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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C7AD46 it is the complementary color #3852B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C7AD46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C7AD46 shade: #CCAD41, #DDBF54, #EED167, #FFE37A and #FFF58D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C7AD46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C7AD46 shade: #C7AD46, #B69B33, #A58920, #94770D and #836500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C7AD46 shade: #C7AD46, #C78A46, #C76746 and #C74646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C7AD46 shade: #C7AD46, #BFC746, #9CC746, #79C746 and #56C746

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C7AD46 shade matches the following richer shades: #C7AD46, #DBB933 and #EEC41F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C7AD46 shade: #C7AD46, #B4A259, #A1966D, #8D8B80 and #7A7F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C7AD46 shade: #C76646, #C78946, #C7AB46, #C1C746 and #9EC746

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C7AD46 shade: #907C2B, #B09734, #C7AD46, #D1BB66 and #DAC985

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C7AD46 shade: #C7AD46, #48C746 and #7846C7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C7AD46 shade: #C7AD46, #46C7AB and #AB46C7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C7AD46 shade: #C7AD46, #48C746, #4662C7 and #C546C7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C7AD46 shade: #C7AD46, #46C76B, #4662C7 and #C746A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

Complementary color

CMYK 70 / 56 / 0 / 27

HEX #3852B9

RGB 56 82 185

HSL 227.91, 0.54%, 0.47%

LAB 38.51, 25.3, -57.37

 

CMYK 0 / 15 / 68 / 20

HEX #CCAD41

RGB 204 173 65

HSL 46.62, 0.58%, 0.53%

LAB 71.63, -0.53, 57.45

 

CMYK 0 / 14 / 62 / 13

HEX #DDBF54

RGB 221 191 84

HSL 46.86, 0.67%, 0.6%

LAB 78.04, -1.57, 56.52

 

CMYK 0 / 12 / 57 / 7

HEX #EED167

RGB 238 209 103

HSL 47.11, 0.8%, 0.67%

LAB 84.36, -2.45, 55.42

 

CMYK 0 / 11 / 52 / 0

HEX #FFE37A

RGB 255 227 122

HSL 47.37, 1%, 0.74%

LAB 90.6, -3.22, 54.25

 

CMYK 0 / 4 / 45 / 0

HEX #FFF58D

RGB 255 245 141

HSL 54.74, 1%, 0.78%

LAB 95.37, -10.51, 51.04

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 0 / 15 / 72 / 29

HEX #B69B33

RGB 182 155 51

HSL 47.63, 0.56%, 0.46%

LAB 64.67, -1.28, 55.46

 

CMYK 0 / 17 / 81 / 35

HEX #A58920

RGB 165 137 32

HSL 47.37, 0.68%, 0.39%

LAB 58.03, 0.07, 55.64

 

CMYK 0 / 20 / 91 / 42

HEX #94770D

RGB 148 119 13

HSL 47.11, 0.84%, 0.32%

LAB 51.29, 1.71, 54.6

 

CMYK 0 / 23 / 100 / 49

HEX #836500

RGB 131 101 0

HSL 46.26, 1%, 0.26%

LAB 44.42, 3.7, 51.5

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 0 / 31 / 65 / 22

HEX #C78A46

RGB 199 138 70

HSL 31.63, 0.54%, 0.53%

LAB 62.31, 16.53, 44.92

 

CMYK 0 / 48 / 65 / 22

HEX #C76746

RGB 199 103 70

HSL 15.35, 0.54%, 0.53%

LAB 54.33, 35.43, 35.64

 

CMYK 0 / 65 / 65 / 22

HEX #C74646

RGB 199 70 70

HSL 0, 0.54%, 0.53%

LAB 48.22, 51.28, 28.18

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 4 / 0 / 65 / 22

HEX #BFC746

RGB 191 199 70

HSL 63.72, 0.54%, 0.53%

LAB 77.5, -19.13, 61.15

 

CMYK 22 / 0 / 65 / 22

HEX #9CC746

RGB 156 199 70

HSL 80, 0.54%, 0.53%

LAB 75.05, -33.26, 57.82

 

CMYK 39 / 0 / 65 / 22

HEX #79C746

RGB 121 199 70

HSL 96.28, 0.54%, 0.53%

LAB 73.12, -45.96, 55.18

 

CMYK 57 / 0 / 65 / 22

HEX #56C746

RGB 86 199 70

HSL 112.56, 0.54%, 0.53%

LAB 71.74, -56.26, 53.27

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 0 / 16 / 77 / 14

HEX #DBB933

RGB 219 185 51

HSL 47.86, 0.7%, 0.53%

LAB 76.07, -1.01, 67.62

 

