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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC738 it is the complementary color #C438C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC738. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC738 shade: #40C733, #51D946, #62EB59, #73FD6C and #84FF7F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC738. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC738 shade: #3BC738, #2AB525, #19A312, #089100 and #007F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC738 shade: #3BC638, #61C638, #88C638, #AEC638 and #C6B838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC738 shade: #3BC638, #38C65B, #38C682, #38C6A8 and #38BEC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC738 shade matches the following richer shades: #3BC638, #27DB23 and #13F00E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC738 shade: #3BC638, #4EB24C, #629D61, #768975 and #8A748A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC738 shade: #89C638, #62C638, #3CC638, #38C659 and #38C67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC738 shade: #278625, #31A62F, #3BC638, #5ACF58 and #7AD978

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC738 shade: #3BC738, #38AFC6 and #C63875

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC738 shade: #3BC738, #383CC6 and #C6383C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC738 shade: #3BC738, #38AFC6, #C238C6 and #C64F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC738 shade: #3BC738, #3884C6, #C238C6 and #C67A38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

Complementary color

CMYK 2 / 72 / 0 / 22

HEX #C438C7

RGB 196 56 199

HSL 298.74, 0.56%, 0.5%

LAB 50.32, 70.77, -45.73

 

CMYK 68 / 0 / 74 / 22

HEX #40C733

RGB 64 199 51

HSL 114.73, 0.59%, 0.49%

LAB 70.99, -62.78, 59.59

 

CMYK 63 / 0 / 68 / 15

HEX #51D946

RGB 81 217 70

HSL 115.51, 0.66%, 0.56%

LAB 77.17, -63.79, 59.09

 

CMYK 58 / 0 / 62 / 8

HEX #62EB59

RGB 98 235 89

HSL 116.3, 0.78%, 0.64%

LAB 83.3, -64.44, 58.22

 

CMYK 55 / 0 / 57 / 1

HEX #73FD6C

RGB 115 253 108

HSL 117.1, 0.97%, 0.71%

LAB 89.38, -64.82, 57.15

 

CMYK 48 / 0 / 50 / 0

HEX #84FF7F

RGB 132 255 127

HSL 117.66, 1%, 0.75%

LAB 90.76, -58.97, 50.36

 

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

CMYK 77 / 0 / 80 / 29

HEX #2AB525

RGB 42 181 37

HSL 117.92, 0.66%, 0.43%

LAB 64.7, -61.72, 57.85

 

CMYK 85 / 0 / 89 / 36

HEX #19A312

RGB 25 163 18

HSL 117.1, 0.8%, 0.35%

LAB 58.46, -59.37, 56.95

 

CMYK 94 / 0 / 100 / 43

HEX #089100

RGB 8 145 0

HSL 116.69, 1%, 0.28%

LAB 52.18, -56.06, 54.69

 

CMYK 100 / 0 / 100 / 50

HEX #007F00

RGB 0 127 0

HSL 120, 1%, 0.25%

LAB 45.88, -51.41, 49.62

 

CMYK 70 / 0 / 72 / 22

HEX #3BC638

RGB 59 198 56

HSL 118.73, 0.56%, 0.5%

LAB 70.6, -62.99, 57.37

 

CMYK 51 / 0 / 72 / 22

HEX #61C638

RGB 97 198 56

HSL 102.68, 0.56%, 0.5%

LAB 71.7, -54.12, 58.85

 

CMYK 31 / 0 / 72 / 22

HEX #88C638

RGB 136 198 56

HSL 86.2, 0.56%, 0.5%

LAB 73.49, -41.31, 61.24

 

CMYK 12 / 0 / 72 / 22

HEX #AEC638

RGB 174 198 56

HSL 70.14, 0.56%, 0.5%

LAB 75.87, -26.47, 64.39

 

CMYK 0 / 7 / 72 / 22

HEX #C6B838

RGB 198 184 56

HSL 54.08, 0.56%, 0.5%

LAB 73.92, -9.34, 63.13

 

CMYK 70 / 0 / 72 / 22

HEX #3BC638

RGB 59 198 56

HSL 118.73, 0.56%, 0.5%

LAB 70.6, -62.99, 57.37

 

CMYK 72 / 0 / 54 / 22

HEX #38C65B

RGB 56 198 91

HSL 134.79, 0.56%, 0.5%

LAB 70.86, -59.63, 42.59

 

CMYK 72 / 0 / 34 / 22

HEX #38C682

RGB 56 198 130

HSL 151.27, 0.56%, 0.5%

LAB 71.45, -52.96, 23.55

 

CMYK 72 / 0 / 15 / 22

HEX #38C6A8

RGB 56 198 168

HSL 167.32, 0.56%, 0.5%

LAB 72.27, -44.26, 4.29

 

CMYK 72 / 4 / 0 / 22

HEX #38BEC6

RGB 56 190 198

HSL 183.38, 0.56%, 0.5%

LAB 70.69, -32.36, -14.39

 

CMYK 70 / 0 / 72 / 22

HEX #3BC638

RGB 59 198 56

HSL 118.73, 0.56%, 0.5%

LAB 70.6, -62.99, 57.37

 

CMYK 82 / 0 / 84 / 14

HEX #27DB23

RGB 39 219 35

HSL 118.7, 0.72%, 0.5%

LAB 76.81, -73.52, 69.54

 

