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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C45884 it is the complementary color #3BA77B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C45884. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C45884 shade: #C9587F, #DA6A92, #EB7CA5, #FC8EB8 and #FFA0CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C45884. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C45884 shade: #C45884, #B34671, #A2345E, #91224B and #801038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C45884 shade: #C45884, #C45867 and #C45858

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C45884 shade: #C45884, #C458A1, #C458BE, #AD58C4 and #9058C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C45884 shade matches the following richer shades: #C45884, #D64681, #E8347E and #FB227A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C45884 shade: #C45884, #B26B88, #A07D8B, #8E8F8E and #7CA192

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C45884 shade: #C458BF, #C458A2, #C45885, #C45869 and #C46558

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C45884 shade: #96345C, #B43F6F, #C45884, #CF779B and #DA96B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C45884 shade: #C45884, #C4AD58 and #58B0C4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C45884 shade: #C45884, #85C458 and #5885C4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C45884 shade: #C45884, #C4AD58, #58C497 and #5870C4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C45884 shade: #C45884, #BBC458, #58C497 and #6158C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

Complementary color

CMYK 65 / 0 / 26 / 35

HEX #3BA77B

RGB 59 167 123

HSL 155.56, 0.48%, 0.44%

LAB 61.65, -41.34, 13.89

 

CMYK 0 / 56 / 37 / 21

HEX #C9587F

RGB 201 88 127

HSL 339.29, 0.51%, 0.57%

LAB 52.87, 48.81, 0.57

 

CMYK 0 / 51 / 33 / 15

HEX #DA6A92

RGB 218 106 146

HSL 338.57, 0.6%, 0.64%

LAB 59.24, 48.04, -0.98

 

CMYK 0 / 47 / 30 / 8

HEX #EB7CA5

RGB 235 124 165

HSL 337.84, 0.74%, 0.7%

LAB 65.59, 47.22, -2.3

 

CMYK 0 / 44 / 27 / 1

HEX #FC8EB8

RGB 252 142 184

HSL 337.09, 0.95%, 0.77%

LAB 71.89, 46.38, -3.44

 

CMYK 0 / 37 / 20 / 0

HEX #FFA0CB

RGB 255 160 203

HSL 332.84, 1%, 0.81%

LAB 76.51, 40.86, -7.06

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 61 / 37 / 30

HEX #B34671

RGB 179 70 113

HSL 336.33, 0.44%, 0.49%

LAB 45.85, 48.39, -1.68

 

CMYK 0 / 68 / 42 / 36

HEX #A2345E

RGB 162 52 94

HSL 337.09, 0.51%, 0.42%

LAB 39.49, 48.75, 0.46

 

CMYK 0 / 77 / 48 / 43

HEX #91224B

RGB 145 34 75

HSL 337.84, 0.62%, 0.35%

LAB 33.29, 48.54, 3.27

 

CMYK 0 / 88 / 56 / 50

HEX #801038

RGB 128 16 56

HSL 338.57, 0.78%, 0.28%

LAB 27.42, 47.3, 7.09

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 55 / 47 / 23

HEX #C45867

RGB 196 88 103

HSL 351.67, 0.48%, 0.56%

LAB 51.49, 44.55, 12.79

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 55 / 18 / 23

HEX #C458A1

RGB 196 88 161

HSL 319.44, 0.48%, 0.56%

LAB 53.26, 51.76, -19.01

 

CMYK 0 / 55 / 3 / 23

HEX #C458BE

RGB 196 88 190

HSL 303.33, 0.48%, 0.56%

LAB 54.48, 56.44, -33.97

 

CMYK 12 / 55 / 0 / 23

HEX #AD58C4

RGB 173 88 196

HSL 287.22, 0.48%, 0.56%

LAB 51.67, 51.35, -42.07

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 67 / 40 / 16

HEX #D64681

RGB 214 70 129

HSL 335.42, 0.64%, 0.56%

LAB 52.13, 60.86, -1.46

 

CMYK 0 / 78 / 46 / 9

HEX #E8347E

RGB 232 52 126

HSL 335.33, 0.8%, 0.56%

LAB 53.08, 71.47, 2.1

 

