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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9058C4 it is the complementary color #6FA73B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9058C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9058C4 shade: #9558BF, #A66AD2, #B77CE5, #C88EF8 and #D9A0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9058C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9058C4 shade: #9058C4, #7F46B1, #6E349E, #5D228B and #4C1078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9058C4 shade: #9058C4, #AD58C4, #C458BE, #C458A1 and #C45884

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9058C4 shade: #9058C4, #7358C4 and #5858C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9058C4 shade matches the following richer shades: #9058C4, #9146D6, #9234E8 and #9222FB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9058C4 shade: #9058C4, #906BB2, #8F7DA0, #8E8F8E and #8EA17C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9058C4 shade: #585AC4, #7358C4, #9058C4, #AD58C4 and #C458BF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9058C4 shade: #673496, #7C3FB4, #9058C4, #A577CF and #B996DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9058C4 shade: #9058C4, #C45877 and #58C465

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9058C4 shade: #9058C4, #C49058 and #58C490

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9058C4 shade: #9058C4, #C45877, #8DC458 and #58C4A6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9058C4 shade: #9058C4, #C45A58, #8DC458 and #58C2C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

Complementary color

CMYK 34 / 0 / 65 / 35

HEX #6FA73B

RGB 111 167 59

HSL 91.11, 0.48%, 0.44%

LAB 62.79, -36.55, 48.49

 

CMYK 22 / 54 / 0 / 25

HEX #9558BF

RGB 149 88 191

HSL 275.53, 0.45%, 0.55%

LAB 48.42, 43.89, -44.51

 

CMYK 21 / 50 / 0 / 18

HEX #A66AD2

RGB 166 106 210

HSL 274.62, 0.54%, 0.62%

LAB 55.14, 43.03, -44.62

 

CMYK 20 / 46 / 0 / 10

HEX #B77CE5

RGB 183 124 229

HSL 273.71, 0.67%, 0.69%

LAB 61.77, 42.18, -44.7

 

CMYK 19 / 43 / 0 / 3

HEX #C88EF8

RGB 200 142 248

HSL 272.83, 0.88%, 0.76%

LAB 68.32, 41.36, -44.77

 

CMYK 15 / 37 / 0 / 0

HEX #D9A0FF

RGB 217 160 255

HSL 276, 1%, 0.81%

LAB 74.26, 38.03, -39.16

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 28 / 60 / 0 / 31

HEX #7F46B1

RGB 127 70 177

HSL 271.96, 0.43%, 0.48%

LAB 41.32, 44.65, -47.82

 

CMYK 30 / 67 / 0 / 38

HEX #6E349E

RGB 110 52 158

HSL 272.83, 0.5%, 0.41%

LAB 34.48, 45.41, -47.6

 

CMYK 33 / 76 / 0 / 45

HEX #5D228B

RGB 93 34 139

HSL 273.71, 0.61%, 0.34%

LAB 27.67, 45.8, -47.08

 

CMYK 37 / 87 / 0 / 53

HEX #4C1078

RGB 76 16 120

HSL 274.62, 0.76%, 0.27%

LAB 21.07, 45.28, -45.96

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 12 / 55 / 0 / 23

HEX #AD58C4

RGB 173 88 196

HSL 287.22, 0.48%, 0.56%

LAB 51.67, 51.35, -42.07

 

CMYK 0 / 55 / 3 / 23

HEX #C458BE

RGB 196 88 190

HSL 303.33, 0.48%, 0.56%

LAB 54.48, 56.44, -33.97

 

CMYK 0 / 55 / 18 / 23

HEX #C458A1

RGB 196 88 161

HSL 319.44, 0.48%, 0.56%

LAB 53.26, 51.76, -19.01

 

CMYK 0 / 55 / 33 / 23

HEX #C45884

RGB 196 88 132

HSL 335.56, 0.48%, 0.56%

LAB 52.27, 47.76, -3.38

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 41 / 55 / 0 / 23

HEX #7358C4

RGB 115 88 196

HSL 255, 0.48%, 0.56%

LAB 45.1, 36.63, -52.94

 

CMYK 55 / 55 / 0 / 23

HEX #5858C4

RGB 88 88 196

HSL 240, 0.48%, 0.56%

LAB 42.82, 30.78, -56.72

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 32 / 67 / 0 / 16

HEX #9146D6

RGB 145 70 214

HSL 271.25, 0.64%, 0.56%

LAB 45.98, 57.43, -61.7

 

CMYK 37 / 78 / 0 / 9

HEX #9234E8

RGB 146 52 232

HSL 271.33, 0.8%, 0.56%

LAB 44.79, 69.26, -73.88

 

