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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 25 198 it is the complementary color RGB 58 230 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 25 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 25 198 shade: RGB 202 25 193, RGB 219 43 212, RGB 236 61 231, RGB 253 79 250 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 25 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 25 198 shade: RGB 197 25 198, RGB 180 7 179, RGB 163 0 160, RGB 146 0 141 and RGB 129 0 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 25 198 shade: RGB 198 24 199, RGB 199 24 153, RGB 199 24 106, RGB 199 24 59 and RGB 199 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 25 198 shade: RGB 198 24 199, RGB 151 24 199, RGB 104 24 199, RGB 57 24 199 and RGB 24 24 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 25 198 shade matches the following richer shades: RGB 198 24 199 and RGB 216 6 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 25 198 shade: RGB 198 24 199, RGB 180 42 181, RGB 162 60 163, RGB 144 79 145 and RGB 126 97 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 25 198 shade: RGB 103 24 199, RGB 150 24 199, RGB 196 24 199, RGB 199 24 155 and RGB 199 24 109

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 25 198 shade: RGB 125 15 126, RGB 162 20 162, RGB 198 24 199, RGB 227 37 228 and RGB 231 74 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 25 198 shade: RGB 197 25 198, RGB 199 56 24 and RGB 24 199 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 25 198 shade: RGB 197 25 198, RGB 199 196 24 and RGB 24 199 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 25 198 shade: RGB 197 25 198, RGB 199 56 24, RGB 27 199 24 and RGB 24 167 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 25 198 shade: RGB 197 25 198, RGB 199 109 24, RGB 27 199 24 and RGB 24 115 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

Complementary color

CMYK 75 / 0 / 75 / 10

HEX #3AE639

RGB 58 230 57

HSL 119.65, 0.78%, 0.56%

LAB 80.62, -73.11, 67.1

 

CMYK 0 / 88 / 4 / 21

HEX #CA19C1

RGB 202 25 193

HSL 303.05, 0.78%, 0.45%

LAB 48.39, 78.55, -45.26

 

CMYK 0 / 80 / 3 / 14

HEX #DB2BD4

RGB 219 43 212

HSL 302.39, 0.71%, 0.51%

LAB 53.54, 80.99, -47.85

 

CMYK 0 / 74 / 2 / 7

HEX #EC3DE7

RGB 236 61 231

HSL 301.71, 0.82%, 0.58%

LAB 58.92, 82.54, -49.88

 

CMYK 0 / 69 / 1 / 1

HEX #FD4FFA

RGB 253 79 250

HSL 301.03, 0.98%, 0.65%

LAB 64.46, 83.42, -51.5

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

CMYK 0 / 96 / 1 / 29

HEX #B407B3

RGB 180 7 179

HSL 300.35, 0.93%, 0.37%

LAB 42.93, 74.82, -45.99

 

CMYK 0 / 100 / 2 / 36

HEX #A300A0

RGB 163 0 160

HSL 301.1, 1%, 0.32%

LAB 38.42, 69.85, -42.02

 

CMYK 0 / 100 / 3 / 43

HEX #92008D

RGB 146 0 141

HSL 302.05, 1%, 0.29%

LAB 34.05, 64.08, -37.58

 

CMYK 0 / 100 / 5 / 49

HEX #81007A

RGB 129 0 122

HSL 303.26, 1%, 0.25%

LAB 29.59, 58.19, -33

 

CMYK 1 / 88 / 0 / 22

HEX #C618C7

RGB 198 24 199

HSL 299.66, 0.78%, 0.44%

LAB 47.98, 78.88, -49.43

 

CMYK 0 / 88 / 23 / 22

HEX #C71899

RGB 199 24 153

HSL 315.77, 0.78%, 0.44%

LAB 45.76, 72.8, -25.77

 

CMYK 0 / 88 / 47 / 22

HEX #C7186A

RGB 199 24 106

HSL 331.89, 0.78%, 0.44%

LAB 44, 67.96, 0.35

 

CMYK 0 / 88 / 70 / 22

HEX #C7183B

RGB 199 24 59

HSL 348, 0.78%, 0.44%

LAB 42.93, 64.93, 28.27

 

CMYK 0 / 88 / 88 / 22

HEX #C71818

RGB 199 24 24

HSL 0, 0.78%, 0.44%

LAB 42.55, 63.84, 47.5

 

CMYK 1 / 88 / 0 / 22

HEX #C618C7

RGB 198 24 199

HSL 299.66, 0.78%, 0.44%

LAB 47.98, 78.88, -49.43

 

CMYK 24 / 88 / 0 / 22

HEX #9718C7

RGB 151 24 199

HSL 283.54, 0.78%, 0.44%

LAB 40.17, 71.24, -62.42

 

CMYK 48 / 88 / 0 / 22

HEX #6818C7

RGB 104 24 199

HSL 267.43, 0.78%, 0.44%

LAB 33.39, 65.15, -73.79

 

CMYK 71 / 88 / 0 / 22

HEX #3918C7

RGB 57 24 199

HSL 251.31, 0.78%, 0.44%

LAB 28.5, 61.24, -82.04

 

CMYK 88 / 88 / 0 / 22

HEX #1818C7

RGB 24 24 199

HSL 240, 0.78%, 0.44%

LAB 26.65, 59.91, -85.17

 

CMYK 1 / 88 / 0 / 22

HEX #C618C7

RGB 198 24 199

HSL 299.66, 0.78%, 0.44%

LAB 47.98, 78.88, -49.43

 