CMYK 92 / 0 / 94 / 6

HEX #13F00E

RGB 19 240 14

HSL 118.67, 0.89%, 0.5%

LAB 83.17, -81.43, 78.36

 

CMYK 70 / 0 / 72 / 22

HEX #3BC638

RGB 59 198 56

HSL 118.73, 0.56%, 0.5%

LAB 70.6, -62.99, 57.37

 

CMYK 56 / 0 / 57 / 30

HEX #4EB24C

RGB 78 178 76

HSL 118.82, 0.4%, 0.5%

LAB 64.95, -49.71, 42.82

 

CMYK 38 / 0 / 38 / 38

HEX #629D61

RGB 98 157 97

HSL 119, 0.24%, 0.5%

LAB 59.5, -31.8, 25.48

 

CMYK 14 / 0 / 15 / 46

HEX #768975

RGB 118 137 117

HSL 117, 0.08%, 0.5%

LAB 55.1, -10.93, 8.44

 

CMYK 0 / 16 / 0 / 46

HEX #8A748A

RGB 138 116 138

HSL 300, 0.09%, 0.5%

LAB 51.53, 12.7, -8.8

 

CMYK 31 / 0 / 72 / 22

HEX #89C638

RGB 137 198 56

HSL 85.77, 0.56%, 0.5%

LAB 73.54, -40.95, 61.31

 

CMYK 51 / 0 / 72 / 22

HEX #62C638

RGB 98 198 56

HSL 102.25, 0.56%, 0.5%

LAB 71.74, -53.84, 58.9

 

CMYK 70 / 0 / 72 / 22

HEX #3CC638

RGB 60 198 56

HSL 118.31, 0.56%, 0.5%

LAB 70.62, -62.81, 57.4

 

CMYK 72 / 0 / 55 / 22

HEX #38C659

RGB 56 198 89

HSL 133.94, 0.56%, 0.5%

LAB 70.84, -59.91, 43.52

 

CMYK 72 / 0 / 36 / 22

HEX #38C67F

RGB 56 198 127

HSL 150, 0.56%, 0.5%

LAB 71.39, -53.56, 25.06

 

CMYK 71 / 0 / 72 / 47

HEX #278625

RGB 39 134 37

HSL 118.76, 0.57%, 0.34%

LAB 49.03, -46.66, 42.26

 

CMYK 70 / 0 / 72 / 35

HEX #31A62F

RGB 49 166 47

HSL 118.99, 0.56%, 0.42%

LAB 60.01, -54.94, 49.77

 

CMYK 70 / 0 / 72 / 22

HEX #3BC638

RGB 59 198 56

HSL 118.73, 0.56%, 0.5%

LAB 70.6, -62.99, 57.37

 

CMYK 57 / 0 / 57 / 19

HEX #5ACF58

RGB 90 207 88

HSL 118.99, 0.55%, 0.58%

LAB 74.51, -56.29, 48.55

 

CMYK 44 / 0 / 45 / 15

HEX #7AD978

RGB 122 217 120

HSL 118.76, 0.56%, 0.66%

LAB 79.11, -47.43, 39.11

 

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

CMYK 72 / 12 / 0 / 22

HEX #38AFC6

RGB 56 175 198

HSL 189.72, 0.56%, 0.5%

LAB 66.2, -24.99, -21.21

 

CMYK 0 / 72 / 41 / 22

HEX #C63875

RGB 198 56 117

HSL 334.23, 0.56%, 0.5%

LAB 47.13, 60.24, -1.87

 

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

CMYK 72 / 70 / 0 / 22

HEX #383CC6

RGB 56 60 198

HSL 238.31, 0.56%, 0.5%

LAB 34.29, 43.71, -71.88

 

CMYK 0 / 72 / 70 / 22

HEX #C6383C

RGB 198 56 60

HSL 358.31, 0.56%, 0.5%

LAB 45.85, 55.95, 31.15

 

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

CMYK 72 / 12 / 0 / 22

HEX #38AFC6

RGB 56 175 198

HSL 189.72, 0.56%, 0.5%

LAB 66.2, -24.99, -21.21

 

CMYK 2 / 72 / 0 / 22

HEX #C238C6

RGB 194 56 198

HSL 298.31, 0.56%, 0.5%

LAB 49.95, 70.17, -45.76

 

CMYK 0 / 60 / 72 / 22

HEX #C64F38

RGB 198 79 56

HSL 9.72, 0.56%, 0.5%

LAB 49.35, 46.17, 37.51

 

CMYK 70 / 0 / 72 / 22

HEX #3BC738

RGB 59 199 56

HSL 118.74, 0.56%, 0.5%

LAB 70.91, -63.32, 57.7

 

CMYK 72 / 33 / 0 / 22

HEX #3884C6

RGB 56 132 198

HSL 207.89, 0.56%, 0.5%

LAB 53.41, -1.4, -41.05

 

CMYK 2 / 72 / 0 / 22

HEX #C238C6

RGB 194 56 198

HSL 298.31, 0.56%, 0.5%

LAB 49.95, 70.17, -45.76

 

CMYK 0 / 38 / 72 / 22

HEX #C67A38

RGB 198 122 56

HSL 27.89, 0.56%, 0.5%

LAB 58.24, 24.05, 47.23

 

Description

Color code: HEX #3BC738 | qconv.com Color code: HEX #3BC738 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 199 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 199 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 72 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 72% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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