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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 51 191 it is the complementary color RGB 57 204 64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 51 191. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 51 191 shade: RGB 203 51 186, RGB 220 69 205, RGB 237 87 224, RGB 254 105 243 and RGB 255 123 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 51 191. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 181 33 172, RGB 164 15 153, RGB 147 0 134 and RGB 130 0 115

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 198 51 151, RGB 198 51 112, RGB 198 51 72 and RGB 198 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 165 51 198, RGB 126 51 198, RGB 86 51 198 and RGB 51 51 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 51 191 shade matches the following richer shades: RGB 198 51 191, RGB 218 31 209 and RGB 239 10 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 178 71 173, RGB 158 91 155, RGB 138 111 136 and RGB 117 132 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 51 191 shade: RGB 124 51 198, RGB 164 51 198, RGB 198 51 193, RGB 198 51 154 and RGB 198 51 115

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 51 191 shade: RGB 133 34 128, RGB 165 42 160, RGB 198 51 191, RGB 210 81 203 and RGB 218 113 213

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 198 85 51 and RGB 51 198 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 193 198 51 and RGB 51 193 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 198 85 51, RGB 51 198 56 and RGB 51 164 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 51 191 shade: RGB 198 51 191, RGB 198 129 51, RGB 51 198 56 and RGB 51 120 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

Complementary color

CMYK 72 / 0 / 69 / 20

HEX #39CC40

RGB 57 204 64

HSL 122.86, 0.59%, 0.51%

LAB 72.51, -64.59, 56.32

 

CMYK 0 / 75 / 8 / 20

HEX #CB33BA

RGB 203 51 186

HSL 306.71, 0.6%, 0.5%

LAB 50.23, 71.81, -38.26

 

CMYK 0 / 69 / 7 / 14

HEX #DC45CD

RGB 220 69 205

HSL 305.96, 0.68%, 0.57%

LAB 55.97, 72.63, -39.99

 

CMYK 0 / 63 / 5 / 7

HEX #ED57E0

RGB 237 87 224

HSL 305.2, 0.81%, 0.64%

LAB 61.83, 72.91, -41.35

 

CMYK 0 / 59 / 4 / 0

HEX #FE69F3

RGB 254 105 243

HSL 304.43, 0.99%, 0.7%

LAB 67.76, 72.84, -42.44

 

CMYK 0 / 52 / 0 / 0

HEX #FF7BFF

RGB 255 123 255

HSL 300, 1%, 0.74%

LAB 71.31, 67.24, -43.44

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 82 / 5 / 29

HEX #B521AC

RGB 181 33 172

HSL 303.65, 0.69%, 0.42%

LAB 44.07, 69.93, -40

 

CMYK 0 / 91 / 7 / 36

HEX #A40F99

RGB 164 15 153

HSL 304.43, 0.83%, 0.35%

LAB 38.78, 67.23, -37.19

 

CMYK 0 / 100 / 9 / 42

HEX #930086

RGB 147 0 134

HSL 305.31, 1%, 0.29%

LAB 33.82, 63.23, -33.59

 

CMYK 0 / 100 / 12 / 49

HEX #820073

RGB 130 0 115

HSL 306.92, 1%, 0.25%

LAB 29.37, 57.34, -28.89

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 74 / 24 / 22

HEX #C63397

RGB 198 51 151

HSL 319.18, 0.59%, 0.49%

LAB 47.76, 65.82, -21.5

 

CMYK 0 / 74 / 43 / 22

HEX #C63370

RGB 198 51 112

HSL 335.1, 0.59%, 0.49%

LAB 46.37, 61.45, 0.08

 

CMYK 0 / 74 / 64 / 22

HEX #C63348

RGB 198 51 72

HSL 351.43, 0.59%, 0.49%

LAB 45.42, 58.35, 23.38

 

CMYK 0 / 74 / 74 / 22

HEX #C63333

RGB 198 51 51

HSL 0, 0.59%, 0.49%

LAB 45.1, 57.3, 35.53

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 17 / 74 / 0 / 22

HEX #A533C6

RGB 165 51 198

HSL 286.53, 0.59%, 0.49%

LAB 44.86, 65.91, -54.15

 

CMYK 36 / 74 / 0 / 22

HEX #7E33C6

RGB 126 51 198

HSL 270.61, 0.59%, 0.49%

LAB 39.38, 58.6, -63.29

 

CMYK 57 / 74 / 0 / 22

HEX #5633C6

RGB 86 51 198

HSL 254.29, 0.59%, 0.49%

LAB 34.85, 52.31, -70.88

 

CMYK 74 / 74 / 0 / 22

HEX #3333C6

RGB 51 51 198

HSL 240, 0.59%, 0.49%

LAB 32.14, 48.39, -75.44

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 86 / 4 / 15

HEX #DA1FD1

RGB 218 31 209

HSL 302.89, 0.75%, 0.49%

LAB 52.39, 82.76, -47.97

 