CMYK 0 / 97 / 0 / 15

HEX #D806D9

RGB 216 6 217

HSL 299.72, 0.95%, 0.44%

LAB 51.54, 86.39, -53.92

 

CMYK 1 / 88 / 0 / 22

HEX #C618C7

RGB 198 24 199

HSL 299.66, 0.78%, 0.44%

LAB 47.98, 78.88, -49.43

 

CMYK 1 / 77 / 0 / 29

HEX #B42AB5

RGB 180 42 181

HSL 299.57, 0.62%, 0.44%

LAB 45.21, 68.8, -43.52

 

CMYK 1 / 63 / 0 / 36

HEX #A23CA3

RGB 162 60 163

HSL 299.42, 0.46%, 0.44%

LAB 43.59, 55.29, -35.61

 

CMYK 1 / 46 / 0 / 43

HEX #904F91

RGB 144 79 145

HSL 299.09, 0.29%, 0.44%

LAB 43.6, 37.52, -25

 

CMYK 1 / 24 / 0 / 50

HEX #7E617F

RGB 126 97 127

HSL 298, 0.13%, 0.44%

LAB 44.97, 17.32, -12.25

 

CMYK 48 / 88 / 0 / 22

HEX #6718C7

RGB 103 24 199

HSL 267.09, 0.78%, 0.44%

LAB 33.27, 65.04, -74.01

 

CMYK 25 / 88 / 0 / 22

HEX #9618C7

RGB 150 24 199

HSL 283.2, 0.78%, 0.44%

LAB 40.02, 71.09, -62.68

 

CMYK 2 / 88 / 0 / 22

HEX #C418C7

RGB 196 24 199

HSL 298.97, 0.78%, 0.44%

LAB 47.64, 78.53, -50

 

CMYK 0 / 88 / 22 / 22

HEX #C7189B

RGB 199 24 155

HSL 315.09, 0.78%, 0.44%

LAB 45.86, 73.04, -26.83

 

CMYK 0 / 88 / 45 / 22

HEX #C7186D

RGB 199 24 109

HSL 330.86, 0.78%, 0.44%

LAB 44.09, 68.22, -1.38

 

CMYK 1 / 88 / 0 / 51

HEX #7D0F7E

RGB 125 15 126

HSL 299.46, 0.79%, 0.28%

LAB 29.93, 55.57, -35.03

 

CMYK 0 / 88 / 0 / 36

HEX #A214A2

RGB 162 20 162

HSL 300, 0.78%, 0.36%

LAB 39.23, 67.42, -41.95

 

CMYK 1 / 88 / 0 / 22

HEX #C618C7

RGB 198 24 199

HSL 299.66, 0.78%, 0.44%

LAB 47.98, 78.88, -49.43

 

CMYK 0 / 84 / 0 / 11

HEX #E325E4

RGB 227 37 228

HSL 299.69, 0.78%, 0.52%

LAB 55.33, 86.06, -53.99

 

CMYK 0 / 68 / 0 / 9

HEX #E74AE8

RGB 231 74 232

HSL 299.62, 0.77%, 0.6%

LAB 59.63, 77.56, -49.37

 

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

CMYK 0 / 72 / 88 / 22

HEX #C73818

RGB 199 56 24

HSL 10.97, 0.78%, 0.44%

LAB 45.68, 55.04, 49.95

 

CMYK 88 / 0 / 37 / 22

HEX #18C77E

RGB 24 199 126

HSL 154.97, 0.78%, 0.44%

LAB 71.25, -57.57, 25.31

 

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

CMYK 0 / 2 / 88 / 22

HEX #C7C418

RGB 199 196 24

HSL 58.97, 0.78%, 0.44%

LAB 77.09, -16.07, 74.86

 

CMYK 88 / 0 / 2 / 22

HEX #18C7C4

RGB 24 199 196

HSL 178.97, 0.78%, 0.44%

LAB 72.91, -39.93, -10.03

 

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

CMYK 0 / 72 / 88 / 22

HEX #C73818

RGB 199 56 24

HSL 10.97, 0.78%, 0.44%

LAB 45.68, 55.04, 49.95

 

CMYK 86 / 0 / 88 / 22

HEX #1BC718

RGB 27 199 24

HSL 118.97, 0.78%, 0.44%

LAB 70.28, -69.42, 66.06

 

CMYK 88 / 16 / 0 / 22

HEX #18A7C7

RGB 24 167 199

HSL 190.97, 0.78%, 0.44%

LAB 63.31, -23.61, -26.23

 

CMYK 1 / 87 / 0 / 22

HEX #C519C6

RGB 197 25 198

HSL 299.65, 0.78%, 0.44%

LAB 47.81, 78.39, -49.14

 

CMYK 0 / 45 / 88 / 22

HEX #C76D18

RGB 199 109 24

HSL 29.14, 0.78%, 0.44%

LAB 55.22, 30.34, 57.48

 

CMYK 86 / 0 / 88 / 22

HEX #1BC718

RGB 27 199 24

HSL 118.97, 0.78%, 0.44%

LAB 70.28, -69.42, 66.06

 

CMYK 88 / 42 / 0 / 22

HEX #1873C7

RGB 24 115 199

HSL 208.8, 0.78%, 0.44%

LAB 47.73, 6.02, -50.7

 

Description

Color code: RGB 197 25 198 | qconv.com Color code: RGB 197 25 198 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 25 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 25 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 87 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 87% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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