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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C438C7 it is the complementary color #3BC738. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C438C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C438C7 shade: #C938C2, #DA4AD5, #EB5CE8, #FC6EFB and #FF80FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C438C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C438C7 shade: #C438C7, #B326B4, #A214A1, #91028E and #80007B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C438C7 shade: #C338C6, #C638A3, #C6387C, #C63856 and #C63838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C438C7 shade: #C338C6, #9D38C6, #7638C6, #5038C6 and #3838C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C438C7 shade matches the following richer shades: #C338C6, #D723DB and #EB0EF0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C438C7 shade: #C338C6, #B04CB2, #9C619D, #887589 and #748A74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C438C7 shade: #7538C6, #9C38C6, #C238C6, #C638A5 and #C6387F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C438C7 shade: #842586, #A42FA6, #C338C6, #CD58CF and #D778D9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C438C7 shade: #C438C7, #C64F38 and #38C689

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C438C7 shade: #C438C7, #C6C238 and #38C6C2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C438C7 shade: #C438C7, #C64F38, #3CC638 and #38AFC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C438C7 shade: #C438C7, #C67A38, #3CC638 and #3884C6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

Complementary color

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

CMYK 0 / 72 / 3 / 21

HEX #C938C2

RGB 201 56 194

HSL 302.9, 0.57%, 0.5%

LAB 50.85, 71.04, -41.94

 

CMYK 0 / 66 / 2 / 15

HEX #DA4AD5

RGB 218 74 213

HSL 302.08, 0.66%, 0.57%

LAB 56.69, 71.62, -43.43

 

CMYK 0 / 61 / 1 / 8

HEX #EB5CE8

RGB 235 92 232

HSL 301.26, 0.78%, 0.64%

LAB 62.63, 71.73, -44.59

 

CMYK 0 / 56 / 0 / 1

HEX #FC6EFB

RGB 252 110 251

HSL 300.42, 0.96%, 0.71%

LAB 68.62, 71.54, -45.51

 

CMYK 0 / 50 / 0 / 0

HEX #FF80FF

RGB 255 128 255

HSL 300, 1%, 0.75%

LAB 72.17, 64.95, -42.09

 

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 1 / 79 / 0 / 29

HEX #B326B4

RGB 179 38 180

HSL 299.58, 0.65%, 0.43%

LAB 44.61, 69.53, -43.9

 

CMYK 0 / 88 / 1 / 36

HEX #A214A1

RGB 162 20 161

HSL 300.42, 0.78%, 0.36%

LAB 39.16, 67.27, -41.44

 

CMYK 0 / 99 / 2 / 43

HEX #91028E

RGB 145 2 142

HSL 301.26, 0.97%, 0.29%

LAB 34.02, 63.79, -38.26

 

CMYK 0 / 100 / 4 / 50

HEX #80007B

RGB 128 0 123

HSL 302.34, 1%, 0.25%

LAB 29.46, 58.16, -33.86

 

CMYK 2 / 72 / 0 / 22

HEX #C338C6

RGB 195 56 198

HSL 298.73, 0.56%, 0.5%

LAB 50.11, 70.39, -45.5

 

CMYK 0 / 72 / 18 / 22

HEX #C638A3

RGB 198 56 163

HSL 314.79, 0.56%, 0.5%

LAB 48.86, 65.77, -26.95

 

CMYK 0 / 72 / 37 / 22

HEX #C6387C

RGB 198 56 124

HSL 331.27, 0.56%, 0.5%

LAB 47.35, 60.97, -5.81

 

CMYK 0 / 72 / 57 / 22

HEX #C63856

RGB 198 56 86

HSL 347.32, 0.56%, 0.5%

LAB 46.32, 57.54, 16.01

 

CMYK 0 / 72 / 72 / 22

HEX #C63838

RGB 198 56 56

HSL 0, 0.56%, 0.5%

LAB 45.8, 55.76, 33.43

 

CMYK 2 / 72 / 0 / 22

HEX #C338C6

RGB 195 56 198

HSL 298.73, 0.56%, 0.5%

LAB 50.11, 70.39, -45.5

 

CMYK 21 / 72 / 0 / 22

HEX #9D38C6

RGB 157 56 198

HSL 282.68, 0.56%, 0.5%

LAB 44.34, 62.45, -55.05

 

CMYK 40 / 72 / 0 / 22

HEX #7638C6

RGB 118 56 198

HSL 266.2, 0.56%, 0.5%

LAB 39.17, 54.96, -63.68

 

CMYK 60 / 72 / 0 / 22

HEX #5038C6

RGB 80 56 198

HSL 250.14, 0.56%, 0.5%

LAB 35.22, 48.9, -70.29

 

CMYK 72 / 72 / 0 / 22

HEX #3838C6

RGB 56 56 198

HSL 240, 0.56%, 0.5%

LAB 33.45, 46.04, -73.27

 

CMYK 2 / 72 / 0 / 22

HEX #C338C6

RGB 195 56 198

HSL 298.73, 0.56%, 0.5%

LAB 50.11, 70.39, -45.5

 

CMYK 2 / 84 / 0 / 14

HEX #D723DB

RGB 215 35 219

HSL 298.7, 0.72%, 0.5%

LAB 52.69, 82.97, -53.23

 