CMYK 0 / 96 / 5 / 6

HEX #EF0AE4

RGB 239 10 228

HSL 302.88, 0.92%, 0.49%

LAB 56.26, 91.39, -52.4

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 60 / 3 / 30

HEX #B247AD

RGB 178 71 173

HSL 302.8, 0.43%, 0.49%

LAB 48.25, 56.39, -34.04

 

CMYK 0 / 42 / 2 / 38

HEX #9E5B9B

RGB 158 91 155

HSL 302.69, 0.27%, 0.49%

LAB 48.41, 37.34, -23.38

 

CMYK 0 / 20 / 1 / 46

HEX #8A6F88

RGB 138 111 136

HSL 304.44, 0.11%, 0.49%

LAB 50.16, 15.23, -9.68

 

CMYK 11 / 0 / 11 / 48

HEX #758476

RGB 117 132 118

HSL 124, 0.06%, 0.49%

LAB 53.59, -8.34, 5.71

 

CMYK 37 / 74 / 0 / 22

HEX #7C33C6

RGB 124 51 198

HSL 269.8, 0.59%, 0.49%

LAB 39.12, 58.25, -63.72

 

CMYK 17 / 74 / 0 / 22

HEX #A433C6

RGB 164 51 198

HSL 286.12, 0.59%, 0.49%

LAB 44.71, 65.71, -54.4

 

CMYK 0 / 74 / 3 / 22

HEX #C633C1

RGB 198 51 193

HSL 302.04, 0.59%, 0.49%

LAB 49.77, 71.8, -43.11

 

CMYK 0 / 74 / 22 / 22

HEX #C6339A

RGB 198 51 154

HSL 317.96, 0.59%, 0.49%

LAB 47.89, 66.2, -23.1

 

CMYK 0 / 74 / 42 / 22

HEX #C63373

RGB 198 51 115

HSL 333.88, 0.59%, 0.49%

LAB 46.46, 61.74, -1.63

 

CMYK 0 / 74 / 4 / 48

HEX #852280

RGB 133 34 128

HSL 303.03, 0.59%, 0.33%

LAB 33.33, 52.33, -30.8

 

CMYK 0 / 75 / 3 / 35

HEX #A52AA0

RGB 165 42 160

HSL 302.44, 0.59%, 0.41%

LAB 41.52, 62.23, -37.06

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 61 / 3 / 18

HEX #D251CB

RGB 210 81 203

HSL 303.26, 0.59%, 0.57%

LAB 55.99, 65.35, -38.93

 

CMYK 0 / 48 / 2 / 15

HEX #DA71D5

RGB 218 113 213

HSL 302.86, 0.59%, 0.65%

LAB 62.94, 54.63, -33.63

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 57 / 74 / 22

HEX #C65533

RGB 198 85 51

HSL 13.88, 0.59%, 0.49%

LAB 50.38, 43.09, 41.34

 

CMYK 74 / 0 / 27 / 22

HEX #33C690

RGB 51 198 144

HSL 157.96, 0.59%, 0.49%

LAB 71.63, -50.68, 16.33

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 3 / 0 / 74 / 22

HEX #C1C633

RGB 193 198 51

HSL 62.04, 0.59%, 0.49%

LAB 77.26, -18.79, 67.91

 

CMYK 74 / 3 / 0 / 22

HEX #33C1C6

RGB 51 193 198

HSL 182.04, 0.59%, 0.49%

LAB 71.5, -34.37, -13.19

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 57 / 74 / 22

HEX #C65533

RGB 198 85 51

HSL 13.88, 0.59%, 0.49%

LAB 50.38, 43.09, 41.34

 

CMYK 74 / 0 / 72 / 22

HEX #33C638

RGB 51 198 56

HSL 122.04, 0.59%, 0.49%

LAB 70.44, -64.32, 57.16

 

CMYK 74 / 17 / 0 / 22

HEX #33A4C6

RGB 51 164 198

HSL 193.88, 0.59%, 0.49%

LAB 62.79, -19.95, -26.44

 

CMYK 0 / 74 / 4 / 22

HEX #C633BF

RGB 198 51 191

HSL 302.86, 0.59%, 0.49%

LAB 49.66, 71.49, -42.12

 

CMYK 0 / 35 / 74 / 22

HEX #C68133

RGB 198 129 51

HSL 31.84, 0.59%, 0.49%

LAB 59.84, 19.98, 51.2

 

CMYK 74 / 0 / 72 / 22

HEX #33C638

RGB 51 198 56

HSL 122.04, 0.59%, 0.49%

LAB 70.44, -64.32, 57.16

 

CMYK 74 / 39 / 0 / 22

HEX #3378C6

RGB 51 120 198

HSL 211.84, 0.59%, 0.49%

LAB 49.75, 5.16, -46.85

 

Description

Color code: RGB 198 51 191 | qconv.com Color code: RGB 198 51 191 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 51 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 51 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 4 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 4% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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