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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C53395 it is the complementary color #3ACC6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C53395. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C53395 shade: #CA3390, #DB45A3, #EC57B6, #FD69C9 and #FF7BDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C53395. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C53395 shade: #C53395, #B42182, #A30F6F, #92005C and #810049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C53395 shade: #C63396, #C6336E, #C63346 and #C63333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C53395 shade: #C63396, #C633BD, #A733C6, #7F33C6 and #5833C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C53395 shade matches the following richer shades: #C63396, #DA1F9D and #EF0AA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C53395 shade: #C63396, #B2478F, #9E5B88, #8A6F81 and #75847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C53395 shade: #A633C6, #C633BF, #C63397, #C63370 and #C63349

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C53395 shade: #852264, #A52A7D, #C63396, #D251A7 and #DA71B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C53395 shade: #C53395, #C67F33 and #33C6BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C53395 shade: #C53395, #97C633 and #3397C6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C53395 shade: #C53395, #C67F33, #33C661 and #337AC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C53395 shade: #C53395, #C6AB33, #33C661 and #334EC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 24 / 23

HEX #C53395

RGB 197 51 149

HSL 319.73, 0.59%, 0.49%

LAB 47.51, 65.32, -20.71

 

Complementary color

CMYK 72 / 0 / 48 / 20

HEX #3ACC6A

RGB 58 204 106

HSL 139.73, 0.59%, 0.51%

LAB 72.97, -59.19, 37.89

 

CMYK 0 / 75 / 29 / 21

HEX #CA3390

RGB 202 51 144

HSL 323.05, 0.6%, 0.5%

LAB 48.18, 65.95, -16.59

 

CMYK 0 / 68 / 26 / 14

HEX #DB45A3

RGB 219 69 163

HSL 322.4, 0.68%, 0.56%

LAB 53.99, 66.53, -18.76

 

CMYK 0 / 63 / 23 / 7

HEX #EC57B6

RGB 236 87 182

HSL 321.74, 0.8%, 0.63%

LAB 59.91, 66.61, -20.5

 

CMYK 0 / 58 / 21 / 1

HEX #FD69C9

RGB 253 105 201

HSL 321.08, 0.97%, 0.7%

LAB 65.91, 66.38, -21.92

 

CMYK 0 / 52 / 14 / 0

HEX #FF7BDC

RGB 255 123 220

HSL 315.91, 1%, 0.74%

LAB 69.89, 61.64, -26.41

 

CMYK 0 / 74 / 24 / 23

HEX #C53395

RGB 197 51 149

HSL 319.73, 0.59%, 0.49%

LAB 47.51, 65.32, -20.71

 

CMYK 0 / 82 / 28 / 29

HEX #B42182

RGB 180 33 130

HSL 320.41, 0.69%, 0.42%

LAB 41.85, 64, -18.12

 

CMYK 0 / 91 / 32 / 36

HEX #A30F6F

RGB 163 15 111

HSL 321.08, 0.83%, 0.35%

LAB 36.51, 61.56, -14.73

 

CMYK 0 / 100 / 37 / 43

HEX #92005C

RGB 146 0 92

HSL 322.19, 1%, 0.29%

LAB 31.54, 57.79, -10.41

 

CMYK 0 / 100 / 43 / 49

HEX #810049

RGB 129 0 73

HSL 326.05, 1%, 0.25%

LAB 27.15, 52.04, -4.78

 

CMYK 0 / 74 / 24 / 22

HEX #C63396

RGB 198 51 150

HSL 319.59, 0.59%, 0.49%

LAB 47.72, 65.69, -20.96

 

CMYK 0 / 74 / 44 / 22

HEX #C6336E

RGB 198 51 110

HSL 335.92, 0.59%, 0.49%

LAB 46.31, 61.26, 1.22

 

CMYK 0 / 74 / 65 / 22

HEX #C63346

RGB 198 51 70

HSL 352.24, 0.59%, 0.49%

LAB 45.38, 58.24, 24.56

 

CMYK 0 / 74 / 74 / 22

HEX #C63333

RGB 198 51 51

HSL 0, 0.59%, 0.49%

LAB 45.1, 57.3, 35.53

 

CMYK 0 / 74 / 24 / 22

HEX #C63396

RGB 198 51 150

HSL 319.59, 0.59%, 0.49%

LAB 47.72, 65.69, -20.96

 

CMYK 0 / 74 / 5 / 22

HEX #C633BD

RGB 198 51 189

HSL 303.67, 0.59%, 0.49%

LAB 49.55, 71.18, -41.13

 

CMYK 16 / 74 / 0 / 22

HEX #A733C6

RGB 167 51 198

HSL 287.35, 0.59%, 0.49%

LAB 45.17, 66.31, -53.65

 

CMYK 36 / 74 / 0 / 22

HEX #7F33C6

RGB 127 51 198

HSL 271.02, 0.59%, 0.49%

LAB 39.51, 58.78, -63.07

 

CMYK 56 / 74 / 0 / 22

HEX #5833C6

RGB 88 51 198

HSL 255.1, 0.59%, 0.49%

LAB 35.04, 52.58, -70.56

 

CMYK 0 / 74 / 24 / 22

HEX #C63396

RGB 198 51 150

HSL 319.59, 0.59%, 0.49%

LAB 47.72, 65.69, -20.96

 

CMYK 0 / 86 / 28 / 15

HEX #DA1F9D

RGB 218 31 157

HSL 319.57, 0.75%, 0.49%

LAB 49.88, 76.07, -21.51

 

CMYK 0 / 96 / 31 / 6

HEX #EF0AA4

RGB 239 10 164

HSL 319.65, 0.92%, 0.49%

LAB 53.22, 83.7, -20.21

 