CMYK 2 / 94 / 0 / 6

HEX #EB0EF0

RGB 235 14 240

HSL 298.67, 0.89%, 0.5%

LAB 56.35, 92.15, -59.03

 

CMYK 2 / 72 / 0 / 22

HEX #C338C6

RGB 195 56 198

HSL 298.73, 0.56%, 0.5%

LAB 50.11, 70.39, -45.5

 

CMYK 1 / 57 / 0 / 30

HEX #B04CB2

RGB 176 76 178

HSL 298.82, 0.4%, 0.5%

LAB 49.02, 54.48, -35.77

 

CMYK 1 / 38 / 0 / 38

HEX #9C619D

RGB 156 97 157

HSL 299, 0.24%, 0.5%

LAB 49.56, 33.76, -22.81

 

CMYK 1 / 15 / 0 / 46

HEX #887589

RGB 136 117 137

HSL 297, 0.08%, 0.5%

LAB 51.57, 11.17, -8.17

 

CMYK 16 / 0 / 16 / 46

HEX #748A74

RGB 116 138 116

HSL 120, 0.09%, 0.5%

LAB 55.23, -12.4, 9.18

 

CMYK 41 / 72 / 0 / 22

HEX #7538C6

RGB 117 56 198

HSL 265.77, 0.56%, 0.5%

LAB 39.05, 54.78, -63.88

 

CMYK 21 / 72 / 0 / 22

HEX #9C38C6

RGB 156 56 198

HSL 282.25, 0.56%, 0.5%

LAB 44.19, 62.25, -55.29

 

CMYK 2 / 72 / 0 / 22

HEX #C238C6

RGB 194 56 198

HSL 298.31, 0.56%, 0.5%

LAB 49.95, 70.17, -45.76

 

CMYK 0 / 72 / 17 / 22

HEX #C638A5

RGB 198 56 165

HSL 313.94, 0.56%, 0.5%

LAB 48.95, 66.05, -28

 

CMYK 0 / 72 / 36 / 22

HEX #C6387F

RGB 198 56 127

HSL 330, 0.56%, 0.5%

LAB 47.45, 61.29, -7.48

 

CMYK 1 / 72 / 0 / 47

HEX #842586

RGB 132 37 134

HSL 298.76, 0.57%, 0.34%

LAB 33.88, 52.05, -33.67

 

CMYK 1 / 72 / 0 / 35

HEX #A42FA6

RGB 164 47 166

HSL 298.99, 0.56%, 0.42%

LAB 42.28, 61.33, -39.47

 

CMYK 2 / 72 / 0 / 22

HEX #C338C6

RGB 195 56 198

HSL 298.73, 0.56%, 0.5%

LAB 50.11, 70.39, -45.5

 

CMYK 1 / 57 / 0 / 19

HEX #CD58CF

RGB 205 88 207

HSL 298.99, 0.55%, 0.58%

LAB 56.55, 61.76, -40.37

 

CMYK 1 / 45 / 0 / 15

HEX #D778D9

RGB 215 120 217

HSL 298.76, 0.56%, 0.66%

LAB 64.07, 50.99, -34.15

 

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 0 / 60 / 72 / 22

HEX #C64F38

RGB 198 79 56

HSL 9.72, 0.56%, 0.5%

LAB 49.35, 46.17, 37.51

 

CMYK 72 / 0 / 31 / 22

HEX #38C689

RGB 56 198 137

HSL 154.23, 0.56%, 0.5%

LAB 71.58, -51.51, 20.02

 

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 0 / 2 / 72 / 22

HEX #C6C238

RGB 198 194 56

HSL 58.31, 0.56%, 0.5%

LAB 76.6, -14.44, 65.73

 

CMYK 72 / 0 / 2 / 22

HEX #38C6C2

RGB 56 198 194

HSL 178.31, 0.56%, 0.5%

LAB 72.97, -37.26, -8.8

 

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 0 / 60 / 72 / 22

HEX #C64F38

RGB 198 79 56

HSL 9.72, 0.56%, 0.5%

LAB 49.35, 46.17, 37.51

 

CMYK 70 / 0 / 72 / 22

HEX #3CC638

RGB 60 198 56

HSL 118.31, 0.56%, 0.5%

LAB 70.62, -62.81, 57.4

 

CMYK 72 / 12 / 0 / 22

HEX #38AFC6

RGB 56 175 198

HSL 189.72, 0.56%, 0.5%

LAB 66.2, -24.99, -21.21

 

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 0 / 38 / 72 / 22

HEX #C67A38

RGB 198 122 56

HSL 27.89, 0.56%, 0.5%

LAB 58.24, 24.05, 47.23

 

CMYK 70 / 0 / 72 / 22

HEX #3CC638

RGB 60 198 56

HSL 118.31, 0.56%, 0.5%

LAB 70.62, -62.81, 57.4

 

CMYK 72 / 33 / 0 / 22

HEX #3884C6

RGB 56 132 198

HSL 207.89, 0.56%, 0.5%

LAB 53.41, -1.4, -41.05

 

Description

Color code: HEX #C438C7 | qconv.com Color code: HEX #C438C7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 56 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 56 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 72 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 72% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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