CMYK 0 / 86 / 51 / 2

HEX #FB227A

RGB 251 34 122

HSL 335.67, 0.96%, 0.56%

LAB 55.13, 79.8, 7.92

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 40 / 24 / 30

HEX #B26B88

RGB 178 107 136

HSL 335.49, 0.32%, 0.56%

LAB 53.77, 32.21, -3.81

 

CMYK 0 / 22 / 13 / 37

HEX #A07D8B

RGB 160 125 139

HSL 336, 0.16%, 0.56%

LAB 56.09, 15.86, -2.37

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 9 / 37

HEX #7CA192

RGB 124 161 146

HSL 155.68, 0.16%, 0.56%

LAB 63.22, -15.87, 3.67

 

CMYK 0 / 55 / 3 / 23

HEX #C458BF

RGB 196 88 191

HSL 302.78, 0.48%, 0.56%

LAB 54.53, 56.61, -34.48

 

CMYK 0 / 55 / 17 / 23

HEX #C458A2

RGB 196 88 162

HSL 318.89, 0.48%, 0.56%

LAB 53.3, 51.91, -19.54

 

CMYK 0 / 55 / 32 / 23

HEX #C45885

RGB 196 88 133

HSL 335, 0.48%, 0.56%

LAB 52.3, 47.89, -3.93

 

CMYK 0 / 55 / 46 / 23

HEX #C45869

RGB 196 88 105

HSL 350.56, 0.48%, 0.56%

LAB 51.54, 44.74, 11.66

 

CMYK 0 / 48 / 55 / 23

HEX #C46558

RGB 196 101 88

HSL 7.22, 0.48%, 0.56%

LAB 53.76, 36.62, 24.67

 

CMYK 0 / 65 / 39 / 41

HEX #96345C

RGB 150 52 92

HSL 335.51, 0.49%, 0.4%

LAB 37.32, 44.72, -1.69

 

CMYK 0 / 65 / 38 / 29

HEX #B43F6F

RGB 180 63 111

HSL 335.38, 0.48%, 0.48%

LAB 44.81, 51.57, -1.96

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 43 / 25 / 19

HEX #CF779B

RGB 207 119 155

HSL 335.45, 0.48%, 0.64%

LAB 60.63, 38.84, -4.31

 

CMYK 0 / 31 / 19 / 15

HEX #DA96B1

RGB 218 150 177

HSL 336.18, 0.48%, 0.72%

LAB 69.39, 29.42, -3.68

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 12 / 55 / 23

HEX #C4AD58

RGB 196 173 88

HSL 47.22, 0.48%, 0.56%

LAB 71.1, -2.38, 46.14

 

CMYK 55 / 10 / 0 / 23

HEX #58B0C4

RGB 88 176 196

HSL 191.11, 0.48%, 0.56%

LAB 67.36, -20.73, -18.25

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 32 / 0 / 55 / 23

HEX #85C458

RGB 133 196 88

HSL 95, 0.48%, 0.56%

LAB 73, -38.82, 47.24

 

CMYK 55 / 32 / 0 / 23

HEX #5885C4

RGB 88 133 196

HSL 215, 0.48%, 0.56%

LAB 54.9, 3.12, -37.47

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 0 / 12 / 55 / 23

HEX #C4AD58

RGB 196 173 88

HSL 47.22, 0.48%, 0.56%

LAB 71.1, -2.38, 46.14

 

CMYK 55 / 0 / 23 / 23

HEX #58C497

RGB 88 196 151

HSL 155, 0.48%, 0.56%

LAB 72.09, -41.73, 13.34

 

CMYK 55 / 43 / 0 / 23

HEX #5870C4

RGB 88 112 196

HSL 226.67, 0.48%, 0.56%

LAB 49.07, 15.85, -46.7

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 5 / 0 / 55 / 23

HEX #BBC458

RGB 187 196 88

HSL 65, 0.48%, 0.56%

LAB 76.53, -18, 52.23

 

CMYK 55 / 0 / 23 / 23

HEX #58C497

RGB 88 196 151

HSL 155, 0.48%, 0.56%

LAB 72.09, -41.73, 13.34

 

CMYK 51 / 55 / 0 / 23

HEX #6158C4

RGB 97 88 196

HSL 245, 0.48%, 0.56%

LAB 43.52, 32.62, -55.56

 

Description

Color code: HEX #C45884 | qconv.com Color code: HEX #C45884 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 88 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 88 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 33 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 33% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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