CMYK 42 / 86 / 0 / 2

HEX #9222FB

RGB 146 34 251

HSL 270.97, 0.96%, 0.56%

LAB 44.55, 78.84, -84.99

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 19 / 40 / 0 / 30

HEX #906BB2

RGB 144 107 178

HSL 271.27, 0.32%, 0.56%

LAB 51.45, 28.75, -32.25

 

CMYK 11 / 22 / 0 / 37

HEX #8F7DA0

RGB 143 125 160

HSL 270.86, 0.16%, 0.56%

LAB 55.12, 13.84, -16.17

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 12 / 0 / 23 / 37

HEX #8EA17C

RGB 142 161 124

HSL 90.81, 0.16%, 0.56%

LAB 63.91, -13.6, 17.09

 

CMYK 55 / 54 / 0 / 23

HEX #585AC4

RGB 88 90 196

HSL 238.89, 0.48%, 0.56%

LAB 43.32, 29.54, -55.91

 

CMYK 41 / 55 / 0 / 23

HEX #7358C4

RGB 115 88 196

HSL 255, 0.48%, 0.56%

LAB 45.1, 36.63, -52.94

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 12 / 55 / 0 / 23

HEX #AD58C4

RGB 173 88 196

HSL 287.22, 0.48%, 0.56%

LAB 51.67, 51.35, -42.07

 

CMYK 0 / 55 / 3 / 23

HEX #C458BF

RGB 196 88 191

HSL 302.78, 0.48%, 0.56%

LAB 54.53, 56.61, -34.48

 

CMYK 31 / 65 / 0 / 41

HEX #673496

RGB 103 52 150

HSL 271.22, 0.49%, 0.4%

LAB 33.01, 41.84, -45.15

 

CMYK 31 / 65 / 0 / 29

HEX #7C3FB4

RGB 124 63 180

HSL 271.28, 0.48%, 0.48%

LAB 39.81, 48.32, -52.05

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 20 / 43 / 0 / 19

HEX #A577CF

RGB 165 119 207

HSL 271.36, 0.48%, 0.64%

LAB 57.75, 34.87, -38.82

 

CMYK 15 / 31 / 0 / 15

HEX #B996DA

RGB 185 150 218

HSL 270.88, 0.48%, 0.72%

LAB 67.42, 25.96, -29.78

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 55 / 39 / 23

HEX #C45877

RGB 196 88 119

HSL 342.78, 0.48%, 0.56%

LAB 51.89, 46.22, 3.81

 

CMYK 55 / 0 / 48 / 23

HEX #58C465

RGB 88 196 101

HSL 127.22, 0.48%, 0.56%

LAB 71.21, -50.86, 38.33

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 27 / 55 / 23

HEX #C49058

RGB 196 144 88

HSL 31.11, 0.48%, 0.56%

LAB 63.66, 13.3, 37.21

 

CMYK 55 / 0 / 27 / 23

HEX #58C490

RGB 88 196 144

HSL 151.11, 0.48%, 0.56%

LAB 71.94, -43.22, 16.9

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 55 / 39 / 23

HEX #C45877

RGB 196 88 119

HSL 342.78, 0.48%, 0.56%

LAB 51.89, 46.22, 3.81

 

CMYK 28 / 0 / 55 / 23

HEX #8DC458

RGB 141 196 88

HSL 90.56, 0.48%, 0.56%

LAB 73.45, -35.96, 47.87

 

CMYK 55 / 0 / 15 / 23

HEX #58C4A6

RGB 88 196 166

HSL 163.33, 0.48%, 0.56%

LAB 72.43, -38.32, 5.72

 

CMYK 27 / 55 / 0 / 23

HEX #9058C4

RGB 144 88 196

HSL 271.11, 0.48%, 0.56%

LAB 48.13, 43.76, -47.91

 

CMYK 0 / 54 / 55 / 23

HEX #C45A58

RGB 196 90 88

HSL 1.11, 0.48%, 0.56%

LAB 51.56, 42.22, 21.77

 

CMYK 28 / 0 / 55 / 23

HEX #8DC458

RGB 141 196 88

HSL 90.56, 0.48%, 0.56%

LAB 73.45, -35.96, 47.87

 

CMYK 55 / 1 / 0 / 23

HEX #58C2C4

RGB 88 194 196

HSL 181.11, 0.48%, 0.56%

LAB 72.66, -29.73, -10.28

 

Description

Color code: HEX #9058C4 | qconv.com Color code: HEX #9058C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 88 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 88 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 55 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 55% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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