CMYK 0 / 18 / 87 / 7

HEX #EEC41F

RGB 238 196 31

HSL 47.83, 0.86%, 0.53%

LAB 80.6, 0.89, 77.75

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 0 / 10 / 51 / 29

HEX #B4A259

RGB 180 162 89

HSL 48.13, 0.38%, 0.53%

LAB 66.72, -3.21, 40.06

 

CMYK 0 / 7 / 32 / 37

HEX #A1966D

RGB 161 150 109

HSL 47.31, 0.22%, 0.53%

LAB 62.08, -2.41, 23.13

 

CMYK 0 / 1 / 9 / 45

HEX #8D8B80

RGB 141 139 128

HSL 50.77, 0.05%, 0.53%

LAB 57.74, -1.31, 6.14

 

CMYK 17 / 14 / 0 / 42

HEX #7A7F93

RGB 122 127 147

HSL 228, 0.1%, 0.53%

LAB 53.41, 2.53, -11.39

 

CMYK 0 / 49 / 65 / 22

HEX #C76646

RGB 199 102 70

HSL 14.88, 0.54%, 0.53%

LAB 54.12, 35.95, 35.39

 

CMYK 0 / 31 / 65 / 22

HEX #C78946

RGB 199 137 70

HSL 31.16, 0.54%, 0.53%

LAB 62.06, 17.08, 44.64

 

CMYK 0 / 14 / 65 / 22

HEX #C7AB46

RGB 199 171 70

HSL 46.98, 0.54%, 0.53%

LAB 70.67, -1.33, 54.14

 

CMYK 3 / 0 / 65 / 22

HEX #C1C746

RGB 193 199 70

HSL 62.79, 0.54%, 0.53%

LAB 77.65, -18.3, 61.35

 

CMYK 21 / 0 / 65 / 22

HEX #9EC746

RGB 158 199 70

HSL 79.07, 0.54%, 0.53%

LAB 75.18, -32.48, 57.99

 

CMYK 0 / 14 / 70 / 44

HEX #907C2B

RGB 144 124 43

HSL 48.12, 0.54%, 0.37%

LAB 52.42, -1.81, 45.23

 

CMYK 0 / 14 / 70 / 31

HEX #B09734

RGB 176 151 52

HSL 47.9, 0.54%, 0.45%

LAB 63.02, -1.73, 53.21

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 0 / 11 / 51 / 18

HEX #D1BB66

RGB 209 187 102

HSL 47.66, 0.54%, 0.61%

LAB 76.1, -3.12, 45.52

 

CMYK 0 / 8 / 39 / 15

HEX #DAC985

RGB 218 201 133

HSL 48, 0.53%, 0.69%

LAB 80.95, -3.67, 36.13

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 64 / 0 / 65 / 22

HEX #48C746

RGB 72 199 70

HSL 119.07, 0.54%, 0.53%

LAB 71.33, -59.5, 52.71

 

CMYK 40 / 65 / 0 / 22

HEX #7846C7

RGB 120 70 199

HSL 263.26, 0.54%, 0.53%

LAB 42, 48.62, -59.65

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 65 / 0 / 14 / 22

HEX #46C7AB

RGB 70 199 171

HSL 166.98, 0.54%, 0.53%

LAB 72.95, -41.84, 3.69

 

CMYK 14 / 65 / 0 / 22

HEX #AB46C7

RGB 171 70 199

HSL 286.98, 0.54%, 0.53%

LAB 48.46, 59.88, -48.91

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 64 / 0 / 65 / 22

HEX #48C746

RGB 72 199 70

HSL 119.07, 0.54%, 0.53%

LAB 71.33, -59.5, 52.71

 

CMYK 65 / 51 / 0 / 22

HEX #4662C7

RGB 70 98 199

HSL 226.98, 0.54%, 0.53%

LAB 44.46, 22.21, -55.86

 

CMYK 1 / 65 / 0 / 22

HEX #C546C7

RGB 197 70 199

HSL 299.07, 0.54%, 0.53%

LAB 52.26, 65.95, -42.64

 

CMYK 0 / 13 / 65 / 22

HEX #C7AD46

RGB 199 173 70

HSL 47.91, 0.54%, 0.53%

LAB 71.19, -2.39, 54.7

 

CMYK 65 / 0 / 46 / 22

HEX #46C76B

RGB 70 199 107

HSL 137.21, 0.54%, 0.53%

LAB 71.7, -55.09, 35.83

 

CMYK 65 / 51 / 0 / 22

HEX #4662C7

RGB 70 98 199

HSL 226.98, 0.54%, 0.53%

LAB 44.46, 22.21, -55.86

 

CMYK 0 / 65 / 18 / 22

HEX #C746A3

RGB 199 70 163

HSL 316.74, 0.54%, 0.53%

LAB 50.88, 60.83, -23.8

 

Description

Color code: HEX #C7AD46 | qconv.com Color code: HEX #C7AD46 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 199 red, 173 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
199 173 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 65 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 65% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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