CMYK 0 / 74 / 24 / 22

HEX #C63396

RGB 198 51 150

HSL 319.59, 0.59%, 0.49%

LAB 47.72, 65.69, -20.96

 

CMYK 0 / 60 / 20 / 30

HEX #B2478F

RGB 178 71 143

HSL 319.63, 0.43%, 0.49%

LAB 46.91, 51.6, -18.28

 

CMYK 0 / 42 / 14 / 38

HEX #9E5B88

RGB 158 91 136

HSL 319.7, 0.27%, 0.49%

LAB 47.66, 33.92, -13.21

 

CMYK 0 / 20 / 7 / 46

HEX #8A6F81

RGB 138 111 129

HSL 320, 0.11%, 0.49%

LAB 49.93, 13.86, -5.88

 

CMYK 11 / 0 / 8 / 48

HEX #75847A

RGB 117 132 122

HSL 140, 0.06%, 0.49%

LAB 53.7, -7.55, 3.54

 

CMYK 16 / 74 / 0 / 22

HEX #A633C6

RGB 166 51 198

HSL 286.94, 0.59%, 0.49%

LAB 45.01, 66.11, -53.9

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 74 / 24 / 22

HEX #C63397

RGB 198 51 151

HSL 319.18, 0.59%, 0.49%

LAB 47.76, 65.82, -21.5

 

CMYK 0 / 74 / 43 / 22

HEX #C63370

RGB 198 51 112

HSL 335.1, 0.59%, 0.49%

LAB 46.37, 61.45, 0.08

 

CMYK 0 / 74 / 63 / 22

HEX #C63349

RGB 198 51 73

HSL 351.02, 0.59%, 0.49%

LAB 45.43, 58.41, 22.8

 

CMYK 0 / 74 / 25 / 48

HEX #852264

RGB 133 34 100

HSL 320, 0.59%, 0.33%

LAB 31.92, 48.01, -15.24

 

CMYK 0 / 75 / 24 / 35

HEX #A52A7D

RGB 165 42 125

HSL 319.51, 0.59%, 0.41%

LAB 39.81, 57.07, -18.4

 

CMYK 0 / 74 / 24 / 22

HEX #C63396

RGB 198 51 150

HSL 319.59, 0.59%, 0.49%

LAB 47.72, 65.69, -20.96

 

CMYK 0 / 61 / 20 / 18

HEX #D251A7

RGB 210 81 167

HSL 320, 0.59%, 0.57%

LAB 54.42, 59.86, -20.56

 

CMYK 0 / 48 / 16 / 15

HEX #DA71B8

RGB 218 113 184

HSL 319.43, 0.59%, 0.65%

LAB 61.81, 49.86, -18.99

 

CMYK 0 / 74 / 24 / 23

HEX #C53395

RGB 197 51 149

HSL 319.73, 0.59%, 0.49%

LAB 47.51, 65.32, -20.71

 

CMYK 0 / 36 / 74 / 22

HEX #C67F33

RGB 198 127 51

HSL 31.02, 0.59%, 0.49%

LAB 59.36, 21.08, 50.72

 

CMYK 74 / 0 / 6 / 22

HEX #33C6BA

RGB 51 198 186

HSL 175.1, 0.59%, 0.49%

LAB 72.65, -40.1, -4.94

 

CMYK 0 / 74 / 24 / 23

HEX #C53395

RGB 197 51 149

HSL 319.73, 0.59%, 0.49%

LAB 47.51, 65.32, -20.71

 

CMYK 24 / 0 / 74 / 22

HEX #97C633

RGB 151 198 51

HSL 79.18, 0.59%, 0.49%

LAB 74.32, -35.94, 64.08

 

CMYK 74 / 24 / 0 / 22

HEX #3397C6

RGB 51 151 198

HSL 199.18, 0.59%, 0.49%

LAB 58.89, -12.95, -32.46

 

CMYK 0 / 74 / 24 / 23

HEX #C53395

RGB 197 51 149

HSL 319.73, 0.59%, 0.49%

LAB 47.51, 65.32, -20.71

 

CMYK 0 / 36 / 74 / 22

HEX #C67F33

RGB 198 127 51

HSL 31.02, 0.59%, 0.49%

LAB 59.36, 21.08, 50.72

 

CMYK 74 / 0 / 51 / 22

HEX #33C661

RGB 51 198 97

HSL 138.78, 0.59%, 0.49%

LAB 70.84, -59.53, 39.64

 

CMYK 74 / 38 / 0 / 22

HEX #337AC6

RGB 51 122 198

HSL 211.02, 0.59%, 0.49%

LAB 50.33, 3.93, -45.93

 

CMYK 0 / 74 / 24 / 23

HEX #C53395

RGB 197 51 149

HSL 319.73, 0.59%, 0.49%

LAB 47.51, 65.32, -20.71

 

CMYK 0 / 14 / 74 / 22

HEX #C6AB33

RGB 198 171 51

HSL 48.98, 0.59%, 0.49%

LAB 70.43, -2.78, 61.61

 

CMYK 74 / 0 / 51 / 22

HEX #33C661

RGB 51 198 97

HSL 138.78, 0.59%, 0.49%

LAB 70.84, -59.53, 39.64

 

CMYK 74 / 61 / 0 / 22

HEX #334EC6

RGB 51 78 198

HSL 228.98, 0.59%, 0.49%

LAB 38.25, 31.98, -65.4

 

Description

Color code: HEX #C53395 | qconv.com Color code: HEX #C53395 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 51 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 51 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 24 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 24% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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