A1 and #FFD6B4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C48E6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C48E6D shade: #C48E6D, #B37C5A, #A26A47, #915834 and #804621

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C48E6D shade: #C38E6E, #C3776E and #C36E6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C48E6D shade: #C38E6E, #C3A56E, #C3BC6E, #B3C36E and #9CC36E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C48E6D shade matches the following richer shades: #C38E6E, #D48A5D, #E4864D and #F5823C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C48E6D shade: #C38E6E, #B3927E, #A2968F, #929A9F and #819EB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C48E6D shade: #C36E7C, #C3766E, #C38D6E, #C3A46E and #C3BB6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C48E6D shade: #9E6440, #B77750, #C38E6E, #CFA58B and #DBBCA8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C48E6D shade: #C48E6D, #93C36E and #6E71C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C48E6D shade: #C48E6D, #6EC38D and #8D6EC3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C48E6D shade: #C48E6D, #93C36E, #6EA4C3 and #9E6EC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C48E6D shade: #C48E6D, #79C36E, #6EA4C3 and #B86EC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

Complementary color

CMYK 60 / 23 / 0 / 43

HEX #3B7192

RGB 59 113 146

HSL 202.76, 0.42%, 0.4%

LAB 45.38, -7.64, -23.4

 

CMYK 0 / 29 / 48 / 21

HEX #C98E68

RGB 201 142 104

HSL 23.51, 0.47%, 0.6%

LAB 63.97, 17.94, 29.12

 

CMYK 0 / 27 / 44 / 15

HEX #DAA07B

RGB 218 160 123

HSL 23.37, 0.56%, 0.67%

LAB 70.51, 16.99, 27.72

 

CMYK 0 / 24 / 40 / 8

HEX #EBB28E

RGB 235 178 142

HSL 23.23, 0.7%, 0.74%

LAB 76.95, 16.15, 26.44

 

CMYK 0 / 22 / 36 / 1

HEX #FCC4A1

RGB 252 196 161

HSL 23.08, 0.94%, 0.81%

LAB 83.31, 15.41, 25.25

 

CMYK 0 / 16 / 29 / 0

HEX #FFD6B4

RGB 255 214 180

HSL 27.2, 1%, 0.85%

LAB 88.28, 9.51, 22.14

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 0 / 31 / 50 / 30

HEX #B37C5A

RGB 179 124 90

HSL 22.92, 0.37%, 0.53%

LAB 56.82, 17.4, 27.09

 

CMYK 0 / 35 / 56 / 36

HEX #A26A47

RGB 162 106 71

HSL 23.08, 0.39%, 0.46%

LAB 50.03, 18.57, 28.69

 

CMYK 0 / 39 / 64 / 43

HEX #915834

RGB 145 88 52

HSL 23.23, 0.47%, 0.39%

LAB 43.13, 19.96, 30.46

 

CMYK 0 / 45 / 74 / 50

HEX #804621

RGB 128 70 33

HSL 23.37, 0.59%, 0.32%

LAB 36.14, 21.61, 32.36

 

CMYK 0 / 27 / 44 / 24

HEX #C38E6E

RGB 195 142 110

HSL 22.59, 0.41%, 0.6%

LAB 63.4, 16.1, 24.95

 

CMYK 0 / 39 / 44 / 24

HEX #C3776E

RGB 195 119 110

HSL 6.35, 0.41%, 0.6%

LAB 57.96, 28.73, 17.61

 

CMYK 0 / 44 / 44 / 24

HEX #C36E6E

RGB 195 110 110

HSL 0, 0.41%, 0.6%

LAB 55.97, 33.59, 14.86

 

CMYK 0 / 27 / 44 / 24

HEX #C38E6E

RGB 195 142 110

HSL 22.59, 0.41%, 0.6%

LAB 63.4, 16.1, 24.95

 

CMYK 0 / 15 / 44 / 24

HEX #C3A56E

RGB 195 165 110

HSL 38.82, 0.41%, 0.6%

LAB 69.21, 3.54, 32.55

 

CMYK 0 / 4 / 44 / 24

HEX #C3BC6E

RGB 195 188 110

HSL 55.06, 0.41%, 0.6%

LAB 75.26, -8.63, 40.22

 

CMYK 8 / 0 / 44 / 24

HEX #B3C36E

RGB 179 195 110

HSL 71.29, 0.41%, 0.6%

LAB 75.91, -18.62, 40.76

 

CMYK 20 / 0 / 44 / 24

HEX #9CC36E

RGB 156 195 110

HSL 87.53, 0.41%, 0.6%

LAB 74.33, -27.47, 38.44

 

CMYK 0 / 27 / 44 / 24

HEX #C38E6E

RGB 195 142 110

HSL 22.59, 0.41%, 0.6%

LAB 63.4, 16.1, 24.95

 

CMYK 0 / 35 / 56 / 17

HEX #D48A5D

RGB 212 138 93

HSL 22.69, 0.58%, 0.6%

LAB 64.13, 23.64, 35.55

 

CMYK 0 / 41 / 66 / 11

HEX #E4864D

RGB 228 134 77

HSL 22.65, 0.74%, 0.6%

LAB 65.03, 31.16, 45.46

 

CMYK 0 / 47 / 76 / 4

HEX #F5823C

RGB 245 130 60

HSL 22.7, 0.9%, 0.6%

LAB 66.29, 39.14, 55.68

 

CMYK 0 / 27 / 44 / 24

HEX #C38E6E

RGB 195 142 110

HSL 22.59, 0.41%, 0.6%

LAB 63.4, 16.1, 24.95

 

CMYK 0 / 18 / 30 / 30

HEX #B3927E

RGB 179 146 126

HSL 22.64, 0.26%, 0.6%

LAB 63.05, 9.39, 15.27

 

CMYK 0 / 7 / 12 / 36

HEX #A2968F

RGB 162 150 143

HSL 22.11, 0.09%, 0.6%

LAB 62.91, 3.18, 5.27

 

CMYK 8 / 3 / 0 / 38

HEX #929A9F

RGB 146 154 159

HSL 203.08, 0.06%, 0.6%

LAB 63.12, -1.84, -3.61

 

CMYK 27 / 10 / 0 / 31

HEX #819EB0

RGB 129 158 176

HSL 202.98, 0.23%, 0.6%

LAB 63.55, -5.85, -12.65

 

CMYK 0 / 44 / 36 / 24

HEX #C36E7C

RGB 195 110 124

HSL 350.12, 0.41%, 0.6%

LAB 56.3, 35.19, 7.17

 

CMYK 0 / 39 / 44 / 24

HEX #C3766E

RGB 195 118 110

HSL 5.65, 0.41%, 0.6%

LAB 57.74, 29.27, 17.3

 

CMYK 0 / 28 / 44 / 24

HEX #C38D6E

RGB 195 141 110

HSL 21.88, 0.41%, 0.6%

LAB 63.16, 16.65, 24.62

 

CMYK 0 / 16 / 44 / 24

HEX #C3A46E

RGB 195 164 110

HSL 38.12, 0.41%, 0.6%

LAB 68.95, 4.08, 32.22

 

CMYK 0 / 4 / 44 / 24

HEX #C3BB6E

RGB 195 187 110

HSL 54.35, 0.41%, 0.6%

LAB 74.99, -8.11, 39.89

 

CMYK 0 / 37 / 59 / 38

HEX #9E6440

RGB 158 100 64

HSL 22.98, 0.42%, 0.44%

LAB 47.95, 19.68, 29.94

 

CMYK 0 / 35 / 56 / 28

HEX #B77750

RGB 183 119 80

HSL 22.72, 0.42%, 0.52%

LAB 55.93, 20.96, 31.61

 

CMYK 0 / 27 / 44 / 24

HEX #C38E6E

RGB 195 142 110

HSL 22.59, 0.41%, 0.6%

LAB 63.4, 16.1, 24.95

 

CMYK 0 / 20 / 33 / 19

HEX #CFA58B

RGB 207 165 139

HSL 22.94, 0.41%, 0.68%

LAB 70.9, 11.78, 19.35

 

CMYK 0 / 14 / 23 / 14

HEX #DBBCA8

RGB 219 188 168

HSL 23.53, 0.41%, 0.76%

LAB 78.38, 8, 14.21

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 25 / 0 / 44 / 24

HEX #93C36E

RGB 147 195 110

HSL 93.88, 0.41%, 0.6%

LAB 73.78, -30.78, 37.63

 

CMYK 44 / 42 / 0 / 24

HEX #6E71C3

RGB 110 113 195

HSL 237.88, 0.41%, 0.6%

LAB 50.76, 20.08, -43.34

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 44 / 0 / 28 / 24

HEX #6EC38D

RGB 110 195 141

HSL 141.88, 0.41%, 0.6%

LAB 72.41, -37.81, 19.28

 

CMYK 28 / 44 / 0 / 24

HEX #8D6EC3

RGB 141 110 195

HSL 261.88, 0.41%, 0.6%

LAB 52.68, 30.24, -40.13

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 25 / 0 / 44 / 24

HEX #93C36E

RGB 147 195 110

HSL 93.88, 0.41%, 0.6%

LAB 73.78, -30.78, 37.63

 

CMYK 44 / 16 / 0 / 24

HEX #6EA4C3

RGB 110 164 195

HSL 201.88, 0.41%, 0.6%

LAB 64.81, -9.57, -21.48

 

CMYK 19 / 44 / 0 / 24

HEX #9E6EC3

RGB 158 110 195

HSL 273.88, 0.41%, 0.6%

LAB 54.41, 35.15, -37.3

 

CMYK 0 / 28 / 44 / 23

HEX #C48E6D

RGB 196 142 109

HSL 22.76, 0.42%, 0.6%

LAB 63.5, 16.4, 25.64

 

CMYK 38 / 0 / 44 / 24

HEX #79C36E

RGB 121 195 110

HSL 112.24, 0.41%, 0.6%

LAB 72.38, -39.69, 35.56

 

CMYK 44 / 16 / 0 / 24

HEX #6EA4C3

RGB 110 164 195

HSL 201.88, 0.41%, 0.6%

LAB 64.81, -9.57, -21.48

 

CMYK 6 / 44 / 0 / 24

HEX #B86EC3

RGB 184 110 195

HSL 292.24, 0.41%, 0.6%

LAB 57.35, 42.88, -32.48

 

Description

Color code: HEX #C48E6D | qconv.com Color code: HEX #C48E6D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 142 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 142 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 44 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 44% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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